TY  - JOUR
A1  - Priewe, Marc
T1  - "Make a Run for the Border": Chicano Performance Art and the Search for a Space of/for Difference
Y1  - 2005
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - An den Grenzen der Kultur(en)
Y1  - 2002
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - Bio-Politics and the contamination of the body in Alejandro Morales's the rag doll plagues
Y1  - 2004
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - Negotiating the global and the local : Leslie Marmon Silko's almanac of the dead as 'Glocal Fiction'
N2  - This essay explores Leslie Marmon Silko's fictional negotiations of conflicting and overlapping discourses from Native American and Euroamerican cultures in the transnational contact spaces of the Americas. The dialogic juxtapositions of a variety of cultural practices, ranging from indigenous prophecies to the writings of Marx, are central aspects of the glocal formations in Silko's Almanac of the Dead. The novel furthermore functions as a cultural representation and projection of globalization-from-below, i.e., a transgressive social movement which counters the effects of neocolonial globalization by a critical inclusion of global and local forms of consciousness and agencies.
Y1  - 2002
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - Prospero's America: John Winthrop, Jr., Alchemy, and the Creation of New England Culture, 1606-1676
JF  - Zeitschrift für Anglistik und Amerikanistik : a quarterly of language, literature and cultur
Y1  - 2011
SN  - 0044-2305
VL  - 59
IS  - 2
SP  - 199
EP  - 200
PB  - Königshausen & Neumann
CY  - Würzburg
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - Resistance without borders : shifting cultural politics in Chicana/o narratives
Y1  - 2011
SN  - 978-1-611-68189-5
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - The commuting island : cultural (im)mobility in 'The flying bus'
Y1  - 2011
SN  - 2192-3027
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - The transnational mimic man : el vez's (Re-)appropriation of Elvis Presley
Y1  - 2002
SN  - 3-8258-6433-2
ER  - 
TY  - JOUR
A1  - Priewe, Marc
T1  - Transgressive Performances : Guillermo Gómez-Peña @ the Borders of Culture
N2  - This essay focuses on the work of Mexican/Chicano performance artist Guillermo Gómez-Peña, whose main aesthetic principle lies in the criss-crossing of cultural, geographic and linguistic borders. Through his unique fusion of genres, discourses and media, Gómez-Peña creates a hybrid art form that also transgresses more conventional definitions of what constitutes culture. One of the central features of his "New World Border" (1992-1994) performance is the artistic transposition of site-specific border identities and texts to a global level; i.e., the border (and its transgression) becomes a metaphor to address a multiplicity of aesthetic, cultural and socio-political agendas. His performance "Temple of Confessions" (1994) aims, among others, at debunking the rather celebratory discourse of mainstream U.S. multiculturalism. In addition, his project of "reverse anthropology", which informs a number of his performance pieces, seeks to retain the resistance potential of minoritarian art by subverting hegemonic power hierarchies. As will be shown, his representational strategy of "as if" is used by Gómez-Peña and his collaborators to envision a postnational and transcultural spaciousness of the Americas.
Y1  - 2005
SN  - 3-88476-724-0
ER  - 
TY  - THES
A1  - Priewe, Marc
T1  - Writing transit : refiguring national imaginaries in Chicana/o narratives
T2  - American Studies
Y1  - 2006
SN  - 978-3-8253-5215-8
VL  - 140
PB  - Winter
CY  - Heidelberg
ER  -