TY - JOUR A1 - Eckstein, Lars T1 - Witi Ihimaera, The Whale Rider Y1 - 2009 SN - 978-3- 476-04000-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips Y1 - 2007 SN - 978-3-8260-3769-6 ER - TY - JOUR A1 - Eckstein, Lars T1 - Think global sell global : magical realism, the Whale Rider and the Market Y1 - 2010 SN - 978-90-420-3226-2 ER - TY - GEN A1 - Eckstein, Lars T1 - The white backlash: conservatisms in contemporary british writing Y1 - 2011 SN - 0171-1695 PB - Hard Times CY - Berlin ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu Y1 - 2003 ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - The making of Tupaia’s map BT - a story of the extent and mastery of Polynesian navigation, competing systems of wayfinding on James Cook’s endeavour, and the invention of an ingenious cartographic system JF - The journal of pacific history N2 - Tupaia’s Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra‘iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook’s Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart’s cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia’s Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models. KW - Cartography KW - first contact KW - wayfinding KW - star navigation KW - sea of islands KW - translation KW - Indigenous knowledges and ontologies KW - Tupaia Y1 - 2019 U6 - https://doi.org/10.1080/00223344.2018.1512369 SN - 0022-3344 SN - 1469-9605 VL - 54 IS - 1 SP - 1 EP - 95 PB - Routledge, Taylor & Francis Group CY - London ER - TY - JOUR A1 - Eckstein, Lars T1 - The insistence of voices : an interview with Caryl Phillips Y1 - 2001 ER - TY - THES A1 - Eckstein, Lars T1 - The Culture of Lyrics Y1 - 2010 SN - 978-3-868212-259-4 ER - TY - GEN A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The cultural validity of music in contemporary fiction T2 - Special Issues of Zeitschrift für Anglistik und Amerikanistik (ZAA) Y1 - 2006 SN - 3-8260-3365-5 VL - 54.2006,1 PB - Königshausen u. Neumann CY - Würzburg ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The adventures of William Bloke, or : romanticism today and how it got here Y1 - 2009 ER - TY - JOUR A1 - Eckstein, Lars A1 - Leypoldt, Günter T1 - T.S. Eliot and the transcultural sublime Y1 - 2007 SN - 978-3-88476-976-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Sound matters: postcolonial critique for a viral age JF - Atlantic studies : literary, cultural and historical perspectives N2 - This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today. KW - Sound KW - M.I.A. KW - Galang KW - music KW - postcolonial critique KW - transculturality KW - pirate modernity KW - Great Britain KW - South Asian diaspora Y1 - 2016 U6 - https://doi.org/10.1080/14788810.2016.1216222 SN - 1478-8810 SN - 1740-4649 VL - 13 SP - 445 EP - 456 PB - American Geophysical Union CY - Abingdon ER - TY - GEN A1 - Barrett, Lindsay A1 - Eckstein, Lars A1 - Hurley, Andrew Wright A1 - Schwarz, Anja T1 - Remembering German-Australian colonial entanglement BT - an introduction T2 - Postcolonial studies : culture, politics, economy Y1 - 2018 U6 - https://doi.org/10.1080/13688790.2018.1443671 SN - 1368-8790 SN - 1466-1888 VL - 21 IS - 1 SP - 1 EP - 5 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars T1 - Reflections of Lusáni Cissé BT - Imperial Images and Sentient Critique JF - Ideology in postcolonial texts and contexts Y1 - 2020 SN - 978-90-04-42805-8 SN - 978-90-04-43745-6 U6 - https://doi.org/10.1163/9789004437456_010 SP - 147 EP - 161 PB - Rodopi CY - Leiden ER - TY - JOUR A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements JF - Postcolonial Studies N2 - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior. KW - Memory KW - ancestral remains KW - museums and anthropological collections KW - restorative justice KW - indigenous knowledge KW - Ludwig Leichhardt Y1 - 2018 U6 - https://doi.org/10.1080/13688790.2018.1435146 SN - 1368-8790 SN - 1466-1888 VL - 21 IS - 1 SP - 6 EP - 19 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - CHAP A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements T2 - Remembering German-Australian colonial entanglements Y1 - 2020 SN - 978-0-367-42159-5 SP - 22 EP - 35 PB - Routledge CY - London ER - TY - JOUR A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements N2 - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior. Y1 - 2018 U6 - https://doi.org/10.1080/13688790.2018.1435146 SN - 1368-8790 SN - 1466-1888 VL - 21 IS - 1 SP - 6 EP - 19 PB - Taylor & Francis CY - London ER - TY - THES A1 - Eckstein, Lars T1 - Reading song lyrics T2 - Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft Y1 - 2010 SN - 978-90-420-3035-0 VL - 137 PB - Rodopi CY - Amsterdam ER - TY - BOOK A1 - Eckstein, Lars T1 - Re-Membering the Black Atlantic : on the poetics and politics of literary memory T3 - Cross cultures Y1 - 2006 SN - 94-420-1958-1 VL - 84 PB - Rodopi CY - Amsterdam ER - TY - BOOK A1 - Eckstein, Lars A1 - Bartels, Anke A1 - Waller, Nicole A1 - Wiemann, Dirk T1 - Postcolonial Literatures in English: An Introduction N2 - Postcoloniale Literatur bezeichnet die nationalen anglophonen Literaturen in den Amerikas, Asien, Afrika und Ozeanien (zeitweise auch New English Literatures genannt). Eine Darstellung nach Regionen ist wegen der migrantischen Bewegungen der Autor/innen allerdings nicht zu leisten. Daher behandelt der Band die zentralen Themen der postkolonialen Debatte, die jeweils Autor/innen aus verschiedenen Regionen betreffen. Y1 - 2019 SN - 978-3-476-02674-3 PB - Metzler CY - Berlin ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - On dancing about architecture : words and music between cultural practise and transcendence Y1 - 2006 ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Oceanic modernity : indigeneity, globality and cultural translation Y1 - 2012 SN - 978-8-48-489670-8 ER - TY - BOOK A1 - Eckstein, Lars A1 - Korte, Barbara A1 - Pinker, Ulrike A1 - Reinfandt, Christoph T1 - Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts T3 - Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft Y1 - 2008 SN - 978-90-420-2497-7 VL - 121 PB - Rodopi CY - Amsterdam, New York ER - TY - JOUR A1 - Eckstein, Lars T1 - Maurice Duggan Summer in the Gravel Pit Y1 - 2009 SN - 978-3- 476-04000-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition JF - Journal of Australian studies N2 - In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive. KW - Ludwig Leichhardt KW - mimicry KW - depropriation Y1 - 2015 U6 - https://doi.org/10.1080/14443058.2015.1076024 SN - 1444-3058 SN - 1835-6419 VL - 39 IS - 4 SP - 512 EP - 528 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars A1 - Lutz, Andrea T1 - Literary missions and global ethic Y1 - 2001 SN - 3-86057-741-7 ER - TY - JOUR A1 - Eckstein, Lars A1 - Wiemann, Dirk T1 - Kleine Kosmopolitismen JF - Global Citizenship – Perspektiven einer Weltgemeinschaft Y1 - 2017 SN - 978-3-95829-211-6 SP - 44 EP - 53 PB - Steidel CY - Göttingen ER - TY - JOUR A1 - Wiemann, Dirk A1 - Eckstein, Lars T1 - Introduction : towards a cultural politics of passion Y1 - 2013 SN - 978-3-631-60196-9 ER - TY - JOUR A1 - Eckstein, Lars A1 - Krämer, Lucia T1 - Introduction : postcolonial media cultures Y1 - 2011 SN - 978-3- 86821-332-4 ER - TY - JOUR A1 - Eckstein, Lars T1 - Introduction Y1 - 2007 SN - 978-3-8252-8345-2 ER - TY - JOUR A1 - Eckstein, Lars T1 - Hawaiki according to Tupaia BT - glimpses of knowing home in precolonial remote oceania JF - Zeitschrift für Anglistik und Amerikanistik : ZAA ; a quarterly of language, literature and culture N2 - This essay looks into the concept of an ancestral homeland in Remote Oceania, commonly referred to as Hawaiki (‘Avaiki; Havai‘i; Hawai‘i). Hawaiki intriguingly challenges Eurocentric notions of ‘home.’ Following the rapid settlement of the so-called Polynesian triangle from Samoa/Tonga at around 1000 AD, Hawaiki has emerged as a concept that is both mythological and real; genealogical and geographic; singular and yet portable, existing in plural regional manifestations. I argue that predominantly Pakeha/Popa‘ā research trying to identify Hawaiki as a singular and geographically fixed homeland is misleading. I tap into the archive surrounding the Ra‘iātean tahu‘a and master navigator Tupaia who joined Captain Cook’s crew during his first voyage to the Pacific to offer glimpses of an alternative ontology of home and epistemology of Oceanic ‘homing.’ KW - Hawaiki KW - Tupaia’s Map KW - Oceania KW - Indigenous ontology and epistemology Y1 - 2023 U6 - https://doi.org/10.1515/zaa-2023-2006 SN - 0044-2305 SN - 2196-4726 VL - 71 IS - 1 SP - 55 EP - 69 PB - de Gruyter CY - Berlin ER - TY - JOUR A1 - Eckstein, Lars T1 - Getting back to the idea of art as art : an interview with David Dabydeen Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars A1 - Hurley, Andrew T1 - German-Australian Colonial Entanglements BT - On German Settler Colonialism, the Wavering Interests of Exploration, Science, Mission and Migration, and the Contestations of Travelling Memory JF - Remembering German-Australian colonial entanglements N2 - Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation. Y1 - 2020 SN - 978-0-367-42159-5 SP - 1 EP - 21 PB - Routledge CY - London ER - TY - JOUR A1 - Eckstein, Lars T1 - Fred D'Aguiar Y1 - 2008 SN - 978-1-85109-441-7 ER - TY - JOUR A1 - Eckstein, Lars T1 - Erll, A., Mediation, remediation and the dynamics of cultural memory; Berlin, DeGruyter, 2009 BT - Mediation, Remediation and the Dynamics of Cultural Memory Y1 - 2010 ER - TY - BOOK A1 - Eckstein, Lars T1 - English literatures across the globe : a companion T3 - UTB : Literaturwissenschaft Y1 - 2007 SN - 978-3-4252-9 VL - 8345 PB - Fink CY - Paderborn ER - TY - JOUR A1 - Eckstein, Lars T1 - Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration Y1 - 2005 ER - TY - JOUR A1 - Eckstein, Lars T1 - Dionne Brand Y1 - 2008 SN - 978-1-85109-441-7 ER - TY - JOUR A1 - Eckstein, Lars T1 - Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars T1 - David Dabydeen Y1 - 2004 SN - 3-520-83804-4 ER - TY - JOUR A1 - Eckstein, Lars T1 - Caryl Phillips Y1 - 2008 SN - 978-1-85109-441-7 ER - TY - JOUR A1 - Eckstein, Lars T1 - Carrington, B., Sport and Politics: the Sporting Black Diaspora; London, Sage, 2010 BT - Race, Sport and Politics: the Sporting Black Diaspora Y1 - 2011 ER - TY - JOUR A1 - Eckstein, Lars T1 - Caribbean - English Passages: Intertextuality in a Postcolonial Tradition Y1 - 2003 ER - TY - BOOK A1 - Eckstein, Lars A1 - Dengel-Janic, Ellen T1 - Bridehood revisited : disarming concepts of gender and culture in recent asian british film Y1 - 2008 SN - 978-90-420-2497-7 ER - TY - JOUR A1 - Eckstein, Lars T1 - Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing" Y1 - 2005 SN - 978-3-88476-772- 6 ER - TY - GEN A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Authors’ Response: The Making of Tupaia's Map Revisited T2 - The journal of pacific history Y1 - 2019 U6 - https://doi.org/10.1080/00223344.2019.1657500 SN - 1469-9605 SN - 0022-3344 VL - 54 IS - 4 SP - 549 EP - 561 PB - Routledge CY - London ER - TY - JOUR A1 - Eckstein, Lars T1 - Alder, E., Hauck, D., Music and Literature: Music in the Works of Anthony Burgess and E.M. Forster - An Interdisciplinary Study; Tübingen, Francke, 2005 BT - Music and Literature: Music in the Works of Anthony Burgess and E.M. Forster - An Interdisciplinary Study Y1 - 2006 ER - TY - JOUR A1 - Eckstein, Lars T1 - Agnew, V., Enlightenment Orpheus: the Power of Music in Other Worlds; New York, Oxford Univ. Press, 2008 BT - Enlightenment Orpheus: the Power of Music in Other Worlds Y1 - 2011 ER - TY - JOUR A1 - Eckstein, Lars T1 - Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting Y1 - 2009 SN - 978-3-86821-194-8 ER - TY - JOUR A1 - Eckstein, Lars A1 - Korte, Barbara A1 - Pirker, Ulrike A1 - Reinfandt, Christoph T1 - A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium Y1 - 2008 SN - 978-90-420-2497-7 ER - TY - JOUR A1 - Eckstein, Lars T1 - "We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale Y1 - 2012 SN - 978-3-938944- 60-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - "Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores Y1 - 2009 SN - 978-3-86821-141-2 ER -