@article{Drews2016,
  author    = {Drews, Julian},
  title     = {{\´E}criture (auto)biographique dans l'Examen critique d'Alexandre de Humboldt},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XVII},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {33},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  doi       = {10.18443/240},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98889},
  pages     = {10 -- 21},
  year      = {2016},
  abstract  = {Der Bezug auf Kolumbus ist ein Gemeinplatz der Humboldtbiographik. Humboldt selbst betont ihn besonders in seinem Examen critique, wo er eine autobiographische Dimension gewinnt. Der Beitrag geht aus literaturwissenschaftlicher Perspektive dem Material und den Formen der Inszenierung nach, mit denen ein Leben {\"u}ber ein anderes dargestellt wird.},
  language  = {fr}
}
@phdthesis{Viglialoro2016,
  author    = {Viglialoro, Luca},
  title     = {{\"A}sthetische Erfahrung und Text{\"a}sthetik in "Microfilm" von Andrea Zanzotto},
  series = {Sanssouci - Forschungen zur Romanistik ; 10},
  journal   = {Sanssouci - Forschungen zur Romanistik ; 10},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0225-5},
  school      = {Universit{\"a}t Potsdam},
  pages     = {338},
  year      = {2016},
  abstract  = {"Microfilm" (1971) von Andrea Zanzotto ist ein hoch komplexes, intermediales Gebilde, das seit seiner erstmaligen Ver{\"o}ffentlichung der Zanzotto-Forschung große interpretative Schwierigkeiten bereitet hat. Die vorliegende Arbeit ist die erste umfassende Monographie zu "Microfilm". Nach Zanzottos eigener Aussage entstand "Microfilm" als k{\"u}nstlerische Reaktion auf die Katastrophe von Vajont vom 9. Oktober 1963, als ein Bergrutsch eine gewaltige Flutwelle ausl{\"o}ste, die {\"u}ber den Vajont-Staudamm hinweg ins Tal von Longarone st{\"u}rzte. Der Hintergrund des Werkes gibt dem Autor den Anlass zu einem simulierten Hinterfragen des tragischen Ereignisses und zugleich seines eigenen Schaffens. Dies vollzieht sich in der Form einer trugbildhaften bildschriftlichen Komposition. Die Sinnlosigkeit der Katastrophe wiederholt sich in der diskontinuierlichen, hermetischen Form von Zanzottos Text.},
  language  = {de}
}
@book{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Writing-between-worlds},
  series = {Mimesis ; 64},
  journal   = {Mimesis ; 64},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-046109-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {339},
  year      = {2016},
  language  = {en}
}
@article{Klettke2016,
  author    = {Klettke, Cornelia},
  title     = {Vorwort der Herausgeberin},
  series = {Frank Lestringant, Archipele und Inselreisen : Kosmographie und imagin{\"a}re Geographie im Werk von Rabelais (Sanssouci - Forschungen zur Romanistik ; 12)},
  journal   = {Frank Lestringant, Archipele und Inselreisen : Kosmographie und imagin{\"a}re Geographie im Werk von Rabelais (Sanssouci - Forschungen zur Romanistik ; 12)},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0176-0},
  pages     = {9 -- 13},
  year      = {2016},
  language  = {de}
}
@article{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Toward a Polylogical Philology of the Literatures of the World},
  series = {Modern language quarterly : a journal of literary history},
  volume    = {77},
  journal   = {Modern language quarterly : a journal of literary history},
  publisher = {Duke Univ. Press},
  address   = {Durham},
  issn      = {0026-7929},
  doi       = {10.1215/00267929-3464841},
  pages     = {143 -- 173},
  year      = {2016},
  abstract  = {As the world cannot be adequately understood from the vantage point of a single language, the literatures of the world can no longer be trimmed to a single world literature in the Goethean sense. This recognition bodes well for the future of philology and of literary production. Through multiperspectival writing, knowledge of life may be attainable without being reduced to a single political, medial, cartographical, geocultural, or aesthetic logic. As a laboratory for polylogical thinking, literature does not represent reality, as Erich Auerbach put it. Rather, it represents multiple lived, experienced, or relivable realities. Whoever is open to a polylogical reception of the literatures of the world can perceive and experience how life knowledge transforms into lived knowledge and how knowledge for survival turns into knowledge for living together. However, literature can be more than it is only if it stays aware of the void, of lack, of privation, of the interminable: aware of the end that never is an end. Such a planetary concept of the literatures of the world offers valuable opportunities to all those who do not fall into the trap of contenting themselves with a supposed abundance of text.},
  language  = {en}
}
@article{Ette2016,
  author    = {Ette, Ottmar},
  title     = {THINKING THE FUTURE: THE POETICS OF MOVEMENT AND TRANSAREA STUDIES},
  series = {Alea : estudos neolatinos},
  volume    = {18},
  journal   = {Alea : estudos neolatinos},
  publisher = {Universidade Federal do Rio de Janeiro, Faculdade de Letras},
  address   = {Rio de Janeiro RJ},
  issn      = {1517-106X},
  doi       = {10.1590/1517-106X/182-192},
  pages     = {192 -- 209},
  year      = {2016},
  abstract  = {This article tries to rethink the epistemic foundations of contemporary thinking. Beyond Area Studies, TransArea Studies point out mobile conceptions of spaces and places. Beyond spatial history, TransArea Studies emphasize vectorial dynamisms and processes able to develop a poetics of movement. Beyond traditional comparative studies, TransArea Studies focus on border-crossing, on entanglements and multiple logics in order to provide a new prospective conception of literature and culture.},
  language  = {pt}
}
@article{Lenz2016,
  author    = {Lenz, Markus Alexander},
  title     = {THINKING THE CONTEMPORARY BY THE LYRICAL: THE WORK OF NICANOR PARRA AND ROBERT BOLANO},
  series = {Alea : estudos neolatinos},
  volume    = {18},
  journal   = {Alea : estudos neolatinos},
  publisher = {Universidade Federal do Rio de Janeiro, Faculdade de Letras},
  address   = {Rio de Janeiro RJ},
  issn      = {1517-106X},
  doi       = {10.1590/1517-106X/182-313},
  pages     = {313 -- 328},
  year      = {2016},
  abstract  = {Two Chilean poets with equal and yet different conceptions of poetry: While Nicanor Parra is considered one of the most important Latin American lyricists of the 20th century, the poetry of novelist Roberto Bola{\~n}o only finds little attention in comparison to his highly successful prose. Yet both authors give constructive answers to the possible functions of contemporary poetry under an epistemology based upon materialism that affects language as emancipatory capacity of each human individual. A comparative reading of two volumes of their poetry, Parra's well known Poemas y antipoemas (1954) and Bola{\~n}o's last 'collection of poems' Tres (2000), does not only demonstrate some structural links. The urgent question concerning the benefits of literature among globalized societies, involving highly complex cultural and linguistic identities, could benefit from a revived awareness towards poetry as historically relative formalization of language, but also as an efficient instrument to reflect the restrictions of language in times of its economic and cultural-industrial standardization.},
  language  = {es}
}
@article{McElvenny2016,
  author    = {McElvenny, James},
  title     = {The fate of form in the Humboldtian tradition: The Formungstrieb of Georg von der Gabelentz},
  series = {Journal of geophysical research : Solid earth},
  volume    = {47},
  journal   = {Journal of geophysical research : Solid earth},
  publisher = {Elsevier},
  address   = {Oxford},
  issn      = {0271-5309},
  doi       = {10.1016/j.langcom.2015.12.004},
  pages     = {30 -- 42},
  year      = {2016},
  abstract  = {The multifaceted concept of 'form' plays a central tole in the linguistic work of Wilhelm von Humboldt (1767-1835), where it is deeply entwined with aesthetic questions. H. Steinthal's (1823-1899) interpretation of linguistic form, however, made it the servant of psychology. The Formungstrieb (drive to formation) of Georg von der Gabelentz (1840-1893) challenged Steinthal's conception and placed a renewed emphasis on aesthetics. In this endeavour, Gabelentz drew on the work of such figures as August Friedrich Pott (1802-1887), Hans Conon von der Gabelentz (1807-1874) and William Dwight Whitney (1827-1894). In this paper, we examine Gabelentz' Formungstrieb and place it in its historical context.},
  language  = {en}
}
@book{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {Temporalit{\"a}t, Aspektualit{\"a}t und Modalit{\"a}t in romanischen Sprachen},
  edition   = {1},
  publisher = {De Gruyter},
  address   = {Berlin, Boston},
  isbn      = {978-3-11-031029-0},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {421},
  year      = {2016},
  abstract  = {Gegenstand des Buches ist die sprachliche Gestaltung der Temporalit{\"a}t, Aspektualit{\"a}t und Modalit{\"a}t in den romanischen Sprachen. In die Betrachtung dieser drei Kategorien werden neben dem Tempus, Aspekt und Modus weitere Ausdrucksmittel, wie zum Beispiel Verbalperiphrasen, Adverbien und lexikalische Bedeutungen von Verben, einbezogen. Die Beschreibung erfolgt auf der Grundlage einer funktionalen Sicht der Grammatik und das Zusammenwirken verschiedener Strukturebenen der Sprache bei der Markierung temporaler, aspektueller und modaler Verh{\"a}ltnisse wird betrachtet. Neuere Forschungsans{\"a}tze im Bereich der Typologie und der kognitiven Linguistik werden ber{\"u}cksichtigt. Insbesondere wird die Interaktion zwischen den drei Kategorien, die in den romanischen Sprachen nicht streng getrennt sind, dargestellt. Im Zentrum stehen das Franz{\"o}sische, das Italienische, das Portugiesische und das Spanische, wobei auff{\"a}llige Erscheinungen in anderen romanischen Sprachen gleichfalls erw{\"a}hnt werden. Neben einer {\"U}berblicksdarstellung, die den aktuellen Forschungsstand reflektiert, werden Ergebnisse eigener Forschungen zur funktionalen Struktur der Kategorie der Aspektualit{\"a}t, zur coverten Modalit{\"a}t und zur Evidentialit{\"a}t in romanischen Sprachen vorgestellt.},
  language  = {de}
}
@book{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {Temporalit{\"a}t, Aspektualit{\"a}t und Modalit{\"a}t in romanischen Sprachen},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-031029-0},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {421},
  year      = {2016},
  abstract  = {In dem Buch wird der Frage nachgegangen, wie die Kategorien Temporalit{\"a}t, Aspektualit{\"a}t und Modalit{\"a}t in den romanischen Sprachen gestaltet sind. Es werden Verben und ihre grammatischen Merkmale, jedoch auch andere sprachliche Mittel untersucht. Die Beschreibung erfolgt auf der Grundlage einer funktionalen Sicht der Grammatik, die Interaktion zwischen den Kategorien wird betrachtet und neue Forschungsans{\"a}tze werden ber{\"u}cksichtigt.},
  language  = {de}
}
@phdthesis{Persello2016,
  author    = {Persello, Mara},
  title     = {Subcultures creating culture},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-104891},
  school      = {Universit{\"a}t Potsdam},
  pages     = {300},
  year      = {2016},
  abstract  = {The purpose of this work is to apply the methods of textual semiotics to subcultures, in particular to the little known glam subculture. Subcultures have been the main research field of the Birmingham Centre for Contemporary Cultural Studies, known for its interdisciplinary approach, and for its focus on the creative aspects of subculture. Hebdige, in particular, introduced many semiotic elements in his work, as the aberrant decoding after Eco and the cultural creativity via bricolage after L{\´e}vi-Strauss. His definition of subculture as symbolic resistance has been criticized by the following post-subcultural researchers for its abstractness and lack of cohesion. Semiotics eventually have been expelled from the set of tools used in sociology for the analysis of subcultures. Nowadays, the studies on subcultures have a strong ethnographic focus. Due to terminological proliferation and a descriptive approach, it is difficult to compare them on a common basis. Textual semiotics, through the concept of semiosphere developed by Lotman, allows to go back to the intuitions of Hebdige, organizing the semiotic elements already present in his work into a wider system of interpretation. The semiosphere offers a coherent theoretical horizon as a basis for further analysis, and a new methodological perspective focusing on the cultural. In this thesis for the first time the work of Lotman is applied to the study of a subculture.},
  language  = {it}
}
@book{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Roland Barthes : paisajes de la teor{\´i}a},
  series = {Serie Monograf{\´i}as transatl{\´a}nticas},
  journal   = {Serie Monograf{\´i}as transatl{\´a}nticas},
  publisher = {Del Centro Editores},
  address   = {Madrid},
  isbn      = {978-84-945505-5-3},
  pages     = {258},
  year      = {2016},
  language  = {es}
}
@misc{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {Roelcke, Thorsten, Franz{\"o}sisch in Barock und Aufkl{\"a}rung. Studien zum Sprachdenken im Deutschland des 17. und 18. Jahrhunderts / [rezensiert von] Gerda Haßler},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-397811},
  pages     = {8},
  year      = {2016},
  abstract  = {Rezensiertes Werk Roelcke, Thorsten: Franz{\"o}sisch in Barock und Aufkl{\"a}rung. Studien zum Sprachdenken im Deutschland des 17. und 18. Jahrhunderts - Frankfurt am Main, Klostermann, 2014, 258 S. - (Analecta Romanica, 82)},
  language  = {de}
}
@incollection{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {Prefacio : Hacia un di{\´a}logo necesario entre el pasado y el presente de la ling{\"u}{\´i}stica},
  series = {La historiograf{\´i}a de la ling{\"u}{\´i}stica y la memoria de la ling{\"u}{\´i}stica moderna (Studium Sprachwissenschaft / Beiheft ; 43)},
  booktitle = {La historiograf{\´i}a de la ling{\"u}{\´i}stica y la memoria de la ling{\"u}{\´i}stica moderna (Studium Sprachwissenschaft / Beiheft ; 43)},
  publisher = {Nodus Publikationen},
  address   = {M{\"u}nster},
  isbn      = {978-3-89323-143-0},
  issn      = {0721-7129},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {7 -- 16},
  year      = {2016},
  language  = {es}
}
@misc{OPUS4-43824,
  title     = {Neue Interpretationsans{\"a}tze zu Dantes Commedia},
  series = {Deutsches Dante Jahrbuch},
  volume    = {91},
  journal   = {Deutsches Dante Jahrbuch},
  number    = {1},
  editor    = {Klettke, Cornelia},
  publisher = {de Gruyter},
  address   = {Berlin},
  issn      = {2194-4059},
  year      = {2016},
  language  = {mul}
}
@article{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Naturaleza y cultura},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XVII},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {32},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  doi       = {10.18443/235},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-90773},
  pages     = {29 -- 51},
  year      = {2016},
  abstract  = {El presente trabajo gira en torno al inexpugnable v{\´i}nculo entre naturaleza y cultura y la 'no naturalidad' de la primera, producto de las milenarias intervenciones del hombre, subsumido bajo el t{\´e}rmino del 'antropoceno'. Los fil{\´o}sofos franceses Bruno Latour y Philippe Descola supieron destacar, aunque por caminos diferentes, la importancia de este nexo para asegurar la supervivencia del hombre; Bruno Latour centra sus reflexiones en la pol{\´i}tica de la naturaleza y Philippe Descola destaca el car{\´a}cter ecol{\´o}gico de la naturaleza y la cultura. Sin embargo, ambos dejan de lado las literaturas del mundo y su capacidad de atesorar los diversos dise{\~n}os del saber convivir entre hombre y naturaleza y las nociones de sustentabilidad. Descuella adem{\´a}s la inspiraci{\´o}n que Descola encuentra en la figura del gran erudito Alexander von Humboldt, quien en el siglo XIX ya daba fe de la relaci{\´o}n inextricable entre naturaleza y cultura en innumerables testimonios, entre otros, el Chimborazo que, como cuadro global es representativo para entender que la naturaleza desde siempre ha sido cultura y la cultura es inimaginble sin la naturaleza.},
  language  = {es}
}
@incollection{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Natur und Kultur},
  series = {Horizonte der Humboldt-Forschung},
  booktitle = {Horizonte der Humboldt-Forschung},
  publisher = {Georg Olms Verlag},
  address   = {Hildesheim},
  pages     = {13 -- 51},
  year      = {2016},
  language  = {de}
}
@phdthesis{PazSotoRiveros2016,
  author    = {Paz Soto Riveros, Paulina},
  title     = {Mujeres de apocalipsis},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-90435},
  school      = {Universit{\"a}t Potsdam},
  pages     = {271},
  year      = {2016},
  abstract  = {Mujeres del Apocalipsis address new readings on gender in Colonial Latin-American Culture. The study is based on inquisition records of Beatas: pious woman, commonly accused of heretical behaviour. Women who gained freedom and a partial share of power through religion imaginary. A citical approach to the reading of her life and imageneries shows the apperance of a new concept of womanhood in the era.},
  language  = {es}
}
@incollection{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {Morphologie et syntaxe de la phrase simple : le traducteur aux pi{\`e}ges de la grammaire},
  series = {Manuel de Traductologie (Manuals of Romance Linguistics ; 5)},
  booktitle = {Manuel de Traductologie (Manuals of Romance Linguistics ; 5)},
  publisher = {De Gruyter},
  address   = {Berlin, Boston},
  isbn      = {978-3-11-031352-9},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {209 -- 230},
  year      = {2016},
  language  = {fr}
}
@phdthesis{OlivaresJara2016,
  author    = {Olivares Jara, Ren{\´e}},
  title     = {Mito y Modernidad en la obra de Rosamel del Valle},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-357-2},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-86539},
  school      = {Universit{\"a}t Potsdam},
  pages     = {462},
  year      = {2016},
  abstract  = {La siguiente investigaci{\´o}n aborda la relaci{\´o}n entre mito y modernidad en la obra literaria (poemas, cuentos, novelas y cr{\´o}nicas) del autor chileno Rosamel del Valle (Curacav{\´i}, 1901 - Santiago de Chile, 1965). En sus distintos textos existe una tensi{\´o}n entre un proyecto po{\´e}tico basado en una visi{\´o}n m{\´i}tica del mundo y un contexto hist{\´o}rico que privilegia posturas m{\´a}s racionalistas, relegando lo po{\´e}tico y lo m{\´i}tico. Ya en el siglo XIX la modernidad y los fen{\´o}menos asociados de la modernizaci{\´o}n producen el desplazamiento de la poes{\´i}a como discurso y del poeta como persona a una situaci{\´o}n deficitaria dentro de la sociedad, lo que se extiende en el siglo XX. Debido a este conflicto Rosamel del Valle cuestiona en su obra los alcances de sus propios postulados, tanto est{\´e}ticos como vitales. Esto conlleva una vacilaci{\´o}n entre la reafirmaci{\´o}n de su proyecto po{\´e}tico-vital y la consciencia del fracaso. Es por esto que la obra del poeta chileno contiene un Lebenswissen, que concibe a la poes{\´i}a como una forma privilegiada de vida. Sin embargo, debido a las dificultades de las condiciones hist{\´o}ricas es posible entender este Lebenswissen tambi{\´e}n como un {\"U}berLebenswissen (Ette). En la primera parte del texto se estudia la concepci{\´o}n m{\´i}tica de la poes{\´i}a de del Valle y se analiza los distintos niveles en los que aparece el mito en su obra literaria: como pensamiento, como lenguaje y como narraci{\´o}n tradicional. La identificaci{\´o}n de la poes{\´i}a como mito muestra las principales caracter{\´i}sticas de la po{\´e}tica de del Valle: una concepci{\´o}n ontol{\´o}gica que diferencia entre una dimensi{\´o}n visible y otra invisible de la realidad; la tendencia m{\´i}stica de la poes{\´i}a; una concepci{\´o}n c{\´i}clica del tiempo que funda una relaci{\´o}n con los discursos de la memoria y de la muerte, as{\´i} como la idea de un pasado ut{\´o}pico que por medio de la poes{\´i}a podr{\´i}a revivir en el presente; adem{\´a}s de la figura de la mujer c{\´o}mo s{\´i}mbolo del amor y de la poes{\´i}a. En la segunda parte se investiga la relaci{\´o}n y las consecuencias de esta "poes{\´i}a m{\´i}tica" en el contexto de la modernidad. Se aborda especialmente el efecto en la po{\´e}tica de Rosamel del Valle de la Entzauberung der Welt (Weber), como experiencia espec{\´i}fica de la {\´e}poca. Para esto se destaca ante todo sus impresiones sobre Nueva York. Esta ciudad en la que vivi{\´o} y trabaj{\´o} entre 1946 y 1963, se transforma en sus textos en un lugar en el que ser{\´i}a posible el "habitar po{\´e}tico del hombre" en la modernidad.},
  language  = {es}
}