@book{OPUS4-2260,
  title     = {Proceedings of the 2nd Workshop on Prosody, Syntax, and Information Structure (WPSI 2)},
  editor    = {Ishihara, Shinichiro and Petrova, Svetlana and Schwarz, Anne},
  issn      = {1866-4725},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-22234},
  publisher      = {Universit{\"a}t Potsdam},
  year      = {2007},
  abstract  = {This volume contains the proceedings of the 2nd Workshop on Prosody, Syntax, and Information Structure (WPSI2), held at University of Potsdam on March 18, 2005. WPSI 2 was aimed to discuss issues on the interaction of prosody, syntax, and information structure, from interdisciplinary points of view. The contributors (Haruo Kubozono, Shinichiro Ishihara, Yoshihisa Kitagawa, and Satoshi Tomioka) have been recently working on relevant issues, especially looking at the phenomena related to the intonation of focus and (wh-)questions in Japanese.},
  language  = {en}
}
@book{OPUS4-4406,
  title     = {Bildsprache - Sprachbilder},
  series = {Aisthesis, Paideia, Therapeia : Potsdamer Beitr{\"a}ge zur {\"a}sthetischen Theorie, Bildung und Therapie},
  journal   = {Aisthesis, Paideia, Therapeia : Potsdamer Beitr{\"a}ge zur {\"a}sthetischen Theorie, Bildung und Therapie},
  editor    = {Aissen-Crewett, Meike and Baumgartner, Alex},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-939469-12-4},
  issn      = {1438-8510},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-46032},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {191},
  year      = {2006},
  abstract  = {Die vorliegende Textsammlung ist ein Versuch der Frage nachzugehen, wie sich mediale und formale Entdeckungen der Kunst damit verbinden, dass Potentiale in der Subjektivit{\"a}t des Rezipienten aufgerufen werden. Der Prozess der Selbstfindung des Subjekts durchzieht als philosophische Idee und als existentielle Selbstbehauptung die Geschichte der Kunst kontinuierlich seit ihrem Anfang. Das Verm{\"o}gen der Kunst, Wirklichkeit entstehen zu lassen, ist stets auf Darstellungsprozesse angewiesen um wirksam werden zu k{\"o}nnen. Kunst ist die Weise der Welterzeugung, der man nur auf die Spur kommt, wenn man die internen Symbolsysteme erkennen lernt; denn Bilder und Sprachbilder sind textf{\"o}rmige Bedeutungsrealisierungen im Geflecht der symbolischen Ordnung, denn nur {\"u}ber poetische Konstruktionen wird uns die anthropologische Bedingtheit des Bewusstseins zug{\"a}nglich. Der Mensch hat das Verm{\"o}gen, zwischen sich und der Welt das Reich des Symbolischen zu schieben und vermag sich damit in den Symbolen selbst zu erkennen. So leben wir in vielen Wirklichkeiten, weil wir es nie unvermittelt mit "der Wirklichkeit" zu tun haben, sondern mit einer {\"u}ber Zeichen und Symbolen vermittelten Realit{\"a}t. Bilder und Sprache sind die relevanten Medien, die der Mensch zur Symbolbildung verwendet und damit einerseits Welt erschließt, andererseits auch Erinnerungen sowie Tradition und damit Kultur schafft. Daher bezieht Kunst ihre Ged{\"a}chtniskraft, denn Kunst und Erinnerung sind eine einzige, unteilbare Gr{\"o}ße. Im Zeigen und in der Kraft des Verweisens der Bilder und im diskursiven Sagen der Sprache wird es uns erm{\"o}glicht, vielf{\"a}ltige fiktive Wirklichkeiten zu entwerfen und damit die Imagination und Einbildungskraft anzuregen. Bilder und Sprache verweisen aufeinander, da Bilder durch ihre Form sprach{\"a}hnlich werden. Zur Sprache werden sie Kraft ihrer Gestaltung, ohne in dieser aufzugehen. Bild- und Sprachmetaphern erwachsen aus vorg{\"a}ngiger Erfahrung und sind gleichsam das Kondensat kultureller Vergangenheit. Weltbilder der Kunst werden {\"u}ber kompositorische Schemata und Modelle konzipiert, um Wirklichkeit metaphorisch zu transformieren. Kunst verwendet damit ihre spiegelnde Wirkung dazu, dem Subjekt eine Identit{\"a}t zu verleihen, aber gleichzeitig zeigt sie ihm Wege und M{\"o}glichkeiten, der Falle der Verf{\"u}gbarkeit zu entgehen. Diese Wege, die der Geschichte des Subjekts in seiner Selbstfindung und deren unterschiedlichen Folgen in Korrespondenz mit Kunst nachgeht, zeigen die Autoren dieses Bandes an subjektorientierten rezeptions{\"a}sthetischen Paradigmen auf.},
  language  = {de}
}
@inproceedings{OPUS4-2990,
  title     = {Optimality theory and minimalism : interface theories},
  editor    = {Broekhuis, Hans and Vogel, Ralf},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-940793-61-4},
  issn      = {1616-7392 print},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-27577},
  pages     = {212},
  year      = {2009},
  abstract  = {The papers contained in this issue share the insight that the different components of the grammar sometimes impose conflicting requirements on the grammar's output, and that, in order to handle such conflicts, it seems advantageous to combine aspects from minimalist and OT modelling. The papers show that this can be undertaken in a multiplicity of ways, by using varying proportions of each framework, and offer a broad range of perspectives for future research.},
  language  = {en}
}
@inproceedings{OPUS4-964,
  title     = {brandial'06 : Proceedings of the 10th Workshop on the semantics and pragmatics of dialogue (SemDial-10)},
  editor    = {Schlangen, David and Fern{\´a}ndez, Raquel},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-939469-29-2},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-10484},
  pages     = {vii ; 201},
  year      = {2006},
  abstract  = {brandial06 was the tenth in a series of workshops that aims to bring together researchers working on the semantics and pragmatics of dialogues in fields such as artificial intelligence, formal semantics and pragmatics, computational linguistics, philosophy, and psychology. This volume collects all presented papers and posters and gives abstracts of the invited talks.},
  language  = {en}
}
@book{OPUS4-28804,
  title     = {Die slavischen Sprachen : ein internationales Handbuch zu ihrer Struktur, ihrer Geschichte und ihrer Erforschung},
  series = {Handbuch zur Sprach- und Kommunikationswissenschaft = Handbook of linguistics and communication science},
  volume    = {32.1},
  journal   = {Handbuch zur Sprach- und Kommunikationswissenschaft = Handbook of linguistics and communication science},
  editor    = {Kempgen, Sebastian and Kosta, Peter and Berger, Tilman and Gutschmidt, Karl},
  publisher = {de Gruyter},
  address   = {Berlin ; New York},
  isbn      = {978-3-11-015660-7},
  year      = {2009},
  language  = {de}
}
@book{OPUS4-19787,
  title     = {Adverbs and Adjunction},
  series = {Linguistics in Potsdam},
  journal   = {Linguistics in Potsdam},
  editor    = {Alexiadou, Artemis and Svenonius, Peter},
  publisher = {Univ.-Bibliothek},
  address   = {Potsdam},
  isbn      = {978-3-935024-13-6},
  issn      = {1616-7392},
  pages     = {200},
  year      = {2000},
  abstract  = {The papers collected in this volume were all presented at the workshop on Adverbs and Adjunction, held at the University of Tromsoe, in April 17-18, 1999. The presentations by Kristin M. Eide \&Inghild Flaate, Henriette de Swart, Artemis Alexiadou and Adam Wyner could not be included here. The articles deal with the syntax, semantics and morpbology of adverbs and their interaction with other syntactic phenomena. A number of tbe contributions is concerned with an evaluation of the hypothesis that adverbs are specifiers of functional heads, which are universally ordered. Specifically, Adger \&Tsoulas argue that locative adverbials are licensed by an aspectual head that encodes telicity, while manner adverbials are licensed by a light verb that encodes agentivity, both being situated low in the VP structure. According to the authors, the prime function of these heads is to license aspects of the featural composition of the object, and the licensing of these low adverbials is a by-product of the way that the EPP features of these heads functions. Costa presents data from European Portuguese in support of the traditional analysis of adverbs as adjuncts. Ernst shows that manner, measure, and domain adverbs, and more generally, adverbs and other adjuncts such as participant PPs and adjunct secondary predicates (depictives), are not rigidly ordered. Hence the paper supports theories where linear order is largely a function of the interaction of compositional rules for the various adjuncts, plus their lexico-semantic requirements. For Haider, adverbials are adjoined or embedded, depending on the relation to the head of the containing phrase: they are adjoined if they precede the head of the containing phrase. They are embedded if they follow the head of tbe containing phrase. But the relative order of adverbials is a reflex of an interface condition. Moreover, the order pattern of adverbials in the extraposition domain is a function of linear incrementality in a non-compositional subdomain. Laenzlinger, on the other hand, claims that adverbs occupy the A'-specifier of their semantically related functional projection. They are formally licensed via the mechanism of feature checking, which links their distribution to their interpretation. He also considers adverb placement and its interaction with Verb/Argument Movement, fronting and extraposition. The interaction between A-scrambling and adverb placement crosslinguistically is also investigated by Hoffman in a minimalist framework. He claims that adverbs can be pronounced in any set of syntactic positions, but the choice among the various positions is made on non syntactic grounds. Two papers are concerned with adverbial case. Pereltsvaig examines nominal adverbials marked with Accusative Case, with particular focus on Russian and Finnish. She shows that Accusative adverbials exhibit object-like behavior. She argues that Accusative Case is related to aspectual properties of the VP, and it is thus argued that Structural Accusative Case is checked in [Spec, AspP]. But not all occurrences of morphological accusative case derive from Structural Accusative Case. Thus, the contrasts between Russian and Finnish are explained by the claim that Russian uses accusative case marking for NPs in default objective Case position, whereas Finnish uses partitive in the same position. Manninen shows that in Finnish- adverbs can be analyzed as a sub-category of adjectives and nouns, as they are really case-inflected adjectives and nouns. Manninen proposes that these bear lexical 'adverb' case, i. e. that is they have the form of K(asus;Kase)Ps. Finally, Vegnaduzzo investigates the polysemy of the ltalian adverb ancora showing that this is only apperent. She argues that all the different readings depend upon the context where it is inserted: each reading is derived by compositionality of ancora basic meaning and the semantic properties of the argument structure of the verb.},
  language  = {en}
}
@inproceedings{OPUS4-2516,
  title     = {Finite-state methods and natural language processing : 6th International Workshop, FSMNLP 2007 Potsdam, Germany, september 14 - 16 ; revised papers},
  editor    = {Hanneforth, Thomas and W{\"u}rzner, Kay-Michael},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-940793-57-7},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-23812},
  pages     = {225},
  year      = {2008},
  abstract  = {Proceedings with the revised papers of the FSMNLP (Finite-state Methods and Natural Language Processing) 2007 Workshop in Potsdam},
  language  = {en}
}
@book{OPUS4-19454,
  title     = {Studies in Optimality Theory},
  editor    = {Blutner, Reinhard and J{\"a}ger, Gerhard},
  publisher = {Univ.-Bibliothek Publikationsstelle},
  address   = {Potsdam},
  isbn      = {978-3-935024-16-7},
  issn      = {1616-7392},
  pages     = {72},
  year      = {2000},
  language  = {en}
}
@periodical{OPUS4-64252,
  title     = {Poema},
  volume    = {2},
  editor    = {Lampart, Fabian and Hillebrandt, Claudia and Klimek, Sonja and M{\"u}ller, Ralph},
  publisher = {Universit{\"a}tsverlag Kiel},
  address   = {Kiel},
  issn      = {2751-9821},
  pages     = {150},
  year      = {2023},
  abstract  = {POEMA ist ein komparatistisch angelegtes Jahrbuch, das sich der systematischen Erforschung von Lyrik und Gedicht widmet. Es richtet sich an Fachwissenschaftlerinnen und Fachwissenschaftler aller Phi­lologien wie auch der mit anderen Kunstformen befassten Wissenschaften und der philosophischen {\"A}sthetik. POEMA erscheint als Open-Access-Journal wie auch als Print-on-Demand-Fassung im Uni­versit{\"a}tsverlag Kiel | Kiel University Publishing. Die wissenschaftlichen Beitr{\"a}ge werden in einem double-blind Peer-Review-Verfahren begutachtet.},
  language  = {mul}
}