@article{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Goethe and the Aesthetics of Equestrian Art},
  series = {Publications of the English Goethe Society},
  volume    = {91},
  journal   = {Publications of the English Goethe Society},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {0959-3683},
  doi       = {10.1080/09593683.2022.2027735},
  pages     = {58 -- 74},
  year      = {2022},
  abstract  = {Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of 'art'. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.},
  language  = {en}
}
@misc{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Rezension zu: Die Bibliothek des Mariengymnasiums Jever - ein Kosmos f{\"u}r sich : Abbildungen und Essays : mit einem Faksimile des Briefes von Ulrich Jasper Seetzen vom 25. Mail 1809 aus Kairo an Diedrich Ulrich Heinemeyer in Jever/ Hrsg. Hartmut Peters unter Mitarb. v. Hans-J{\"u}rgen Klitsch, Hartmut Kroll. - Jever: F{\"o}rderverein des Mariengymnasiums e. V. Jever [Privatdruck], 2020. - 374 S.},
  series = {Daphnis : Zeitschrift f{\"u}r deutsche Literatur und Kultur der fr{\"u}hen Neuzeit (1400-1750)},
  volume    = {50},
  journal   = {Daphnis : Zeitschrift f{\"u}r deutsche Literatur und Kultur der fr{\"u}hen Neuzeit (1400-1750)},
  number    = {1},
  publisher = {Brill},
  address   = {Leiden},
  issn      = {0300-693X},
  pages     = {163 -- 165},
  year      = {2022},
  language  = {de}
}
@article{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {The Invention of the ‚cheval-machine' as a Medical Response to the Machine Paradigm of the Enlightenment},
  series = {Human-animal interactions in the eighteenth century : from pests and predators to pets, poems and philosophy},
  volume    = {2022},
  journal   = {Human-animal interactions in the eighteenth century : from pests and predators to pets, poems and philosophy},
  editor    = {Stockhorst, Stefanie and Overhoff, J{\"u}rgen and Corfield, Penelope J.},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {978-90-04-49539-5},
  doi       = {doi.org/10.1163/9789004495395_006},
  pages     = {43 -- 67},
  year      = {2022},
  abstract  = {In 1735, the Leipzig professor of medicine Samuel Theodor Quellmaltz (1696-1758) designed and built an artificial horse. He presented it in an illustrated construction manual, which included precise information about the materials and dimensions of this wooden horse for therapeutic use. This contribution analyses Quellmaltz's invention of the 'machine horse' as a medical and technological contribution to prevalent theories about the paradigmatic role of the machine in Enlightenment thought.},
  language  = {en}
}
@misc{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Rezension zu: Mauthe, Andrea: Der Dritte als dynamischer Faktor der liebessemantischen Entwicklung in der Romanliteratur des 17. und 18. Jahrhunderts. - W{\"u}rzburg: K{\"o}nigshausen \& Neumann, 219. - 240 S. - ISBN: 378-3-8260-6843-0},
  series = {Lessing Yearbook},
  volume    = {2022},
  journal   = {Lessing Yearbook},
  number    = {XLIX},
  publisher = {Wallstein},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-83534-936-0},
  pages     = {331 -- 334},
  year      = {2022},
  language  = {de}
}
@article{StockhorstAgrofylax2022,
  author    = {Stockhorst, Stefanie and Agrofylax, Sotirios},
  title     = {Sapere aude!},
  series = {Lessing Yearbook},
  volume    = {XLIX},
  journal   = {Lessing Yearbook},
  publisher = {Wallstein},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-83534-936-0},
  issn      = {0075-8833},
  pages     = {15 -- 37},
  year      = {2022},
  language  = {de}
}
@article{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Theorie des (Un-)Praktischen},
  series = {Euphorion : Zeitschrift f{\"u}r Literaturgeschichte},
  volume    = {116},
  journal   = {Euphorion : Zeitschrift f{\"u}r Literaturgeschichte},
  number    = {1},
  publisher = {Winter},
  address   = {Heidelberg},
  issn      = {0014-2328},
  pages     = {19 -- 37},
  year      = {2022},
  language  = {de}
}
@article{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Panegyrik und Post-Patronage},
  series = {Gelegenheitslyrik in der Moderne : Tradition und Transformation einer Gattung},
  journal   = {Gelegenheitslyrik in der Moderne : Tradition und Transformation einer Gattung},
  editor    = {Stockhorst, Stefanie},
  publisher = {Lang},
  address   = {Bern, Berlin, Bruxelles [u. a.]},
  isbn      = {978-3-0343-4203-2},
  doi       = {10.3726/b18954},
  pages     = {311 -- 337},
  year      = {2022},
  language  = {de}
}
@article{StockhorstOverhoffCorfield2022,
  author    = {Stockhorst, Stefanie and Overhoff, J{\"u}rgen and Corfield, Penelope J.},
  title     = {Editorial Introduction},
  series = {Human-animal interactions in the eighteenth century : from pests and predators to pets, poems and philosophy},
  journal   = {Human-animal interactions in the eighteenth century : from pests and predators to pets, poems and philosophy},
  editor    = {Stockhorst, Stefanie and Overhoff, J{\"u}rgen and Corfield, Penelope J.},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {978-90-04-49539-5},
  doi       = {10.1163/9789004495395_002},
  pages     = {1 -- 4},
  year      = {2022},
  language  = {en}
}
@article{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Goethe and the Aesthetics of Equestrian Art},
  series = {Publications of the English Goethe Society},
  volume    = {91},
  journal   = {Publications of the English Goethe Society},
  number    = {1},
  editor    = {Stockhorst, Stefanie},
  publisher = {Taylor \& Francis},
  address   = {London},
  issn      = {1749-6284},
  doi       = {10.1080/09593683.2022.2027735},
  pages     = {58 -- 74},
  year      = {2022},
  abstract  = {Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of 'art'. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.},
  language  = {en}
}
@book{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Verschriftlichungsstrategien},
  series = {Neue Perspektiven der Fr{\"u}hneuzeitforschung ; Band 6},
  journal   = {Neue Perspektiven der Fr{\"u}hneuzeitforschung ; Band 6},
  publisher = {Wehrhahn},
  address   = {Hannover},
  isbn      = {978-3-86525-932-5},
  pages     = {125},
  year      = {2022},
  language  = {de}
}