@article{LandauRageth2018,
  author    = {Landau, David and Rageth, Nina},
  title     = {Indian Sufism in Israel},
  series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien [23 (2017)] = JewBus, Jewish Hindus \& other Jewish Encounters with East Asian Religions},
  journal   = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien [23 (2017)] = JewBus, Jewish Hindus \& other Jewish Encounters with East Asian Religions},
  number    = {23},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-418-0},
  issn      = {1614-6492},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-408972},
  pages     = {163 -- 180},
  year      = {2018},
  abstract  = {This paper explores Indian Sufi influences in Shye Ben Tzur's music. Ben Tzur is a Jewish Israeli musician who composes Sufi poetry in Hebrew and plays it to qawwālī music, the traditional North Indian Sufi music. Ben Tzur's songs are devotional and there are many Sufi references that invoke Islamic terminology. His music has been reviewed in numerous newspapers and his Jewish identity, coupled with Sufi themes, evokes questions regarding religious belonging. Even though Ben Tzur openly discusses Sufi influences, his music has remained uncontroversial. This article interprets this as a sign that the symbolic repertoire of Ben Tzur's music evokes associations with India and not with Islam and more specifically with India as a spiritual rather than religious space. The image of India as a spiritual land manages to subsume references to Islam and render them part of the "mystical East" allowing Ben Tzur's audience to consume Muslim themes outside Middle Eastern politics.},
  language  = {en}
}