TY - JOUR A1 - Despujol Zabala, Ignacio A1 - Alario Hoyos, Carlos A1 - Turró Ribalta, Carlos A1 - Delgado Kloos, Carlos A1 - Montoro Manrique, Germán A1 - Busquets Mataix, Jaime T1 - Transforming Open Edx into the next On-Campus LMS BT - an ongoing project N2 - Open edX is an incredible platform to deliver MOOCs and SPOCs, designed to be robust and support hundreds of thousands of students at the same time. Nevertheless, it lacks a lot of the fine-grained functionality needed to handle students individually in an on-campus course. This short session will present the ongoing project undertaken by the 6 public universities of the Region of Madrid plus the Universitat Politècnica de València, in the framework of a national initiative called UniDigital, funded by the Ministry of Universities of Spain within the Plan de Recuperación, Transformación y Resiliencia of the European Union. This project, led by three of these Spanish universities (UC3M, UPV, UAM), is investing more than half a million euros with the purpose of bringing the Open edX platform closer to the functionalities required for an LMS to support on-campus teaching. The aim of the project is to coordinate what is going to be developed with the Open edX development community, so these developments are incorporated into the core of the Open edX platform in its next releases. Features like a complete redesign of platform analytics to make them real-time, the creation of dashboards based on these analytics, the integration of a system for customized automatic feedback, improvement of exams and tasks and the extension of grading capabilities, improvements in the graphical interfaces for both students and teachers, the extension of the emailing capabilities, redesign of the file management system, integration of H5P content, the integration of a tool to create mind maps, the creation of a system to detect students at risk, or the integration of an advanced voice assistant and a gamification mobile app, among others, are part of the functionalities to be developed. The idea is to transform a first-class MOOC platform into the next on-campus LMS. KW - Digitale Bildung KW - Kursdesign KW - MOOC KW - Micro Degree KW - Online-Lehre KW - Onlinekurs KW - Onlinekurs-Produktion KW - digital education KW - e-learning KW - micro degree KW - micro-credential KW - online course creation KW - online course design KW - online teaching Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-625122 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Corbett, Tim A1 - Siegel, Björn A1 - Thulin, Mirjam T1 - Towards Pluricultural and Connected Histories BT - Intersections between Jewish and Habsburg Studies JF - PaRDeS Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-645988 SN - 978-3-86956-574-3 SN - 1614-6492 SN - 1862-7684 IS - 29 SP - 15 EP - 27 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Hödl, Klaus T1 - Blurring the Boundaries of Jewishness BT - Exploring Jewish-non-Jewish Neighborliness and Similarity JF - PaRDeS N2 - In this essay I argue that while research in Jewish studies over the last several decades has done much to erode the historical narrative of Jewish/non-Jewish separation and detachment, it has also raised various questions pertaining to the outcome of Jewish/non-Jewish interactions and coexistence as well as the contours of Jewish difference. I contend that employing the concepts of conviviality, ethnic/religious/national indifference, and similarity will greatly facilitate answering these questions. Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-646009 SN - 978-3-86956-574-3 SN - 1614-6492 SN - 1862-7684 IS - 29 SP - 39 EP - 50 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Csáky, Moritz T1 - Habsburg Central Europe BT - Culturally Heterogeneous and Polysemous Regions JF - PaRDeS N2 - Central Europe is characterized by linguistic and cultural density as well as by endogenous and exogenous cultural influences. These constellations were especially visible in the former Habsburg Empire, where they influenced the formation of individual and collective identities. This led not only to continual crises and conflicts, but also to an equally enormous creative potential as became apparent in the culture of the fin-de-siècle. Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-645995 SN - 978-3-86956-574-3 SN - 1614-6492 SN - 1862-7684 IS - 29 SP - 31 EP - 37 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Vandewalle, Alexander ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Ross Clare: Ancient Greece and Rome in Videogames. Representation, Play, Transmedia BT - Bloomsbury Academic (London, New York 2021) (= IMAGINES – Classical Receptions in the Visual and Performing Arts), x + 230 pages, 25 illustrations. ISBN: 9781350157194 (hardback), $ 115.00, £ 85.00 hardback, also available as e-book (PDF, Epub, Mobi) JF - thersites 16 Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.220 SN - 2364-7612 VL - 2023 IS - 16 SP - 173 EP - 177 ER - TY - JOUR A1 - Avalli, Andrea ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Dario Barbera: Processo al Classico. L’epurazione dell’archeologia fascista BT - ETS (Pisa 2022) (= Studi di archeologia e storia del mondo antico e medievale), 264 pp. ISBN: 9788846762191, € 25 JF - thersites 16 Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.233 SN - 2364-7612 VL - 2023 IS - 16 SP - 168 EP - 172 ER - TY - JOUR A1 - Skibinski, Connie ED - Potter, Amanda ED - Gardner, Hunter H. T1 - ‘Crazy Man-Killing Monsters’ BT - The Inimical Portrayal of the Amazons in Supernatural’s ‘Slice Girls’ JF - thersites 17 N2 - The Amazons have a long legacy in literature and the visual arts, extending from antiquity to the present day. Prior scholarship tends to treat the Amazons as hostile ‘Other’ figures, embodying the antithesis of Greco-Roman cultural norms. Recently, scholars have begun to examine positive portrayals of Amazons in contemporary media, as role models and heroic figures. However, there is a dearth of scholarship examining the Amazons’ inherently multifaceted nature, and their subsequent polarised reception in popular media. This article builds upon the large body of scholarship on contemporary Amazon narratives, in which the figures of Wonder Woman and Xena, Warrior Princess dominate scholarly discourse. These ‘modern Amazon’ figures epitomise the dominant contemporary trend of portraying Amazons as strong female role models and feminist icons. To highlight the complexity of the Amazon image in contemporary media, this article examines the representation of the Amazons in the Supernatural episode ‘Slice Girls’ (S7 E13, 2012), where their portrayal as hostile, monstrous figures diverges greatly from the positive characterisation of Wonder Woman and Xena. I also consider the show’s engagement with ancient written sources, to examine how the writers draw upon the motifs of ancient Amazon narratives when crafting their unique Amazon characters. By contrasting the Amazons of ‘Slice Girls’ to contemporary figures and ancient narratives, this article examines how factors such as feminist ideology, narrative story arcs, characters’/audience’s perspectives and male bias shape the representation of Amazons post-antiquity. KW - Amazons KW - Warrior women KW - Classical reception KW - Supernatural KW - Monsters Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.240 SN - 2364-7612 VL - 2023 IS - 17 SP - 183 EP - 211 ER - TY - JOUR A1 - Martínez Jiménez, Javier ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Lycaon and classical versipelles in MTV’s Teen Wolf JF - thersites 17 N2 - The modern conception of the werewolf is heavily influenced by Gothic reinterpretations of medieval European stories. This kind of werewolf is the one that has appeared on screen and written fiction for decades, but MTV’s Teen Wolf, a re-boot of the 1980s film which aired between 2011 – 17, is different. In this young adult supernatural drama, werewolves descend directly from Lycaon, and a substantial proportion of the show’s werewolf lore derives from Graeco-Roman stories about wolf-shifters and versipelles. This paper wants to explore the extent of the use in the show of the myth of Lycaon in particular, of Classical versipelles in general, the significance of these two references for the narrative, and the degree of innovation in modern supernatural fiction of this adaptation of Greek and Roman stories. KW - Teen Wolf KW - Werewolves KW - Versipelles KW - Lycaon KW - Television series KW - World-building Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.248 SN - 2364-7612 VL - 2023 IS - 17 SP - 212 EP - 244 ER - TY - JOUR A1 - Maurice, Lisa ED - Potter, Amanda ED - Gardner, Hunter H. T1 - From Olympian to Christ-figure: Lucifer (2016 – 2021) JF - thersites 17 N2 - On the surface the television series Lucifer (2016 – 21) is a simple police procedural but, in actuality, the criminal cases in the show serve merely as window-dressing and structure for the deeper consideration of issues, such as guilt, shame, love, and even the meaning of life on both an individual and universal level. These topics are explored through the ever-developing character of Lucifer himself, who, like other recent anti-hero depictions, is initially presented in a manner that is very different from traditional portrayals of the Devil, and is, in fact, far closer to that of the Greek Olympian gods. Over the course of six seasons, the depiction of Lucifer alters, however, as he becomes a figure that is in many ways Christ-like, but with a 21st century twist that places the individual in an exalted position that is superior to that of divinity. KW - Lucifer KW - Devil KW - Olympians KW - God KW - Christ Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.244 SN - 2364-7612 VL - 2023 IS - 17 SP - 245 EP - 272 ER - TY - JOUR A1 - Potter, Amanda ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Classical Monsters and Hero(ines) in InSEXts, Eros/Psyche and Porcelain JF - thersites 17 N2 - This paper applies Monster Theory to the use of Greek mythology in three creator-owned comic series by female writers: InSEXts (2016 – 2017) by American comic writer Marguerite Bennett and Indonesian artist working in America Ariela Kristantina as well as Eros/Psyche (2021) and Porcelain (2021) by Maria Llovet, a comic writer and artist from Barcelona. In the first volume of InSEXts, set in Victorian London, there are allusions to the Furies and Pandora, linked with the discourse of the repression of women. In the second volume, set in the late nineteenth century Paris art world, the representation of classical subjects in art becomes a means to repress women, and a goddess with a Gorgon-like appearance takes revenge on the male repressors. In Eros/Psyche the story of Eros and Psyche and broken statues forms the backdrop and context for a tale of love and deception at a girls’ school, and in Porcelain a girl is faced with a choice of paths towards Eros or Thanatos, like Herakles at the crossroads choosing between the paths of virtue and vice. With reference to Cohen’s seven theses of Monster Culture I examine how Bennett and Lovett subvert the idea of the monster and the hero. KW - Comics KW - Eros KW - Psyche KW - Pygmalion KW - Medusa Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.247 SN - 2364-7612 VL - 2023 IS - 17 SP - 96 EP - 124 ER -