@article{CoetzeeVanRooyPeters2021, author = {Coetzee-Van Rooy, Susan and Peters, Arne}, title = {A portrait-corpus study of language attitudes towards Afrikaans and English}, series = {Language matters : studies in the languages of Africa}, volume = {52}, journal = {Language matters : studies in the languages of Africa}, number = {2}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1022-8195}, doi = {10.1080/10228195.2021.1942167}, pages = {3 -- 28}, year = {2021}, abstract = {Language portraits are useful instruments to elicit speakers' reflections on the languages in their repertoires. In this study, we implement a "portrait-corpus approach" (Peters and Coetzee-Van Rooy 2020) to investigate the conceptualisations of the languages Afrikaans and English in 105 language portraits. In this approach, we use participants' reflections about their placement of the two languages on a human silhouette as a linguistic corpus. Relying on quantitative and qualitative analyses using WordSmith, Statistica and Atlas.ti, our study shows that Afrikaans is mainly conceptualised as a language that is located in more peripheral areas of the body (for example, the hands and feet) and, hence, is perceived as less important in participants' repertoires. The central location of English in the head reveals its status as an important language in the participants' multilingual repertoires. We argue that these conceptualisations of Afrikaans and English provide additional insight into the attitudes towards these languages in South Africa.}, language = {en} } @article{Pittel2021, author = {Pittel, Harald}, title = {Ali Smith's 'Coming-of-Age' in the age of Brexit}, series = {Brexit and Beyond: Nation and Identity}, journal = {Brexit and Beyond: Nation and Identity}, publisher = {Narr}, address = {T{\"u}bingen}, isbn = {978-3-8233-8414-4}, pages = {121 -- 144}, year = {2021}, language = {en} } @article{Wiemann2021, author = {Wiemann, Dirk}, title = {Being Taught Something World-Sized}, series = {The Work of World Literature}, journal = {The Work of World Literature}, editor = {Robinson, Benjamin Lewis}, publisher = {ICI Press}, address = {Berlin}, issn = {2627-728X}, doi = {10.37050/ci-19_07}, pages = {149 -- 172}, year = {2021}, abstract = {This paper reads 'The Detainee's Tale as told to Ali Smith' (2016) as an exemplary demonstration of the work of world literature. Smith's story articulates an ethics of reading that is grounded in the recipient's openness to the singular, unpredictable, and unverifiable text of the other. More specifically, Smith's account enables the very event that it painstakingly stages: the encounter with alterity and newness, which is both the theme of the narrative and the effect of the text on the reader. At the same time, however, the text urges to move from an ethics of literature understood as the responsible reception of the other by an individual reader to a more explicitly convivial and political ethics of commitment beyond the scene of reading.}, language = {en} } @incollection{Wiemann2021, author = {Wiemann, Dirk}, title = {Being Taught Something World-Sized}, series = {The Work of World Literature}, volume = {2021}, booktitle = {The Work of World Literature}, publisher = {ICI Berlin Press}, address = {Berlin}, isbn = {978-3-96558-011-4}, issn = {2627-728X}, doi = {10.37050/ci-19_07}, pages = {149 -- 172}, year = {2021}, abstract = {This paper reads 'The Detainee's Tale as told to Ali Smith' (2016) as an exemplary demonstration of the work of world literature. Smith's story articulates an ethics of reading that is grounded in the recipient's openness to the singular, unpredictable, and unverifiable text of the other. More specifically, Smith's account enables the very event that it painstakingly stages: the encounter with alterity and newness, which is both the theme of the narrative and the effect of the text on the reader. At the same time, however, the text urges to move from an ethics of literature understood as the responsible reception of the other by an individual reader to a more explicitly convivial and political ethics of commitment beyond the scene of reading.}, language = {en} } @article{Wilke2021, author = {Wilke, Heinrich}, title = {Character and perspective in cosmic horror}, series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur}, volume = {69}, journal = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur}, number = {2}, publisher = {De Gruyter}, address = {Berlin}, issn = {0044-2305}, doi = {10.1515/zaa-2021-2038}, pages = {173 -- 190}, year = {2021}, abstract = {Despite their overt focus on inexplicable alien forces, cosmic horror stories are also determined by their human cast. Far from being merely fodder for horror, the characters significantly contribute to the generation of meaning, including that of the supernatural entity or phenomenon itself. The same holds for the narrators' (implicitly) political perspectives on the world of which they are part. Much of the perspective propounded in Lovecraft's cosmic horror stories partakes of myth, adopting in particular the latter's universal view and pronounced sidelining of humanity as a whole, which it intensifies to the point of horror. Appearances to the contrary notwithstanding, this universal perspective is consistent with the racism permeating and structuring Lovecraft's writing. Though eschewing racism and universalism, the cosmic horror of Kiernan's "Tidal Forces" negotiates literary reflections of colonialism from an unreflective white perspective.}, language = {en} } @article{Mischke2021, author = {Mischke, Dennis}, title = {Deleuze and the digital}, series = {Deleuze and Guattari studies}, volume = {15}, journal = {Deleuze and Guattari studies}, number = {4}, publisher = {Edinburgh University Press}, address = {Edinburgh}, issn = {2398-9777}, doi = {10.3366/dlgs.2021.0459}, pages = {593 -- 609}, year = {2021}, abstract = {In his short and often quoted essay 'Postscript on the Societies of Control', Gilles Deleuze famously describes the structures of power in the dawning twenty-first century as driven by 'machines of a third type, computers', as novel and predominantly digital infrastructures. In fact, from a Deleuzian perspective the entire ecosystem of the digital transformation can be described as a larger shift in modes of production and the political economy. This essay proposes to read this 'technological evolution' as the power of algorithms and their material substance - digital infrastructures that entail a different mode of interaction between humans and technology. In looking at these infrastructures from a materialist position, my essay reconceptualises the digital as the unfolding logic of assemblages that have been shaping a 'long now' of technological modernity. In bringing a Deleuzian reading of infrastructures to the study of technology and society, this essay seeks to shed a new light on the political function-and the increasing abstraction-of infrastructures in the realm of the digital.}, language = {en} } @phdthesis{Krause2021, author = {Krause, Michael}, title = {Digital surveillance fiction}, publisher = {AVINUS}, address = {Hamburg}, isbn = {978-3-86938-154-1}, pages = {300}, year = {2021}, language = {en} } @misc{BalaKerrigan2021, author = {Bala, Sruti and Kerrigan, Dylan}, title = {Embodied Practices - Looking from Small Places}, series = {Minor Constellations in Conversation Lecture Series}, journal = {Minor Constellations in Conversation Lecture Series}, editor = {Heide, Johanna}, doi = {10.25932/publishup-50899}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-508999}, year = {2021}, abstract = {"Embodied Practices - Looking From Small Places" is an edited transcript of a conversation between theatre and performance scholar Sruti Bala (University of Amsterdam) and sociologist, criminologist and anthropologist Dylan Kerrigan (University of Leicester) that took place as an online event in November 2020. Throughout their talk, Bala and Kerrigan engage with the legacy of Haitian anthropologist Michel-Rolph Trouillot. Specifically, they focus on his approach of looking from small units, such as small villages in Dominica, outwards to larger political structures such as global capitalism, social inequalities and the distribution of power. They also share insights from their own research on embodied practices in the Caribbean, Europe and India and answer questions such as: What can research on and through embodied practices tell us about systems of power and domination that move between the local and the global? How can performance practices which are informed by multiple locations and cultures be read and appreciated adequately? Sharing insights from his research into Guyanese prisons, Kerrigan outlines how he aims to connect everyday experiences and struggles of Caribbean people to trans-historical and transnational processes such as racial capitalism and post/coloniality. Furthermore, he elaborates on how he uses performance practices such as spoken word poetry and data verbalisation to connect with systematically excluded groups. Bala challenges na{\"i}ve notions about the inherent transformative potential of performance in her research on performance and translation. She points to the way in which performance and its reception is always already inscribed in what she calls global or planetary asymmetries. At the conclusion of this conversation, they broach the question: are small places truly as small as they seem?}, language = {en} } @article{Pittel2021, author = {Pittel, Harald}, title = {Fin du globe}, series = {Thesis eleven : critical theory and historical sociology}, volume = {162}, journal = {Thesis eleven : critical theory and historical sociology}, number = {1}, publisher = {Sage}, address = {London}, issn = {0725-5136}, doi = {10.1177/0725513621994702}, pages = {121 -- 136}, year = {2021}, abstract = {This essay argues that Oscar Wilde noticeably contributed to the emerging discourse about world literature, even though his views in this regard have to be unearthed from the margins of his works, from his early and unpublished American lectures and 'between the lines' of his major critical essays. Wilde's implicit ideas around world literature can be understood as being closely related to his broader endeavour of redirecting and revaluing the pejorative discourse around 'decadence' in art and literature. More specifically, the arch-aesthete preferred to use the word 'romance' rather than 'decadence' (a term he hardly used at all in his writings), signalling a sensitivity attuned to what he called the 'love of things impossible'. This reconceptualization of the decadent outlook was to inspire a critical ideal of literature which relied on creatively activating the other as Other, culminating in a vision of intersubjective, transcultural and unlimited literary communication. Wilde's thought can be more specifically understood as anticipating central tenets of Gayatri Chakravorty Spivak's evocations of the planetary, thus preparing the way for an alterity-oriented understanding of literary cosmopolitanism.}, language = {en} } @misc{Kluemper2021, type = {Master Thesis}, author = {Kl{\"u}mper, Hannah}, title = {From Brock to Brett}, doi = {10.25932/publishup-62329}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-623293}, school = {Universit{\"a}t Potsdam}, pages = {110}, year = {2021}, abstract = {Diese Masterarbeit in der US-amerikanischen Kulturwissenschaft stellt die These auf, dass das Ph{\"a}nomen der rape culture ein soziokulturelles System gesellschaftlicher Machtstrukturen und kultureller Mythen darstellt. Basierend auf sogenannten Vergewaltigungsmythen konstituiert dieses System zudem eine Ideologie. Ziel der Arbeit ist es zu zeigen, wie diese Vergewaltigungsmythen instrumentalisiert werden, um (prim{\"a}r weiße, cis-m{\"a}nnliche) T{\"a}ter zu besch{\"u}tzen und stattdessen Betroffenen von sexualisierter Gewalt die Verantwortung zuzuweisen. So soll aufgezeigt werden, dass junge M{\"a}nner wie Brock Turner, die von patriarchalen Machtstrukturen profitieren, zu M{\"a}nnern wie Brett Kavanaugh aufwachsen, und dass diese nicht nur davon profitieren, dass die rape culture ihr {\"u}bergriffiges Verhalten entschuldigt, sondern dass sie zudem darauf gest{\"u}tzt an Machtpositionen gelangen, durch die sie als Entscheidungstr{\"a}ger diese der rape culture zugrundeliegenden Strukturen im Gegenzug aufrechterhalten k{\"o}nnen. Dabei konzentriert sich die Arbeit auf die Vergewaltigungsmythen des sogenannten Victim-Blamings und Shamings sowie der Viktimisierung von T{\"a}tern. Diese Mythen werden im Rahmen einer Analyse von Zeitungsartikeln aus dem 19. Jahrhundert herausgearbeitet und in das 21. Jahrhundert verfolgt. Basierend auf Mary Douglas' Theorie zu Reinheitsvorstellungen wird aufgezeigt, inwiefern sich nicht nur soziale Kategorien, n{\"a}mlich Geschlecht, race, sozio{\"o}konomischer Status und Alter, sondern auch die sexuelle Reinheit oder Unreinheit von Betroffenen auf die gesellschaftliche Bewertung von Vergewaltigungsf{\"a}llen auswirken. Dar{\"u}ber hinaus zeigt die Arbeit, wie weibliche K{\"o}rper als ideologisches Schlachtfeld f{\"u}r politische und gesellschaftliche Ver{\"a}nderungen in den USA fungieren, und dass empfundene Bedrohungen des patriarchalen Status Quo im {\"o}ffentlichen Diskurs als moralische Gefahren dargestellt werden, die von weiblichen K{\"o}rpern ausgehen. Die Arbeit argumentiert, dass die rape culture von (weißem cis-) m{\"a}nnlichem Anspruchsdenken auf weibliche K{\"o}rper, aber dar{\"u}ber hinaus auch auf Machtpositionen im patriarchalen System angetrieben wird. Sie zeigt auf, wie dieses System die rape culture instrumentalisiert, um seine zugrundeliegenden Strukturen aufrechtzuerhalten, die (cis) M{\"a}nner beg{\"u}nstigen und im Gegensatz (cis) Frauen sowie andere marginalisierte und nicht-heteronormative Gruppen benachteiligen. Dies wird anhand einer Analyse des Stanford-Vergewaltigungsfalls von 2016 sowie der Kavanaugh-Anh{\"o}rung von 2018 dargestellt.}, language = {en} } @article{KocamanSelvi2021, author = {Kocaman, Ceren and Selvi, Ali Fuad}, title = {Gender, sexuality, and language teaching materials}, series = {Babylonia Journal of Language Education}, volume = {1}, journal = {Babylonia Journal of Language Education}, pages = {76 -- 81}, year = {2021}, abstract = {Obwohl schon viel {\"u}ber kommerzielle Materialien gesagt und geschrieben wurde, ist unser Verst{\"a}ndnis sehr begrenzt, wenn es um lokal produzierte (hauseigene, nicht-kommerzielle) Materialien geht, die oft verwendet werden, um bestehende ver{\"o}ffentlichte Materialien zu ersetzen oder zu erg{\"a}nzen. In diesem Beitrag geben wir einen {\"U}berblick {\"u}ber die Literatur zur Darstellung von Geschlecht und Sexualit{\"a}t in kommerziellen Lehrmitteln und unsere {\"U}berlegungen zu lokal produzierten Unterrichtsmaterialien, die in einem Englisch-Intensivprogramm an einer Universit{\"a}t in der T{\"u}rkei mit Englisch als Unterrichtsmedium (EMI) verwendet werden. Wir unterstreichen die Bedeutung von Materialien f{\"u}r die Handlungsf{\"a}higkeit von Lehrkr{\"a}ften bei der Schaffung eines sicheren und inklusiven Klassenzimmers und bei der Bek{\"a}mpfung von systematischer Unterdr{\"u}ckung, Diskriminierung und Ungerechtigkeit im und ausserhalb des Klassenzimmers.}, language = {en} } @article{KolbeHannaWischer2021, author = {Kolbe-Hanna, Daniela and Wischer, Ilse}, title = {Introduction}, series = {Anglistik}, volume = {32}, journal = {Anglistik}, number = {1}, editor = {Kolbe-Hanna, Daniela and Wischer, Ilse}, publisher = {Universit{\"a}tsverlag Winter}, address = {Heidelberg}, issn = {2625-2147}, doi = {10.33675/ANGL/2021/1/4}, pages = {5 -- 10}, year = {2021}, language = {en} } @article{Wiemann2021, author = {Wiemann, Dirk}, title = {Layer after Layer}, series = {Thesis Eleven}, volume = {162}, journal = {Thesis Eleven}, number = {1}, publisher = {Sage}, address = {Melbourne}, issn = {0725-5136}, doi = {10.1177/0725513621990772}, pages = {33 -- 45}, year = {2021}, abstract = {When the Royal Botanic Gardens at Kew in South London were opened to the general public in the 1840s, they were presented as a 'world text': a collection of flora from all over the world, with the spectacular tropical (read: colonial) specimens taking centre stage as indexes of Britain's imperial supremacy. However, the one exotic plant species that preoccupied the British cultural imagination more than any other remained conspicuously absent from the collection: the banyan tree, whose non-transferability left a significant gap in the 'text' of the garden, thereby effectively puncturing the illusion of comprehensive global command that underpins the biopolitical designs of what Richard Grove has aptly dubbed 'green imperialism'. This article demonstrates how, in the 19th and early 20th centuries, the banyan tree became an object of fascination and admiration for British scientists, painters, writers and photographers precisely because of its obstinate non-availability to colonial control and visual or even conceptual representability.}, language = {en} } @article{Adamik2021, author = {Adamik, Verena}, title = {Making worlds from literature}, series = {Thesis eleven : critical theory and historical sociology}, volume = {162}, journal = {Thesis eleven : critical theory and historical sociology}, number = {1}, publisher = {Sage}, address = {London}, issn = {0725-5136}, doi = {https://doi.org/10.1177/0725513621993308}, pages = {105 -- 120}, year = {2021}, abstract = {While W.E.B. Du Bois's first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon - so-called 'classics' from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space for African Americans in the world (literature) of the 20th century. Weary of the traditions of this 'world literature', the novels complicate and begin to decenter the canon that they draw on. This reading traces what I interpret as subtle signs of frustration over the limits set by the literature that underlies Dark Princess, while its predecessor had been more optimistic in its appropriation of Eurocentric fiction for its propagandist aims.}, language = {en} } @article{JosephVarino2021, author = {Joseph, May and Varino, Sofia}, title = {Multidirectional Thalassology}, series = {Shima : the international journal of research into Island cultures / Island Cultures Research Centre (ICRC)}, volume = {15}, journal = {Shima : the international journal of research into Island cultures / Island Cultures Research Centre (ICRC)}, number = {1}, publisher = {ICRC}, address = {Sydney}, issn = {1834-6049}, doi = {10.21463/shima.118}, pages = {256 -- 272}, year = {2021}, abstract = {This article merges discourses from Indian Ocean studies, Island Studies, performance art and decolonial methodologies to offer interdisciplinary ways of thinking about La Serenissima and its navigational histories. It is a transdisciplinary speculative entry, part empirical, part analytical, part applied phenomenology. We write this as a collaboration between two members of the Harmattan Theater company, a New York City based environmental performance ensemble applying environmental theory to site-specific performances engaging oceans and islands. The article is driven by the following research questions: What are the historic relationalities between the Venice lagoon and the Indian Ocean? How has the acqua alto flooding of Venice, accompanied by the mnemonic histories of the Venetian lagoon, impacted understandings of lagoon cultures in the global South, particularly the Malabar Coast of South Asia? This question has propelled the artistic and academic research of May Joseph and Sofia Varino across environmental history, island studies and performance. Drawing on histories of Venetian navigation and lagoon culture, Joseph and Varino propose a comparative lagoon aesthetics, one that would link two archipelagic regions, the Venetian Lagoon and the extended archipelagic region of the Laccadive Sea of India. While we believe a contemporary archipelagic study connecting these two regions does not currently exist, the historical archives suggest otherwise. We draw on the Venetian Camaldolese monk and cartographer Fra Mauro's Mappa Mundi from the 15th Century to initiate this comparative dialogue between North/Southisland ecologies, seafaring histories and ocean futures affected by climate change and rising sea levels. This research is part of a book that Joseph and Varino are co-writing on islands, archipelagos, coastal regions and climate change, drawing on a ten-year collaboration working with large-scale site-specific environmental performance as research, activism and embodied phenomenology.}, language = {en} } @article{WiemannRajaShaswati2021, author = {Wiemann, Dirk and Raja, Ira and Shaswati, Mazumdar}, title = {Postcolonial world literature}, series = {Thesis eleven : critical theory and historical sociology}, volume = {162}, journal = {Thesis eleven : critical theory and historical sociology}, number = {1}, publisher = {Sage}, address = {London [u.a.]}, issn = {0725-5136}, doi = {10.1177/0725513621994707}, pages = {3 -- 17}, year = {2021}, abstract = {Postcolonial criticism has repeatedly debunked the ostensible neutrality of the 'world' of world literature by pointing out that and how the contemporary world - whether conceived in terms of cosmopolitan conviviality or neoliberal globalization - cannot be understood without recourse to the worldly event of Europe's colonial expansion. While we deem this critical perspective indispensable, we simultaneously maintain that to reduce 'the world' to the world-making impact of capital, colonialism, and patriarchy paints an overly deterministic picture that runs the risk of unwittingly reproducing precisely that dominant 'oneworldness' that it aims to critique. Moreover, the mere potentiality of alternative modes of world-making tends to disappear in such a perspective so that the only remaining option to think beyond oneworldness resides in the singularity claim. This insistence on singularity, however, leaves the relatedness of the single units massively underdetermined or denies it altogether. By contrast, we locate world literature in the conflicted space between the imperial imposition of a hierarchically stratified world (to which, as hegemonic forces tell us, 'there is no alternative') and the unrealized 'undivided world' that multiple minor cosmopolitan projects yet have to win. It is precisely the tension between these 'two worlds' that brings into view the crucial centrality not of the nodes in their alleged singularity but their specific relatedness to each other, that both impedes and energizes world literature today and renders it ineluctably postcolonial.}, language = {en} } @misc{McLaughlin2021, author = {McLaughlin, Carly}, title = {Rezension zu: Children's voices from the past: new historical and interdisciplinary perspectives. - Hrsg.: Kristine Moruzi, Nell Musgrove; Carla Pascoe Leahy. - Cham : Springer, Palgrave Macmillan, 2019. - 342 S. - ISBN: 978-3-030-11895-2}, series = {Australian historical studies : a journal of Australian history / Department of History, the University of Melbourne}, volume = {52}, journal = {Australian historical studies : a journal of Australian history / Department of History, the University of Melbourne}, number = {2}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, isbn = {978-3-030-11895-2}, issn = {1031-461X}, doi = {10.1080/1031461X.2021.1905223}, pages = {310 -- 311}, year = {2021}, language = {en} } @article{HolzbergMadoerinPfeifer2021, author = {Holzberg, Billy and Mad{\"o}rin, Anouk and Pfeifer, Michelle}, title = {The sexual politics of border control}, series = {Ethnic and racial studies}, volume = {44}, journal = {Ethnic and racial studies}, number = {9}, publisher = {Routledge}, address = {London [u.a.]}, issn = {0141-9870}, doi = {10.1080/01419870.2021.1892791}, pages = {1485 -- 1506}, year = {2021}, abstract = {In this introductory article to the special issue, we ask what role sexuality plays in the reproduction and contestation of border regimes and think sexuality towards its various entanglements with border control. As borders have been understood as a method for reproducing racialized distinctions, we argue that sexuality is also a method of bordering and illustrate how sexuality works as a key strategy for the capture, containment and regulation of mobility and movement. Taking a transnational approach, we bring together queer scholarship on borders and migration with the rich archive of feminist, Black, Indigenous and critical border perspectives to suggest that these strategies need to be understood in close relation to the (I) intersecting dynamics of colonial histories of racialization, (II) national regimes of reproductive control and (III) the containment of contagion, disease and sexual deviance.}, language = {en} } @article{StenzelWilliams2021, author = {Stenzel, Kristine and Williams, Nicholas}, title = {Toward an interactional approach to multilingualism}, series = {Language \& communication : an interdisciplinary journal}, volume = {80}, journal = {Language \& communication : an interdisciplinary journal}, publisher = {Elsevier}, address = {Oxford}, issn = {0271-5309}, doi = {10.1016/j.langcom.2021.05.010}, pages = {136 -- 164}, year = {2021}, abstract = {This study examines language ideologies and communicative practices in the multilingual Vaupes region of northwestern Amazonia. Following a comparative overview of the Vaupes as a 'small-scale' language ecology, it discusses claims from existing ethnographic work on the region in light of data from a corpus of video-recordings of sociolinguistic interviews and spontaneous everyday conversations. It shows how a practice-based and interdisciplinary approach combining language documentation methodology and ethnographic, structural linguistic, and interactional perspectives can contribute to understanding of macro and micro aspects of multilingualism, thus contributing to future work on the Vaupes, typologies of small-scale multilingual ecologies, and language contact research.}, language = {en} } @article{OPUS4-56680, title = {Writing the economic subject in modern western Europe}, series = {Literature, Culture, Economy}, journal = {Literature, Culture, Economy}, number = {9}, editor = {Behrendt, Aileen Jorena and Courtman, Nicholas}, publisher = {Lang}, address = {Berlin}, isbn = {978-3-631-83999-7}, issn = {2364-1304}, doi = {10.3726/b18541}, pages = {219}, year = {2021}, abstract = {This book explores how capitalism shapes the formation of the economic subject in modern European writing. How are subject positions determined by the subject's relationship to money and work? How fair is a society that predicates social inclusion upon employment? And what happens when full employment is impossible? The volume traces how literary authors and social theorists have answered these questions in different social and historical contexts from the nineteenth century to the present day. The contributions confront the imperatives of productivity, notions of success and failure, the construction of work cultures and environments, the (in)visibility of certain labour groups, and the implications of the body as a productive site.}, language = {en} } @misc{BarthWeingartenOgden2021, author = {Barth-Weingarten, Dagmar and Ogden, Richard}, title = {"Chunking" spoken language}, series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, publisher = {Universit{\"a}t Potsdam}, address = {Potsdam}, issn = {1866-8380}, doi = {10.25932/publishup-53625}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-536259}, pages = {531 -- 548}, year = {2021}, abstract = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.}, language = {en} } @article{BarthWeingartenOgden2021, author = {Barth-Weingarten, Dagmar and Ogden, Richard}, title = {"Chunking" spoken language}, series = {Open linguistics}, volume = {7}, journal = {Open linguistics}, number = {1}, publisher = {De Gruyter}, address = {Berlin}, issn = {2300-9969}, doi = {10.1515/opli-2020-0173}, pages = {531 -- 548}, year = {2021}, abstract = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.}, language = {en} }