TY - THES A1 - Santos Bruss, Sara Morais dos T1 - Feminist solidarities after modulation N2 - Feminist Solidarities after Modulation produces an intersectional analysis of transnational feminist movements and their contemporary digital frameworks of identity and solidarity. Engaging media theory, critical race theory, and Black feminist theory, as well as contemporary feminist movements, this book argues that digital feminist interventions map themselves onto and make use of the multiplicity and ambiguity of digital spaces to question presentist and fixed notions of the internet as a white space and technologies in general as objective or universal. Understanding these frameworks as colonial constructions of the human, identity is traced to a socio-material condition that emerges with the modernity/colonialism binary. In the colonial moment, race and gender become the reasons for, as well as the effects of, technologies of identification, and thus need to be understood as and through technologies. What Deleuze has called modulation is not a present modality of control, but is placed into a longer genealogy of imperial division, which stands in opposition to feminist, queer, and anti-racist activism that insists on non-modular solidarities across seeming difference. At its heart, Feminist Solidarities after Modulation provides an analysis of contemporary digital feminist solidarities, which not only work at revealing the material histories and affective ""leakages"" of modular governance, but also challenges them to concentrate on forms of political togetherness that exceed a reductive or essentialist understanding of identity, solidarity, and difference. KW - social media KW - decolonial feminism KW - Germany KW - India KW - intersectionality KW - modulation KW - identity politics Y1 - 2020 SN - 978-1-68571-146-7 SN - 978-1-68571-147-4 U6 - https://doi.org/10.53288/0397.1.00 PB - punctum books CY - Brooklyn, NY ER - TY - JOUR A1 - Rath, Anna von T1 - Strategic label BT - Afropolitan literature in Germany JF - Afropolitan Literature as World Literature N2 - The Afropolitan Berlin novel Biskaya by SchwarzRund (2016) is probably the first novel written in German which demonstratively wears this label – on the front cover of the book, the author announces it to be an Afropolitaner Berlin Roman underneath the title. While addressing quite a few particulars of the Berlin-Brandenburg area, the novel writes itself willingly into the globally popular, yet controversial realm of African inflected cosmopolitanism. In this essay, I will argue that the author uses the label strategically to negotiate the global and the local – or worldliness and cultural specificity – with the aim to increase the visibility of queer of Color critique in Germany. SchwarzRund’s approach may seem contradictory at first: Even though she could have called her novel queer, neuro-diverse, diasporic or Black, she chose Afropolitan. While she wrote an outspokenly political novel, she labeled it with a term often critically denounced as apolitical. Using Afropolitanism, she seems to aim at a rather mainstream audience, but at the same time, she published with a small, activist publishing house. While attempting to tap into the transnational cultural and literary capital of Afropolitanism, the language of the book is German and restricts it to the German-speaking parts of the world. This essay will explore the Afropolitanism depicted in Biskaya and elaborate on the strategic choice of label. I will offer one possible interpretation of the characters and settings which illustrate SchwarzRund’s vision and version of Afropolitanism. In my analyses, I am interested in political questions around the characters’ identities and the setting. The Black protagonists of the novel, Tue and Dwayne, live in Berlin, but grew up on the fictional island Biskaya. This island is located somewhere close to the European mainland and part of the continent; it had an entirely Black population until a destructive event forced many to move to the mainland. The protagonists, now living in a mainly white society, are depicted in a state of interrogation of their own sense of self, measuring oppressive societal norms against other possible ways of interaction. The novel shows how people are deemed strange and not fitting into a network of unspoken rules because of racialized bodies, sexual preferences and#shor lifestyle choices. However, SchwarzRund counters those structures of inequality with her characters’ playful ways to deal with queerness, femininity and blackness subverting imposed norms. The novel challenges imperatives of subordination, creates new visions and inscribes Black Germans as political subjects. KW - Afropolitanism KW - Germany KW - queer KW - black Y1 - 2020 SN - 978-1-5013-4260-8 U6 - https://doi.org/10.5040/9781501342615.ch-003 SP - 37 EP - 56 PB - Bloomsbury Academic CY - New York ER - TY - JOUR A1 - März, Moses Alexander T1 - Imagining a politics of relation BT - Glissant’s border thought and the German border JF - Tydskrif vir letterkunde N2 - This study explores the theoretical and political potentials of Édouard Glissant’s philosophy of relation and its approach to the issues of borders, migration, and the setup of political communities as proposed by his pensée nouvelle de la frontière (new border thought), against the background of the German migration crisis of 2015. The main argument of this article is that Glissant’s work offers an alternative epistemological and normative framework through which the contemporary political issues arising around the phenomenon of repressive border regimes can be studied. To demonstrate this point, this article works with Glissant’s border thought as an analytical lens and proposes a pathway for studying the contemporary German border regime. Particular emphasis is placed on the identification of potential areas where a Glissantian politics of relation could intervene with the goal of transforming borders from impermeable walls into points of passage. By exploring the political implications of his border thought, as well as the larger philosophical context from which it emerges, while using a transdisciplinary approach that borrows from literary and political studies, this work contributes to ongoing debates in postcolonial studies on borders and borderlessness, as well as Glissant’s political legacy in the twenty-first century. KW - Edouard Glissant KW - politics of relation KW - Germany KW - border regime Y1 - 2019 U6 - https://doi.org/10.17159/2309-9070/tvl.v.56i1.6271 SN - 0041-476X VL - 56 IS - 1 SP - 49 EP - 61 PB - University of Pretoria CY - Pretoria ER - TY - JOUR A1 - Leung, Ray C. H. T1 - A corpus-based analysis of textbooks used in the orientation course for immigrants in Germany: Ideological and pedagogic implications JF - Journal of Language and Cultural Education KW - orientation course KW - immigrants KW - Germany KW - corpus linguistics KW - textbooks KW - ideologies Y1 - 2016 U6 - https://doi.org/10.1515/jolace-2016-0030 SN - 1339-4045 SN - 1339-4584 VL - 4 SP - 154 EP - 177 PB - De Gruyter CY - Berlin ER -