@periodical{OPUS4-47658,
  title     = {Studienangebot},
  publisher = {Universit{\"a}t Potsdam},
  address   = {Potsdam},
  language  = {de}
}
@periodical{OPUS4-47659,
  title     = {Studienangebot},
  publisher = {Universit{\"a}t Potsdam},
  address   = {Potsdam},
  language  = {de}
}
@periodical{OPUS4-57987,
  title     = {Linguistica philologica},
  number    = {1 (2021) -},
  editor    = {Haßler, Gerda and Wardlitz, Vladislava},
  publisher = {Lang},
  address   = {Berlin},
  issn      = {2750-2961},
  language  = {ru}
}
@periodical{OPUS4-57947,
  title     = {Voltaire-Preis},
  publisher = {Universit{\"a}t},
  address   = {Potsdam},
  year      = {2019},
  language  = {de}
}
@periodical{OPUS4-33198,
  title     = {Portal Wissen},
  publisher = {Universit{\"a}t},
  address   = {Potsdam},
  issn      = {2194-4237},
  language  = {de}
}
@periodical{OPUS4-56907,
  title     = {Africa today},
  volume    = {69},
  number    = {1/2},
  editor    = {Schenck, Marcia C. and Njung, George N.},
  publisher = {Indiana University Press},
  address   = {Bloomington},
  issn      = {1527-1978},
  pages     = {270},
  year      = {2022},
  abstract  = {Africa Today publishes peer-reviewed, scholarly articles and book reviews in a broad range of academic disciplines on topics related to contemporary Africa. We seek to be a venue for interdisciplinary approaches, diverse perspectives, and original research in the humanities and social sciences. This includes work on social, cultural, political, historical, and economic subjects. Recent special issues have been on topics such as the future of African artistic practices, the socio-cultural life of bus stations in Africa, and family-based health care in Ghana. Africa Today has been on the forefront of African Studies research since 1954. Please review our submission guidelines and then contact the Managing Editor or any of the editors with any questions you might have about publishing in Africa Today.},
  language  = {en}
}
@periodical{OPUS4-57801,
  title     = {Unterricht Wirtschaft + Politik},
  number    = {1},
  editor    = {Kirchner, Vera and W{\"u}ste, Andreas},
  publisher = {Friedrich Verlag GmbH},
  address   = {Hannover},
  issn      = {2751-1243},
  year      = {2023},
  abstract  = {Krisen pr{\"a}gen unsere Zeit: Sei es zum Beispiel die Coronapandemie oder aktuell der Ukraine-Krieg. Die Folge: getriebene Politiker:innen und eine ersch{\"o}pfte Gesellschaft? Wie also umgehen mit diesen multiplen Problemlagen und welche Rolle kann der Wirtschafts- und Politikunterricht hierbei spielen?},
  language  = {de}
}
@periodical{OPUS4-56077,
  title     = {Imagines},
  editor    = {Carl{\`a}-Uhink, Filippo and Lindner, Martin},
  publisher = {Bloomsbury Academic},
  address   = {London},
  year      = {2017},
  abstract  = {This series seeks to broaden the scholarly community's understanding of the reception of classical antiquity in the visual and performing arts. A particular focus will be drawn on the 20th and 21st centuries and on media that have been traditionally neglected because considered "commercial" and/or "popular", such as comics, advertising, digital media, design, fashion, and theme parks. It challenges traditional, and still very widespread, assumptions that distinguish "high" from "popular" culture, but also demonstrates the indisputable importance that classical antiquity enjoys in the modern and postmodern world, and all across the planet, carefully looking at forms of Classical Receptions outside the "traditional" regions object of such studies. Through a consistent shift from the traditional, academic approach, the series is the product of a continuous dialogue between scholars on the one side, and "producers" of classical reception - painters, sculptors, photographs, architects, designers, etc. -on the other, who write about their mechanisms of appropriation of the Ancient world . Each book highlights the popularity of antiquity today and reveals the forms and mechanisms of its reception. The series thus explains the choice of subjects and motives, the elaboration and re-mediatization processes taking place in the creative act, as well as the complexity of the "reception chains", which make it today impossible, for instance, to visualize the ancient world without the filter of historical movies.},
  language  = {en}
}
@periodical{OPUS4-9380,
  title     = {Studere},
  address   = {Potsdam},
  organization    = {studere e.V.},
  issn      = {1867-6170},
  language  = {de}
}
@periodical{OPUS4-9628,
  title     = {Studia politica germanica},
  publisher = {Wydzial Dziennikarstwa i Nauk Politycznych Uniwersytetu Warszawskiego},
  address   = {Warzawa},
  issn      = {2299-372X},
  language  = {pl}
}