@article{RodriguezQuilesyGarcia,
  author    = {Rodr{\´i}guez-Quiles y Garc{\´i}a, Jos{\´e} A.},
  title     = {L'{\´e}ducation musicale en Espagne et sa pr{\´e}cari{\´e}t{\´e}},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {7},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  doi       = {10.25932/publishup-43379},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-433795},
  pages     = {11 -- 29},
  language  = {fr}
}
@article{Habib,
  author    = {Habib, Michel},
  title     = {La musique {\`a} l'{\´e}cole},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {7},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  doi       = {10.25932/publishup-43381},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-433818},
  pages     = {31 -- 51},
  language  = {fr}
}
@article{Tassin,
  author    = {Tassin, Martine},
  title     = {La musique {\`a} l'{\´e}cole},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {7},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  doi       = {10.25932/publishup-43383},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-433835},
  pages     = {69 -- 81},
  language  = {fr}
}
@book{OPUS4-42396,
  title     = {The Oxford handbook of music listening in the 19th and 20th centuries},
  editor    = {Thorau, Christian and Ziemer, Hansjacob},
  publisher = {Oxford University Press},
  address   = {New York},
  isbn      = {978-0-19-046696-1},
  pages     = {524},
  year      = {2019},
  abstract  = {An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.},
  language  = {en}
}
@incollection{Thorau2019,
  author    = {Thorau, Christian},
  title     = {"What ought to be heard" : touristic listening and the guided ear},
  series = {The Oxford handbook of music listening in the 19th and 20th centuries},
  booktitle = {The Oxford handbook of music listening in the 19th and 20th centuries},
  publisher = {Oxford University Press},
  address   = {New York},
  isbn      = {978-0-19-046696-1},
  pages     = {207 -- 227},
  year      = {2019},
  language  = {en}
}
@article{Maier2013,
  author    = {Maier, Olga},
  title     = {„Belcantare Brandenburg" - ein zweites „Primacanta"?},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {3},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-65675},
  pages     = {71 -- 76},
  year      = {2013},
  abstract  = {1. Die „Primacanta"-Konzeption 2. Erl{\"a}uterungen zu den Vergleichbarkeiten und den Unterschieden beider Projekte 3. Literatur 4. Internetquellen},
  language  = {de}
}
@article{GrohmannKaehler2013,
  author    = {Grohmann, Markus and K{\"a}hler, Claudia},
  title     = {Wenn Sch{\"u}lerbilder B{\"a}nde sprechen},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {3},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-65617},
  pages     = {39 -- 42},
  year      = {2013},
  language  = {de}
}
@phdthesis{Specht2008,
  author    = {Specht, Christoph},
  title     = {Das Neue Deutsche Musical : musikalische Einfl{\"u}sse der Rockmusik auf das Neue Deutsche Musical},
  volume    = {1},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-86596-210-2},
  pages     = {265 S., graph. Darst.,},
  year      = {2008},
  language  = {de}
}
@phdthesis{Bopp2007,
  author    = {Bopp, Verena},
  title     = {MAILAMM 1932 - 1941 : die Geschichte einer Vereinigung zur F{\"o}rderung j{\"u}discher Musik in den USA},
  series = {J{\"u}dische Musik : Studien und Quellen zur j{\"u}dischen Musik},
  volume    = {4},
  journal   = {J{\"u}dische Musik : Studien und Quellen zur j{\"u}dischen Musik},
  publisher = {Harrassowitz Verlag},
  address   = {Wiesbaden},
  isbn      = {978-3-447-05596-3},
  pages     = {344 S. : Ill.},
  year      = {2007},
  language  = {de}
}
@book{ClausenJankKraemeretal.2007,
  author    = {Clausen, Bernd and Jank, Birgit and Kr{\"a}mer, Oliver and Lang, Robert and Sammer, Gerhard and Jank, Birgit},
  title     = {Duden : Musik ; Lehrermaterial Aufgabenl{\"o}sungen ; Gymnasiale Oberstufe},
  publisher = {Duden-Paetec},
  address   = {Berlin},
  isbn      = {978-3-89818-693-3},
  pages     = {144 S.},
  year      = {2007},
  language  = {de}
}