@article{WiemannMahlberg2014,
  author    = {Wiemann, Dirk and Mahlberg, Gaby},
  title     = {Introduction : Perspectives on English revolutionary republicanism},
  series = {Perspectives on English revolutionary republicanism},
  journal   = {Perspectives on English revolutionary republicanism},
  editor    = {Wiemann, Dirk and Mahlberg, Gaby},
  publisher = {Ashgate},
  address   = {Farnham},
  pages     = {1 -- 12},
  year      = {2014},
  language  = {en}
}
@phdthesis{Behrendt2020,
  author    = {Behrendt, Aileen Jorena},
  title     = {Gender Politics and British Women Writers of the 1930s},
  series = {Epistemata : W{\"u}rzburger wissenschaftliche Schriften. Reihe Literaturwissenschaft},
  journal   = {Epistemata : W{\"u}rzburger wissenschaftliche Schriften. Reihe Literaturwissenschaft},
  number    = {937},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-8260-7177-5},
  issn      = {2699-5859},
  pages     = {298},
  year      = {2020},
  abstract  = {Today's focus on the 1930s as a time of radical politics paving the way for the apocalypse of the Second World War ignores the complexity of the decade's cultural responses, especially those by British women writers who highlighted gender issues within their contemporary political climate. The decade's literature is often understood to capture the political unrest, either narrating people's chaotic movement or their paralysed shock. This book argues that 1930s novels collapse the distinction between movement and standstill and calls this phenomenon Dynamic Stasis. This Dynamic Stasis thematically and structurally informs the novels of Nancy Mitford, Stevie Smith, Rosamond Lehmann and Jean Rhys. By disrupting the oft-repeated clich{\´e} of the 1930s as the age of political extremes, gender politics and negotiations of femininity can emerge from the discursive periphery. This book therefore corrects a persistent gender blind spot, which opens up a (re)consideration of authors that have been overlooked in literary criticism of 1930s to this day.},
  language  = {en}
}
@misc{Wiemann2014,
  author    = {Wiemann, Dirk},
  title     = {George, Rosemary Marangoly, Indian English and the Fiction of National Literature / [rezensiert von] Dirk Wiemann},
  series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : ZAA ; a quarterly of language, literature and culture},
  volume    = {62},
  journal   = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : ZAA ; a quarterly of language, literature and culture},
  number    = {4},
  publisher = {DeGruyter},
  address   = {T{\"u}bingen},
  issn      = {0044-2305},
  doi       = {10.1515/zaa-2014-0039},
  pages     = {385 -- 388},
  year      = {2014},
  abstract  = {Rezensiertes Werk George, Rosemary Marangoly, Indian English and the Fiction of National Literature - Cambridge: Cambridge University Press, 2013. - Hb. viii, 285 pp. - (Zeitschrift f{\"u}r Anglistik und Amerikanistik ; 62(4)) ISBN 978-1-107-04000-7.},
  language  = {en}
}
@misc{Lampart2023,
  author    = {Lampart, Fabian},
  title     = {Rezension zu: Per un atlante geostorico della letteratura tedesca (1900-1930) / Hrsg.: Francesco Fiorentino, Milena Massalongo, Gianluca Paolucci. - Roma: Istituto Italiano di Studi Germanici, 2021. - 326 S. - ISBN: 978-88-95868-56-1},
  series = {Studi Germanici},
  volume    = {2023},
  journal   = {Studi Germanici},
  number    = {23},
  publisher = {Istituto Italiano di Studi Germanici},
  address   = {Rome},
  issn      = {0039-2952},
  pages     = {289 -- 291},
  year      = {2023},
  language  = {en}
}
@article{Eckstein2023,
  author    = {Eckstein, Lars},
  title     = {Hawaiki according to Tupaia},
  series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : ZAA ; a quarterly of language, literature and culture},
  volume    = {71},
  journal   = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : ZAA ; a quarterly of language, literature and culture},
  number    = {1},
  publisher = {de Gruyter},
  address   = {Berlin},
  issn      = {0044-2305},
  doi       = {10.1515/zaa-2023-2006},
  pages     = {55 -- 69},
  year      = {2023},
  abstract  = {This essay looks into the concept of an ancestral homeland in Remote Oceania, commonly referred to as Hawaiki ('Avaiki; Havai'i; Hawai'i). Hawaiki intriguingly challenges Eurocentric notions of 'home.' Following the rapid settlement of the so-called Polynesian triangle from Samoa/Tonga at around 1000 AD, Hawaiki has emerged as a concept that is both mythological and real; genealogical and geographic; singular and yet portable, existing in plural regional manifestations. I argue that predominantly Pakeha/Popa'ā research trying to identify Hawaiki as a singular and geographically fixed homeland is misleading. I tap into the archive surrounding the Ra'iātean tahu'a and master navigator Tupaia who joined Captain Cook's crew during his first voyage to the Pacific to offer glimpses of an alternative ontology of home and epistemology of Oceanic 'homing.'},
  language  = {en}
}
@periodical{OPUS4-64252,
  title     = {Poema},
  volume    = {2},
  editor    = {Lampart, Fabian and Hillebrandt, Claudia and Klimek, Sonja and M{\"u}ller, Ralph},
  publisher = {Universit{\"a}tsverlag Kiel},
  address   = {Kiel},
  issn      = {2751-9821},
  pages     = {150},
  year      = {2023},
  abstract  = {POEMA ist ein komparatistisch angelegtes Jahrbuch, das sich der systematischen Erforschung von Lyrik und Gedicht widmet. Es richtet sich an Fachwissenschaftlerinnen und Fachwissenschaftler aller Phi­lologien wie auch der mit anderen Kunstformen befassten Wissenschaften und der philosophischen {\"A}sthetik. POEMA erscheint als Open-Access-Journal wie auch als Print-on-Demand-Fassung im Uni­versit{\"a}tsverlag Kiel | Kiel University Publishing. Die wissenschaftlichen Beitr{\"a}ge werden in einem double-blind Peer-Review-Verfahren begutachtet.},
  language  = {mul}
}