@article{Saendig2017,
  author    = {S{\"a}ndig, Brigitte},
  title     = {Trag{\´e}die et psychologie},
  series = {Revue romane : langue et litt{\´e}rature},
  volume    = {52},
  journal   = {Revue romane : langue et litt{\´e}rature},
  number    = {1},
  publisher = {Benjamins},
  address   = {Amsterdam},
  issn      = {0035-3906},
  doi       = {10.1075/rro.52.1.07san},
  pages     = {70 -- 79},
  year      = {2017},
  abstract  = {His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.},
  language  = {en}
}
@article{McElvenny2017,
  author    = {McElvenny, James},
  title     = {Grammar, typology and the Humboldtian tradition in the work of Georg von der Gabelentz},
  series = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas},
  volume    = {60},
  journal   = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1759-7536},
  doi       = {10.1080/17597536.2016.1212580},
  pages     = {1 -- 20},
  year      = {2017},
  abstract  = {A frequently mentioned if somewhat peripheral figure in the historiography of late nineteenth-century linguistics is the German sinologist and general linguist Georg von der Gabelentz (1840-1893). Today Gabelentz is chiefly remembered for several insights that proved to be productive in the development of subsequent schools and subdisciplines. In this paper, we examine two of these insights, his analytic and synthetic systems of grammar and his foundational work on typology. We show how they were intimately connected within his conception of linguistic research, and how this was in turn embedded in the tradition established by Wilhelm von Humboldt (1767-1835), especially as it was further developed by H. Steinthal (1823-1899). This paper goes beyond several previous works with a similar focus by drawing on a wider range of Gabelentz' writings, including manuscript sources that have only recently been published, and by examining specific textual connections between Gabelentz and his predecessors.},
  language  = {en}
}
@article{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Welterleben/Weiterleben},
  series = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur},
  volume    = {45},
  journal   = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur},
  number    = {3-4},
  publisher = {Editions Rodopi BV},
  address   = {Amsterdam},
  issn      = {0300-693X},
  doi       = {10.1163/18796583-04503002},
  pages     = {343 -- 388},
  year      = {2017},
  abstract  = {Welterleben and Weiterleben are what determine the second globalization (of four previously explored) whose constantly accelerating dynamic, vectorization, this essay explores. On the basis of selected writings of Georg Forster, Alexander von Humboldt, and Adelbert von Chamisso, the author highlights the increasing speed with which knowledge, especially in the experiential sciences, is produced and disseminated following the routes of ever-widening trade speeded along by globalization. The notion of 'vectopia' stands for the connection of utopia and uchronia in space and time in such a way that the experience of the world, expanded worldwide, contains within it a Weiter-Leben, a 'living-further' that is to be understood first in a spatial, and not yet temporal, sense, of what Forster called Erfahrungswissen, or 'experiential knowledge.' Vectopia, as elaborated here, has a material dimension that relates to the physical person, the body, the experience of the world that cannot occur without the constant changing of place, without a journeying that is again and again recommenced. Vectopia develops the projection of a life not from space or from time alone, but by their combination. Vectopia is more than a concept, it is a thought-figure: it is vitally connected to life, and thus a life-figure. It opens itself to a type of knowledge that stands almost at the threshold of a further life, indeed, of a Weiterleben that, opening itself to a 'living-onward,' resides beyond space, time, and movement.},
  language  = {en}
}
@misc{Prieto2017,
  author    = {Prieto, Julio},
  title     = {El concepto de intermedialidad},
  series = {Pasavento : revista de estudios hisp{\´a}nicos},
  volume    = {5},
  journal   = {Pasavento : revista de estudios hisp{\´a}nicos},
  publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones},
  address   = {Madrid},
  issn      = {2255-4505},
  pages     = {7 -- 18},
  year      = {2017},
  language  = {es}
}
@article{Garcia2017,
  author    = {Garcia, Francisca},
  title     = {Imaginer{\´i}a fotosensible: guadalupe santa cruz y la escritura con grabado},
  series = {Pasavento : revista de estudios hisp{\´a}nicos},
  volume    = {5},
  journal   = {Pasavento : revista de estudios hisp{\´a}nicos},
  publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones},
  address   = {Madrid},
  issn      = {2255-4505},
  pages     = {53 -- 62},
  year      = {2017},
  abstract  = {A partir de la met{\´a}fora "imaginer{\´i}a fotosensible", el ensayo explora c{\´o}mo el fotograbado afecta la escritura de la autora chilena guadalupe santa Cruz. el grabado no solo implica aqu{\´i} una t{\´e}cnica art{\´i}stica, sino tambi{\´e}n una imaginaci{\´o}n cr{\´i}tica sobre el movimiento, las huellas y la memoria colectiva. la revisi{\´o}n del programa literario de la autora (ars poetica), permite afirmar que el grabado brinda la principal estrategia para activar la prosa y arraigar la palabra en el contexto de alienaci{\´o}n social generalizada en la post-dictadura chilena (d{\´e}cada del 90). Si bien planteo que la influencia de esta imaginaci{\´o}n del gra-bado est{\´a} presente en todo el proyecto literario de la autora, me centro en la revisi{\´o}n de dos novelas: Quebrada: las cordilleras en andas (2007) y la reciente-mente publicada y p{\´o}stuma Esta parcela (2015), las cuales incorporan una serie de im{\´a}genes impresas.},
  language  = {es}
}
@article{Klettke2017,
  author    = {Klettke, Cornelia},
  title     = {L'archipel dans le Roland furieux de l'Arioste - hybridit{\´e} du savoir cartographique et de l'imaginaire g{\´e}ographique},
  series = {{\^I}les et Insulaires : XVIe - XVIIIe si{\`e}cles},
  journal   = {{\^I}les et Insulaires : XVIe - XVIIIe si{\`e}cles},
  editor    = {Lestringant, Frank and Tarr{\^e}te, Alexandre},
  publisher = {Presses de l'Universit{\´e} Paris-Sorbonne},
  address   = {Paris},
  isbn      = {979-10-231-0558-2},
  pages     = {225 -- 242},
  year      = {2017},
  language  = {fr}
}
@article{Ippolito2017,
  author    = {Ippolito, Antonella},
  title     = {Zwischen fanatsia und ingegno. Die sprachliche Simulation der Antike bei Leopardi},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {201 -- 225},
  year      = {2017},
  language  = {de}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {La pr{\´e}sence du fran{\c{c}}ais et des Fran{\c{c}}ais {\`a} Berlin au XVIII{\`e}me si{\`e}cle : contexte culturel et influence linguistique},
  series = {Traductions et contextes, contextes de la traduction},
  booktitle = {Traductions et contextes, contextes de la traduction},
  publisher = {L'Harmattan},
  address   = {Paris},
  isbn      = {978-2-343-13838-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {95 -- 123},
  year      = {2017},
  language  = {fr}
}
@article{Klettke2017,
  author    = {Klettke, Cornelia},
  title     = {La po{\´e}tique du nuage dans Corinne ou l'Italie de Mme de Sta{\"e}l},
  series = {Les Nuages: du tournant des Lumi{\`e}res au cr{\´e}puscule du romantisme (1760-1880)},
  journal   = {Les Nuages: du tournant des Lumi{\`e}res au cr{\´e}puscule du romantisme (1760-1880)},
  editor    = {Glaudes, Pierre and Vasak, Anouchka},
  publisher = {Hermann},
  address   = {Paris},
  isbn      = {978-2-7056-9475-3},
  pages     = {165 -- 185},
  year      = {2017},
  language  = {fr}
}
@article{Mathieu2017,
  author    = {Mathieu, Carlo},
  title     = {Imago, ombre, sembianze},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {183 -- 200},
  year      = {2017},
  language  = {de}
}