@article{Berner2021,
  author    = {Berner, Elisabeth},
  title     = {M{\"a}rkische Dialekte},
  series = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1},
  journal   = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1},
  publisher = {be.bra wissenschaft verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-294-5},
  pages     = {27 -- 37},
  year      = {2021},
  language  = {de}
}
@article{Klettke2021,
  author    = {Klettke, Cornelia},
  title     = {Il ruolo dell'ekphrasis nella scrittura di Andrea De Carlo},
  series = {Letterature \& Arte, Themenheft Retoriche dell'ecfrasi nella letteratura italiana del Novecento},
  volume    = {19},
  journal   = {Letterature \& Arte, Themenheft Retoriche dell'ecfrasi nella letteratura italiana del Novecento},
  editor    = {Ciccuto, Marcello and Morra, Eloisa and Portesine, Chiara},
  publisher = {Fabrizio Serra},
  address   = {Pisa / Rom},
  pages     = {255 -- 276},
  year      = {2021},
  language  = {it}
}
@article{Adamik2021,
  author    = {Adamik, Verena},
  title     = {From Utopian Island to global empire},
  series = {Utopian Studies},
  volume    = {31},
  journal   = {Utopian Studies},
  number    = {3},
  publisher = {Penn State University Press},
  address   = {University Park, Pa},
  doi       = {doi: 10.5325/utopianstudies.31.3.0457},
  pages     = {457 -- 474},
  year      = {2021},
  abstract  = {This article discusses how Alex Garland's The Beach (1996) engages with conceptions of utopian islands, nation, and colonialism in modernity and how it, from this basis, develops a different spatiality that reflects on a more deterritorialized form of imperial domination within late twentieth-century globalization, as exercised by the United States. The novel is shown to subvert, but not to abolish, two spatial formations that originated in early modernity: nation and utopia. Building on Jean Baudrillard's elaborations regarding simulation and simulacra, the article argues that The Beach creates a hyperreal narrative that does away with the idea of isolated, bounded spaces and that in form and content corresponds with the worldwide dominance of the United States at the end of the twentieth century.},
  language  = {en}
}
@article{Brechenmacher2021,
  author    = {Brechenmacher, Thomas},
  title     = {Tolerante Hohenzollern?},
  series = {Die Hohenzollerndebatte. Beitr{\"a}ge zu einem geschichtspolitischen Streit},
  journal   = {Die Hohenzollerndebatte. Beitr{\"a}ge zu einem geschichtspolitischen Streit},
  publisher = {Duncker \& Humblot},
  address   = {Berlin},
  isbn      = {978-3-428-18392-0},
  pages     = {417 -- 424},
  year      = {2021},
  language  = {de}
}
@article{Gwozdz2021,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Id est figura corporis mei},
  series = {Bilder in Bewegung : Ansichten des Bildlichen zwischen Kunst und Wissenschaft},
  journal   = {Bilder in Bewegung : Ansichten des Bildlichen zwischen Kunst und Wissenschaft},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-073524-6},
  year      = {2021},
  language  = {de}
}
@article{Gwozdz2021,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Sch{\"o}ne neue Welt des Fast Food Reading},
  series = {Hispanorama : Zeitschrift des Deutschen Spanischlehrerverbandes (DSV) ; revista de la Asociaci{\´o}n Alemana de Profesores de Espa{\~n}ol},
  volume    = {2021},
  journal   = {Hispanorama : Zeitschrift des Deutschen Spanischlehrerverbandes (DSV) ; revista de la Asociaci{\´o}n Alemana de Profesores de Espa{\~n}ol},
  number    = {173},
  publisher = {Deutscher Spanischlehrerverband (DSV)},
  address   = {N{\"u}rnberg},
  issn      = {0720-1168},
  pages     = {52 -- 57},
  year      = {2021},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Die Tierfl{\"u}sterer},
  series = {Animal Print : das popul{\"a}re Tiersachbuch},
  journal   = {Animal Print : das popul{\"a}re Tiersachbuch},
  editor    = {Schikowski, Michael and Schneider, Ute},
  publisher = {Wehrhahn},
  address   = {Hannover},
  isbn      = {978-3-86525-823-6},
  issn      = {0340-8140},
  pages     = {103 -- 122},
  year      = {2020},
  language  = {de}
}
@article{Proeve2021,
  author    = {Pr{\"o}ve, Ralf},
  title     = {Wie mit Nach-Matrix-Sozialisierten umgehen, oder},
  series = {Emotionen in Wissensinstitutionen. Zur Bedeutung affektiver Dimensionen in Forschung, Lehre und Unterricht},
  journal   = {Emotionen in Wissensinstitutionen. Zur Bedeutung affektiver Dimensionen in Forschung, Lehre und Unterricht},
  editor    = {Ernst, Sebastian},
  publisher = {transcript},
  address   = {Bielefeld},
  isbn      = {978-3-8376-5735-7},
  pages     = {71 -- 92},
  year      = {2021},
  language  = {de}
}
@article{Brechenmacher2021,
  author    = {Brechenmacher, Thomas},
  title     = {„Katholizismusforschung", „kirchliche Zeitgeschichte", „Katholischsein"},
  series = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven},
  journal   = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven},
  editor    = {Brechenmacher, Thomas and Kleinehagenbrock, Frank and Lepp, Claudia and Oelke, Harry},
  publisher = {Vandenhoeck \& Ruprecht},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-525-56866-8},
  pages     = {95 -- 112},
  year      = {2021},
  language  = {de}
}
@article{BrechenmacherOelke2021,
  author    = {Brechenmacher, Thomas and Oelke, Harry},
  title     = {Kirchliche Zeitgeschichte},
  series = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven},
  journal   = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven},
  editor    = {Brechenmacher, Thomas and Kleinehagenbrock, Frank and Lepp, Claudia and Oelke, Harry},
  publisher = {Vandenhoeck \& Ruprecht},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-525-56866-8},
  pages     = {9 -- 19},
  year      = {2021},
  language  = {de}
}