@book{AbazaDevoucouxChenetal.2013,
  author    = {Abaza, Mona and Devoucoux, Daniel and Chen, Buyun and Firsching-Tovar, Oly and Kawamura, Yuniya and Lehnert, Gertrud and Mentges, Gabriele and Shukla, Pravina},
  title     = {Fusion Fashion : culture beyond orientalism and occidentalism},
  editor    = {Lehnert, Gertrud and Mentges, Gabriele},
  publisher = {Peter Lang GmbH},
  address   = {Frankfurt am Main},
  isbn      = {978-3-631-60975-0},
  pages     = {162 S.},
  year      = {2013},
  abstract  = {The focus of "Fusion Fashion" is on Orientalism as a sartorial practice which has to be differentiated from the common idea of Orientalism by means of its organization, constitution and reception.},
  language  = {en}
}
@article{AuhagenUth2022,
  author    = {Auhagen, Christopher Patrick and Uth, Melanie},
  title     = {Variation of relative complementizers in Yucatecan Spanish},
  series = {Languages},
  volume    = {7},
  journal   = {Languages},
  number    = {4},
  publisher = {MDPI},
  address   = {Basel},
  issn      = {2226-471X},
  doi       = {10.3390/languages7040279},
  pages     = {16},
  year      = {2022},
  abstract  = {The starting point of this article is the occurrence of determiner-less and bare que relative complementizers like (en) que, '(in) that', instead of (en) el que, '(in) which', in Yucatecan Spanish (southeast Mexico). While reference grammars treat complementizers with a determiner as the standard option, previous diachronic research has shown that determiner-less complementizers actually predate relative complementizers with a determiner. Additionally, Yucatecan Spanish has been in long-standing contact with Yucatec Maya. Relative complementation in Yucatec Maya differs from that in Spanish (at least) in that the non-complex complementizer tu'ux ('where') is generally the only option for locative complementation. The paper explores monolingual and bilingual data from Yucatecan Spanish to discuss the question whether the determiner-less and bare que relative complementizers in our data constitute a historic remnant or a dialectal recast, possibly (but not necessarily) due to language contact. Although our pilot study may not answer these far-reaching questions, it does reveal two separate, but intertwined developments: (i) a generally increased rate of bare que relative complementation, across both monolingual speakers of Spanish and Spanish Maya bilinguals, compared to other Spanish varieties, and (ii) a preference for donde at the cost of other locative complementizer constructions in the bilingual group. Our analysis thus reveals intriguing differences between the complementizer preferences of monolingual and bilingual speakers, suggesting that different variational patterns caused by different (socio-)linguistic factors can co-develop in parallel in one and the [same] region.},
  language  = {en}
}
@misc{AuhagenUth2022,
  author    = {Auhagen, Christopher Patrick and Uth, Melanie},
  title     = {Variation of relative complementizers in Yucatecan Spanish},
  series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-58437},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-584375},
  pages     = {18},
  year      = {2022},
  abstract  = {The starting point of this article is the occurrence of determiner-less and bare que relative complementizers like (en) que, '(in) that', instead of (en) el que, '(in) which', in Yucatecan Spanish (southeast Mexico). While reference grammars treat complementizers with a determiner as the standard option, previous diachronic research has shown that determiner-less complementizers actually predate relative complementizers with a determiner. Additionally, Yucatecan Spanish has been in long-standing contact with Yucatec Maya. Relative complementation in Yucatec Maya differs from that in Spanish (at least) in that the non-complex complementizer tu'ux ('where') is generally the only option for locative complementation. The paper explores monolingual and bilingual data from Yucatecan Spanish to discuss the question whether the determiner-less and bare que relative complementizers in our data constitute a historic remnant or a dialectal recast, possibly (but not necessarily) due to language contact. Although our pilot study may not answer these far-reaching questions, it does reveal two separate, but intertwined developments: (i) a generally increased rate of bare que relative complementation, across both monolingual speakers of Spanish and Spanish Maya bilinguals, compared to other Spanish varieties, and (ii) a preference for donde at the cost of other locative complementizer constructions in the bilingual group. Our analysis thus reveals intriguing differences between the complementizer preferences of monolingual and bilingual speakers, suggesting that different variational patterns caused by different (socio-)linguistic factors can co-develop in parallel in one and the [same] region.},
  language  = {en}
}
@misc{Bandau1997,
  author    = {Bandau, Anja},
  title     = {P{\´e}rez-Torres, R., Movements in Chicano poetry, against myths, against margins; Cambridge, Univ. Press, 1995},
  year      = {1997},
  language  = {en}
}
@article{BoehmHennemann2014,
  author    = {Boehm, Veronica and Hennemann, Anja},
  title     = {The evidential use of the spanish imperfect and the conditional in journalistic contexts},
  series = {Studia neophilologica : a journal of Germanic and Romance languages and literature},
  volume    = {86},
  journal   = {Studia neophilologica : a journal of Germanic and Romance languages and literature},
  number    = {2},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {0039-3274},
  doi       = {10.1080/00393274.2014.933661},
  pages     = {183 -- 200},
  year      = {2014},
  language  = {en}
}
@article{Buschmann2002,
  author    = {Buschmann, Albrecht},
  title     = {Presentacion},
  issn      = {1577-3388},
  year      = {2002},
  language  = {en}
}
@article{Buschmann1994,
  author    = {Buschmann, Albrecht},
  title     = {La novela negra : cambio social reflejado en un g{\´e}nero popular},
  year      = {1994},
  language  = {en}
}
@article{BoehmHennemann2018,
  author    = {B{\"o}hm, Ver{\´o}nica Julia and Hennemann, Anja},
  title     = {The Spanish imperfecto as a construal form for the conceptualization of state of affairs in journalistic texts},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-416094},
  pages     = {18},
  year      = {2018},
  abstract  = {This study adopts a cognitive approach to the analysis of the use of the Spanish imperfecto as a construal form for the conceptualization of state of affairs in certain journalistic texts. In doing so, the main focus of the study is to investigate cognitive processes like modalization and subjectivization, which are related to the speaker's standpoint and to his subjective, not grammatically motivated, decision to use the imperfective instead of the perfective form. By the help of the corpus programmes GlossaNet and CREA (corpus of the Real Academia Espa{\~n}ola) we analyze the imperfective use of some Spanish verbs, which are semantically perfective in nature so that the normative use would require a perfective form. In other words, we investigate how the speaker/journalist construes a reality or situation to be expressed by means of the imperfecto and show that this use of the imperfect is typical for journalistic discourse.},
  language  = {en}
}
@incollection{BoehmHennemannMeisnitzer2022,
  author    = {B{\"o}hm, Ver{\´o}nica Julia and Hennemann, Anja and Meisnitzer, Benjamin},
  title     = {Language contact and the linguistic coding of evidentiality in varieties of Spanish in Latin America},
  series = {Linguistic hybridity: contact-induced and cognitively motivated grammaticalization and lexicalization processes in Romance languages},
  booktitle = {Linguistic hybridity: contact-induced and cognitively motivated grammaticalization and lexicalization processes in Romance languages},
  publisher = {Universit{\"a}tsverlag Winter},
  address   = {Heidelberg},
  isbn      = {978-3-8253-4936-3},
  pages     = {117 -- 142},
  year      = {2022},
  language  = {en}
}
@article{CouperKuhlen2011,
  author    = {Couper-Kuhlen, Elizabeth},
  title     = {Affectivity in cross-linguistic and cross-cultural perspective},
  isbn      = {978-3-86956-091-5},
  year      = {2011},
  language  = {en}
}
@article{D'Aprile2013,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Prussian republicanism? Friedrich Buchholz's reception of James Harrington},
  isbn      = {978-140-945-556-1},
  year      = {2013},
  language  = {en}
}
@book{EcksteinBartelsWalleretal.2019,
  author    = {Eckstein, Lars and Bartels, Anke and Waller, Nicole and Wiemann, Dirk},
  title     = {Postcolonial Literatures in English: An Introduction},
  publisher = {Metzler},
  address   = {Berlin},
  isbn      = {978-3-476-02674-3},
  pages     = {V, 202},
  year      = {2019},
  abstract  = {Postcoloniale Literatur bezeichnet die nationalen anglophonen Literaturen in den Amerikas, Asien, Afrika und Ozeanien (zeitweise auch New English Literatures genannt). Eine Darstellung nach Regionen ist wegen der migrantischen Bewegungen der Autor/innen allerdings nicht zu leisten. Daher behandelt der Band die zentralen Themen der postkolonialen Debatte, die jeweils Autor/innen aus verschiedenen Regionen betreffen.},
  language  = {en}
}
@article{EcksteinSchwarz2012,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Oceanic modernity : indigeneity, globality and cultural translation},
  isbn      = {978-8-48-489670-8},
  year      = {2012},
  language  = {en}
}
@article{Erdmann2015,
  author    = {Erdmann, Julius},
  title     = {Semiotics of Pictorial Signs on Social Networking Sites},
  series = {Punctum : international journal of semiotics},
  volume    = {1},
  journal   = {Punctum : international journal of semiotics},
  number    = {1},
  publisher = {Hellenic Semiotic Society},
  address   = {Thessaloniki},
  issn      = {2459-2943},
  doi       = {10.18680/hss.2015.0003},
  pages     = {26 -- 42},
  year      = {2015},
  abstract  = {The paper aims at considering characteristics from one field of contemporary visual studies that has for a long time been neglected in academic research: Pictorial signs on Social Network Sites (SNS) are an outstanding class of semiotic resources that is greatly shaped by processes of technological and collective sign production and distribution. A brief examination of the scholarly research on the pragmatics and semiotics of pictorial signs on SNS shows that the heterogeneity of visual signs is often neglected and that it mostly concentrates on one aspect of these pictorial signs: their technological production or their purpose for individual self-disclosure. The paper therefore considers the semiosis of pictorial signs on SNS in a holistic perspective as one the one hand produced by individual and collective meaning making as well as on the other hand a product of technological framing. It therefore develops a techno-semiotic pragmatic account that takes into consideration both processes. Starting from a prominent class of pictorial signs on SNS during Tunisian Revolution, the Tunisian Flag graphics, the paper than shows that communicative and social interaction functions on the graphic interface of SNS ('like'-function, sharing and commenting option) are not only directly inscribed into the pictorial frame, but also greatly influence the reading of a pictorial sign. The location of images on the SNS' interface has an impact on its meaning and on the social functions of a pictorial sign, as profile pictures are directly linked to the online identity of the user. Through technological sign processing, the polysemy of the image is reduced. We therefore consider the images on the one hand as individual self-narratives and on the other as instances of SNS' visual culture that brings out dominant visual codes but also allows social and political movements to spread.},
  language  = {en}
}
@article{EstevamOFernandes2015,
  author    = {Estevam O. Fernandes, Luiz},
  title     = {Political essay on the kingdom of New Spain},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XV},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {28},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-84047},
  pages     = {24 -- 33},
  year      = {2015},
  abstract  = {In this paper we discuss how Alexander von Humboldt conceived a past to New Spain in his Political Essay on New Spain (1811) and how this text was, in turn, appropriated by the Mexican historiography during the 19th century. In order to do so, we analyze how the Prussian drew from American sources, particularly from the text of the Jesuit Francisco Javier Clavijero, written shortly before. We also study Humboldt's conceptions of text and of history, highlighting the place of the indigenous in the composition of his reasoning. Finally, we give examples of how the Mexican nationalist historiography read and reinterpreted the Political Essay.},
  language  = {en}
}
@article{Ette2018,
  author    = {Ette, Ottmar},
  title     = {Languages about Languages},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XIX},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {36},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-419414},
  pages     = {47 -- 61},
  year      = {2018},
  abstract  = {In the history of Humboldt research both brothers have been traditionally seen as representing the dichotomy between the humanities and the natural sciences. Today however, their similar approach to using and forming scientific language could be used as a starting point for conceiving a university, museum and even forum under one single Humboldtian science.},
  language  = {en}
}
@article{Ette2007,
  author    = {Ette, Ottmar},
  title     = {Islands, borders, and Vectors : the Fractal World of the Caribbean},
  isbn      = {978-90-420-2184-6},
  year      = {2007},
  language  = {en}
}
@misc{Ette2011,
  author    = {Ette, Ottmar},
  title     = {Urbanity and literature},
  series = {European Review},
  journal   = {European Review},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-413767},
  pages     = {17},
  year      = {2011},
  abstract  = {Transarea studies focus upon spaces as created by the movements that criss-cross them. From this point of view, from its very beginnings, literature is closely interrelated with a vectorial (and much less with a purely spatial) conception of history - and with urbanity, which plays a decisive role in Gilgamesh's travels through a (narrative) cosmos centered upon the city of Uruk. This article explores the city as a transareal space of movement in three examples of literature, with no fixed abode, around the turn of the millennium, i.e. Assia Djebar's Les Nuits de Strasbourg, Emine Sevgi Oezdamar's Istanbul-Berlin Trilogy, and Cecile Wajsbrot's L'ile aux musees. These three writers project, in a very specific way, cities in motion as anagrammatic and fractal structures.},
  language  = {en}
}
@article{Ette2006,
  author    = {Ette, Ottmar},
  title     = {Chronicle of a Clash Foretold? : ArabAmerican Dimensions and Transareal Relations in Gabriel Garc{\"O}a M{\´a}rquez and Elias Khoury},
  isbn      = {3-86527-289-4},
  year      = {2006},
  language  = {en}
}
@article{Ette2003,
  author    = {Ette, Ottmar},
  title     = {The World in Our Head : Images and After-Images of the City in the Works of Albert Cohen},
  isbn      = {0-8014-4021-1 ;},
  year      = {2003},
  language  = {en}
}
@article{Ette2010,
  author    = {Ette, Ottmar},
  title     = {Literature as knowledge for living, literary studies as science for living},
  issn      = {0030-8129},
  year      = {2010},
  language  = {en}
}
@article{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Toward a Polylogical Philology of the Literatures of the World},
  series = {Modern language quarterly : a journal of literary history},
  volume    = {77},
  journal   = {Modern language quarterly : a journal of literary history},
  publisher = {Duke Univ. Press},
  address   = {Durham},
  issn      = {0026-7929},
  doi       = {10.1215/00267929-3464841},
  pages     = {143 -- 173},
  year      = {2016},
  abstract  = {As the world cannot be adequately understood from the vantage point of a single language, the literatures of the world can no longer be trimmed to a single world literature in the Goethean sense. This recognition bodes well for the future of philology and of literary production. Through multiperspectival writing, knowledge of life may be attainable without being reduced to a single political, medial, cartographical, geocultural, or aesthetic logic. As a laboratory for polylogical thinking, literature does not represent reality, as Erich Auerbach put it. Rather, it represents multiple lived, experienced, or relivable realities. Whoever is open to a polylogical reception of the literatures of the world can perceive and experience how life knowledge transforms into lived knowledge and how knowledge for survival turns into knowledge for living together. However, literature can be more than it is only if it stays aware of the void, of lack, of privation, of the interminable: aware of the end that never is an end. Such a planetary concept of the literatures of the world offers valuable opportunities to all those who do not fall into the trap of contenting themselves with a supposed abundance of text.},
  language  = {en}
}
@article{Ette2008,
  author    = {Ette, Ottmar},
  title     = {Mobile melemverdener : for en transareal (litteratur) videnskab},
  isbn      = {978- 87-7934-333-7},
  year      = {2008},
  language  = {en}
}
@article{Ette1999,
  author    = {Ette, Ottmar},
  title     = {"I carry a wound across my chest" : the body in Marti's poetry},
  year      = {1999},
  language  = {en}
}
@article{Ette2007,
  author    = {Ette, Ottmar},
  title     = {Towards World Science? Humboldtian Science, World Concepts, and Transarea Studies},
  isbn      = {978-84-8489-303-5},
  year      = {2007},
  language  = {en}
}
@article{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Magic Screens. Biombos, Namban Art, the Art of Globalization and Education between China, Japan, India, Spanish America and Europe in the 17th and 18th Centuries},
  series = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  volume    = {24},
  journal   = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  publisher = {Cambridge Univ. Press},
  address   = {Cambridge},
  issn      = {1062-7987},
  doi       = {10.1017/S1062798715000630},
  pages     = {285 -- 296},
  year      = {2016},
  abstract  = {Garcilaso de la Vega el Inca, for several centuries doubtlessly the most discussed and most eminent writer of Andean America in the 16th and 17th centuries, throughout his life set the utmost value on the fact that he descended matrilineally from Atahualpa Yupanqui and from the last Inca emperor, Huayna C{\´a}pac. Thus, both in his person and in his creative work he combined different cultural worlds in a polylogical way.1 Two painters boasted that very same Inca descent - they were the last two great masters of the Cuzco school of painting, which over several generations of artists had been an institution of excellent renown and prestige, and whose economic downfall and artistic marginalization was vividly described by the French traveller Paul Mancoy in 1837.2 While, during the 18th century, Cuzco school paintings were still much cherished and sought after, by the beginning of the following century the elite of Lima regarded them as behind the times and provincial, committed to an 'indigenous' painting style. The artists from up-country - such was the reproach - could not keep up with the modern forms of seeing and creating, as exemplified by European paragons. Yet, just how 'provincial', truly, was this art?},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Exploring the World: On Vectopia},
  series = {Doing Humanities in Nineteenth-Century Germany},
  journal   = {Doing Humanities in Nineteenth-Century Germany},
  editor    = {Pdoksik, Efraim},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {978-90-04-36117-1},
  pages     = {214 -- 242},
  year      = {2020},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Wilhelm \& Alexander von Humboldt or: Humboldtian Science},
  series = {Wilhelm und Alexander von Humboldt - Berlin Cosmos},
  journal   = {Wilhelm und Alexander von Humboldt - Berlin Cosmos},
  editor    = {Spies, Paul and Tintemann, Ute and Mende, Jan},
  publisher = {Wienand},
  address   = {K{\"o}ln},
  isbn      = {978-3-86832-559-1},
  pages     = {19 -- 23},
  year      = {2020},
  language  = {en}
}
@article{Ette2005,
  author    = {Ette, Ottmar},
  title     = {Wandering Networks : Euphoria and the Dead Ends of Science in Alexander von Humboldt's Personal Narrative},
  year      = {2005},
  language  = {en}
}
@article{Ette2010,
  author    = {Ette, Ottmar},
  title     = {The fascination of Humboldt : Humboldtian science as a model for the future},
  year      = {2010},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Saga-Like World-Fractals: Jo{\~a}o Guimar{\~a}es Rosa, "Sagarana", and the Literatures of the World},
  series = {Journal of Foreign Languages and Cultures},
  volume    = {IV},
  journal   = {Journal of Foreign Languages and Cultures},
  number    = {1},
  publisher = {Hunan Normal University},
  address   = {Changsha},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {This article presents and discusses Jo{\~a}o Guimar{\~a}es Rosa as an outstanding Brazilian author whose literary work, especially Sagarana, expresses aesthetically different ways of life-forms between human beings, animals, plants, and landscapes. Movement and transformations are the basic principles in which the melody of prose expresses itself as a language in and as motion. Although based in Brazilian culture, Rosa shows the conviviality of different logics which are not reduced to one myth of the Brazilian people, but produce multiple ways of co-existence between different life-forms and culture narratives. The translingual title "Sagarana" already alludes to the transitions between two languages, regions, and cultures: the Icelandic "saga-" and the Tupic-Word "rana" which means "similar" or "alike." The interpretation figures out the correlation of different provenances ("Herk{\"u}nfte") which emerge from Rosa's craft of storytelling. In its center, the Sert{\~a}o arises as a region of nature whose forces are connected with the life of human beings. As fractal of the world, it symbolizes Brazilian relations as a world of its own and at the same time as a part of the world of others. From this point of view the essay turns world literature upside down: it emphasizes on the one hand that the epoch of world literature since Goethe has come to an end and that the meridian has shifted to Latin America. On the other hand it can be observed that the lusophonic world between Brazil and Angola, Portugal and Kap Verde develops new perspectives on literatures of the world beyond the fixed coordinations of periphery and center. Rosa's ways of world making already shift the perspective from the local to the global as a miniatured model of a universe which reveals interpretations of a better understanding of the world as world fractals.},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {From the Transarchip{\´e}lique Antilles},
  series = {Ameena Gafoor Institute},
  journal   = {Ameena Gafoor Institute},
  pages     = {11},
  year      = {2020},
  abstract  = {Ottmar Ette: TransArea : a literary history of globalization. Translated by Mark W. Person, Berlin, Boston, Walter de Gruyter, 2016. - 356 S. - ISBN 978-3-11-047773-3},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Towards a polylogical Philology of the Literatures of the World},
  series = {Abralic},
  journal   = {Abralic},
  pages     = {41},
  year      = {2020},
  language  = {en}
}
@article{Ette2003,
  author    = {Ette, Ottmar},
  title     = {Gender Trouble : Jos{\´e} Mart{\´i} y Juana Borrero},
  isbn      = {3-925867-67-8},
  year      = {2003},
  language  = {en}
}
@book{Ette2003,
  author    = {Ette, Ottmar},
  title     = {Literature on the move},
  series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  volume    = {68},
  journal   = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {90-420-1155-6},
  pages     = {316 S. : Ill.},
  year      = {2003},
  language  = {en}
}
@article{Ette2010,
  author    = {Ette, Ottmar},
  title     = {Everything is interrelated, even the errors in the system : Alexander von Humboldt and globalization},
  year      = {2010},
  language  = {en}
}
@article{Ette2012,
  author    = {Ette, Ottmar},
  title     = {Archeologies of Globalization : European Reflections on Two Phases of Accelerated Globalization in Cornelius de Pauw, Georg Forster, Guillaume-Thomas Raynal and Alexander von Humboldt},
  year      = {2012},
  language  = {en}
}
@book{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Writing-between-worlds},
  series = {Mimesis ; 64},
  journal   = {Mimesis ; 64},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-046109-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {339},
  year      = {2016},
  language  = {en}
}
@incollection{Ette2019,
  author    = {Ette, Ottmar},
  title     = {Pride and conviviality - pride in conviviality},
  series = {Taking Stock - Twenty-Five Years of Comparative Literary Research (Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft)},
  volume    = {200},
  booktitle = {Taking Stock - Twenty-Five Years of Comparative Literary Research (Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft)},
  publisher = {Brill Rodopi},
  address   = {Leiden [u.a.]},
  isbn      = {978-90-04-41035-0},
  issn      = {0929-6999},
  doi       = {10.1163/9789004410350_006},
  pages     = {121 -- 155},
  year      = {2019},
  abstract  = {Pride is linked to conviviality, to the practice of life-with-an-other, and to an awareness of the limitations of the life forms and life norms which guide and regulate the life of culturally, socially, and historically defined communities. Assuming this link, pride in living-together and conviviality appear as concepts creating a framework for future perspectives. But these concepts need a space in which they can unfold critically and confidently with a view to the future. For millennia, the literatures of the world have created this space of simulation and experimentation in which knowledge of how-to-live-with-an-other has been put down on paper through the open-ended tradition of writing. It is the space of the life forms and life norms of conviviality: it offers us prospective knowledge for the future by translating the imaginable into the thinkable, and the readable into the livable.},
  language  = {en}
}
@article{Ette2003,
  author    = {Ette, Ottmar},
  title     = {Sex Literally Revisited : being-a-body and Having-a-Body in Ram{\´o}n G{\´o}mez de la Serna, Luisa Futoransky and Juan Manuel de Prada},
  year      = {2003},
  language  = {en}
}
@article{Ette2003,
  author    = {Ette, Ottmar},
  title     = {The West revisited - Max Aub : writing (while) in motion},
  issn      = {0034-8635},
  year      = {2003},
  language  = {en}
}
@article{Ette2003,
  author    = {Ette, Ottmar},
  title     = {The centennial of Max Aub : Introduction},
  issn      = {0034-8635},
  year      = {2003},
  language  = {en}
}
@article{Ette2009,
  author    = {Ette, Ottmar},
  title     = {European literature(s) in the global context},
  year      = {2009},
  language  = {en}
}
@article{Ette2012,
  author    = {Ette, Ottmar},
  title     = {TransTropics: Alexander von Humboldt and Hemispheric Constructions},
  isbn      = {978-3-938944-63-9},
  year      = {2012},
  language  = {en}
}
@article{Ette2012,
  author    = {Ette, Ottmar},
  title     = {Worldwide : Living in Transarchipelagic Worlds},
  isbn      = {978-8-48-489670-8},
  year      = {2012},
  language  = {en}
}
@article{Ette2011,
  author    = {Ette, Ottmar},
  title     = {Urbanity and literature - cities as transareal spaces of movement in Assia Djebar, Emine Sevgi Ozdamar and Cecile Wajsbrot},
  series = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  volume    = {19},
  journal   = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  number    = {3},
  publisher = {Cambridge Univ. Press},
  address   = {Cambridge},
  issn      = {1062-7987},
  doi       = {10.1017/S106279871100010X},
  pages     = {367 -- 383},
  year      = {2011},
  abstract  = {Transarea studies focus upon spaces as created by the movements that criss-cross them. From this point of view, from its very beginnings, literature is closely interrelated with a vectorial (and much less with a purely spatial) conception of history - and with urbanity, which plays a decisive role in Gilgamesh's travels through a (narrative) cosmos centered upon the city of Uruk. This article explores the city as a transareal space of movement in three examples of literature, with no fixed abode, around the turn of the millennium, i.e. Assia Djebar's Les Nuits de Strasbourg, Emine Sevgi Oezdamar's Istanbul-Berlin Trilogy, and Cecile Wajsbrot's L'ile aux musees. These three writers project, in a very specific way, cities in motion as anagrammatic and fractal structures.},
  language  = {en}
}
@article{Ette2008,
  author    = {Ette, Ottmar},
  title     = {Arab-Caribbean origins : on the transareal dimension in Amin Maalouf's literary work. Coming home to the familiar unknown},
  isbn      = {978-3-631-56716-6},
  year      = {2008},
  language  = {en}
}
@article{Ette2006,
  author    = {Ette, Ottmar},
  title     = {Literatures without a Fixed Abode : figures of Vectorial Imagination Beyond the Dichotomies of National and World Literature},
  isbn      = {3-86527-289-4},
  year      = {2006},
  language  = {en}
}
@article{Ette2006,
  author    = {Ette, Ottmar},
  title     = {Gender Trouble : Jos{\´e} Mart{\´i} and Juana Borrero},
  isbn      = {0-7391-1224-4},
  year      = {2006},
  language  = {en}
}
@article{Ette1995,
  author    = {Ette, Ottmar},
  title     = {La polisemia prohibida : la recepci{\´o}n de Jos{\´e} Mart{\´i} como sism{\´o}grafo de la vida pol{\´i}tica y cultural},
  year      = {1995},
  language  = {en}
}