@article{Prieto2021, author = {Prieto, Julio}, title = {'La poes{\´i}a no da para tanto'}, series = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool}, volume = {98}, journal = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool}, number = {1}, publisher = {Liverpool Univ. Press}, address = {Liverpool}, issn = {1475-3839}, doi = {10.3828/bhs.2021.5}, pages = {67 -- 86}, year = {2021}, abstract = {This article focuses on the unique combination of poetry, fiction and autobiography that distinguishes Lorenzo Garcia Vega's recent work. Through a reading of this work and, in particular, of the 'bad novel', Devastacion del Hotel San Luis (2007), a rethinking of the concept of autofiction is proposed, based on Benveniste's linguistic analysis of enunciation modes and on a revision of Kate Hamburger's theory of literary genres. My reading situates the question of autofiction in this author in the context of his conflictive dialogue with the group Origenes, tracing the mixture of narrative and lyrical modes of autofiguration in Garcia Vega's unique project: rewriting both Proust's autobiographic narrative and Lezama's neobaroque poetics.}, language = {es} } @misc{GarciaBonillas2021, author = {Garc{\´i}a Bonillas, Rodrigo}, title = {Viva Babel : Long live Babel}, series = {Alea : estudos neolatinos}, volume = {23}, journal = {Alea : estudos neolatinos}, number = {2}, publisher = {Universidade Federal do Rio de Janeiro, Faculdade de Letras}, address = {Rio de Janeiro RJ}, issn = {1517-106X}, doi = {10.1590/1517-106X/2021232344350}, pages = {344 -- 350}, year = {2021}, language = {pt} } @article{Ette2021, author = {Ette, Ottmar}, title = {A expuls{\~a}o do {\´E}den}, series = {Literatura e autoritarismo}, journal = {Literatura e autoritarismo}, number = {25}, publisher = {Universidade Federal de Santa Maria (UFSM)}, address = {Santa Maria}, issn = {1679-849X}, doi = {10.5902/1679849X65745}, pages = {5 -- 42}, year = {2021}, abstract = {A tem{\´a}tica da migra{\c{c}}{\~a}o est{\´a} intimamente vinculada {\`a} hist{\´o}ria humana, desde a narrativa b{\´i}blica da expuls{\~a}o do para{\´i}so. O ser humano n{\~a}o apenas empregou t{\´e}cnicas cada vez mais sofisticadas para a viol{\^e}ncia, como tamb{\´e}m transmitiu, atrav{\´e}s dos s{\´e}culos, t{\´e}cnicas de conserva{\c{c}}{\~a}o e uso de seu saberconviver. Nesse sentido m{\´o}vel da hist{\´o}ria, e em conson{\^a}ncia com as literaturas do mundo, a partir de suas diversas origens, {\´e} poss{\´i}vel dizer que existe um "Homo migrans" desde que existe o "Homo sapiens". Assim, {\´e} poss{\´i}vel afirmar que as ideias territoriais ou territorializantes com proveni{\^e}ncia hist{\´o}rico-espacial permitem, vez ou outra, reconhecer seus esfor{\c{c}}os para filtrar e isolar a dimens{\~a}o hist{\´o}rico-m{\´o}vel e vetorial da hist{\´o}ria como narrativa, para tentar construir, com a ajuda de ideias est{\´a}ticas, novos lugares da promessa ou da perda, da abund{\^a}ncia ou da queda.}, language = {pt} } @article{Ungelenk2021, author = {Ungelenk, Johannes}, title = {{\´E}mile Zola and the literary language of climate change}, series = {Nottingham French studies / University of Nottingham}, volume = {60}, journal = {Nottingham French studies / University of Nottingham}, number = {3}, publisher = {Edinburgh University Press}, address = {Edinburgh}, issn = {0029-4586}, doi = {10.3366/nfs.2021.0331}, pages = {362 -- 373}, year = {2021}, abstract = {On 7 February 1861, John Tyndall, professor of natural philosophy, delivered a historical lecture: he could prove that different gases absorb heat to a very different degree, which implies that the temperate conditions provided for by the Earth's atmosphere are dependent on its particular composition of gases. The theoretical foundation of climate science was laid. Ten years later, on the other side of the Channel, a young and ambitious author was working on a comprehensive literary analysis of the French era under the Second Empire. {\´E}mile Zola had probably not heard or read of Tyndall's discovery. However, the article makes the case for reading Zola's Rougon-Macquart as an extensive story of climate change. Zola's literary attempts to capture the defining characteristic of the Second Empire led him to the insight that its various milieus were all part of the same 'climate': that of an all-encompassing warming. Zola suggests that this climate is man-made: the economic success of the Second Empire is based on heating, in a literal and metaphorical sense, as well as on stoking the steam-engines and creating the hypertrophic atmosphere of the hothouse that enhances life and maximises turnover and profit. In contrast to Tyndall and his audience, Zola sensed the catastrophic consequences of this warming: the Second Empire was inevitably moving towards a final d{\´e}b{\^a}cle, i.e. it was doomed to perish in local and 'global' climate catastrophes. The article foregrounds the supplementary status of Tyndall's physical and Zola's literary knowledge. As Zola's striking intuition demonstrates, literature appears to have a privileged approach to the phenomenon of man-induced climate change.}, language = {en} }