TY - JOUR A1 - Avalli, Andrea ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Dario Barbera: Processo al Classico. L’epurazione dell’archeologia fascista BT - ETS (Pisa 2022) (= Studi di archeologia e storia del mondo antico e medievale), 264 pp. ISBN: 9788846762191, € 25 JF - thersites 16 Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.233 SN - 2364-7612 VL - 2023 IS - 16 SP - 168 EP - 172 ER - TY - JOUR A1 - Beck, Christian ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Hamish Williams: Tolkien and the Classical World BT - Walking Tree Publishers (Zurich/Jena 2021) (= Cormarë Series No. 45), 414 pp . ISBN: 978-3-905703-45-0, 44 € JF - thersites 15 Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.230 SN - 2364-7612 VL - 2022 IS - 15 SP - 314 EP - 320 ER - TY - JOUR A1 - Berg, Holger T1 - Military Occupation under the Eyes of the Lord BT - Studies in Erfurt during the Thirty Years War JF - Militär und Gesellschaft in der frühen Neuzeit Y1 - 2008 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-21318 SN - 1861-910X SN - 1617-9722 VL - 12 IS - 1 SP - 53 EP - 57 ER - TY - JOUR A1 - Bièvre-Perrin, Fabien ED - Bièvre-Perrin, Fabien ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - “Everything is a copy of a copy of a copy” BT - Preface JF - thersites 13: Antiquipop – Chefs d’œuvres revisités N2 - A quote from Fight Club (Chuck Palahniuk, 1996) may seem unusual for a Classicist. Nevertheless, this famous sentence summarises the contents of this special issue of thersites perfectly. As specialists in classical reception frequently witness, there is a sort of déjà-vu effect when it comes to the presence of Antiquity within popular culture. In 2019, to try to better understand the phenomenon, Antiquipop invited researchers to take an interest in the construction and semantic path of these “masterpieces” in contemporary popular culture, with a particular focus on the 21st century. Y1 - 2021 U6 - https://doi.org/10.34679/thersites.vol13.191 SN - 2364-7612 VL - 2021 IS - 13 SP - i EP - v ER - TY - JOUR A1 - Brilke, Clara A1 - Werner, Eva ED - Rollinger, Christian T1 - I am not sure that I feel like singing, thanks very much for asking! BT - Interview with Natalie Haynes JF - thersites 12 N2 - In her writings on ancient myth, the British author Natalie Haynes moves women to the centre of attention. Her two latest books, A Thousand Ships and Pandora’s Jar – a fiction novel and a non-fiction one – approach this topic from two different perspectives. This interview takes stock of Haynes’ motives and methodology as well as of the challenges she faces in the process of writing. KW - Women in Ancient Myth KW - Classical Reception KW - Classics in Popular Culture Y1 - 2021 U6 - https://doi.org/10.34679/thersites.vol12.189 SN - 2364-7612 VL - 2020 IS - 12 SP - 104 EP - 115 ER - TY - JOUR A1 - Capra, Elena Sofia ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - "Orfeo out of Care" BT - The Reception of the Classical Myth of Orpheus from Sir Orfeo to Tolkien JF - thersites 15 N2 - The paper focuses on an example of multiple-step reception: the contribution of the classical story of Orpheus and Eurydice and the mediaeval lay Sir Orfeo to Tolkien’s work. In the first part, I compare the lay with Virgilian and Ovidian versions of Orpheus’ myth. This comparison shows the anonymous author’s deep knowledge of the ancient texts and complex way of rewriting them through stealing and hybridization. The lay was highly esteemed by Tolkien, who translated it and took inspiration from it while describing the Elven kingdom in The Hobbit and building the storyline of Beren and Lúthien in The Silmarillion. Through this key tale, Orpheus/Orfeo’s romance has a deep influence also on Aragorn and Arwen’s story in The Lord of the Rings. The most important element that Tolkien takes from the Sir Orfeo figuration of the ancient story is undoubtedly the insertion of political theme: the link established between the recovery of the main character’s beloved and the return to royal responsability. The second part of the paper is, thus, dedicated to the reception of Sir Orfeo and the classical myth in Tolkien. It shows how in his work the different steps of the tradition of Orpheus’ story are co-present, creating an inextricable substrate of inspiration that nourishes his imagination. KW - Orpheus and Eurydice KW - Sir Orfeo KW - reception KW - Tolkien KW - Beren and Lúthien Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.209 SN - 2364-7612 VL - 2022 IS - 15 SP - 52 EP - 89 ER - TY - JOUR A1 - Chinn, Christopher A1 - Thompson, Phoebe ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Tolkien’s Ithilien and the Landscape of the Ancient Mediterranean JF - thersites 15 N2 - This paper examines the intertext between Tolkien’s Ithilien episode in Two Towers and artistic presentations of plants in the art and literature of Augustan Rome. We argue that the evident ‘superbloom’ depicted in the ekphrasis of the flora of Ithilien recalls both Vergilian botanical adynata (especially in the Georgics) and Roman wall paintings of the Augustan period. KW - Tolkien KW - Vergil KW - ecocriticism KW - Ithilien KW - flora Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.211 SN - 2364-7612 VL - 2022 IS - 15 SP - 163 EP - 203 ER - TY - JOUR A1 - Colbert, Vivian ED - Rollinger, Christian T1 - Queen Zenobia’s ‘Campaign’ for British Women’s Suffrage JF - thersites 12 N2 - This article focuses on the feminist reception of Zenobia of Palmyra in Great Britain during the long nineteenth century and the early twentieth century. A special focus lies on her reception by the British suffragettes who belonged to the Women’s Social and Political Union. Even though Zenobia’s story did not end happily, the warrior queen’s example served to inspire these early feminists. Several products of historical culture – such as books, pieces of art, newspaper articles and theatre plays – provide insight into the reception of her as an historical figure, which is dominated by the image of a strong and courageous woman. The article will shed light on how exactly Zenobia’s example was instrumentalised throughout the first feminist movement in Britain. KW - Zenobia KW - reception studies KW - British suffrage movement KW - nineteenth century KW - feminism Y1 - 2021 U6 - https://doi.org/0.34679/thersites.vol12.186 SN - 2364-7612 VL - 2020 IS - 12 SP - 71 EP - 94 ER - TY - JOUR A1 - Collstedt, Christopher T1 - The morality tale of a duellist BT - narratives of duelling in early modern Swedish courts : the duel in Stralsund 1712 JF - Militär und Gesellschaft in der Frühen Neuzeit Y1 - 2008 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-27409 SN - 1617-9722 SN - 1861-910X VL - 12 IS - 2 SP - 153 EP - 173 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Cristini, Marco ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - The Fall of Two Cities: Troy and Gondolin JF - thersites 15 N2 - Vergil was a fundamental source of inspiration for Tolkien, not only when writing the Lord of the Rings, but also at the beginning of his “world-building”. The Fall of Gondolin, written in 1916, was modeled upon the Aeneid, whose second book shares many similarities with the description of Gondolin’s last day. For instance, the attack that seals the fate of the city takes place during a feast in both works, whereas both protagonists (Aeneas and Tuor) leave wives and sons to fight the enemy and witness deaths of their kings (Priam/Turgon). Other analogies include the topos of the fall of the tallest tower of the city as well as the scenes of Creusa/Idril clasping the knees of her husband and begging him not to go back to the battle. Tolkien chose the Aeneid as his main model because, in his opinion, the Aeneid and The Fall of Gondolin evoked the air of antiquity and melancholy. Vergil’s nostalgia for a “lost world” conveyed in the Aeneid greatly resembles the nostalgia pervading both Tolkien’s writing and life. KW - Tolkien KW - reception of Vergil KW - Aeneid KW - Troy KW - Gondolin Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.200 VL - 2022 IS - 15 SP - 1 EP - 24 ER -