@article{NasrCorbett2024,
  author    = {Nasr, Omar T. and Corbett, Tim},
  title     = {Diversifying Modern Austrian History},
  series = {PaRDeS},
  journal   = {PaRDeS},
  number    = {29},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-574-3},
  issn      = {1614-6492},
  doi       = {10.25932/publishup-65029},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-650290},
  pages     = {137 -- 147},
  year      = {2024},
  abstract  = {Jews and Muslims have lived in the territory of modern-day Austria for centuries untold, yet often continue to be construed as the essential "other." This essay explores a selection of sometimes divergent, sometimes convergent historical experiences amongst these two broad population groups, focusing specifically on demographic diversity, community-building, discrimination and persecution, and the post-war situation. The ultimate aim is to illuminate paradigmatically through the Austrian case study the complex multicultural mosaic of historical Central Europe, the understanding of which, so our contention, sheds a critical light on the often divisive present-day debates concerning immigration and diversity in Austria and Central Europe more broadly. It furthermore opens up a hitherto understudied field of historical research, namely the entangled history of Jews and Muslims in modern Europe.},
  language  = {en}
}
@article{HeimannJelinek2024,
  author    = {Heimann-Jelinek, Felicitas},
  title     = {What was "Jewish" about the Old Jewish Museum of Vienna?},
  series = {PaRDeS},
  journal   = {PaRDeS},
  number    = {29},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-574-3},
  issn      = {1614-6492},
  doi       = {10.25932/publishup-65028},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-650283},
  pages     = {125 -- 134},
  year      = {2024},
  abstract  = {The Jewish museums established in the fin-de-si{\`e}cle Habsburg Empire postulated the unity of "the Jewish people," with custodians constructing an "us" (Jews) in distinction to the "other" (non-Jews). In the difference-oriented frenzy of the time, Jewish identity was predominantly presented as Central European, enlightened, not overly religious, and middle-class. Then, when the Viennese Jewish Museum opened its doors in 1895, the painters Isidor Kaufmann and David Kohn created an installation called "Die Gute Stube" (The Parlor). This exhibit housed books, furniture, as well as decorative and ritual objects of the kind that were thought to be found in typical Eastern European Jewish households. However, as this article argues, this attempted visualization of the essence of Judaism and the range of Jewish life worlds promoted a paradigmatic stereotype with which Jewish museums would have to struggle for decades to come.},
  language  = {en}
}