@article{Hudzik2019,
  author    = {Hudzik, Agnieszka Helena},
  title     = {War, Emigration and the Soul of the Poet On Hermann Broch and J{\´o}zef Wittlin's Correspondence},
  series = {Pamietnik literacki},
  volume    = {110},
  journal   = {Pamietnik literacki},
  number    = {3},
  publisher = {Wydawinictwo Pan , Institut Badan Literackich Pan},
  address   = {Warsaw},
  issn      = {0031-0514},
  pages     = {161 -- 182},
  year      = {2019},
  language  = {pl}
}
@article{Kalczewiak2019,
  author    = {Kalczewiak, Mariusz},
  title     = {We Hope to Find a Way Out from Our Unpleasant Situation},
  series = {American Jewish History},
  volume    = {103},
  journal   = {American Jewish History},
  number    = {1},
  publisher = {Johns Hopkins Univ. Press},
  address   = {Baltimore},
  issn      = {0164-0178},
  doi       = {10.1353/ajh.2019.0002},
  pages     = {25 -- 49},
  year      = {2019},
  language  = {en}
}
@article{Straetling2019,
  author    = {Str{\"a}tling, Susanne},
  title     = {The Author as Researcher},
  series = {Russian Literature},
  volume    = {103},
  journal   = {Russian Literature},
  publisher = {Elsevier},
  address   = {Amsterdam},
  issn      = {0304-3479},
  doi       = {10.1016/j.ruslit.2019.04.012},
  pages     = {283 -- 303},
  year      = {2019},
  abstract  = {This article proposes a new perspective on avant-garde travel writing through the lens of scientific field work, investigating these new writing techniques in Boris Pil'niak's expedition prose. In the 1920s, the researching writer represents a hidden, but influential counterpart to the widely propagated figure of the working writer. While the author as producer combines word and deed in an operative act, the author as researcher investigates the production of knowledge. This entails revising the centrality of facts. Literature as artistic research subverts factography by going beyond the horizons of veristic data registration to include uncharted realms and vague possibilities. This exploration leads to specific genres: the author as researcher tries his hand at a kind of laboratory text, a prolific genre at the intersection of testing equipment, recording media, and hypothetical thought. Not confined to a sterile lab, avant-garde writer-researchers, as members of research expeditions, oscillate between their home writing desks and the remote depths of the emerging USSR. At the same time, they explore writing practices situated between data acquisition, sampling, fact-finding, observation and recording.},
  language  = {en}
}
@article{Lewis2019,
  author    = {Lewis, Simon},
  title     = {Border Trouble: Ethnopolitics and Cosmopolitan Memory in Recent Polish Cinema},
  series = {East European Politics and Societies: and Cultures},
  volume    = {33},
  journal   = {East European Politics and Societies: and Cultures},
  number    = {2},
  publisher = {Sage Publ.},
  address   = {Thousand Oaks},
  issn      = {0888-3254},
  doi       = {10.1177/0888325418815248},
  pages     = {522 -- 549},
  year      = {2019},
  abstract  = {The border shifts and population exchanges between Central and East European states agreed at the 1945 Potsdam Conference continue to reverberate in the culture and politics of those countries. Focusing on Poland, this article proposes the term "border trouble" to interpret the politicized split in memory that has run through Polish culture since the end of the Second World War. Border trouble is a form of cultural trauma that transcends binaries of perpetrator/victim and oppressor/oppressed; it is also a tool for analyzing the ways in which spatial imagination, memory, and identity interact in visual and literary narratives. A close analysis of four recent feature films demonstrates the emergence of a visual grammar of cosmopolitan memory and identity in relation to borderland spaces. Wojciech Smarzowski's R{\´o}ża ("Rose," 2011) and Agnieszka Holland's Pokot ("Spoor," 2017) are both set in territories that were transferred from Germany to Poland in 1945. Wołyń ("Volhynia," released internationally as "Hatred," 2016) and W ciemności ("In Darkness," 2011), also directed by Smarzowski and Holland respectively, are set in regions that were under Polish administration before the war but were transferred to Soviet Ukraine in 1945. All four productions break new ground in the memorialization of the post-war legacy in Poland. They deconstruct hitherto dominant discourses of simultaneity and ethnic homogeneity, engaging in Poland's wars of symbols as a third voice: anti-nationalist, but also refusing to essentialize cosmopolitan identity. They show the evolution of border trouble in response to contemporary political and cultural developments.},
  language  = {en}
}
@article{LewisWaligorska2019,
  author    = {Lewis, Simon and Waligorska, Magdalena},
  title     = {Introduction: Poland's Wars of Symbols},
  series = {East European Politics and Societies: and Cultures},
  volume    = {33},
  journal   = {East European Politics and Societies: and Cultures},
  number    = {2},
  publisher = {Sage Publ.},
  address   = {Thousand Oaks},
  issn      = {0888-3254},
  doi       = {10.1177/0888325418821418},
  pages     = {423 -- 434},
  year      = {2019},
  abstract  = {This introduction to the special section on Poland's wars of symbols analyzes the symbolic contestation that has characterized the country in recent years, studying a range of phenomena including nation, gender, memory, and religious symbolism within the overall framework of political conflict. In doing so, it offers a multidisciplinary view on political fractures that have resonated throughout Europe and the "West." Overall, the four case studies in this section study ways in which national symbols, topoi, and narratives have been deployed as tools in drawing and redrawing boundaries within society, polarizing and mobilizing the political camps as well as contesting and resisting power. These studies enable us to situate recent political events in a historical perspective, mapping the rise of populism in Poland against the background of legacies specific to the East-Central European region.},
  language  = {en}
}
@book{PresslerRoggan2019,
  author    = {Preßler, Tobias and Roggan, Alfred},
  title     = {Sorbische/Wendische Spuren in der n{\"o}rdlichen Niederlausitz},
  series = {Podstupimske pśinoski k Sorabistice = Potsdamer Beitr{\"a}ge zur Sorabistik},
  journal   = {Podstupimske pśinoski k Sorabistice = Potsdamer Beitr{\"a}ge zur Sorabistik},
  number    = {12},
  editor    = {Norberg, Madlena and Kosta, Peter},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-478-4},
  issn      = {1615-2476},
  doi       = {10.25932/publishup-43693},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-436933},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {185},
  year      = {2019},
  abstract  = {Die Herausgeber der „Potsdamer Beitr{\"a}ge zur Sorabistik/Podstupimske pśinoski k Sorbistice" sind erfreut, nach l{\"a}ngerer Pause einen neuen Band ver{\"o}ffentlichen zu k{\"o}nnen. Gemeinschaftlich legen der Kulturwissenschaftler Tobias Preßler, welcher hier deb{\"u}tiert, und der ausgewiesene Denkmalpfleger i. R. Alfred Roggan, vier Artikel zur niedersorbischen Kulturgeschichte vor. Die Autoren widmen sich der sorbischen Sprache im Norden der Niederlausitz, ihrer ehemaligen Verbreitung und den Umst{\"a}nden ihres Verschwindens. Alle Beitr{\"a}ge n{\"a}hern sich aus unterschiedlicher Perspektive diesem Thema, wobei die Schwerpunkte auf verschiedenen Zeiten und Regionen liegen. Mit Paul Thol wird sich einem Restaurator und K{\"u}nstler zugewandt, dessen Werk und Schaffen in die bewegte 1. H{\"a}lfte des 20. Jahrhunderts f{\"a}llt. Diese Zeit bildet gleichsam den Abschluss einer epochen{\"u}bergreifenden Darstellung zur Politik gegen{\"u}ber den Sorben und ihrer Sprache, welche ein weiterer Artikel skizziert. In den beiden Herzst{\"u}cken des Bandes wird der Leser in die fr{\"u}he Neuzeit entf{\"u}hrt. Es wird ein bisher wenig beachtetes Druckwerk aus dem Jahre 1694 vorgestellt, das seinerzeit bewusst in zw{\"o}lf Sprachen herausgegeben wurde. Als wahres Kleinod der sorbischen Sprachgeschichte findet sich dieses Werk - ein Gedicht - {\"u}berliefert, das in einem nunmehr ausgestorbenen Dialektzweig verfasst ist. Neben dem Gedicht selbst, werden auch dessen bisherige literarische Bearbeitungen sowie der Entstehungshintergrund des Druckes eingehender beschrieben. Der vierte Beitrag widmet sich einer Region, in welcher wohl der gleiche Dialekt wie der des Gedichtes gesprochen wurde. Bis zum Verklingen der Sprache im 18. Jahrhundert war sie hier genauso lebendig wie sie es heute noch in ihrem Kerngebiet ist.},
  language  = {de}
}
@book{Franz2019,
  author    = {Franz, Norbert P.},
  title     = {„So, Sie meinen also, es gibt ihn nicht?"},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-469-2},
  doi       = {10.25932/publishup-42971},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-429718},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {450},
  year      = {2019},
  abstract  = {The devil has been a favourite subject of Russian literature. His representations and functions have been changing over the centuries in accordance with the changing periods and fashions of literature. Images of the devil mix popular and animistic elements with biblical concepts of devils and demons. Both sources are relevant to literary texts which frequently ridicule na{\"i}ve beliefs in the devil but which also enjoy shocking enlightened intellectuals with appearances of the devil. The devil is such a frequent motif in Russian literature that telling its story means telling the story of Russian literature itself sub specie diaboli. The mixture of popular images with the biblical heritage goes back to the romantics - especially Nikolai Gogol - even though, of course, the devil had been popular much earlier. While ideas of the devil have remained popular with the people, the educated classes have tended to be skeptical. This may be the reason why realistic literature - with the notable exception of Fedor Dostoevskij - avoided the devil; the modernists liked to represent him even better. A peak was reached with Mikhail Bulgakov. Contemporaries often lack the religious subtext.},
  language  = {de}
}
@article{Kosta2019,
  author    = {Kosta, Peter},
  title     = {Third position repair, overlaps, and code-switching within a strict turn-taking model},
  series = {Urban voices: the sociolinguistics, grammar and pragmatics of spoken russian},
  journal   = {Urban voices: the sociolinguistics, grammar and pragmatics of spoken russian},
  publisher = {Lang},
  address   = {Berlin},
  isbn      = {978-3-631-66462-9},
  pages     = {183 -- 201},
  year      = {2019},
  language  = {de}
}
@article{Soldat2019,
  author    = {Soldat, Cornelia},
  title     = {Wie Nikolaj Karamzin an das Testament Ivans des Schrecklichen kam},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42532},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425324},
  pages     = {279 -- 292},
  year      = {2019},
  language  = {de}
}
@article{Gladis2019,
  author    = {Gladis, Lea},
  title     = {Stadt, Land, Mord},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42531},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425314},
  pages     = {261 -- 277},
  year      = {2019},
  language  = {de}
}
@article{HansenKokoruš2019,
  author    = {Hansen-Kokoruš, Renate},
  title     = {Wieviel Fantastik vertr{\"a}gt der Krimi?},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42530},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425306},
  pages     = {245 -- 260},
  year      = {2019},
  language  = {de}
}
@article{Schmidt2019,
  author    = {Schmidt, Nora},
  title     = {{\"U}ber die Lust, von einem Fall zu h{\"o}ren},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425297},
  pages     = {227 -- 244},
  year      = {2019},
  language  = {de}
}
@article{Smyshliaeva2019,
  author    = {Smyshliaeva, Maria},
  title     = {Experimentierfeld Krimi},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42528},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425284},
  pages     = {217 -- 225},
  year      = {2019},
  language  = {de}
}
@article{Duering2019,
  author    = {D{\"u}ring, Michael},
  title     = {Warschauer Topographie},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42527},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425271},
  pages     = {199 -- 216},
  year      = {2019},
  language  = {de}
}
@article{Wehrhahn2019,
  author    = {Wehrhahn, Olena},
  title     = {Kollektives Identit{\"a}tskonstrukt und eigene Familiengeschichte},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42526},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425261},
  pages     = {183 -- 198},
  year      = {2019},
  language  = {de}
}
@article{Jekutsch2019,
  author    = {Jekutsch, Ulrike},
  title     = {„Polnische Leichen"},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42524},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425241},
  pages     = {161 -- 182},
  year      = {2019},
  language  = {de}
}
@article{Guenther2019,
  author    = {G{\"u}nther, Clemens},
  title     = {Das Ermittlungsverfahren ist einzustellen!},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42523},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425230},
  pages     = {143 -- 160},
  year      = {2019},
  language  = {de}
}
@article{Kirjuchina2019,
  author    = {Kirjuchina, Ljuba},
  title     = {Das zerst{\"o}rte „Antlitz des Anderen"},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42520},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425204},
  pages     = {125 -- 142},
  year      = {2019},
  language  = {de}
}
@article{Kunow2019,
  author    = {Kunow, R{\"u}diger},
  title     = {„Blame it on the Russians"},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universtit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42513},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425137},
  pages     = {115 -- 124},
  year      = {2019},
  language  = {de}
}
@article{Brylla2019,
  author    = {Brylla, Wolfgang},
  title     = {Verbrechen im Dienst des Sozialismus},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universtit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42510},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425102},
  pages     = {95 -- 113},
  year      = {2019},
  language  = {de}
}
@article{Schwartz2019,
  author    = {Schwartz, Matthias},
  title     = {Sherlock Holmes als Untersuchungsrichter},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universtit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42509},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425093},
  pages     = {69 -- 93},
  year      = {2019},
  language  = {de}
}
@article{Engel2019,
  author    = {Engel, Christine},
  title     = {Fr{\"u}he russische Detektivgeschichten},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universtit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42508},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425082},
  pages     = {49 -- 67},
  year      = {2019},
  language  = {de}
}
@article{Sproede2019,
  author    = {Sproede, Alfred},
  title     = {Rechts- und Justizkritik im fr{\"u}hen osteurop{\"a}ischen Kriminalroman},
  series = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  journal   = {Investigation - Rekonstruktion - Narration: Geschichten und Geschichte im Krimi der Slavia},
  publisher = {Universtit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-42507},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-425078},
  pages     = {13 -- 48},
  year      = {2019},
  language  = {de}
}
@inproceedings{FriessHuberSproedeetal.2019,
  author    = {Frieß, Nina and Huber, Angela and Sproede, Alfred and Engel, Christine and Schwartz, Matthias and Brylla, Wolfgang and Kunow, R{\"u}diger and Kirjuchina, Ljuba and G{\"u}nther, Clemens and Jekutsch, Ulrike and Wehrhahn, Olena and D{\"u}ring, Michael and Smyshliaeva, Maria and Schmidt, Nora and Hansen-Kokoruš, Renate and Gladis, Lea and Soldat, Cornelia},
  title     = {Investigation - Rekonstruktion - Narration},
  editor    = {Frieß, Nina and Huber, Angela},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-446-3},
  doi       = {10.25932/publishup-41317},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-413176},
  pages     = {294},
  year      = {2019},
  abstract  = {Kriminalliteratur gilt als zuverl{\"a}ssiger Seismograph f{\"u}r den inneren Zustand einer Gesellschaft, deren Umgang mit der Abweichung von der Norm zum Indikator sozialer und politischer Verh{\"a}ltnisse wird. Die gemeinsame Vergangenheit eint und trennt die Staaten Ostmittel-, Ost- und S{\"u}dosteuropas gleichermaßen. Die schicksalhaften Verwerfungen des 20. Jahrhunderts fanden nat{\"u}rlich auch Eingang in die jeweiligen Kriminalliteraturen. So vielgestaltig wie die einzelnen L{\"a}nder und Regionen sind die im vorliegenden Band untersuchten Texte. Sie erm{\"o}glichen einerseits Einblicke in den Herausbildungs- und Etablierungsprozess der Kriminalliteratur der Slavia. Andererseits bilden sie aktuelle Entwicklungen dieses ebenso popul{\"a}ren wie zeitlosen Genres ab. Das literarische Verbrechen hat Prof. Dr. Norbert P. Franz w{\"a}hrend seines aktiven akademischen Wirkens immer begleitet. Ihm zu Ehren fand im Fr{\"u}hjahr 2017 an der Universit{\"a}t Potsdam eine wissenschaftliche Tagung statt, deren Beitr{\"a}ge in diesem Band zusammengestellt sind.},
  language  = {de}
}