@article{WiemannEckstein2013,
  author    = {Wiemann, Dirk and Eckstein, Lars},
  title     = {Introduction : towards a cultural politics of passion},
  isbn      = {978-3-631-60196-9},
  year      = {2013},
  language  = {en}
}
@unpublished{EcksteinWiemannWalleretal.2016,
  author    = {Eckstein, Lars and Wiemann, Dirk and Waller, Nicole and Bartels, Anke},
  title     = {Postcolonial Justice},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103220},
  pages     = {20},
  year      = {2016},
  abstract  = {In July 2014, some of us participated in a handover ceremony of 14 ancestral remains to their Australian traditional owners, performed on the premises of the Charit{\´e} Campus in Berlin.},
  language  = {en}
}
@unpublished{EcksteinWiemann2013,
  author    = {Eckstein, Lars and Wiemann, Dirk},
  title     = {Introduction},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85457},
  year      = {2013},
  language  = {en}
}
@unpublished{EcksteinWiemann2016,
  author    = {Eckstein, Lars and Wiemann, Dirk},
  title     = {Kleine Kosmopolitismen},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103261},
  pages     = {7},
  year      = {2016},
  abstract  = {Das große Projekt der Aufkl{\"a}rung und damit auch der kosmopolitischen Idee war bereits in seinen Urspr{\"u}ngen ambivalenter als gemeinhin anerkannt wird. Denn sein normatives Menschenbild war (und bleibt) implizit m{\"a}nnlich, b{\"u}rgerlich und nicht zuletzt weiß.},
  language  = {de}
}
@article{EcksteinWiemann2017,
  author    = {Eckstein, Lars and Wiemann, Dirk},
  title     = {Kleine Kosmopolitismen},
  series = {Global Citizenship - Perspektiven einer Weltgemeinschaft},
  journal   = {Global Citizenship - Perspektiven einer Weltgemeinschaft},
  publisher = {Steidel},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-95829-211-6},
  pages     = {44 -- 53},
  year      = {2017},
  language  = {en}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The making of Tupaia's map},
  series = {The journal of pacific history},
  volume    = {54},
  journal   = {The journal of pacific history},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {London},
  issn      = {0022-3344},
  doi       = {10.1080/00223344.2018.1512369},
  pages     = {1 -- 95},
  year      = {2019},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@article{EcksteinSchwarz2012,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Oceanic modernity : indigeneity, globality and cultural translation},
  isbn      = {978-8-48-489670-8},
  year      = {2012},
  language  = {en}
}
@misc{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Authors' Response: The Making of Tupaia's Map Revisited},
  series = {The journal of pacific history},
  volume    = {54},
  journal   = {The journal of pacific history},
  number    = {4},
  publisher = {Routledge},
  address   = {London},
  issn      = {1469-9605},
  doi       = {10.1080/00223344.2019.1657500},
  pages     = {549 -- 561},
  year      = {2019},
  language  = {en}
}
@misc{EcksteinSchwarz2018,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The Making of Tupaia's Map},
  series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  number    = {154},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-42309},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-423091},
  pages     = {96},
  year      = {2018},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Vision d'une mer faite d'{\^i}les: la carte de Tupaia (1769-1770)},
  series = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale},
  volume    = {347},
  journal   = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale},
  number    = {Janvier / Avril},
  publisher = {Soc.},
  address   = {Papeete},
  issn      = {0373-8957},
  pages     = {6 -- 23},
  year      = {2019},
  language  = {fr}
}
@misc{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {La carte de Tupaia, ma{\^i}tre d'astres et de navigation polyn{\´e}sienne},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {170},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-44538},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445381},
  pages     = {156},
  year      = {2019},
  abstract  = {La carte de Tupaia constitue l'un des art{\´e}facts les plus c{\´e}l{\`e}bres et les plus {\´e}nigmatiques {\`a} {\´e}merger des toutes premi{\`e}res rencontres entre Europ{\´e}ens et {\^i}liens du Pacifique. Elle a {\´e}t{\´e} {\´e}labor{\´e}e entre ao{\^u}t 1769 et f{\´e}vrier 1770 par Tupaia, pr{\^e}tre 'arioi, conseiller royal et ma{\^i}tre de navigation originaire de Ra'iātea, aux {\^I}les Sous-le-Vent de la Soci{\´e}t{\´e}. En collaboration avec divers membres d'{\´e}quipage de l'Endeavour de James Cook, en deux temps distincts de cartographie et trois {\´e}bauches. L'identit{\´e} de bien des {\^i}les qui y figurent et la logique de leur agencement demeuraient jusqu'{\`a} pr{\´e}sent des {\´e}nigmes. En se fiant en partie {\`a} des pi{\`e}ces d'archives rest{\´e}es ignor{\´e}es, nous proposons, dans ce long essai, une nouvelle compr{\´e}hension de sa logique cartographique, une reconstitution d{\´e}taill{\´e}e de sa gen{\`e}se et donc, pour la toute premi{\`e}re fois, une lecture exhaustive. La carte de Tupaia n'illustre pas seulement la magnitude et la ma{\^i}trise de la navigation polyn{\´e}sienne, elle r{\´e}alise aussi une remarquable synth{\`e}se repr{\´e}sentationnelle de deux syst{\`e}mes d'orientation tr{\`e}s diff{\´e}rents.},
  language  = {fr}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {La carte de Tupaia, ma{\^i}tre d'astres et de navigation polyn{\´e}sienne},
  series = {Bulletin de la Societ{\´e} des {\´E}tudes Oc{\´e}aniennes (Polyn{\´e}sie orientale)},
  volume    = {Mai/Ao{\^u}t 2019},
  journal   = {Bulletin de la Societ{\´e} des {\´E}tudes Oc{\´e}aniennes (Polyn{\´e}sie orientale)},
  number    = {348},
  publisher = {Soci{\´e}t{\´e} des {\´e}tudes oc{\´e}aniennes},
  address   = {Tahiti},
  issn      = {2605-8375},
  pages     = {7 -- 152},
  year      = {2019},
  abstract  = {La carte de Tupaia constitue l'un des art{\´e}facts les plus c{\´e}l{\`e}bres et les plus {\´e}nigmatiques {\`a} {\´e}merger des toutes premi{\`e}res rencontres entre Europ{\´e}ens et {\^i}liens du Pacifique. Elle a {\´e}t{\´e} {\´e}labor{\´e}e entre ao{\^u}t 1769 et f{\´e}vrier 1770 par Tupaia, pr{\^e}tre 'arioi, conseiller royal et ma{\^i}tre de navigation originaire de Ra'iātea, aux {\^I}les Sous-le-Vent de la Soci{\´e}t{\´e}. En collaboration avec divers membres d'{\´e}quipage de l'Endeavour de James Cook, en deux temps distincts de cartographie et trois {\´e}bauches. L'identit{\´e} de bien des {\^i}les qui y figurent et la logique de leur agencement demeuraient jusqu'{\`a} pr{\´e}sent des {\´e}nigmes. En se fiant en partie {\`a} des pi{\`e}ces d'archives rest{\´e}es ignor{\´e}es, nous proposons, dans ce long essai, une nouvelle compr{\´e}hension de sa logique cartographique, une reconstitution d{\´e}taill{\´e}e de sa gen{\`e}se et donc, pour la toute premi{\`e}re fois, une lecture exhaustive. La carte de Tupaia n'illustre pas seulement la magnitude et la ma{\^i}trise de la navigation polyn{\´e}sienne, elle r{\´e}alise aussi une remarquable synth{\`e}se repr{\´e}sentationnelle de deux syst{\`e}mes d'orientation tr{\`e}s diff{\´e}rents.},
  language  = {fr}
}
@misc{EcksteinSchwarz2014,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Postcolonial piracy},
  series = {Theory for a global age},
  journal   = {Theory for a global age},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-72189},
  pages     = {300},
  year      = {2014},
  abstract  = {Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.},
  language  = {en}
}
@misc{EcksteinReinfandt2014,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {Luhmann in the Contact Zone},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85488},
  pages     = {107 -- 124},
  year      = {2014},
  language  = {de}
}
@article{EcksteinReinfandt2003,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu},
  year      = {2003},
  language  = {en}
}
@article{EcksteinReinfandt2009,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The adventures of William Bloke, or : romanticism today and how it got here},
  year      = {2009},
  language  = {en}
}
@article{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {On dancing about architecture : words and music between cultural practise and transcendence},
  year      = {2006},
  language  = {en}
}
@misc{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The cultural validity of music in contemporary fiction},
  series = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  volume    = {54.2006,1},
  journal   = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  publisher = {K{\"o}nigshausen u. Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {3-8260-3365-5},
  pages     = {vi + 112 S.},
  year      = {2006},
  language  = {en}
}
@unpublished{EcksteinReindfandt2016,
  author    = {Eckstein, Lars and Reindfandt, Christoph},
  title     = {Luhmann in da Contact Zone},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103298},
  pages     = {15},
  year      = {2016},
  abstract  = {Our aim in this contribution is to productively engage with the abstractions and complexities of Luhmann's conceptions of society from a postcolonial perspective, with a particular focus on the explanatory powers of his sociological systems theory when it leaves the realms of Europe and ventures to describe regions of the global South. In view of its more recent global reception beyond Europe, our aim is to thus - following the lead of Dipesh Chakrabarty - provincialize Luhmann's system theory especially with regard to its underlying assumptions about a global "world society". For these purposes, we intend to revisit Luhmann in the post/colonial contact zone: We wish to reread Luhmann in the context of spaces of transcultural encounter where "global designs and local histories" (Mignolo), where inclusion into and exclusion from "world society" (Luhmann) clash and interact in intricate ways. The title of our contribution, 'Luhmann in da Contact Zone' is deliberately ambiguous: On the one hand, we of course use 'Luhmann' metonymically, as representative of a highly complex theoretical design. We shall cursorily outline this design with a special focus on the notion of a singular, modern "world society", only to confront it with the epistemic challenges of the contact zone. On the other hand, this critique will also involve the close observation of Niklas Luhman as a human observer (a category which within the logic of systems theory actually does not exist) who increasingly transpires in his late writings on exclusion in the global South. By following this dual strategy, we wish to trace an increasing fracture between one Luhmann and the other, between abstract theoretical design and personalized testimony. It is by exploring and measuring this fracture that we hope to eventually be able to map out the potential of a possibly more productive encounter between systems theory and specific strands of postcolonial theory for a pluritopic reading of global modernity.},
  language  = {en}
}
@article{EcksteinPeitschSchwarz2017,
  author    = {Eckstein, Lars and Peitsch, Helmut and Schwarz, Anja},
  title     = {Tusitalas Wandlungen},
  series = {Pazifikismus : Poetiken des Stillen Ozeans},
  journal   = {Pazifikismus : Poetiken des Stillen Ozeans},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-8260-6169-1},
  pages     = {443 -- 460},
  year      = {2017},
  language  = {de}
}
@article{EcksteinLutz2001,
  author    = {Eckstein, Lars and Lutz, Andrea},
  title     = {Literary missions and global ethic},
  isbn      = {3-86057-741-7},
  year      = {2001},
  language  = {en}
}
@article{EcksteinLeypoldt2007,
  author    = {Eckstein, Lars and Leypoldt, G{\"u}nter},
  title     = {T.S. Eliot and the transcultural sublime},
  isbn      = {978-3-88476-976-8},
  year      = {2007},
  language  = {en}
}
@article{EcksteinKraemer2011,
  author    = {Eckstein, Lars and Kr{\"a}mer, Lucia},
  title     = {Introduction : postcolonial media cultures},
  isbn      = {978-3- 86821-332-4},
  year      = {2011},
  language  = {en}
}
@article{EcksteinKortePirkeretal.2008,
  author    = {Eckstein, Lars and Korte, Barbara and Pirker, Ulrike and Reinfandt, Christoph},
  title     = {A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium},
  isbn      = {978-90-420-2497-7},
  year      = {2008},
  language  = {en}
}
@book{EcksteinKortePinkeretal.2008,
  author    = {Eckstein, Lars and Korte, Barbara and Pinker, Ulrike and Reinfandt, Christoph},
  title     = {Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts},
  series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  volume    = {121},
  journal   = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam, New York},
  isbn      = {978-90-420-2497-7},
  pages     = {v + 427 S.},
  year      = {2008},
  language  = {en}
}
@unpublished{EcksteinHurley2020,
  author    = {Eckstein, Lars and Hurley, Andrew Wright},
  title     = {German-Australian Colonial Entanglements},
  doi       = {10.25932/publishup-44449},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-444490},
  pages     = {30},
  year      = {2020},
  abstract  = {Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.},
  language  = {en}
}
@article{EcksteinHurley2020,
  author    = {Eckstein, Lars and Hurley, Andrew},
  title     = {German-Australian Colonial Entanglements},
  series = {Remembering German-Australian colonial entanglements},
  journal   = {Remembering German-Australian colonial entanglements},
  publisher = {Routledge},
  address   = {London},
  isbn      = {978-0-367-42159-5},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.},
  language  = {en}
}
@book{EcksteinDengelJanic2008,
  author    = {Eckstein, Lars and Dengel-Janic, Ellen},
  title     = {Bridehood revisited : disarming concepts of gender and culture in recent asian british film},
  isbn      = {978-90-420-2497-7},
  year      = {2008},
  language  = {en}
}
@unpublished{EcksteinDengelJanic2008,
  author    = {Eckstein, Lars and Dengel-Janic, Ellen},
  title     = {Bridehood revisited},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85555},
  pages     = {19},
  year      = {2008},
  language  = {en}
}
@book{EcksteinBartelsWalleretal.2019,
  author    = {Eckstein, Lars and Bartels, Anke and Waller, Nicole and Wiemann, Dirk},
  title     = {Postcolonial Literatures in English: An Introduction},
  publisher = {Metzler},
  address   = {Berlin},
  isbn      = {978-3-476-02674-3},
  pages     = {V, 202},
  year      = {2019},
  abstract  = {Postcoloniale Literatur bezeichnet die nationalen anglophonen Literaturen in den Amerikas, Asien, Afrika und Ozeanien (zeitweise auch New English Literatures genannt). Eine Darstellung nach Regionen ist wegen der migrantischen Bewegungen der Autor/innen allerdings nicht zu leisten. Daher behandelt der Band die zentralen Themen der postkolonialen Debatte, die jeweils Autor/innen aus verschiedenen Regionen betreffen.},
  language  = {en}
}
@misc{Eckstein2018,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  series = {Postcolonial Studies},
  journal   = {Postcolonial Studies},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-413654},
  pages     = {15},
  year      = {2018},
  abstract  = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {V.S. Reid},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Wilson Harris},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@unpublished{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Performing jazz, defying essence},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85574},
  pages     = {15},
  year      = {2006},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Monk Lewis's Timour the Tartar, grand romantic orientalism and imperial melancholy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85503},
  pages     = {23},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Politics of passion and the production of human illegality},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85512},
  pages     = {20},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think local sell global},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85537},
  pages     = {12},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Filming illegals},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85491},
  pages     = {13},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {'We're destroyed if we mix. And we're destroyed if we don't'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529},
  pages     = {11},
  year      = {2012},
  language  = {en}
}
@unpublished{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548},
  pages     = {9},
  year      = {2009},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Recollecting Bones},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103278},
  pages     = {20},
  year      = {2016},
  abstract  = {In the same "guarded, roundabout and reticent way" which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy's words, "the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism's intellectual, ethical and scientific pre-history" (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.},
  language  = {en}
}
@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@unpublished{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in music and the music of unbelonging in Richard Powers's The Time of Our Singing},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85584},
  pages     = {10},
  year      = {2005},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59422},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59201},
  year      = {2009},
  abstract  = {Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips's dialogic imagination Literary imagination and the Zong Massacre: Fred D'Aguiar and David Dabydeen Perspectives},
  language  = {en}
}
@misc{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {M.I.A.'s "Born Free" and the ambivalent politics of authenticity and provocation},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59236},
  year      = {2010},
  language  = {en}
}
@article{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Gegen den Strich : Shakespeares Caliban und das exotische Imagin{\"a}re in der britischen Malerei des 18. und 19. Jahrhunderts},
  isbn      = {978-3-89971-877-5},
  year      = {2011},
  language  = {de}
}
@misc{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Ripple, G., Beschreibungs-Kunst: zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000); M{\"u}nchen, Fink, 2005},
  year      = {2007},
  language  = {de}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}