TY - JOUR A1 - Schwarz, Anja T1 - "Parallel Societies" of the Past? - Articulations of citizenship's commemorative dimension in Berlin's cityscape JF - Space and Culture N2 - Historical narratives play an important role in constructing contemporary notions of citizenship. They are sites on which ideas of the nation are not only reaffirmed but also contested and reframed. In contemporary Germany, dominant narratives of the country's modern history habitually focus on the legacy of the Third Reich and tend to marginalize the country's rich and highly complex histories of immigration. The article addresses this commemorative void in relation to Berlin's urban landscape. It explores how the city's multilayered architecture provides locations for the articulation of marginal memoriesand hence sites of urban citizenshipthat are often denied to immigrant communities on a national scale. Through a detailed examination of a small celebration in 1965 that marked the anniversary of the founding of the modern Turkish republic, the article engages with the layers of history that coalesce around such sites in Berlin. KW - Berlin KW - commemorative acts of citizenship KW - migration KW - multidirectional memory Y1 - 2013 U6 - https://doi.org/10.1177/1206331213487051 SN - 1206-3312 VL - 16 IS - 3 SP - 261 EP - 273 PB - Sage Publ. CY - Thousand Oaks ER - TY - JOUR A1 - Möller, Ingrid A1 - Krahé, Barbara A1 - Busching, Robert T1 - Consumption of media violence and aggressive behavior a longitudinal study of German adolescents with and without migration background JF - Zeitschrift für Entwicklungspsychologie und pädagogische Psychologie N2 - The consumption of media violence and aggressive behavior were assessed three times in a sample of N=1,052 German adolescents with and without migration background over a period of two years with 12-month intervals. The adolescents in the two groups, who were in grades 7 and 8 at T1, were matched by gender, age, type of school, and academic achievement. Students in the migrant group reported higher consumption of violent media. At T3, they showed more physical but less relational aggression than their peers of German background. Cross-lagged panel analyses showed parallel associations between media violence use and aggression in both groups: Media violence consumption at T1 and T2 predicted physical aggression at T2 and T3 independent of ethnic background. The reverse path from physical aggression to media violence consumption was nonsignificant. No link was found between media violence use and relational aggression over time. KW - media violence KW - aggression KW - migration KW - adolescence KW - longitudinal study Y1 - 2013 U6 - https://doi.org/10.1026/0049-8637/a000086 SN - 0049-8637 VL - 45 IS - 3 SP - 121 EP - 130 PB - Hogrefe CY - Göttingen ER - TY - VIDEO A1 - Czyżydło, Klemens A1 - Dödtmann, Eik T1 - There Is No Return To Egypt N2 - Wer sind die polnischen Juden, die in Folge der Antizionistischen Kampagne des Jahres 1968 ihr Heimatland verließen und nach Israel emigrierten? Wie blicken sie, 40 Jahre nach den traumatischen Erlebnissen, auf ihre eigene Geschichte zurück? Welche Entwicklungen machten sie in dem durch zahllose Kriege und innenpolitische Spannungen zerrissenen jüdischen Staat? Wie leben sie im Israel des beginnenden 21. Jahrhunderts? Der Dokumentarfilm There Is No Return To Egypt stellt sieben Vertreter der polnisch- jüdischen Migrationskohorte der ausgehenden 1960er, frühen 1970er Jahre und deren heutiges Umfeld vor. Die Menschen, zum Zeitpunkt der Aufnahmen zwischen Mitte 50 und Ende 70 Jahre alt, erlauben dem Filmteam dabei einen intimen Einblick in ihr israelisch-polnisches Alltagsleben und in ihre Erinnerungswelt. Die älteren Interviewpartnerinnen ziehen aus den Gräueln der selbst noch durchlittenen Schoah und der gut 20 Jahre späteren, erzwungenen Migration aus Polen ihre ganze eigenen Schlüsse für ihr Leben in Israel. Die jüngeren Interviewten gehen wiederum sehr unterschiedlich mit dem Verlust der Heimat und dem Bruch ihrer Erwerbsbiographie im Zuge der Antizionistischen Kampagne um. Die im Film vorgestellten Persönlichkeiten reichen vom erfolgreichen Musiker, über eine ehemalige Mitarbeiterin des israelischen Fernsehens bis hin zu einfachen Facharbeitern. Auch die religiösen Identitäten der Protagonisten sind vielschichtig: von orthodox-nationalreligiös, über atheistisch bis hin zu judeo-christlich. N2 - Who are those Polish Jews, who in the wake of the Antizionist Campaign of the year 1968 left their home country and migrated to Israel? How do they, 40 years after these traumatic events, look back at their own history? Which development have they made in the Jewish State, a society torn by wars and inner political tensions? How do they live in Israel at the beginning of the 21st century? In the documentary There Is No Return To Egypt seven members of the Polish-Jewish migration cohort of the late 1960s, early 1970s and there todays environment are represented. These people, while being on camera in their mid-fifties till late seventies of age, allow an intimate view into their Israeli-Polish daily-life and into their world of memories. Interestingly, having survived the atrocities of the Shoah and being forced out of Poland some twenty years later, the older interviewees draw their very own conclusions for their further lives in Israel. In contrast, the younger interviewees deal very differently with the loss of their home and the break in their career life caused by the Antizionist Campaign. The personalities presented in this documentary have various professions: There is a successful musician, a former employee at the Israeli broadcasting service, and there are skilled workers. Their religious identities widely vary: from Jewish orthodox and national-religious to atheist to Judeo-Christian. The protagonists in There Is No Return To Egypt do also represent the political spectrum of Israel: from members of the chauvinist-militarist camp through to members of the peace movement. At the same time, the shooting locations in the documentary are important stages of life for the seven 1968ers: the home being decorated for Shabbat or for Israels national holiday Yom ha-atzmaut, the working place, an army museum, a Jewish settlement in the Palestinian Westbank, a Shoah memorial event at the university campus, a pop concert and a peace demonstration. KW - Antisemitism KW - Antizionist Campaign KW - Polish Jews KW - Israel KW - migration KW - Antisemitismus KW - Antizionistische Kampagne KW - Polnische Juden KW - Israel KW - Migration Y1 - 2013 UR - https://nbn-resolving.org/urn:nbn:de:kobv:517-mms-108-508-2-2 N1 - Dokumentarfilm in hebräischer und polnischer Sprache mit englischen und deutschen Untertiteln PB - Universitätsverlag CY - Potsdam ER -