@incollection{Kuegler2017,
  author    = {K{\"u}gler, Frank},
  title     = {Tone and intonation in Akan},
  series = {Intonation in African Tone Languages},
  volume    = {24},
  booktitle = {Intonation in African Tone Languages},
  publisher = {De Gruyter Mouton},
  address   = {Berlin},
  isbn      = {978-3-11-050352-4; 978-3-11-048479-3},
  issn      = {1861-4191},
  doi       = {10.1515/9783110503524-004},
  pages     = {89 -- 129},
  year      = {2017},
  abstract  = {This chapter provides an account of the intonation patterns in Akan (Kwa, Niger-Congo). Tonal processes such as downstep, tonal spreading and tonal replacement influence the surface tone pattern of a sentence. In general, any Akan utterance independent of sentence type shows a characteristic down-trend in pitch. This chapter proposes that Akan employs a simple post-lexical tonal grammar that accounts for the shapes of an intonation contour. The unmarked post-lexical structure is found in simple declaratives. The downward trend of an intonation contour is shaped by local tonal interactions (downstep), and sentence-final tonal neutralization. In polar questions, an iota-phrase-final low boundary tone (L\%) accounts for the intensity increase and lengthening of the final vowel compared to a declarative. Complex declaratives and left-dislocations show a partial pitch reset at the left edge of an embedded iota-phrase. Underlying lexical tones are not affected by intonation with the exception of sentence-final H-tones.},
  language  = {en}
}
@article{KueglerFery2017,
  author    = {Kuegler, Frank and Fery, Caroline},
  title     = {Postfocal Downstep in German},
  series = {Language and speech},
  volume    = {60},
  journal   = {Language and speech},
  publisher = {Sage Publ.},
  address   = {London},
  issn      = {0023-8309},
  doi       = {10.1177/0023830916647204},
  pages     = {260 -- 288},
  year      = {2017},
  abstract  = {This article is a follow-up study of Fery and Kugler (2008. Pitch accent scaling on given, new and focused constituents in German. Journal of Phonetics, 36, 680-703). It reports on an experiment of the F0 height of potential pitch accents in the postfocal region of German sentences and addresses in this way an aspect of the influence of information structure on the intonation of sentences that was left open in the previous article. The results of the experiment showed that, when several constituents are located in this position, they are often in a downstep relation, but are rarely upstepped. In 37\% of the cases, the pitch accents are only realized dynamically and there is no down- or upstepping. We interpret these results as evidence that postfocal constituents are phrased independently. The data examined speak against a model of postfocal intonation in which postfocal phrasing is eliminated and all accents are reduced to zero. Instead, the pitch accents are often present, although reduced. Moreover, the facts support the existence of prosodic phrasing of the postfocal constituents; the postfocal position implies an extremely compressed register, but no dephrasing or systematic complete deaccentuation of all pitch accents. We propose adopting a model of German intonation in which prosodic phrasing is determined by syntactic structure and cannot be changed by information structure. The role of information structure in prosody is limited to changes in the register relationship of the different parts of the sentence. Prefocally, there is no or only little register compression because of givenness. Postfocally, register compression is the rule. A model of intonation must take this asymmetry into account.},
  language  = {en}
}
@phdthesis{Genzel2013,
  author    = {Genzel, Susanne},
  title     = {Lexical and post-lexical tones in Akan},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-77969},
  school      = {Universit{\"a}t Potsdam},
  pages     = {vi, 260},
  year      = {2013},
  abstract  = {This dissertation is about factors that contribute to the surface forms of tones in connected speech in Akan. Akan is an African tone language, which is spoken in Ghana. It has two level tones (low and high), automatic and non-automatic downstep. Downstep is the major factor that influences the surface forms of tones. The thesis shows that downstep is caused by declination. It is argued that declination is an intonational property of Akan, which serves to signal coherence. A phonological representation using a high and a low register tone, associating to the left and right edge of an intonational phrase (IP), respectively, is proposed. Declination/downstep is modelled using a (phonetic) pitch implementation algorithm (Liberman \& Pierrehumbert, 1984). An innovative application of the algorithm is presented, which naturally captures the relation between declination and downstep in Akan. Another important factor is the prosodic manifestation of sentence level pragmatic meanings, such as sentence mode and focus. Regarding the former, the thesis shows that a post-lexical low tone, which associates with the right edge of an IP, signals interrogativity. Additionally, lexical tones in Yes - No questions are realized in a higher pitch register, which does not lead to a reduction of declination. It is claimed that the higher register is not part of the phonological representation in Akan, but that it emerges at the phonetic level to compensate for the 'unnatural' form of the question morpheme and to satisfy the Frequency code (Gussenhoven, 2002; 2004). An extension of Rialland's (2007) typology in terms of a new category called "low tense" question prosody is proposed. Concerning focus marking, it is argued that the use of the morpho-syntactic focus marking strategy is related to extra grammatical factors, such as hearer expectation, discourse expectability (Zimmermann, 2007) and emphasis (Hartmann, 2008). If a speaker of Akan wants to highlight a particular element in a sentence, in-situ, i.e. by means of prosody, the default prosodic structure is modified in such a way that the focused element forms its own phonological phrase (pP). If it is already contained in a pP, the boundary deliminating the focused element is enhanced (F{\´e}ry, 2012). This restructuring/enhancement is accompanied by an interruption of the otherwise continuous melody due to insertion of a pause and/or a glottal stop. Beside declination and intonation, raising of H tones applies in Akan. H raising is analyzed as a local anticipatory planning effect, employed at the phonetic level, which enhances the perceptual distance between low and high tones. Low tones are raised, if they are wedged between two high tones. L raising is argued to be a local carryover effect (co-articulation). Further, it is demonstrated that global anticipatory raising takes place. It is shown that Akan speakers anticipate the length of an IP. Preplanning (anticipatory raising) is argued to be an important process at the level of pitch implementation. It serves to ensure that declination can be maintained throughout the IP, which prevents pitch resetting. The melody of an Akan sentence is largely determined by the choice of words. The inventory of post-lexical tones is small. It consists of post-lexical register tones, which trigger declination and post-lexical intonational tones, which signal sentence type. The overall melodic shape is falling. At the local level, H raising and L raising occur. At the global level, initial low and high tones are realized higher if they occur in a long and/or complex sentence. This dissertation shows that many factors, which emerge at different levels of the tone production process, contribute to the surface form of tones in Akan.},
  language  = {en}
}