@article{BoschDeCesareDemskeetal.2021,
  author    = {Bosch, Sina and De Cesare, Ilaria and Demske, Ulrike and Felser, Claudia},
  title     = {New empirical approaches to grammatical variation and change},
  series = {Languages : open access journal},
  volume    = {6},
  journal   = {Languages : open access journal},
  number    = {3},
  publisher = {MDPI},
  address   = {Basel},
  issn      = {2226-471X},
  doi       = {10.3390/languages6030113},
  pages     = {3},
  year      = {2021},
  language  = {en}
}
@article{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Goethe and the aesthetics of equestrian art},
  series = {Publications of the English Goethe Society},
  volume    = {91},
  journal   = {Publications of the English Goethe Society},
  number    = {1},
  publisher = {Routledge},
  address   = {Abingdon},
  issn      = {0959-3683},
  doi       = {10.1080/09593683.2022.2027735},
  pages     = {58 -- 74},
  year      = {2022},
  abstract  = {Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of 'art'. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.},
  language  = {en}
}
@misc{Philipowski2021,
  author    = {Philipowski, Katharina},
  title     = {Experience and poetology in allegorical love autobiographies},
  series = {Medieval Forms of First-Person Narration: A Potentially Universal Format (Villa Vigoni Talks I)},
  volume    = {8},
  journal   = {Medieval Forms of First-Person Narration: A Potentially Universal Format (Villa Vigoni Talks I)},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE2020375},
  pages     = {1 -- 27},
  year      = {2021},
  abstract  = {Im Hochmittelalter entstehen Erz{\"a}hlungen, die etablierte literarische Formen und Traditionen neu verbinden: Sie sind volkssprachig, allegorisch und verwenden als Erz{\"a}hlform die erste Person, um in dieser Kombination, die sich zu einem die Grenzen der Einzelsprachen {\"u}berschreitenden Erz{\"a}hl-Format verfestigt, unterschiedlichste Themen aufzugreifen. Dieses Format, erstmals realisiert im altfranz{\"o}sischen Roman de la Rose, wird die europ{\"a}ische Literatur mit Texten wie Dantes Divina Comedia, Guillaumes de Deguileville P{\`e}lerinage de la Vie Humaine, William Langlands Pierce Plowman und Christines de Pizan Le Livre de la mutation de Fortune bis weit in die Neuzeit hinein pr{\"a}gen. Der in den Band einleitende Beitrag geht der Frage nach, ob das narrative Format dabei universell verwendet wird oder, z.B. im Rahmen der Liebesdichtung, spezifische Besonderheiten aufweist.},
  language  = {en}
}
@article{Lezzi2003,
  author    = {Lezzi, Eva},
  title     = {The inventoried and inventorly Self : Borderline cases of the autobiographical},
  issn      = {0003-7982},
  year      = {2003},
  language  = {en}
}
@book{OPUS4-64626,
  title     = {Allegory and the poetic self},
  editor    = {Palmer, Barton R. and Philipowski, Katharina and R{\"u}themann, Julia},
  publisher = {University Press of Florida},
  address   = {Gainesville, Florida},
  isbn      = {978-0-81306-751-3},
  doi       = {10.5744/florida/9780813069517.001.0001},
  pages     = {316},
  year      = {2022},
  abstract  = {This book is the first collective examination of Late Medieval intimate first-person narratives that blurred the lines between author, narrator, and protagonist and usually feature personification allegory and courtly love tropes, creating an experimental new family of poetry. In this volume, contributors analyze why the allegorical first-person romance embedded itself in the vernacular literature of Western Europe and remained popular for more than two centuries. The editors identify and discuss three predominant forms within this family: debate poetry, dream allegories, and autobiographies. Contributors offer textual analyses of key works from late medieval German, French, Italian, and Iberian literature, with discussion of developments in England, as well. Allegory and the Poetic Self offers a sophisticated, theoretically current discussion of relevant literature. This exploration of medieval "I" narratives offers insights not just into the premodern period but also into Western literature's subsequent traditions of self-analysis and identity crafting through storytelling.},
  language  = {en}
}
@article{OezsoyIefremenkoSchroeder2022,
  author    = {{\"O}zsoy, Onur and Iefremenko, Kateryna and Schroeder, Christoph},
  title     = {Shifting and expanding clause combining strategies in heritage Turkish varieties},
  series = {Languages},
  volume    = {7},
  journal   = {Languages},
  number    = {3},
  publisher = {MDPI},
  address   = {Basel},
  issn      = {2226-471X},
  doi       = {10.3390/languages7030242},
  pages     = {23},
  year      = {2022},
  abstract  = {Turkish is a language described as relying predominantly on non-finite subordination in the domain of clause combining. However, there are also strategies of finite subordination, as well as means of syndetic and asyndetic paratactic clause combining, especially in the informal settings. Clause combining is and has been one of the focal points of research on heritage Turkish (h-Turkish). One point is particularly clear: In comparison with the monolingual setting, finite means of clause combining are more frequent in h-Turkish in Germany, the U.S., and the Netherlands, while non-finite means of clause combining are less frequent. Overall, our results confirm the findings of earlier studies: heritage speakers in Germany and the U.S. prefer paratactic means of clause combining using connectors, as opposed to monolingual speakers. Our results also reveal that age (adolescents vs. adults) and register (informal vs. formal) significantly modulate the use of connectors. Moreover, we find that the shift in preferences in means of clause combining triggers an expansion in the system of connectors and leads to the development of new narrative connectors, such as o zaman and derken. The system of syndetic paratactic clause combining is expanding in heritage Turkish. This expansion calls for multifaceted modeling of change in heritage languages, which integrates language-internal factors (register), dynamics of convergence with the contact languages, and extra-linguistic factors (age and language use).},
  language  = {en}
}