TY - THES A1 - Bournot, Estefanía T1 - Giros Topográficos BT - (Re)escrituras del espacio en la narrativa latinoamericana del siglo XXI N2 - Giros topográficos explora las producciones simbólicas del espacio en una serie de textos narrativos publicados desde el cambio de milenio en América Latina. Retomando los planteos teóricos del spatial turn y de la geocrítica, el estudio aborda las topografías literarias desde cuatro ángulos que exceden y transforman los límites territoriales y nacionales: dinámicas de hiperconectividad mediática y movilidad acelerada; genealogías afectivas; ecologías urbanas; y representaciones de la alteridad. A partir del análisis de obras de Lina Meruane, Guillermo Fadanelli, Andrés Neuman, Andrea Jeftanovic, Sergio Chejfech y Bernardo Carvalho, entre otros, el libro señala los flujos, ambigüedades y tensiones proyectadas por las nuevas comunidades imaginadas del s.XXI. Con ello, el ensayo busca ofrecer un aporte para repensar el estatus de la literatura latinoamericana en el marco de su globalización avanzada y la consecuente consolidación de espacios de enunciación translocalizados. N2 - Topographic turns investigates the symbolic productions of space in a series of narrative texts published since the turn of the millennium in Latin America. Drawing on theoretical approaches of the Spatial Turn and Geocriticism, the study critically examines literary topographies from four angles that exceed and transform territorial and national boundaries: dynamics of mediatic hyperconnectivity and accelerated mobility; affective genealogies; urban ecologies; and representations of otherness. Based on the analysis of works by Lina Meruane, Guillermo Fadanelli, Andrés Neuman, Andrea Jeftanovic, Sergio Chejfech and Bernardo Carvalho, among others, the book outlines the flows, ambiguities and tensions projected by the imagined communities of the 21st century. Overall the study seeks to offer a contribution to rethink the status of Latin American literature in the context of its advanced globalization and the consequent consolidation of translocalized spaces of enunciation. T3 - Potsdamer Bibliothek der WeltRegionen (PoWeR) - 6 KW - giro espacial KW - geocrítica KW - cronotopos KW - narrativa latinoamericana contemporánea KW - globalización KW - literatura mundial KW - comunidades imaginadas KW - giro afectivo KW - literatura de viaje KW - orientalismo KW - paisajes urbanos KW - no-lugares KW - spatial turn KW - geocriticism KW - chronotopes KW - contemporary Latin American literature KW - globalization KW - world literature KW - imagined communities KW - affective turn KW - travel literature KW - orientalism KW - urban landscapes KW - non-places Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-548422 SN - 978-3-86956-534-7 SN - 2629-2548 SN - 2629-253X IS - 6 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Ette, Ottmar T1 - Saga-Like World-Fractals: João Guimarães Rosa, "Sagarana", and the Literatures of the World JF - Journal of Foreign Languages and Cultures N2 - This article presents and discusses João Guimarães Rosa as an outstanding Brazilian author whose literary work, especially Sagarana, expresses aesthetically different ways of life-forms between human beings, animals, plants, and landscapes. Movement and transformations are the basic principles in which the melody of prose expresses itself as a language in and as motion. Although based in Brazilian culture, Rosa shows the conviviality of different logics which are not reduced to one myth of the Brazilian people, but produce multiple ways of co-existence between different life-forms and culture narratives. The translingual title “Sagarana” already alludes to the transitions between two languages, regions, and cultures: the Icelandic “saga-” and the Tupic-Word “rana” which means “similar” or “alike.” The interpretation figures out the correlation of different provenances (“Herkünfte”) which emerge from Rosa’s craft of storytelling. In its center, the Sertão arises as a region of nature whose forces are connected with the life of human beings. As fractal of the world, it symbolizes Brazilian relations as a world of its own and at the same time as a part of the world of others. From this point of view the essay turns world literature upside down: it emphasizes on the one hand that the epoch of world literature since Goethe has come to an end and that the meridian has shifted to Latin America. On the other hand it can be observed that the lusophonic world between Brazil and Angola, Portugal and Kap Verde develops new perspectives on literatures of the world beyond the fixed coordinations of periphery and center. Rosa’s ways of world making already shift the perspective from the local to the global as a miniatured model of a universe which reveals interpretations of a better understanding of the world as world fractals. KW - João Guimarães Rosa KW - world literature KW - literatures of the world KW - Latin American literature KW - Brazilian literature KW - Sagarana Y1 - 2020 VL - IV IS - 1 SP - 1 EP - 21 PB - Hunan Normal University CY - Changsha ER - TY - GEN A1 - Gasser, Lucy T1 - Towards Eurasia BT - remapping Europe as ‘upstart peripheral to an ongoing operation’ T2 - Postprints der Universität Potsdam Philosophische Reihe N2 - In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 164 KW - Eurasia KW - Europe KW - eurocentrism KW - Soviet Union KW - world literature Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-433585 SN - 1866-8380 IS - 164 SP - 188 EP - 202 ER - TY - JOUR A1 - Gasser, Lucy T1 - Towards Eurasia BT - remapping Europe as ‘upstart peripheral to an ongoing operation’ JF - Postcolonial Studies N2 - In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters. KW - Eurasia KW - Europe KW - Eurocentrism KW - Soviet Union KW - world literature Y1 - 2019 U6 - https://doi.org/10.1080/13688790.2019.1608798 SN - 1368-8790 SN - 1466-1888 VL - 22 IS - 2 SP - 188 EP - 202 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Pittel, Harald T1 - Fin du globe BT - Oscar Wilde’s romance with decadence and the idea of world literature JF - Thesis eleven : critical theory and historical sociology N2 - This essay argues that Oscar Wilde noticeably contributed to the emerging discourse about world literature, even though his views in this regard have to be unearthed from the margins of his works, from his early and unpublished American lectures and 'between the lines' of his major critical essays. Wilde's implicit ideas around world literature can be understood as being closely related to his broader endeavour of redirecting and revaluing the pejorative discourse around 'decadence' in art and literature. More specifically, the arch-aesthete preferred to use the word 'romance' rather than 'decadence' (a term he hardly used at all in his writings), signalling a sensitivity attuned to what he called the 'love of things impossible'. This reconceptualization of the decadent outlook was to inspire a critical ideal of literature which relied on creatively activating the other as Other, culminating in a vision of intersubjective, transcultural and unlimited literary communication. Wilde's thought can be more specifically understood as anticipating central tenets of Gayatri Chakravorty Spivak's evocations of the planetary, thus preparing the way for an alterity-oriented understanding of literary cosmopolitanism. KW - debt KW - decadence KW - planetarity KW - romance KW - world literature Y1 - 2021 U6 - https://doi.org/10.1177/0725513621994702 SN - 0725-5136 SN - 1461-7455 VL - 162 IS - 1 SP - 121 EP - 136 PB - Sage CY - London ER - TY - JOUR A1 - Wiemann, Dirk ED - Robinson, Benjamin Lewis T1 - Being Taught Something World-Sized BT - 'The Detainee's Tale as Told to Ali Smith' and the Work of World Literature JF - The Work of World Literature N2 - This paper reads ‘The Detainee’s Tale as told to Ali Smith’ (2016) as an exemplary demonstration of the work of world literature. Smith’s story articulates an ethics of reading that is grounded in the recipient’s openness to the singular, unpredictable, and unverifiable text of the other. More specifically, Smith’s account enables the very event that it painstakingly stages: the encounter with alterity and newness, which is both the theme of the narrative and the effect of the text on the reader. At the same time, however, the text urges to move from an ethics of literature understood as the responsible reception of the other by an individual reader to a more explicitly convivial and political ethics of commitment beyond the scene of reading. KW - Ali Smith KW - anagogy KW - ethics KW - Refugee Tales KW - singularity KW - world literature Y1 - 2021 U6 - https://doi.org/10.37050/ci-19_07 SN - 2627-728X SN - 2627-731X SP - 149 EP - 172 PB - ICI Press CY - Berlin ER - TY - CHAP A1 - Wiemann, Dirk T1 - Being Taught Something World-Sized BT - 'The Detainee's Tale as Told to Ali Smith and the Work of World Literature T2 - The Work of World Literature N2 - This paper reads ‘The Detainee’s Tale as told to Ali Smith’ (2016) as an exemplary demonstration of the work of world literature. Smith’s story articulates an ethics of reading that is grounded in the recipient’s openness to the singular, unpredictable, and unverifiable text of the other. More specifically, Smith’s account enables the very event that it painstakingly stages: the encounter with alterity and newness, which is both the theme of the narrative and the effect of the text on the reader. At the same time, however, the text urges to move from an ethics of literature understood as the responsible reception of the other by an individual reader to a more explicitly convivial and political ethics of commitment beyond the scene of reading. KW - Ali Smith KW - anagogy KW - ethics KW - Refugee Tales KW - singularity KW - world literature Y1 - 2021 SN - 978-3-96558-011-4 SN - 978-3-96558-012-1 SN - 978-3-96558-013-8 SN - 978-3-96558-022-0 U6 - https://doi.org/10.37050/ci-19_07 SN - 2627-728X SN - 2627-731X VL - 2021 SP - 149 EP - 172 PB - ICI Berlin Press CY - Berlin ER -