@unpublished{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {'We're destroyed if we mix. And we're destroyed if we don't'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529},
  pages     = {11},
  year      = {2012},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Witi Ihimaera, The Whale Rider},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Wilson Harris},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Vision d'une mer faite d'{\^i}les: la carte de Tupaia (1769-1770)},
  series = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale},
  volume    = {347},
  journal   = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale},
  number    = {Janvier / Avril},
  publisher = {Soc.},
  address   = {Papeete},
  issn      = {0373-8957},
  pages     = {6 -- 23},
  year      = {2019},
  language  = {fr}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {V.S. Reid},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@article{EcksteinPeitschSchwarz2017,
  author    = {Eckstein, Lars and Peitsch, Helmut and Schwarz, Anja},
  title     = {Tusitalas Wandlungen},
  series = {Pazifikismus : Poetiken des Stillen Ozeans},
  journal   = {Pazifikismus : Poetiken des Stillen Ozeans},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-8260-6169-1},
  pages     = {443 -- 460},
  year      = {2017},
  language  = {de}
}
@unpublished{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548},
  pages     = {9},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59201},
  year      = {2009},
  abstract  = {Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips's dialogic imagination Literary imagination and the Zong Massacre: Fred D'Aguiar and David Dabydeen Perspectives},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Torpedoing the authorship of popular music : a reading of Gorillaz' 'Feel Good Inc.'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59116},
  year      = {2009},
  abstract  = {This article addresses problems of authorship and creative authority in popular music, in particular in view of a pervasive split between modes of aesthetic production (involving modernist assemblage, multiple authorship, and the late capitalist logic of major label policies) and modes of aesthetic reception (which tend to take popular music as the organic output of individual performers). While rock musicians have attempted to come to terms with this phenomenon by either performing a 'Romantic' sense of authenticity (basically by importing folk values to the production process) or 'Modernist authenticity' (by highlighting experimen- tation and alienation), Damon Albarn and Jamie Hewlett, creators of Gorillaz, found a third way which ingeniously allows them to do both. By creating a virtual rock band, and by hiding their own media personalities behind those of their virtual alter egos, they brought themselves into a position which allows them to produce 'sincere' popular music which 'playfully' stages the absurdities of major label music business while very successfully operating within its very confines.},
  language  = {en}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips},
  isbn      = {978-3-8260-3769-6},
  year      = {2007},
  language  = {en}
}
@unpublished{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85567},
  pages     = {141 -- 157},
  year      = {2007},
  language  = {en}
}
@unpublished{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think local sell global},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85537},
  pages     = {12},
  year      = {2010},
  language  = {en}
}
@article{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think global sell global : magical realism, the Whale Rider and the Market},
  isbn      = {978-90-420-3226-2},
  year      = {2010},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {The white backlash: conservatisms in contemporary british writing},
  publisher = {Hard Times},
  address   = {Berlin},
  issn      = {0171-1695},
  pages     = {47},
  year      = {2011},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59422},
  year      = {2008},
  language  = {en}
}
@article{EcksteinReinfandt2003,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu},
  year      = {2003},
  language  = {en}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The making of Tupaia's map},
  series = {The journal of pacific history},
  volume    = {54},
  journal   = {The journal of pacific history},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {London},
  issn      = {0022-3344},
  doi       = {10.1080/00223344.2018.1512369},
  pages     = {1 -- 95},
  year      = {2019},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@misc{EcksteinSchwarz2018,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The Making of Tupaia's Map},
  series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  number    = {154},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-42309},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-423091},
  pages     = {96},
  year      = {2018},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {The insistence of voices : an interview with Caryl Phillips},
  year      = {2001},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {The Culture of Lyrics},
  isbn      = {978-3-868212-259-4},
  year      = {2010},
  language  = {en}
}
@misc{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The cultural validity of music in contemporary fiction},
  series = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  volume    = {54.2006,1},
  journal   = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  publisher = {K{\"o}nigshausen u. Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {3-8260-3365-5},
  pages     = {vi + 112 S.},
  year      = {2006},
  language  = {en}
}
@article{EcksteinReinfandt2009,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The adventures of William Bloke, or : romanticism today and how it got here},
  year      = {2009},
  language  = {en}
}
@article{EcksteinLeypoldt2007,
  author    = {Eckstein, Lars and Leypoldt, G{\"u}nter},
  title     = {T.S. Eliot and the transcultural sublime},
  isbn      = {978-3-88476-976-8},
  year      = {2007},
  language  = {en}
}
@article{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {Spiel mit der Angst : Britischer Hip Hop nach 9/11},
  isbn      = {978-3-8376-1728-3},
  year      = {2012},
  language  = {de}
}
@article{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters: postcolonial critique for a viral age},
  series = {Atlantic studies : literary, cultural and historical perspectives},
  volume    = {13},
  journal   = {Atlantic studies : literary, cultural and historical perspectives},
  publisher = {American Geophysical Union},
  address   = {Abingdon},
  issn      = {1478-8810},
  doi       = {10.1080/14788810.2016.1216222},
  pages     = {445 -- 456},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Saturday on Dover Beach : Ian McEwan, Matthew Arnold, and post-9/11 melancholia},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59228},
  year      = {2011},
  abstract  = {This essay revisits Ian McEwan's extremely successful novel Saturday, and interrogates its exemplary assessment of the British cultural climate after 9/11. The particular focus is on McEwan's extensive recourse to the writings of Matthew Arnold, whose melancholy outlook on culture and anarchy McEwan basically translates into the 21st century without much ideological fraction. This relapse into Victorian liberal humanism as consolation for a Western world besieged by the contingencies of terrorism is extremely problematic. Not only does it wilfully ignore the transcultural realities of modern Britain, it also promotes an ahistorical and apolitical mode of critical inquiry which may be called reductive at best in view of the global challenges that the novel addresses.},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Samuel Selvon},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@unpublished{Eckstein2017,
  author    = {Eckstein, Lars},
  title     = {Sam Selvon, The Lonely Londoners (1956)},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103285},
  pages     = {21},
  year      = {2017},
  abstract  = {This essay reads Sam Selvon's novel The Lonely Londoners (1956) as a milestone in the decolonisation of British fiction. After an introduction to Selvon and the core composition of the novel, it discusses the ways in which the narrative takes on issues of race and racism, how it in the tradition of the Trinidadian carnival confronts audiences with sexual profanation and black masculine swagger, and not least how the novel, especially through its elaborate use of creole Englishes, reimagines London as a West Indian metropolis. The essay then turns more systematically to the ways in which Selvon translates Western literary models and their isolated subject positions into collective modes of narrative performance taken from Caribbean orature and the calypsonian tradition. The Lonely Londoners breathes entirely new life into the ossified conventions of the English novel, and imbues it with unforeseen aesthetic, ethical, political and epistemological possibilities.},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Roger Mais},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Ripple, G., Beschreibungs-Kunst: zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000); M{\"u}nchen, Fink, 2005},
  year      = {2007},
  language  = {de}
}
@misc{BarrettEcksteinHurleyetal.2018,
  author    = {Barrett, Lindsay and Eckstein, Lars and Hurley, Andrew Wright and Schwarz, Anja},
  title     = {Remembering German-Australian colonial entanglement},
  series = {Postcolonial studies : culture, politics, economy},
  volume    = {21},
  journal   = {Postcolonial studies : culture, politics, economy},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1443671},
  pages     = {1 -- 5},
  year      = {2018},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@article{Eckstein2020,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  series = {Ideology in postcolonial texts and contexts},
  journal   = {Ideology in postcolonial texts and contexts},
  publisher = {Rodopi},
  address   = {Leiden},
  isbn      = {978-90-04-42805-8},
  doi       = {10.1163/9789004437456_010},
  pages     = {147 -- 161},
  year      = {2020},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Recollecting Bones},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103278},
  pages     = {20},
  year      = {2016},
  abstract  = {In the same "guarded, roundabout and reticent way" which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy's words, "the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism's intellectual, ethical and scientific pre-history" (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.},
  language  = {en}
}
@article{Eckstein2018,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  series = {Postcolonial Studies},
  volume    = {21},
  journal   = {Postcolonial Studies},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1435146},
  pages     = {6 -- 19},
  year      = {2018},
  abstract  = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.},
  language  = {en}
}
@incollection{Eckstein2020,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  series = {Remembering German-Australian colonial entanglements},
  booktitle = {Remembering German-Australian colonial entanglements},
  publisher = {Routledge},
  address   = {London},
  isbn      = {978-0-367-42159-5},
  pages     = {22 -- 35},
  year      = {2020},
  language  = {en}
}
@article{Eckstein2018,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  volume    = {21},
  number    = {1},
  publisher = {Taylor \& Francis},
  address   = {London},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1435146},
  pages     = {6 -- 19},
  year      = {2018},
  abstract  = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Reading song lyrics},
  series = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  volume    = {137},
  journal   = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {978-90-420-3035-0},
  pages     = {291 S.},
  year      = {2010},
  language  = {en}
}
@book{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Re-Membering the Black Atlantic : on the poetics and politics of literary memory},
  series = {Cross cultures},
  volume    = {84},
  journal   = {Cross cultures},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {94-420-1958-1},
  pages     = {XVI, 289 S.},
  year      = {2006},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}
@misc{EcksteinSchwarz2014,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Postcolonial piracy},
  series = {Theory for a global age},
  journal   = {Theory for a global age},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-72189},
  pages     = {300},
  year      = {2014},
  abstract  = {Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.},
  language  = {en}
}
@unpublished{EcksteinWiemannWalleretal.2016,
  author    = {Eckstein, Lars and Wiemann, Dirk and Waller, Nicole and Bartels, Anke},
  title     = {Postcolonial Justice},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103220},
  pages     = {20},
  year      = {2016},
  abstract  = {In July 2014, some of us participated in a handover ceremony of 14 ancestral remains to their Australian traditional owners, performed on the premises of the Charit{\´e} Campus in Berlin.},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Politics of passion and the production of human illegality},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85512},
  pages     = {20},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Performing jazz, defying essence},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85574},
  pages     = {15},
  year      = {2006},
  language  = {en}
}
@article{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {On dancing about architecture : words and music between cultural practise and transcendence},
  year      = {2006},
  language  = {en}
}
@book{EcksteinKortePinkeretal.2008,
  author    = {Eckstein, Lars and Korte, Barbara and Pinker, Ulrike and Reinfandt, Christoph},
  title     = {Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts},
  series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  volume    = {121},
  journal   = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam, New York},
  isbn      = {978-90-420-2497-7},
  pages     = {v + 427 S.},
  year      = {2008},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Monk Lewis's Timour the Tartar, grand romantic orientalism and imperial melancholy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85503},
  pages     = {23},
  year      = {2013},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Maurice Duggan Summer in the Gravel Pit},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Maurice Duggan},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {de}
}