@article{Warnke2010,
  author    = {Warnke, Martin},
  title     = {Logic as a medium},
  series = {DIGAREC series},
  journal   = {DIGAREC series},
  number    = {4},
  issn      = {1867-6227},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-42710},
  pages     = {64 -- 78},
  year      = {2010},
  abstract  = {Computer games are rigid in a peculiar way: the logic of computation was the first to shape the early games. The logic of interactivity marked the action genre of games in the second place, while in massive multiplayer online gaming all the emergences of the net occur to confront us with just another type of logic. These logics are the media in which the specific forms of computer games evolve. Therefore, a look at gaming supposing that there are three eras of computation is taken: the early synthetical era, ruled by the Turing machine and by mainframe computers, by the IPO principle of computing; the second, mimetical era, when interactivity and graphical user interfaces dominate, the domain of the feedback loop; and the third, emergent era, in which the complexity of networked personal computers and their users is dominant.},
  language  = {en}
}
@book{GuenzelLiebeMerschetal.2010,
  author    = {G{\"u}nzel, Stephan and Liebe, Michael and Mersch, Dieter and K{\"u}cklich, Julian and Warnke, Martin and Cermak-Sassenrath, Daniel and Michael, Nitsche and Nohr, Rolf F. and Wenz, Karin and Wiemer, Serjoscha and Venus, Jochen and Butler, Mark},
  title     = {Logic and structure of the computer game},
  editor    = {G{\"u}nzel, Stephan and Liebe, Michael and Mersch, Dieter},
  isbn      = {978-3-86956-064-9},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-42695},
  publisher      = {Universit{\"a}t Potsdam},
  year      = {2010},
  abstract  = {The fourth volume of the DIGAREC Series holds the proceedings to the conference "Logic and Structure of the Computer Game", held at the House of Brandenburg- Prussian History in Potsdam on November 6 and 7, 2009. The conference was the first to explicitly address the medial logic and structure of the computer game. The contributions focus on the specific potential for mediation and on the unique form of mediation inherent in digital games. This includes existent, yet scattered approaches to develop a unique curriculum of game studies. In line with the concept of 'mediality', the notions of aesthetics, interactivity, software architecture, interface design, iconicity, spatiality, and rules are of special interest. Presentations were given by invited German scholars and were commented on by international respondents in a dialogical structure.},
  language  = {en}
}