@incollection{CarlaUhink2024,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {'Per voler del primo amor ch'i' sento'},
  series = {Representing Rome's emperors: historical and cultural perspectives through time},
  booktitle = {Representing Rome's emperors: historical and cultural perspectives through time},
  publisher = {Oxford University Press},
  address   = {Oxford},
  isbn      = {978-0-19-286926-5},
  pages     = {195 -- 213},
  year      = {2024},
  language  = {en}
}
@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Das Forum Romanum von den P{\"a}psten bis zur Gr{\"u}ndung der Republik Italien.},
  series = {Potsdamer Lateintage 2018 - 2020},
  journal   = {Potsdamer Lateintage 2018 - 2020},
  editor    = {Forst, Alexandra},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-510-1},
  issn      = {1860-5206},
  doi       = {10.25932/publishup-53347},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-533474},
  pages     = {79 -- 116},
  year      = {2021},
  language  = {de}
}
@article{UncetaGomezCarlaUhinkFreitag2022,
  author    = {Unceta G{\´o}mez, Luis and Carl{\`a}-Uhink, Filippo and Freitag, Florian},
  title     = {De h{\´e}roes y efebos. El mundo cl{\´a}sico en la fotograf{\´i}a de desnudo masculino contempor{\´a}neo. Entrevista a Carmelo Bl{\´a}zquez},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.208},
  pages     = {103 -- 120},
  year      = {2022},
  abstract  = {Entrevista a Carmelo Bl{\´a}zquez, fot{\´o}grafo especializado en fotograf{\´i}a de desnudo masculino, que trabaja con motivos y modelos procedentes de la Antig{\"u}edad grecolatina.},
  language  = {es}
}
@incollection{CarlaUhink2020,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Die Differenz als Argument: Gregor der Große, Konstantina und der Kopf des Apostels Paulus},
  series = {Byzanz und seine europ{\"a}ischen Nachbarn: Politische Interdependenzen und kulturelle Missverst{\"a}ndnisse},
  volume    = {2020},
  booktitle = {Byzanz und seine europ{\"a}ischen Nachbarn: Politische Interdependenzen und kulturelle Missverst{\"a}ndnisse},
  publisher = {Verlag der RGZM},
  address   = {Mainz},
  isbn      = {978-3-88467-325-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {11 -- 21},
  year      = {2020},
  abstract  = {Anhand des Beispiels der vorsichtig ablehnenden Antwort von Papst Gregor den Großen auf die von der byzantinischen Kaiserin Constantina gestellte Bitte nach der {\"U}bersendung des Kopfes von Paulus, eine K{\"o}rperreliquie von großem symbolischen Kapital, an den Kaiserhof von Konstantinopel untersucht dieser Aufsatz einen schon vor dem 6. Jahrhundert greifbaren Prozess der Genese einer westlich-sp{\"a}tr{\"o}mischen Identit{\"a}t, die ihren Ausdruck zunehmend in religi{\"o}s-moralischen Argumenten findet, und beleuchtet diesen auch vor dem Hintergrund der diskursiven Verwendbarkeit von scheinbaren Differenzen als Argument in der Kommunikation zwischen Osten und Westen, zwischen weltlicher und religi{\"o}ser Macht.},
  language  = {de}
}
@article{CarlaUhink2020,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Die Tabula Traiana und Drăgans Decebalus: symbolische Auseinandersetzungen zwischen Serbien und Rum{\"a}nien an der Donau},
  series = {thersites},
  volume    = {2019},
  journal   = {thersites},
  number    = {10},
  doi       = {10.34679/thersites.vol10.101},
  pages     = {94 -- 127},
  year      = {2020},
  abstract  = {Since 2004 a giant portrait of the ancient Dacian king Decebalus can be seen by people visiting the Đerdap national park in Serbia or sailing along the Danube. The location is carefully chosen: the ancient king is located on the other side of the river, within the Romanian Parcul Natural Porțile de Fier, but is carved in the rock so to look in the direction from where, at the beginning of the 2nd century CE, the Romans came to move war to him and his people. Not by chance, on the Serbian side of the river and not far away from the sculpture is the Tabula Traiana, a Roman inscription celebrating the opening of the Roman road leading here in 100 CE. This article moves from the role of ancient Rome in the historical cultures and national identities of the two countries facing each other here, Serbia and Romania, in order to explain how the Romans represented a 'contested identity' and therefore why, at the end of the 20th century, the Romanian nationalistic millionaire G. C. Drăgan decided to invest a humongous quantity of money in the realization of the sculpture of Decebalus.},
  language  = {de}
}
@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Ein Schierlingsbecher oder ein Sprung ins Barathron?},
  series = {Historische Zeitschrift : HZ},
  volume    = {312},
  journal   = {Historische Zeitschrift : HZ},
  number    = {2},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0018-2613},
  doi       = {10.1515/hzhz-2021-0007},
  pages     = {295 -- 331},
  year      = {2021},
  abstract  = {Der Aufsatz behandelt die drei unterschiedlichen Hinrichtungsformen, die im 5. und 4. Jahrhundert v. Chr. in Athen angedroht wurden: apotympanism{\´o}s, Sturz ins Barathron und Schierling. Eine solche Untersuchung verspricht reichen Aufschluss {\"u}ber die demokratische Ideologie, die entsprechenden Diskurse und ihre stetige Verst{\"a}rkung durch Prozesse und Bestrafungen. Der Aufsatz vertritt dabei die These, dass eine chronologische Analyse dieser Hinrichtungsformen einen wichtigen und bisher unerforschten Beitrag zur Debatte {\"u}ber Kontinuit{\"a}t und Diskontinuit{\"a}t in der athenischen Demokratie vor und nach der Tyrannis der Dreißig leisten kann. Er zeigt, dass die Formen, in denen die Todesstrafe angedroht wurde, das Ausmaß der {\"A}nderungen in den Diskursen in der und {\"u}ber die athenische Demokratie nach der Niederlage im Peloponnesischen Krieg erkennen l{\"a}sst. Die Unterschiede in den Exekutionsformen k{\"o}nnen einen wichtigen Beitrag zum Verst{\"a}ndnis der Verschiebung des Begriffes der „Gleichheit" vom 5. ins 4. Jahrhundert v. Chr. leisten.},
  language  = {de}
}
@article{CarlaUhink2020,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Galliena Augusta e Sol Invicta},
  series = {Annali dell'Istituto Italiano di Numismatica},
  volume    = {2019},
  journal   = {Annali dell'Istituto Italiano di Numismatica},
  number    = {65},
  publisher = {Istituto Italiano di Numismatica},
  address   = {Roma},
  pages     = {143 -- 165},
  year      = {2020},
  abstract  = {This article examines two series of coins that are characterized by a common violation of the gender roles and gender boundaries dominating in the Roman imperial society: the coins GALLIENAE AVGVSTAE minted for the emperor Gallienus and those with legend SOLI INVICTAE minted in the time of Maximinus Daza. These emissions are here inserted into the broader context of Roman mentalities and discourses surrounding gender, gender boundaries and their violations, that always appear to be a special prerogative pertaining to the divine.},
  language  = {it}
}
@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Interview with Alana Jelinek},
  series = {thersites 12},
  volume    = {2020},
  journal   = {thersites 12},
  number    = {12},
  editor    = {Rollinger, Christian},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol12.163},
  pages     = {95 -- 103},
  year      = {2021},
  abstract  = {Alana Jelinek is an art historian and artist — "an artist making art, and also writing about art", in her words — , a former European Research Council artist in residence at the Museum of Anthropology and Archaeology at the University of Cambridge, and currently teaching in the School of Creative Arts at the University of Hertfordshire. Her art has revolved mostly around the issues of post- and neocolonialism and their connections with neoliberalism — a more implicit topic in her works from the 1990s on the "tourist gaze" developed into an interest in museums, collecting and ethnography throughout the past two decades. In this interview, she talks to thersites about the role of classical heritage and ancient art in her own work.},
  language  = {en}
}
@incollection{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Italien von den Anf{\"a}ngen bis ins Sp{\"a}tmittelalter},
  series = {Handbuch Italienisch. Sprache - Literatur - Kultur. F{\"u}r Studium, Lehre, Praxis},
  volume    = {2021},
  booktitle = {Handbuch Italienisch. Sprache - Literatur - Kultur. F{\"u}r Studium, Lehre, Praxis},
  publisher = {Erich Schmidt Verlag},
  address   = {Berlin},
  isbn      = {978-3-503-17798-1},
  pages     = {480 -- 487},
  year      = {2021},
  language  = {de}
}
@misc{CarlaUhinkGorideLiberoetal.2020,
  author    = {Carl{\`a}-Uhink, Filippo and Gori, Maja and de Libero, Loretana and Avalli, Andrea and Pintucci, Alessandro and Clementi, Jessica and Chrysafis, Charalampos I. and Gardner, Chelsea A. M. and Klein, Jonas and Gonz{\´a}lez-Vaquerizo, Helena and Mihanovic, Andelko and Agbamu, Samuel and Dubbini, Rachele and Almagor, Eran},
  title     = {Modern Identities and Classical Antiquity},
  series = {thersites},
  volume    = {2019},
  journal   = {thersites},
  number    = {10},
  editor    = {Carl{\`a}-Uhink, Filippo and Gori, Maja},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol10},
  pages     = {265},
  year      = {2020},
  abstract  = {Studies on the "uses of the past" have steadily and consistently advanced over the past twenty years. Following the seminal studies by Hobsbawm and Ranger and Benedict Anderson on the role of narratives of the past in constructing (national) identities, and thanks the always more widespread practice of reception studies, the attention for cultural memory and lieux de m{\´e}moire, and following, many publications have investigated the role of nearer and further time layers in defining and determining structures of identity and senses of belonging across the world. Didactics of history has also contributed a great deal to this field of studies, also thanks to the always more refined methodologies of school book analysis. Classical Antiquity has obviously not been neglected, and multiple studies have been dedicated to its role in the development and reinforcement of modern identities. Yet, not only some areas of the world have remained less considered than others, but most attention has been dedicated to national identities, nationalistic discourses, and their activation through historical narratives. This special issues of thersites wants to contribute further to research on the role of Classical Antiquity within modern identities, asking scholars to focus especially on areas that have been less strongly represented in scholarship until now.},
  language  = {en}
}