@misc{Scharrer2008,
  type      = {Master Thesis},
  author    = {Scharrer, Daniela},
  title     = {Zur Problematik von Herkunft, Geschlecht und Identit{\"a}tsfindung in den beiden Romanen von Nella Larsen "Quicksand" (1928) und "Passing" (1929)},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-20732},
  school      = {Universit{\"a}t Potsdam},
  year      = {2008},
  abstract  = {Diese Arbeit besch{\"a}ftigt sich mit den Konstruktionen literarischer Figuren in Bezug auf die kulturellen Konstruktionen von „race" und Gender. Die beiden hier besprochenen Romane „Quicksand" und „Passing" von Nella Larsen zeigen Hauptprotagonistinnen mit interrassischen Identit{\"a}ten, die auf einer schwarzen und weißen Elternschaft beruhen und sich damit an den bis in die sp{\"a}ten 1970er Jahre in den USA tats{\"a}chlich existierenden sog. Rassenmischungsverboten (Anti-Miscegenation Laws) sowie an schwarzen Weiblichkeitsentw{\"u}rfen reiben. Aus kultureller wie auch aus literarischer Perspektive sind diese Identit{\"a}ten interessant, da sie lange als „schwarz" und nicht als „interrassisch" eingeordnet wurden und eigene interrassische Identit{\"a}tsentw{\"u}rfe damit weitenteils fehlen. Eine Ausnahme ist die Figur der Tragischen Mulattin, die in Kapitel 3 besprochen wird. Die Arbeit blickt nach einer Darlegung kultureller Prozesse der Identit{\"a}tsbildung auf interrassische Figuren in der Literaturgeschichte, Identit{\"a}tsentw{\"u}rfe in der Harlem Renaissance, Vorstellungen von Weiblichkeit und Sexualit{\"a}t und schließlich auf die Praxis des Passing (dem Verschleiern eines Teils der Herkunft zu Gunsten eines anderen).},
  language  = {de}
}
@misc{Honka2007,
  type      = {Master Thesis},
  author    = {Honka, Agnes},
  title     = {Writing an alternative Australia : women and national discourse in nineteenth-century literature},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-16502},
  school      = {Universit{\"a}t Potsdam},
  year      = {2007},
  abstract  = {In this thesis, I want to outline the emergence of the Australian national identity in colonial Australia. National identity is not a politically determined construct but culturally produced through discourse on literary works by female and male writers. The emergence of the dominant bushman myth exhibited enormous strength and influence on subsequent generations and infused the notion of "Australianness" with exclusively male characteristics. It provided a unique geographical space, the bush, on and against which the colonial subject could model his identity. Its dominance rendered non-male and non-bush experiences of Australia as "un-Australian." I will present a variety of contemporary voices - postcolonial, Aboriginal, feminist, cultural critics - which see the Australian identity as a prominent topic, not only in the academia but also in everyday culture and politics. Although positioned in different disciplines and influenced by varying histories, these voices share a similar view on Australian society: Australia is a plural society, it is home to millions of different people - women, men, and children, Aboriginal Australians and immigrants, newly arrived and descendents of the first settlers - with millions of different identities which make up one nation. One version of national identity does not account for the multitude of experiences; one version, if applied strictly, renders some voices unheard and oppressed. After exemplifying how the literature of the 1890s and its subsequent criticism constructed the itinerant worker as "the" Australian, literary productions by women will be singled out to counteract the dominant version by presenting different opinions on the state of colonial Australia. The writers Louisa Lawson, Barbara Baynton, and Tasma are discussed with regard to their assessment of their mother country. These women did not only present a different picture, they were also gifted writers and lived the ideal of the "New Women:" they obtained divorces, remarried, were politically active, worked for their living and led independent lives. They paved the way for many Australian women to come. In their literary works they allowed for a dual approach to the bush and the Australian nation. Louisa Lawson credited the bushwoman with heroic traits and described the bush as both cruel and full of opportunities not known to women in England. She understood women's position in Australian society as oppressed and tried to change politics and culture through the writings in her feminist magazine the Dawn and her courageous campaign for women suffrage. Barbara Baynton painted a gloomy picture of the Australian bush and its inhabitants and offered one of the fiercest critiques of bush society. Although the woman is presented as the able and resourceful bushperson, she does not manage to survive in an environment which functions on male rules and only values the economic potential of the individual. Finally, Tasma does not present as outright a critique as Barbara Baynton, however, she also attests the colonies a fascination with wealth which she renders questionable. She offers an informed judgement on colonial developments in the urban surrounds of the city of Melbourne through the comparison of colonial society with the mother country England. Tasma attests that the colonies had a fascination with wealth which she renders questionable. She offers an informed judgement on colonial developments in the urban surrounds of the city of Melbourne through the comparison of colonial society with the mother country England and demonstrates how uncertainties and irritations emerged in the course of Australia's nation formation. These three women, as writers, commentators, and political activists, faced exclusion from the dominant literary discourses. Their assessment of colonial society remained unheard for a long time. Now, after much academic excavation, these voices speak to us from the past and remind us that people are diverse, thus nation is diverse. Dominant power structures, the institutions and individuals who decide who can contribute to the discourse on nation, have to be questioned and reassessed, for they mute voices which contribute to a wider, to the "full", and maybe "real" picture of society.},
  language  = {en}
}