@article{BievrePerrin2021, author = {Bi{\`e}vre-Perrin, Fabien}, title = {"Everything is a copy of a copy of a copy"}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.191}, pages = {i -- v}, year = {2021}, abstract = {A quote from Fight Club (Chuck Palahniuk, 1996) may seem unusual for a Classicist. Nevertheless, this famous sentence summarises the contents of this special issue of thersites perfectly. As specialists in classical reception frequently witness, there is a sort of d{\´e}j{\`a}-vu effect when it comes to the presence of Antiquity within popular culture. In 2019, to try to better understand the phenomenon, Antiquipop invited researchers to take an interest in the construction and semantic path of these "masterpieces" in contemporary popular culture, with a particular focus on the 21st century.}, language = {en} } @misc{BievrePerrinBriandJouteuretal.2021, author = {Bi{\`e}vre-Perrin, Fabien and Briand, Michel and Jouteur, Isabelle and Pampanay, {\´E}lise and Besnard, Tiphaine Annabelle and Costanzo, Daniela and Renault, Manon and Saura-Ziegelmeyer, Arnaud and Scapin, Mathieu and Gonz{\´a}lez V{\´a}zquez, Mateo and Mihanovic, Andelko}, title = {Antiquipop - Chefs d'œuvres revisit{\´e}s}, series = {thersites}, volume = {2021}, journal = {thersites}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, issn = {2364-7612}, doi = {10.34679/thersites.vol13}, year = {2021}, abstract = {This special issue hosts the proceedings of a workshop that took place in Lyon in 2019, dedicated to discussing the modern receptions of some "masterpieces" from ancient Greek art.}, language = {en} }