@misc{Zakrzewski2022,
  author    = {Zakrzewski, Tanja},
  title     = {Rezension zu: Poettering, Jorun: Migrating Merchants - Trade, Nation, and Religion in Seventeenth-Century Hamburg and Portugal . - Berlin: De Gryter, 2018. - 397 S. - ISBN: 978-3-11-047001-7},
  series = {Comparativ: Zeitschrift f{\"u}r Globalgeschichte und vergleichende Gesellschaftsforschung},
  volume    = {2},
  journal   = {Comparativ: Zeitschrift f{\"u}r Globalgeschichte und vergleichende Gesellschaftsforschung},
  publisher = {Universit{\"a}tsverlag},
  address   = {Leipzig},
  issn      = {0940-3566},
  pages     = {289 -- 291},
  year      = {2022},
  language  = {en}
}
@inproceedings{YaelLapidotTzuberi2022,
  author    = {Yael, Attia and Lapidot, Elad and Tzuberi, Hannah},
  title     = {60 Years after the Algerian War},
  publisher = {Katholische Akademie Berlin},
  address   = {Berlin},
  year      = {2022},
  abstract  = {Over the six decades since it officially ended, the Algerian War has become a key event for marking, retrospectively, the beginning of a new era in European, Western and global history. This new era is characterized by the proclaimed end of Western hegemony - by the proclaimed end of European history as global, universal history. This era, our era, understands itself as the time after the domination of the West, a time or multiple times of "post": the time of postcolonialism, but also postmodernity, postsecularism, posthumanism. The times of "post" are characterized by a fundamental reconfiguration of the relations between European civilization and its Others, first and foremost by the proclaimed split between Europe and its Others, and more generally by the disintegration, disruption and dispersion of the - allegedly - unified space of culture, knowledge and discourse. The postcolonial era is an era of diversity and difference, an era of dispersions and diasporas, where the space of culture is a space of multiple cultures, a space of in-between, of "inter": the space of the intercultural, but also the interreligious, interethnic, interracial and inter-epistemic. This conference will reflect on the "inter" in the time of "post". We invited scholars, thinkers, intellectuals and artists to discuss various aspects and models of intercultural dynamics that have been developed and articulated in the aftermath of the Algerian War or of other events that marked the decline of Western hegemony, such as the Second Vatican, May 1968 or the Vietnam War. How did the age of decolonization reshape the discourse and practice of intercultural relations? To what extent interculturality itself is a sign or a site of decolonization? To what extent, on the contrary, intercultural relations may reproduce colonial or generate neocolonial patterns? Contributions examine the emergence of intercultural notions and practices in various intellectual traditions, European or non-European; the development of new categories and constellations of identity, otherness and dialogue; the interrelations between epistemic, cultural, discursive, religious and political aspects; as well as reactions to these new developments and various forms of critique and resistance. We are especially interested in how this reflection may shed light on socio-political and cultural phenomena, trends and concerns of the present time.},
  language  = {en}
}
@article{Woehrle2020,
  author    = {W{\"o}hrle, Georg},
  title     = {S{\"a}ngers Gl{\"u}ck},
  series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  volume    = {2020},
  journal   = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  number    = {11},
  editor    = {Amb{\"u}hl, Annemarie},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol11.171},
  pages     = {357 -- 361},
  year      = {2020},
  abstract  = {The German singer-songwriter Reinhard Mey, although not pretending to be a second Orpheus, nevertheless appears to be very familiar with classical myth.},
  language  = {de}
}
@article{Wyrwa2017,
  author    = {Wyrwa, Ulrich},
  title     = {Zum Hundertsten nichts Neues},
  series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  volume    = {65},
  journal   = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  number    = {11},
  publisher = {Metropol-Verl.},
  address   = {Berlin},
  issn      = {0044-2828},
  pages     = {955 -- 976},
  year      = {2017},
  language  = {de}
}
@misc{Wyrwa2019,
  author    = {Wyrwa, Ulrich},
  title     = {Rezension zu: Grady,Tim: A Deadly Legacy: German Jews and the Great War.New Haven, Conn.: Yale University Press, 2017. Pp. xii, 291. - ISBN 978-0-300-19204-9},
  series = {The American historical review},
  volume    = {124},
  journal   = {The American historical review},
  number    = {2},
  publisher = {Oxford Univ. Press},
  address   = {Oxford},
  issn      = {0002-8762},
  doi       = {10.1093/ahr/rhz191},
  pages     = {761 -- 763},
  year      = {2019},
  language  = {en}
}
@misc{Wyrwa2018,
  author    = {Wyrwa, Ulrich},
  title     = {Rezension zu: Enzyklop{\"a}die j{\"u}discher Geschichte und Kultur, ed. Dan Diner, Sächsische Akademie der Wissenschaften zu Leipzig, (Stuttgart -Weimar: Metzler, 2011-2017), 7 Vol},
  series = {Quest-Issues in Contemporary Jewish History},
  volume    = {2018},
  journal   = {Quest-Issues in Contemporary Jewish History},
  number    = {14},
  publisher = {Fondazione Centro Documentazione Ebraica Contemporanea},
  address   = {Milano},
  issn      = {2037-741X},
  doi       = {10.48248/issn.2037-741X/682},
  pages     = {123 -- 131},
  year      = {2018},
  language  = {en}
}
@article{Wyrwa2020,
  author    = {Wyrwa, Ulrich},
  title     = {Come si crea l'antisemitismo},
  publisher = {Giuntina},
  address   = {Firenze},
  isbn      = {978-88-8057-827-7},
  pages     = {94},
  year      = {2020},
  language  = {it}
}
@article{Wienfort2023,
  author    = {Wienfort, Monika},
  title     = {Katholizismus im Kalten Krieg},
  series = {Ver{\"o}ffentlichungen der Kommission f{\"u}r Zeitgeschichte Reihe C: Themen der kirchlichen Zeitgeschichte ; 4},
  journal   = {Ver{\"o}ffentlichungen der Kommission f{\"u}r Zeitgeschichte Reihe C: Themen der kirchlichen Zeitgeschichte ; 4},
  publisher = {Sch{\"o}ningh},
  address   = {Paderborn},
  isbn      = {978-3-506-79538-0},
  pages     = {VIII, 311},
  year      = {2023},
  abstract  = {In K{\"o}nigstein im Taunus gr{\"u}ndeten vertriebene katholische Priester aus den ehemaligen Ostgebieten nach 1945 eine Bildungsst{\"a}tte, in der die Fr{\"o}mmigkeitskultur an die n{\"a}chsten Generationen weitergegeben werden sollte. Hier entwickelte sich in den 1950er Jahren ein Kommunikationszentrum, in dem eine Hochschule Priester f{\"u}r den Osten ausbildete und vielf{\"a}ltige Medien {\"u}ber die Lage hinter dem Eisernen Vorhang informierten. Von K{\"o}nigstein ging die Kapellenwagenmission aus, die katholische Gl{\"a}ubige in der westdeutschen Diaspora aufsuchte. Nostalgische R{\"u}ckbesinnung verband sich mit der Errichtung eines modernen Tagungsbaus. Seit den 1970er Jahren gerieten die K{\"o}nigsteiner Unternehmungen in eine grundlegende Krise. Mit der Gr{\"u}ndungsgeneration starben die auf den Osten bezogene Mentalit{\"a}t und letztlich auch die K{\"o}nigsteiner Anstalten. Das Ende des Kalten Kriegs verschob die Nachkriegszeit der katholischen Vetriebenen endg{\"u}ltig in die Erinnerungskultur.},
  language  = {de}
}
@article{Wienfort2022,
  author    = {Wienfort, Monika},
  title     = {Geschlechterfragen und Partizipationsdebatte},
  series = {Zwischen Licht und Schatten: das Kaiserreich (1871-1914) und seine neuen Kontroversen},
  journal   = {Zwischen Licht und Schatten: das Kaiserreich (1871-1914) und seine neuen Kontroversen},
  publisher = {Campus},
  address   = {Frankfurt},
  isbn      = {978-3-593-51508-3},
  pages     = {171 -- 195},
  year      = {2022},
  language  = {de}
}
@article{Wieber2020,
  author    = {Wieber, Anja},
  title     = {Die palmyrenische K{\"o}nigin Zenobia als Werbeikone f{\"u}r Seife},
  series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  volume    = {2020},
  journal   = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  number    = {11},
  editor    = {Amb{\"u}hl, Annemarie},
  issn      = {2364-7612},
  doi       = {https://doi.org/10.34679/thersites.vol11.169},
  pages     = {277 -- 323},
  year      = {2020},
  abstract  = {This article analyses, as an example of the advertising of cosmetic products, a campaign launched by the US-American company "Johnson Soap" for their product, the facial soap "Palmolive". Examining its ads of 1911 in which certain ancient exempla are employed, it becomes clear that the Palmyrene queen Zenobia and with her the semi-historical Semiramis and the more mythical Dido are aligned to the "1001 Nights" character Scheherazade. Since they are jointly labelled as "historically famous oriental queens" and because of the reference to Zenobia's white skin, they fall into the fantasy of fair-skinned harem women and evoke thoughts of all the pleasures and comforts of the luxurious Orient. To the modern female customer of 1900 (well steeped in the knowledge of those ancient characters) Zenobia and the other exempla should serve as celebrities worth emulating. Above all they are deemed to be beautiful, and experts in cosmetics which would guarantee the effect of the product they are standing for. A finding that proves to be valid even in an advertising concept of today for the Syrian-German "Zhenobya-soap".},
  language  = {de}
}