TY  - JOUR
A1  - Eckstein, Lars
T1  - "Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores
Y1  - 2009
SN  - 978-3-86821-141-2
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - "We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale
Y1  - 2012
SN  - 978-3-938944- 60-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Korte, Barbara
A1  - Pirker, Ulrike
A1  - Reinfandt, Christoph
T1  - A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium
Y1  - 2008
SN  - 978-90-420-2497-7
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - A love supreme : Jazzthetic strategies in Toni Morrison's Beloved
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 85 
Y1  - 2006
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-60446
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting
Y1  - 2009
SN  - 978-3-86821-194-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Agnew, V., Enlightenment Orpheus: the Power of Music in Other Worlds; New York, Oxford Univ. Press, 2008
BT  - Enlightenment Orpheus: the Power of Music in Other Worlds
Y1  - 2011
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Alan Duff
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Alan Duff Once Were Warriors
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Alder, E., Hauck, D., Music and Literature: Music in the Works of Anthony Burgess and E.M. Forster - An Interdisciplinary Study; Tübingen, Francke, 2005
BT  - Music and Literature: Music in the Works of Anthony Burgess and E.M. Forster - An Interdisciplinary Study
Y1  - 2006
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Andrew Salkey
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - GEN
A1  - Eckstein, Lars
A1  - Schwarz, Anja
T1  - Authors’ Response: The Making of Tupaia's Map Revisited
T2  - The journal of pacific history
Y1  - 2019
U6  - https://doi.org/10.1080/00223344.2019.1657500
SN  - 1469-9605
SN  - 0022-3344
VL  - 54
IS  - 4
SP  - 549
EP  - 561
PB  - Routledge
CY  - London
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"
Y1  - 2005
SN  - 978-3-88476-772- 6
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Belonging in music and the music of unbelonging in Richard Powers’s The Time of Our Singing
Y1  - 2005
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85584
ER  - 
TY  - INPR
A1  - Eckstein, Lars
A1  - Dengel-Janic, Ellen
T1  - Bridehood revisited
BT  - disarming concepts of gender and culture in recent Asian British film
Y1  - 2008
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85555
ER  - 
TY  - BOOK
A1  - Eckstein, Lars
A1  - Dengel-Janic, Ellen
T1  - Bridehood revisited : disarming concepts of gender and culture in recent asian british film
Y1  - 2008
SN  - 978-90-420-2497-7
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Caribbean - English Passages: Intertextuality in a Postcolonial Tradition
Y1  - 2003
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Carrington, B., Sport and Politics: the Sporting Black Diaspora; London, Sage, 2010
BT  - Race, Sport and Politics: the Sporting Black Diaspora
Y1  - 2011
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Caryl Phillips
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Caryl Phillips
Y1  - 2008
SN  - 978-1-85109-441-7
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - David Dabydeen
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Derek Walcott
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory
Y1  - 2001
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Dionne Brand
Y1  - 2008
SN  - 978-1-85109-441-7
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Earl Lovelace
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Edgar Mittelholzer
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Edward Kamau Brathwaite
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration
Y1  - 2005
ER  - 
TY  - BOOK
A1  - Eckstein, Lars
T1  - English literatures across the globe : a companion
T3  - UTB : Literaturwissenschaft
Y1  - 2007
SN  - 978-3-4252-9
VL  - 8345
PB  - Fink
CY  - Paderborn
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Erll, A. (Hrsg.), Gymnich, M. (Hrsg.), Nünning, A. (Hrsg.), Literatur - Erinnerung - Identität; Trier, Elch, 2003
BT  - Literatur - Erinnerung - Identität
Y1  - 2004
SN  - 0044-2305
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Erll, A., Mediation, remediation and the dynamics of cultural memory; Berlin, DeGruyter, 2009
BT  - Mediation, Remediation and the Dynamics of Cultural Memory
Y1  - 2010
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Erna Brodber
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Filming illegals
BT  - clandestine translocation and the representation of bare life
Y1  - 2013
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85491
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Fred D'Aguiar
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Fred D'Aguiar
Y1  - 2008
SN  - 978-1-85109-441-7
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Gegen den Strich : Shakespeares Caliban und das exotische Imaginäre in der britischen Malerei des 18. und 19. Jahrhunderts
Y1  - 2011
SN  - 978-3-89971-877-5
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - George Lamming
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - INPR
A1  - Eckstein, Lars
A1  - Hurley, Andrew  Wright
T1  - German-Australian Colonial Entanglements
BT  - On German Settler Colonialism, the Wavering Interests of Exploration, Science, Mission and Migration, and the Contestations of Travelling Memory
N2  - Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.
Y1  - 2020
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-444490
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Hurley, Andrew
T1  - German-Australian Colonial Entanglements
BT  - On German Settler Colonialism, the Wavering Interests of Exploration, Science, Mission and Migration, and the Contestations of Travelling Memory
JF  - Remembering German-Australian colonial entanglements
N2  - Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.
Y1  - 2020
SN  - 978-0-367-42159-5
SP  - 1
EP  - 21
PB  - Routledge
CY  - London
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Getting back to the idea of art as art : an interview with David Dabydeen
Y1  - 2001
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Introduction
Y1  - 2007
SN  - 978-3-8252-8345-2
ER  - 
TY  - INPR
A1  - Eckstein, Lars
A1  - Wiemann, Dirk
T1  - Introduction
BT  - towards a cultural politics of passion
Y1  - 2013
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85457
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Krämer, Lucia
T1  - Introduction : postcolonial media cultures
Y1  - 2011
SN  - 978-3- 86821-332-4
ER  - 
TY  - JOUR
A1  - Wiemann, Dirk
A1  - Eckstein, Lars
T1  - Introduction : towards a cultural politics of passion
Y1  - 2013
SN  - 978-3-631-60196-9
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Jamaica Kincaid
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Karibikreisen um 1800 im Gedächtnis der Literatur
Y1  - 2012
SN  - 978-3-89975-272-4
ER  - 
TY  - INPR
A1  - Eckstein, Lars
A1  - Wiemann, Dirk
T1  - Kleine Kosmopolitismen
N2  - Das große Projekt der Aufklärung und damit auch der kosmopolitischen Idee war bereits in seinen Ursprüngen ambivalenter als gemeinhin anerkannt wird. Denn sein normatives Menschenbild war (und bleibt) implizit männlich, bürgerlich und nicht zuletzt weiß.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103261
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Wiemann, Dirk
T1  - Kleine Kosmopolitismen
JF  - Global Citizenship – Perspektiven einer Weltgemeinschaft
Y1  - 2017
SN  - 978-3-95829-211-6
SP  - 44
EP  - 53
PB  - Steidel
CY  - Göttingen
ER  - 
TY  - GEN
A1  - Eckstein, Lars
A1  - Schwarz, Anja
T1  - La carte de Tupaia, maître d'astres et de navigation polynésienne
T2  - Postprints der Universität Potsdam : Philosophische Reihe
N2  - La carte de Tupaia constitue l’un des artéfacts les plus célèbres et les plus énigmatiques à émerger des toutes premières rencontres entre Européens et îliens du Pacifique. Elle a été élaborée entre août 1769 et février 1770 par Tupaia, prêtre ’arioi, conseiller royal et maître de navigation originaire de Ra’iātea, aux Îles Sous-le-Vent de la Société. En collaboration avec divers membres d’équipage de l’Endeavour de James Cook, en deux temps distincts de cartographie et trois ébauches. L’identité de bien des îles qui y figurent et la logique de leur agencement demeuraient jusqu’à présent des énigmes. En se fiant en partie à des pièces d’archives restées ignorées, nous proposons, dans ce long essai, une nouvelle compréhension de sa logique cartographique, une reconstitution détaillée de sa genèse et donc, pour la toute première fois, une lecture exhaustive. La carte de Tupaia n’illustre pas seulement la magnitude et la maîtrise de la navigation polynésienne, elle réalise aussi une remarquable synthèse représentationnelle de deux systèmes d’orientation très différents.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 170 
KW  - Cartographie
KW  - premiers contacts
KW  - orientation
KW  - navigation aux étoiles
KW  - ‘mer des îles’
KW  - traduction
KW  - connaissances et ontologies autochtones
KW  - Tupaia
Y1  - 2020
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-445381
SN  - 1866-8380
IS  - 170
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Schwarz, Anja
T1  - La carte de Tupaia, maître d'astres et de navigation polynésienne
JF  - Bulletin de la Societé des Études Océaniennes (Polynésie orientale)
N2  - La carte de Tupaia constitue l’un des artéfacts les plus célèbres et les plus énigmatiques à émerger des toutes premières rencontres entre Européens et îliens du Pacifique. Elle a été élaborée entre août 1769 et février 1770 par Tupaia, prêtre ’arioi, conseiller royal et maître de navigation originaire de Ra’iātea, aux Îles Sous-le-Vent de la Société. En collaboration avec divers membres d’équipage de l’Endeavour de James Cook, en deux temps distincts de cartographie et trois ébauches. L’identité de bien des îles qui y figurent et la logique de leur agencement demeuraient jusqu’à présent des énigmes. En se fiant en partie à des pièces d’archives restées ignorées, nous proposons, dans ce long essai, une nouvelle compréhension de sa logique cartographique, une reconstitution détaillée de sa genèse et donc, pour la toute première fois, une lecture exhaustive. La carte de Tupaia n’illustre pas seulement la magnitude et la maîtrise de la navigation polynésienne, elle réalise aussi une remarquable synthèse représentationnelle de deux systèmes d’orientation très différents.
Y1  - 2019
SN  - 2605-8375
VL  - Mai/Août 2019
IS  - 348
SP  - 7
EP  - 152
PB  - Société des études océaniennes
CY  - Tahiti
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Lutz, Andrea
T1  - Literary missions and global ethic
Y1  - 2001
SN  - 3-86057-741-7
ER  - 
TY  - INPR
A1  - Eckstein, Lars
A1  - Reindfandt, Christoph
T1  - Luhmann in da Contact Zone
BT  - Towards a Postcolonial Critique of Sociological Systems Theory
N2  - Our aim in this contribution is to productively engage with the abstractions and complexities of Luhmann’s conceptions of society from a postcolonial perspective, with a particular focus on the explanatory powers of his sociological systems theory when it leaves the realms of Europe and ventures to describe regions of the global South. In view of its more recent global reception beyond Europe, our aim is to thus – following the lead of Dipesh Chakrabarty – provincialize Luhmann’s system theory especially with regard to its underlying assumptions about a global “world society”. For these purposes, we intend to revisit Luhmann in the post/colonial contact zone: We wish to reread Luhmann in the context of spaces of transcultural encounter where “global designs and local histories” (Mignolo), where inclusion into and exclusion from “world society” (Luhmann) clash and interact in intricate ways. The title of our contribution, ‘Luhmann in da Contact Zone’ is deliberately ambiguous: On the one hand, we of course use ‘Luhmann’ metonymically, as representative of a highly complex theoretical design. We shall cursorily outline this design with a special focus on the notion of a singular, modern “world society”, only to confront it with the epistemic challenges of the contact zone. On the other hand, this critique will also involve the close observation of Niklas Luhman as a human observer (a category which within the logic of systems theory actually does not exist) who increasingly transpires in his late writings on exclusion in the global South. By following this dual strategy, we wish to trace an increasing fracture between one Luhmann and the other, between abstract theoretical design and personalized testimony. It is by exploring and measuring this fracture that we hope to eventually be able to map out the potential of a possibly more productive encounter between systems theory and specific strands of postcolonial theory for a pluritopic reading of global modernity.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103298
ER  - 
TY  - GEN
A1  - Eckstein, Lars
A1  - Reinfandt, Christoph
T1  - Luhmann in the Contact Zone
BT  - zur Theorie einer transkulturellen Moderne
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 90 
Y1  - 2014
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85488
SP  - 107
EP  - 124
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Lyrics als Paradigma einer anderen Moderne: M.I.A.s ‘Galang'
JF  - Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft
Y1  - 2019
SN  - 978-3-8353-3381-9
SP  - 173
EP  - 192
PB  - Wallenstein
CY  - Göttingen
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - M.I.A.’s “Born Free” and the ambivalent politics of authenticity and provocation
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 83 
Y1  - 2010
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-59236
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition
JF  - Journal of Australian studies
N2  - In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive.
KW  - Ludwig Leichhardt
KW  - mimicry
KW  - depropriation
Y1  - 2015
U6  - https://doi.org/10.1080/14443058.2015.1076024
SN  - 1444-3058
SN  - 1835-6419
VL  - 39
IS  - 4
SP  - 512
EP  - 528
PB  - Routledge, Taylor & Francis Group
CY  - Abingdon
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Maurice Duggan
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Maurice Duggan Summer in the Gravel Pit
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Monk Lewis’s Timour the Tartar, grand romantic orientalism and imperial melancholy
Y1  - 2013
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85503
ER  - 
TY  - BOOK
A1  - Eckstein, Lars
A1  - Korte, Barbara
A1  - Pinker, Ulrike
A1  - Reinfandt, Christoph
T1  - Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts
T3  - Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft
Y1  - 2008
SN  - 978-90-420-2497-7
VL  - 121
PB  - Rodopi
CY  - Amsterdam, New York
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Schwarz, Anja
T1  - Oceanic modernity : indigeneity, globality and cultural translation
Y1  - 2012
SN  - 978-8-48-489670-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Reinfandt, Christoph
T1  - On dancing about architecture : words and music between cultural practise and transcendence
Y1  - 2006
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Performing jazz, defying essence
BT  - music as a metaphor of being in Jackie Kay’s trumpet
Y1  - 2006
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85574
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Politics of passion and the production of human illegality
Y1  - 2013
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85512
ER  - 
TY  - INPR
A1  - Eckstein, Lars
A1  - Wiemann, Dirk
A1  - Waller, Nicole
A1  - Bartels, Anke
T1  - Postcolonial Justice
BT  - An Introduction
N2  - In July 2014, some of us participated in a handover ceremony of 14 ancestral remains to their Australian traditional owners, performed on the premises of the Charité Campus in Berlin.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103220
ER  - 
TY  - BOOK
A1  - Eckstein, Lars
A1  - Bartels, Anke
A1  - Waller, Nicole
A1  - Wiemann, Dirk
T1  - Postcolonial Literatures in English: An Introduction
N2  - Postcoloniale Literatur bezeichnet die nationalen anglophonen Literaturen in den Amerikas, Asien, Afrika und Ozeanien (zeitweise auch New English Literatures genannt). Eine Darstellung nach Regionen ist wegen der migrantischen Bewegungen der Autor/innen allerdings nicht zu leisten. Daher behandelt der Band die zentralen Themen der postkolonialen Debatte, die jeweils Autor/innen aus verschiedenen Regionen betreffen.
Y1  - 2019
SN  - 978-3-476-02674-3
PB  - Metzler
CY  - Berlin
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Postcolonial Piracy
N2  - Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103307
ER  - 
TY  - GEN
A1  - Eckstein, Lars
A1  - Schwarz, Anja
T1  - Postcolonial piracy
BT  - Media distribution and cultural production in the global south
T2  - Theory for a global age
N2  - Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity.

Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 89 
Y1  - 2014
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-72189
ER  - 
TY  - BOOK
A1  - Eckstein, Lars
T1  - Re-Membering the Black Atlantic : on the poetics and politics of literary memory
T3  - Cross cultures
Y1  - 2006
SN  - 94-420-1958-1
VL  - 84
PB  - Rodopi
CY  - Amsterdam
ER  - 
TY  - THES
A1  - Eckstein, Lars
T1  - Reading song lyrics
T2  - Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
Y1  - 2010
SN  - 978-90-420-3035-0
VL  - 137
PB  - Rodopi
CY  - Amsterdam
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - Recollecting bones
BT  - the remains of German-Australian colonial entanglements
T2  - Postcolonial Studies
N2  - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 147 
KW  - memory
KW  - ancestral remains
KW  - museums and anthropological collections
KW  - restorative justice
KW  - indigenous knowledge
KW  - Ludwig Leichhardt
Y1  - 2018
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-413654
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Recollecting Bones
BT  - The Remains of German-Australian Colonial Entanglements
N2  - In the same “guarded, roundabout and reticent way” which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy’s words, “the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism’s intellectual, ethical and scientific pre-history” (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103278
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Recollecting bones
BT  - the remains of German-Australian colonial entanglements
JF  - Postcolonial Studies
N2  - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.
KW  - Memory
KW  - ancestral remains
KW  - museums and anthropological collections
KW  - restorative justice
KW  - indigenous knowledge
KW  - Ludwig Leichhardt
Y1  - 2018
U6  - https://doi.org/10.1080/13688790.2018.1435146
SN  - 1368-8790
SN  - 1466-1888
VL  - 21
IS  - 1
SP  - 6
EP  - 19
PB  - Routledge, Taylor & Francis Group
CY  - Abingdon
ER  - 
TY  - CHAP
A1  - Eckstein, Lars
T1  - Recollecting bones
BT  - the remains of German-Australian colonial entanglements
T2  - Remembering German-Australian colonial entanglements
Y1  - 2020
SN  - 978-0-367-42159-5
SP  - 22
EP  - 35
PB  - Routledge
CY  - London
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Recollecting bones
BT  - the remains of German-Australian colonial entanglements
N2  - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.
Y1  - 2018
U6  - https://doi.org/10.1080/13688790.2018.1435146
SN  - 1368-8790
SN  - 1466-1888
VL  - 21
IS  - 1
SP  - 6
EP  - 19
PB  - Taylor & Francis
CY  - London
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Reflections of Lusáni Cissé
BT  - Imperial Images and Sentient Critique
N2  - On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of Wünsdorf some 40 kilometres south of the city.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103196
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Reflections of Lusáni Cissé
BT  - Imperial Images and Sentient Critique
JF  - Ideology in postcolonial texts and contexts
Y1  - 2020
SN  - 978-90-04-42805-8
SN  - 978-90-04-43745-6
U6  - https://doi.org/10.1163/9789004437456_010
SP  - 147
EP  - 161
PB  - Rodopi
CY  - Leiden
ER  - 
TY  - GEN
A1  - Barrett, Lindsay
A1  - Eckstein, Lars
A1  - Hurley, Andrew Wright
A1  - Schwarz, Anja
T1  - Remembering German-Australian colonial
entanglement
BT  - an introduction
T2  - Postcolonial studies : culture, politics, economy
Y1  - 2018
U6  - https://doi.org/10.1080/13688790.2018.1443671
SN  - 1368-8790
SN  - 1466-1888
VL  - 21
IS  - 1
SP  - 1
EP  - 5
PB  - Routledge, Taylor & Francis Group
CY  - Abingdon
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Ripple, G., Beschreibungs-Kunst: zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000); München, Fink, 2005
BT  - Beschreibungs-Kunst: zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000)
Y1  - 2007
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Roger Mais
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Sam Selvon, The Lonely Londoners (1956)
N2  - This essay reads Sam Selvon’s novel The Lonely Londoners (1956) as a milestone in the decolonisation of British fiction. After an introduction to Selvon and the core composition of the novel, it discusses the ways in which the narrative takes on issues of race and racism, how it in the tradition of the Trinidadian carnival confronts audiences with sexual profanation and black masculine swagger, and not least how the novel, especially through its elaborate use of creole Englishes, reimagines London as a West Indian metropolis. The essay then turns more systematically to the ways in which Selvon translates Western literary models and their isolated subject positions into collective modes of narrative performance taken from Caribbean orature and the calypsonian tradition. The Lonely Londoners breathes entirely new life into the ossified conventions of the English novel, and imbues it with unforeseen aesthetic, ethical, political and epistemological possibilities.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103285
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Samuel Selvon
Y1  - 2004
SN  - 3-520-83804-4
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - Saturday on Dover Beach : Ian McEwan, Matthew Arnold, and post-9/11 melancholia
N2  - This essay revisits Ian McEwan’s extremely successful novel Saturday, and interrogates its exemplary assessment of the British cultural climate after 9/11. The particular focus is on McEwan’s extensive recourse to the writings of Matthew Arnold, whose melancholy outlook on culture and anarchy McEwan basically translates into the 21st century without much ideological fraction. This relapse into Victorian liberal humanism as consolation for a Western world besieged by the contingencies of terrorism is extremely problematic. Not only does it wilfully ignore the transcultural realities of modern Britain, it also promotes an ahistorical and apolitical mode of critical inquiry which may be called reductive at best in view of the global challenges that the novel addresses.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 82 
Y1  - 2011
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-59228
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - Sound matters
BT  - postcolonial critique for a viral age
T2  - Postprints der Universität Potsdam : Philosophische Reihe
N2  - This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 119 
KW  - Sound
KW  - M.I.A
KW  - Galang
KW  - music
KW  - postcolonial critique
KW  - transculturality
KW  - pirate modernity
KW  - Great Britain
KW  - South asian diaspora
Y1  - 2016
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-98393
SN  - 1866-8380
IS  - 119
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Sound matters: postcolonial critique for a viral age
JF  - Atlantic studies : literary, cultural and historical perspectives
N2  - This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
KW  - Sound
KW  - M.I.A.
KW  - Galang
KW  - music
KW  - postcolonial critique
KW  - transculturality
KW  - pirate modernity
KW  - Great Britain
KW  - South Asian diaspora
Y1  - 2016
U6  - https://doi.org/10.1080/14788810.2016.1216222
SN  - 1478-8810
SN  - 1740-4649
VL  - 13
SP  - 445
EP  - 456
PB  - American Geophysical Union
CY  - Abingdon
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Spiel mit der Angst : Britischer Hip Hop nach 9/11
Y1  - 2012
SN  - 978-3-8376-1728-3
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Leypoldt, Günter
T1  - T.S. Eliot and the transcultural sublime
Y1  - 2007
SN  - 978-3-88476-976-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Reinfandt, Christoph
T1  - The adventures of William Bloke, or : romanticism today and how it got here
Y1  - 2009
ER  - 
TY  - GEN
A1  - Eckstein, Lars
A1  - Reinfandt, Christoph
T1  - The cultural validity of music in contemporary fiction
T2  - Special Issues of Zeitschrift für Anglistik und Amerikanistik (ZAA)
Y1  - 2006
SN  - 3-8260-3365-5
VL  - 54.2006,1
PB  - Königshausen u. Neumann
CY  - Würzburg
ER  - 
TY  - THES
A1  - Eckstein, Lars
T1  - The Culture of Lyrics
Y1  - 2010
SN  - 978-3-868212-259-4
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - The insistence of voices : an interview with Caryl Phillips
Y1  - 2001
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Schwarz, Anja
T1  - The making of Tupaia’s map
BT  - a story of the extent and mastery of Polynesian navigation, competing systems of wayfinding on James Cook’s endeavour, and the invention of an ingenious cartographic system
JF  - The journal of pacific history
N2  - Tupaia’s Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra‘iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook’s Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart’s cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia’s Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.
KW  - Cartography
KW  - first contact
KW  - wayfinding
KW  - star navigation
KW  - sea of islands
KW  - translation
KW  - Indigenous knowledges and ontologies
KW  - Tupaia
Y1  - 2019
U6  - https://doi.org/10.1080/00223344.2018.1512369
SN  - 0022-3344
SN  - 1469-9605
VL  - 54
IS  - 1
SP  - 1
EP  - 95
PB  - Routledge, Taylor & Francis Group
CY  - London
ER  - 
TY  - GEN
A1  - Eckstein, Lars
A1  - Schwarz, Anja
T1  - The Making of Tupaia’s Map
BT  - a Story of the Extent and Mastery of Polynesian Navigation, Competing Systems of Wayfinding on James Cook’s Endeavour, and the Invention of an Ingenious Cartographic System
T2  - Postprints der Universität Potsdam Philosophische Reihe
N2  - Tupaia’s Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra‘iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook’s Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart’s cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia’s Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 154 
KW  - artography
KW  - first contact
KW  - wayfinding
KW  - star navigation
KW  - sea of islands
KW  - translation
KW  - Indigenous knowledges and ontologies
KW  - Tupaia
Y1  - 2019
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-423091
SN  - 1866-8380
IS  - 154
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Reinfandt, Christoph
T1  - The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu
Y1  - 2003
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 84 
Y1  - 2008
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-59422
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - The white backlash: conservatisms in contemporary british writing
Y1  - 2011
SN  - 0171-1695
PB  - Hard Times
CY  - Berlin
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Think global sell global : magical realism, the Whale Rider and the Market
Y1  - 2010
SN  - 978-90-420-3226-2
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Think local sell global
BT  - magical realism, The Whale Rider and the market
Y1  - 2010
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85537
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Three ways of looking at illegal immigration
BT  - clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips
Y1  - 2007
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85567
SP  - 141
EP  - 157
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips
Y1  - 2007
SN  - 978-3-8260-3769-6
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - Torpedoing the authorship of popular music : a reading of Gorillaz’ ‘Feel Good Inc.’
N2  - This article addresses problems of authorship and creative authority in popular music, in particular in view of a pervasive split between modes of aesthetic production (involving modernist assemblage, multiple authorship, and the late capitalist logic of major label policies) and modes of aesthetic reception (which tend to take popular music as the organic output of individual performers). While rock musicians have attempted to come to terms with this phenomenon by either performing a ‘Romantic’ sense of authenticity (basically by importing folk values to the production process) or ‘Modernist authenticity’ (by highlighting experimen- tation and alienation), Damon Albarn and Jamie Hewlett, creators of Gorillaz, found a third way which ingeniously allows them to do both. By creating a virtual rock band, and by hiding their own media personalities behind those of their virtual alter egos, they brought themselves into a position which allows them to produce ‘sincere’ popular music which ‘playfully’ stages the absurdities of major label music business while very successfully operating within its very confines.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 80 
Y1  - 2009
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-59116
ER  -