@article{Ette2023,
  author    = {Ette, Ottmar},
  title     = {Arquip{\´e}lagos e espa{\c{c}}os temporais},
  series = {Fractais do mundo : Caminhos pelas Literaturas do Mondo},
  volume    = {2},
  journal   = {Fractais do mundo : Caminhos pelas Literaturas do Mondo},
  publisher = {Class},
  address   = {Porto Alegre, RS},
  isbn      = {978-65-84571-68-6},
  pages     = {361},
  year      = {2023},
  language  = {pt}
}
@article{Klettke2023,
  author    = {Klettke, Cornelia},
  title     = {Le copertine come chiavi di lettura per i romanzi di Andrea De Carlo},
  series = {Letteratura \& Arte},
  volume    = {21},
  journal   = {Letteratura \& Arte},
  editor    = {Ciccuto, Marcello and Morra, Eloisa and Portesine, Chiara},
  publisher = {Serra},
  address   = {Pisa},
  issn      = {1824-4602},
  doi       = {10.19272/202306001011},
  pages     = {185 -- 202},
  year      = {2023},
  language  = {it}
}
@article{Klettke2023,
  author    = {Klettke, Cornelia},
  title     = {Pierre Klossowksi. L'acte cr{\´e}ateur de l'{\´e}crivain peintre},
  series = {Cahiers Erta},
  volume    = {33},
  journal   = {Cahiers Erta},
  publisher = {Wydawnictwo Uniwersytetu Gdańskiego},
  address   = {Gdansk},
  issn      = {2300-4681},
  doi       = {10.4467/23538953CE.23.006.17568},
  pages     = {139 -- 157},
  year      = {2023},
  abstract  = {Klossowski, who had originally started as a religious seeker of truth in his younger years, will - after his « reversal » - feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicit{\´e} d'une force "d{\´e}monique" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).},
  language  = {fr}
}
@article{Hassler2022,
  author    = {Hassler, Gerda},
  title     = {Jos{\´e} Jes{\´u}s G{\´o}mez Asencio (4.5.1953 - 20.3.2022)},
  series = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft},
  volume    = {16},
  journal   = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft},
  number    = {32/2},
  publisher = {Nodus-Publ.},
  address   = {M{\"u}nster},
  issn      = {0939-2815},
  pages     = {131 -- 136},
  year      = {2022},
  language  = {de}
}
@article{Hassler2022,
  author    = {Haßler, Gerda},
  title     = {Meaning and Function},
  series = {Concordia discors vs. discordia concors : researches into comparative literature, contrastive linguistics, translation and cross-cultural strategies},
  volume    = {16},
  journal   = {Concordia discors vs. discordia concors : researches into comparative literature, contrastive linguistics, translation and cross-cultural strategies},
  number    = {2},
  publisher = {Ştefan cel Mare University Press},
  address   = {Suceava},
  issn      = {2065-4057},
  pages     = {17 -- 50},
  year      = {2022},
  abstract  = {The use of the word functional in the most diverse theories and approaches has contributed in no small measure to the confusion in linguistics today. This article does not claim to give an overview of the different directions of functionalism in linguistics. Rather, the aim is to present what Coseriu's view characterised as functional in his time and to what extent his theory outlined a path that still makes sense in functional-cognitive linguistics today. This will involve an examination of Coseriu's difficult-to-identify concept of function. Furthermore, the article will also show that functional thinking is relevant for current grammatography.},
  language  = {en}
}
@article{AuhagenUth2022,
  author    = {Auhagen, Christopher Patrick and Uth, Melanie},
  title     = {Variation of relative complementizers in Yucatecan Spanish},
  series = {Languages},
  volume    = {7},
  journal   = {Languages},
  number    = {4},
  publisher = {MDPI},
  address   = {Basel},
  issn      = {2226-471X},
  doi       = {10.3390/languages7040279},
  pages     = {16},
  year      = {2022},
  abstract  = {The starting point of this article is the occurrence of determiner-less and bare que relative complementizers like (en) que, '(in) that', instead of (en) el que, '(in) which', in Yucatecan Spanish (southeast Mexico). While reference grammars treat complementizers with a determiner as the standard option, previous diachronic research has shown that determiner-less complementizers actually predate relative complementizers with a determiner. Additionally, Yucatecan Spanish has been in long-standing contact with Yucatec Maya. Relative complementation in Yucatec Maya differs from that in Spanish (at least) in that the non-complex complementizer tu'ux ('where') is generally the only option for locative complementation. The paper explores monolingual and bilingual data from Yucatecan Spanish to discuss the question whether the determiner-less and bare que relative complementizers in our data constitute a historic remnant or a dialectal recast, possibly (but not necessarily) due to language contact. Although our pilot study may not answer these far-reaching questions, it does reveal two separate, but intertwined developments: (i) a generally increased rate of bare que relative complementation, across both monolingual speakers of Spanish and Spanish Maya bilinguals, compared to other Spanish varieties, and (ii) a preference for donde at the cost of other locative complementizer constructions in the bilingual group. Our analysis thus reveals intriguing differences between the complementizer preferences of monolingual and bilingual speakers, suggesting that different variational patterns caused by different (socio-)linguistic factors can co-develop in parallel in one and the [same] region.},
  language  = {en}
}
@article{Schroeer2022,
  author    = {Schr{\"o}er, Marie},
  title     = {Illustrated personalities},
  series = {Zeitschrift f{\"u}r Germanistik},
  volume    = {32},
  journal   = {Zeitschrift f{\"u}r Germanistik},
  number    = {2},
  publisher = {Lang},
  address   = {Bern},
  issn      = {0323-7982},
  doi       = {10.3726/92171_352},
  pages     = {352 -- 372},
  year      = {2022},
  abstract  = {Bio-Comics (or comic biographies) are becoming increasingly popular and are widely discussed in the media. The article outlines which and how personalities are portrayed in words and pictures and discusses possible subcategories. The review of a large number of current biographical comics makes it possible to find initial answers to two complementary questions: To what extent does the comic benefit from the biography; and to what extent does the biography benefit from the comic?},
  language  = {de}
}
@article{Klettke2022,
  author    = {Klettke, Cornelia},
  title     = {Urlaute der V{\"o}gel in Andrea Zanzottos Topinamb{\`u}r},
  series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  volume    = {46},
  journal   = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  number    = {1/2},
  publisher = {Winter},
  address   = {Heidelbrg},
  issn      = {0343-379X},
  pages     = {199 -- 211},
  year      = {2022},
  language  = {de}
}
@article{Klettke2022,
  author    = {Klettke, Cornelia},
  title     = {La m{\´e}taphysique val{\´e}ryenne du regard en tant que repr{\´e}sentation du pouvoir de l'esprit},
  series = {Cahiers de l'Association Internationale des {\´E}tudes Fran{\c{c}}aises},
  volume    = {74},
  journal   = {Cahiers de l'Association Internationale des {\´E}tudes Fran{\c{c}}aises},
  publisher = {Les Belles Lettres},
  address   = {Paris},
  issn      = {0571-5865},
  pages     = {277 -- 293},
  year      = {2022},
  language  = {fr}
}
@article{Klettke2022,
  author    = {Klettke, Cornelia},
  title     = {Pr{\"a}sentation der Forschungsstelle Leopardi an der Universit{\"a}t Potsdam},
  series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'histoire des litt{\´e}ratures romanes},
  volume    = {46},
  journal   = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'histoire des litt{\´e}ratures romanes},
  number    = {1/2},
  publisher = {Winter},
  address   = {Heidelberg},
  issn      = {2509-7474},
  pages     = {247 -- 248},
  year      = {2022},
  language  = {de}
}
@article{Prieto2021,
  author    = {Prieto, Julio},
  title     = {Un dandy de zapatos gastados},
  series = {Chasqui : revista de literatura latinoamericana},
  volume    = {51},
  journal   = {Chasqui : revista de literatura latinoamericana},
  number    = {1},
  publisher = {Arizona State University},
  address   = {Tempe},
  issn      = {0145-8973},
  pages     = {389 -- 407},
  year      = {2021},
  abstract  = {El comienzo podr{\´i}an ser dos im{\´a}genes de Vallejo en Par{\´i}s. La primera la extraigo de la m{\´a}s reciente biograf{\´i}a del escritor peruano, C{\´e}sar Vallejo: A Literary Biography, obra del hispanista brit{\´a}nico Stephen Hart. Refiere Hart que en sus primeros a{\~n}os en Par{\´i}s la situaci{\´o}n de Vallejo era tan precaria que cuando viajaba en tren evitaba descender del vag{\´o}n hasta que no se hubiera detenido del todo para no desgastar su {\´u}nico par de zapatos. En cierta ocasi{\´o}n, yendo con unos amigos y top{\´a}ndose con una acera encharcada por la ruptura de una boca de riego, Vallejo prefiri{\´o} dar media vuelta y despedirse de sus amigos antes que arriesgarse a arruinar sus zapatos atravesando el charco (108). Quisiera contrastar esta imagen, que sintetiza la penuria econ{\´o}mica que marc{\´o} la vida de Vallejo en Par{\´i}s y en general los quince a{\~n}os que pas{\´o} en Europa desde que abandon{\´o} el Per{\´u} en 1923 hasta su muerte en 1938, con la imagen que propone una fotograf{\´i}a (v{\´e}ase Fig. 1). Es una fotograf{\´i}a muy conocida: tomada en 1929 por Juan Domingo C{\´o}rdoba en el curso de un paseo veraniego por Versalles, se ha convertido en una suerte de imagen emblem{\´a}tica, reproducida en numerosas reediciones de la obra de Vallejo. De hecho, lo que a m{\´i} siempre me llam{\´o} la atenci{\´o}n en esta imagen es la pose. La pose, y la elegancia del atuendo. Consideremos por un momento lo atildado del traje, el coqueto pa{\~n}uelo que asoma del bolsillo superior de la chaqueta, el anillo con un {\´a}gata negra engastada en el dedo coraz{\´o}n, el sombrero de fieltro dejado al desgaire en la pierna, el se{\~n}orial bast{\´o}n—o la corbata anudada en pajarita con que aparece en otra fotograf{\´i}a contempor{\´a}nea (v{\´e}ase Fig. 2). Si hubiera que definir en una palabra la elegancia de esa pose, yo dir{\´i}a que es la pose de un dandy. Un dandy de zapatos gastados. En los m{\´u}ltiples transtierros de Vallejo, y en particular en los quince a{\~n}os que vivi{\´o} en Par{\´i}s, coexisten as{\´i} pues la precariedad econ{\´o}mica del emigrante y el cosmopolitismo del viajero culto.},
  language  = {es}
}
@article{Prieto2021,
  author    = {Prieto, Julio},
  title     = {'La poes{\´i}a no da para tanto'},
  series = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool},
  volume    = {98},
  journal   = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool},
  number    = {1},
  publisher = {Liverpool Univ. Press},
  address   = {Liverpool},
  issn      = {1475-3839},
  doi       = {10.3828/bhs.2021.5},
  pages     = {67 -- 86},
  year      = {2021},
  abstract  = {This article focuses on the unique combination of poetry, fiction and autobiography that distinguishes Lorenzo Garcia Vega's recent work. Through a reading of this work and, in particular, of the 'bad novel', Devastacion del Hotel San Luis (2007), a rethinking of the concept of autofiction is proposed, based on Benveniste's linguistic analysis of enunciation modes and on a revision of Kate Hamburger's theory of literary genres. My reading situates the question of autofiction in this author in the context of his conflictive dialogue with the group Origenes, tracing the mixture of narrative and lyrical modes of autofiguration in Garcia Vega's unique project: rewriting both Proust's autobiographic narrative and Lezama's neobaroque poetics.},
  language  = {es}
}
@article{Gwozdz2021,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Das klinische Tagebuch},
  series = {Psychotherapie zwischen Klinik und Kulturkritik : Reflexionen einer Kultur des Therapeutischen},
  journal   = {Psychotherapie zwischen Klinik und Kulturkritik : Reflexionen einer Kultur des Therapeutischen},
  editor    = {Edinger, Sebastian and Anderson, Inga},
  publisher = {Psychosozial},
  address   = {Gießen},
  isbn      = {978-3-8379-2883-9},
  pages     = {115 -- 142},
  year      = {2021},
  language  = {de}
}
@article{Hassler2021,
  author    = {Hassler, Gerda},
  title     = {Meaning and Function},
  series = {Concordia discors vs. discordia concors : international journal for researches into comparative literature, contrastive linguistics, cross-cultural and translation strategies},
  journal   = {Concordia discors vs. discordia concors : international journal for researches into comparative literature, contrastive linguistics, cross-cultural and translation strategies},
  number    = {16},
  publisher = {Ştefan cel Mare University Press},
  address   = {Suceava},
  issn      = {2065-4057},
  pages     = {17 -- 50},
  year      = {2021},
  abstract  = {The use of the word functional in the most diverse theories and approaches has contributed in no small measure to the confusion in linguistics today. This article does not claim to give an overview of the different directions of functionalism in linguistics. Rather, the aim is to present what Coseriu's view characterised as functional in his time and to what extent his theory outlined a path that still makes sense in functional-cognitive linguistics today. This will involve an examination of Coseriu's difficult-to-identify concept of function. Furthermore, the article will also show that functional thinking is relevant for current grammatography.},
  language  = {en}
}
@article{Ette2021,
  author    = {Ette, Ottmar},
  title     = {A expuls{\~a}o do {\´E}den},
  series = {Literatura e autoritarismo},
  journal   = {Literatura e autoritarismo},
  number    = {25},
  publisher = {Universidade Federal de Santa Maria (UFSM)},
  address   = {Santa Maria},
  issn      = {1679-849X},
  doi       = {10.5902/1679849X65745},
  pages     = {5 -- 42},
  year      = {2021},
  abstract  = {A tem{\´a}tica da migra{\c{c}}{\~a}o est{\´a} intimamente vinculada {\`a} hist{\´o}ria humana, desde a narrativa b{\´i}blica da expuls{\~a}o do para{\´i}so. O ser humano n{\~a}o apenas empregou t{\´e}cnicas cada vez mais sofisticadas para a viol{\^e}ncia, como tamb{\´e}m transmitiu, atrav{\´e}s dos s{\´e}culos, t{\´e}cnicas de conserva{\c{c}}{\~a}o e uso de seu saberconviver. Nesse sentido m{\´o}vel da hist{\´o}ria, e em conson{\^a}ncia com as literaturas do mundo, a partir de suas diversas origens, {\´e} poss{\´i}vel dizer que existe um "Homo migrans" desde que existe o "Homo sapiens". Assim, {\´e} poss{\´i}vel afirmar que as ideias territoriais ou territorializantes com proveni{\^e}ncia hist{\´o}rico-espacial permitem, vez ou outra, reconhecer seus esfor{\c{c}}os para filtrar e isolar a dimens{\~a}o hist{\´o}rico-m{\´o}vel e vetorial da hist{\´o}ria como narrativa, para tentar construir, com a ajuda de ideias est{\´a}ticas, novos lugares da promessa ou da perda, da abund{\^a}ncia ou da queda.},
  language  = {pt}
}
@article{Ette2021,
  author    = {Ette, Ottmar},
  title     = {Im Fluss},
  series = {NaturKultur},
  journal   = {NaturKultur},
  publisher = {Steidl},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-95829-939-9},
  pages     = {10 -- 17},
  year      = {2021},
  language  = {de}
}
@article{GerstenbergSkupienDekens2021,
  author    = {Gerstenberg, Annette and Skupien-Dekens, Carine},
  title     = {A grammar of authority?},
  series = {Journal of historical pragmatics},
  volume    = {22},
  journal   = {Journal of historical pragmatics},
  number    = {1},
  publisher = {John Benjamins Publishing Co.},
  address   = {Amsterdam},
  issn      = {1566-5852},
  doi       = {10.1075/jhp.17006.ger},
  pages     = {1 -- 33},
  year      = {2021},
  abstract  = {Directive Speech Acts (dsas) are a major feature of historical pragmatics, specifically in research on historical (im)politeness. However, for Classical French, there is a lack of research on related phenomena. In our contribution, we present two recently constructed corpora covering the period of Classical French, sermo and apwcf. We present these corpora in terms of their genre characteristics on a communicative-functional and socio-pragmatic level. Based on the observation that, both in sermo and apwcf, dsas frequently occur together with terms of address, we analyse and manually code a sample based on this co-occurrence, and we compare the results with regard to special features in the individual corpora. The emerging patterns show a clear correspondence between socio-pragmatic factors and the linguistic means used to realise dsas. We propose that these results can be interpreted as signs of an underlying "grammar of authority".},
  language  = {en}
}
@article{Klettke2021,
  author    = {Klettke, Cornelia},
  title     = {Die Aneignung der Dichtung durch den Zeichner},
  series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte},
  volume    = {45},
  journal   = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte},
  number    = {1/2},
  publisher = {Winter},
  address   = {Heidelberg},
  issn      = {0343-379X},
  pages     = {149 -- 165},
  year      = {2021},
  abstract  = {R{\´e}sum{\´e}: L'appropriation du po{\`e}me par le dessinateur : le cycle de Botticelli sur la ‚Divine Com{\´e}die'. La contribution se concentre sur deux points fondamentaux : 1) les caract{\´e}ristiques qui distinguent le commentaire en images de Botticelli et l'enluminure de la ‚Divine Com{\´e}die' aux XIVe et XVe si{\`e}cles ; 2) la pr{\´e}s{\´e}ance donn{\´e}e au po{\`e}te ou au peintre dans la rivalit{\´e} entre les arts et le comportement de Botticelli face au « visibile parlare » de Dante. Au sujet de 1) La reconstruction de l'album original de la ‚Divine Com{\´e}die' contenant les dessins de Botticelli (Ill. 1) montre d{\´e}j{\`a} une mise en valeur de l'image. Le format horizontal de l'ouvrage, qui accorde autant de place au dessin qu'au texte, annonce le nouvel esprit de l'{\´e}poque, celui d'une rivalit{\´e} entre la peinture et la po{\´e}sie. L'image peinte renforce l'impact de l'enargeia du texte. Tandis que l'illustration, en tant que visualisation, contribue {\`a} rendre le texte plus compr{\´e}hensible, le commentaire, lui, repr{\´e}sente un {\´e}l{\´e}ment de r{\´e}flexion suppl{\´e}mentaire {\`a} ce que d{\´e}crit l'auteur, une explication compl{\´e}mentaire, quelque chose de propre, qui ne survient pas dans le texte, un {\´e}cart, donc, qu'il faut d{\´e}tecter lors de l'analyse. Un exemple de cette plus-value que l'artiste cr{\´e}e avec cet {\´e}cart, sont les adieux de B{\´e}atrice {\`a} Dante repr{\´e}sent{\´e}s sur le feuillet de Pd. XXX (Ill. 2). Un autre exemple en est la personnification des « faville vive » (= les {\´e}tincelles vivantes) que Botticelli, conform{\´e}ment au go{\^u}t de l'{\´e}poque, transpose en angelots. M{\^e}me si la repr{\´e}sentation des « faville vive » en anges (certes adultes) survient d{\´e}j{\`a} dans les enluminures du po{\`e}me (cf. Ill. 3 et 4), la conception de l'{\´e}cart chez Botticelli est moins sch{\´e}matique mais plus efficace et convaincante, elle va jusqu'{\`a} l'enchantement de l'observateur. Au sujet de 2) En nous fondant sur le dessin de Pg. X (Ill. 5), nous analysons la diff{\´e}rence de la compr{\´e}hension du « visibile parlare » chez Dante et Botticelli. Si chez Dante, le « visibile parlare » est une parole divine, Botticelli, lui, repr{\´e}sente les oeuvres de Dieu en tant qu'images dans l'image, il les encadre et les inclue dans le cadre de son feuillet {\`a} dessin. {\`A} travers ce redoublement de l'image, ou mise en abyme, il montre cependant en m{\^e}me temps de mani{\`e}re autor{\´e}flexive qu'elles se situent sur une seule et m{\^e}me surface, {\`a} savoir le domaine de l'art. Botticelli pose la repr{\´e}sentation du sacr{\´e} dans le cadre de son feuillet et nous fait prendre conscience ainsi du fait qu'il s'agit de l'oeuvre d'un artiste terrestre. L'art de Botticelli incarne ainsi lui-m{\^e}me un geste de modestie et se subordonne {\`a} l'humilit{\´e} {\`a} laquelle le Canto aspire {\`a} instruire. On retrouve cette humilit{\´e} de Botticelli dans son dessin de Pg. XI (Ill. 6), sur lequel l'artiste de la Renaissance s{\^u}r de soi met en sc{\`e}ne la purification douloureuse de son orgueil et un apprentissage de l'humilit{\´e}. Le dessin de Pd. XXVIII (Ill. 7 et 8) montre le d{\´e}tail d'un autoportrait de Botticelli d{\´e}guis{\´e} en ange et dans une pose ludique. Avec sa plaque, il s'immortalise ici en tant que cr{\´e}ateur du cycle des dessins. Botticelli semble {\^e}tre s{\^u}r de l'importance de sa contribution artistique et originale {\`a} l'oeuvre de Dante. Ironiquement, le dessinateur ne se dote que d'une seule aile, alors que le personnage de Dante utilise le mot 'ailes' au pluriel afin de se r{\´e}f{\´e}rer {\`a} lui-m{\^e}me en tant que po{\`e}te : « ma non e da ci{\`o} le proprie penne : » (Pd. XXXIII, 139). Ainsi, Botticelli en tant qu'interpr{\`e}te dessinateur du po{\`e}te pourrait finalement reconna{\^i}tre la pr{\´e}s{\´e}ance de ce dernier. Quant aux chants Pd. XXXI et Pd. XXXIII, nous disposons exclusivement du texte ; les pages r{\´e}serv{\´e}es aux images sont rest{\´e}es vierges. En ce qui concerne le feuillet de Pd. XXXIII, il s'agit probablement d'un « blanc » volontaire. On peut reconna{\^i}tre ici - et cela s'esquisse d{\´e}j{\`a} sur le feuillet XXXII (Ill. 9) - un renoncement de la part de l'artiste. Ce que Dante clame {\`a} plusieurs reprises dans le chant XXXIII {\`a} l'aide de la parole, {\`a} savoir son incapacit{\´e} {\`a} verbaliser ce qu'il a vu ou ce qu'il imagine, a pouss{\´e} Botticelli {\`a} laisser sa plume au repos. On peut ainsi voir comme raison {\`a} ce renoncement la prise de conscience de Botticelli des fronti{\`e}res de la repr{\´e}sentation picturale. Dante lui-m{\^e}me a renonc{\´e} {\`a} la fin au langage illustr{\´e} de ses tableaux de mots : « A l'alta fantasia qui manc{\`o} possa » (Pd. XXXIII, 142). En cons{\´e}quence, Botticelli y renonce {\´e}galement.},
  language  = {de}
}
@article{Klauke2021,
  author    = {Klauke, Lars},
  title     = {I giganti botticelliani e la dissoluzione degli stereotipi medievali (Inf. XXXI)},
  series = {Dante e Botticelli. Dante visualizzato. Atti del Convegno internazionale di Potsdam (2018)},
  journal   = {Dante e Botticelli. Dante visualizzato. Atti del Convegno internazionale di Potsdam (2018)},
  editor    = {Klettke, Cornelia},
  publisher = {Franco Cesati Editore},
  address   = {Firenze},
  isbn      = {978-88-7667-888-2},
  pages     = {133 -- 148},
  year      = {2021},
  language  = {it}
}
@article{Klettke2021,
  author    = {Klettke, Cornelia},
  title     = {Disegnare gli spazi del limite nel Paradiso di Dante},
  series = {Dante e Botticelli. Dante visualizzato. Atti del Convegno internazionale di Potsdam (2018)},
  journal   = {Dante e Botticelli. Dante visualizzato. Atti del Convegno internazionale di Potsdam (2018)},
  editor    = {Klettke, Cornelia},
  publisher = {Franco Cesati Editore},
  address   = {Firenze},
  isbn      = {978-88-7667-888-2},
  pages     = {261 -- 280},
  year      = {2021},
  language  = {it}
}
@article{Klettke2021,
  author    = {Klettke, Cornelia},
  title     = {Premessa},
  series = {Dante e Botticelli : Dante visualizzato : Atti del Convegno internazionale di Potsdam (2018)},
  journal   = {Dante e Botticelli : Dante visualizzato : Atti del Convegno internazionale di Potsdam (2018)},
  editor    = {Klettke, Cornelia},
  publisher = {Franco Cesati Editore},
  address   = {Firenze},
  isbn      = {978-88-7667-888-2},
  pages     = {9 -- 17},
  year      = {2021},
  language  = {it}
}
@article{Klettke2021,
  author    = {Klettke, Cornelia},
  title     = {Measuring the divine by Geometry and Feeling},
  series = {Dante Beyond Borders. Contexts and Reception},
  journal   = {Dante Beyond Borders. Contexts and Reception},
  editor    = {Havely, Nick and Katz, Jonathan and Cooper, Richard},
  publisher = {Legenda},
  address   = {Oxford},
  isbn      = {978-1-781888-30-8},
  pages     = {21 -- 34},
  year      = {2021},
  language  = {en}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Pasigraf{\´i}a y antipasigraf{\´i}a a finales del siglo XVIII y a principios del siglo XIX},
  volume    = {41},
  editor    = {Calero Vaquerao, Mar{\´i}a Luisa},
  publisher = {Infoling},
  address   = {Barcelona},
  issn      = {1139-8736},
  pages     = {169 -- 192},
  year      = {2020},
  abstract  = {In 1797 a rather short work appeared in Paris in two volumes, under the title Pasigraphie in both its French and German versions. The author, Joseph de Maimieux (1753-1820), is said to have coined the term pasigraphie. With the invention of pasigraphy, Maimieux pursued the goal of creating a conceptually based writing system that could be applied to all languages. In this way, a text written in this script could be read in all languages. The pasigraphic system is based on an a priori system of conceptual classification to which written characters are assigned. It is therefore initially an exclusively written language, on which Maimieux two years later also built a spoken language with the Pasilalie. The first arguments against the endeavour represented by the Pasigraphie were brought forward by Maimieux' immediate contemporaries, the ideologues. These objections were re-affirmed in particular by Johann Severin Vater. The decisive difference between Maimieux and his critics lies in the determination of the role of signs in the formation of concepts. While for Maimieux the signs only name the finished concepts, his critics argued that signs have a function in the constitution of the concepts. A universal language is therefore ultimately not possible, since there are no universal concepts and the individual languages lead to different conceptual structures.},
  language  = {es}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {The Functional-Communicative Approach to Language of the Potsdam School in the German Democratic Republic},
  series = {History of Humanities},
  volume    = {5},
  journal   = {History of Humanities},
  number    = {1},
  publisher = {The University of Chicago Press Journals},
  address   = {Chicago},
  issn      = {2379-3163},
  pages     = {31 -- 49},
  year      = {2020},
  language  = {en}
}
@article{AmatuzziAyresBennettGerstenbergetal.2020,
  author    = {Amatuzzi, Antonella and Ayres-Bennett, Wendy and Gerstenberg, Annette and Schosler, Lene and Skupien-Dekens, Carine},
  title     = {Changement linguistique et p{\´e}riodisation du fran{\c{c}}ais (pr{\´e})classique},
  series = {Journal of French language studies},
  volume    = {30},
  journal   = {Journal of French language studies},
  number    = {3},
  publisher = {Cambridge Univ. Press},
  address   = {Cambridge},
  issn      = {0959-2695},
  doi       = {10.1017/S0959269520000058},
  pages     = {301 -- 326},
  year      = {2020},
  abstract  = {RESUME Cette etude propose d'explorer et d'identifier des moments particuliers oU le changement linguistique se produit, afin de confirmer ou de rejeter l'idee d'une periode specifique designee par le terme << francais preclassique >>, avec une rupture - ou frontiere chronolectale - detectable autour de 1630 (cf. Ayres-Bennett et Caron, 2016). Afin de verifier dans quelle mesure cette chronologie peut etre confirmee, il est necessaire de multiplier des analyses fines et pointues sur des traits linguistiques qui ont subi des changements a l'epoque en question et d'interroger une gamme de textes qui refletent la variation discursive et pragmatique, au lieu de consulter le canon des traditions textuelles actuellement disponibles sur des bases numerisees, qui sont essentiellement litteraires. C'est pourquoi nous avons consulte des sources de nature differente, qui pourraient attester des usages emergents, a savoir les corpus du Reseau Corpus Francais Preclassique et Classique (RCFC). Seront presentes les resultats de deux etudes de cas (la recategorisation des formes dedans/dessous/dessus/dehors et la montee des clitiques), abondamment discutes par les remarqueurs.},
  language  = {fr}
}
@article{Minnes2020,
  author    = {Minnes, Mark},
  title     = {M{\´a}s all{\´a} de la oscuridad},
  series = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna},
  volume    = {36},
  journal   = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna},
  number    = {1},
  publisher = {Ediciones Universidad de Navarra},
  address   = {Pamplona},
  issn      = {0213-2370},
  doi       = {10.15581/008.36.1.387-406},
  pages     = {387 -- 406},
  year      = {2020},
  abstract  = {En los {\´u}ltimos a{\~n}os, la cr{\´i}tica ha vuelto a enfatizar el v{\´i}nculo de la escritura gongorina la {\´e}pica y los subg{\´e}neros denominados "heroicos" (Mercedes Blanco, Jes{\´u}s Ponce C{\´a}rdenas). Esta nueva perspectiva significa un cambio importante respecto a la recepci{\´o}n del poeta instaurada por la Generaci{\´o}n del 27 y en particular por D{\´a}maso Alonso. Limit{\´a}ndose a las Soledades de G{\´o}ngora, el presente art{\´i}culo explora las consecuencias de este nuevo paradigma, m{\´a}s all{\´a} de un G{\´o}ngora puramente l{\´i}rico. Metodol{\´o}gicamente, proponemos dejar atr{\´a}s la dial{\´e}ctica idealista o marxista de forma-contenido (la ideolog{\´i}a de la forma de Fredric Jameson), por considerarla un enfoque anacr{\´o}nico en el caso de G{\´o}ngora. Sin embargo, encontramos un acercamiento filol{\´o}gico viable en el compromiso de la forma del temprano Barthes, que trata de esquivar la dial{\´e}ctica de forma-contenido y volver a un gesto de escritura ({\´e}criture). La hip{\´o}tesis del presente art{\´i}culo ser{\´i}a, pues, que no se ha reflexionado suficientemente sobre el gesto de la escritura gongorina en las Soledades: una escritura que piratea el lenguaje {\´e}pico.},
  language  = {es}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Autopoiesis als Modell interdiskursive Selbst{\"u}bersetzung},
  series = {Selbst{\"u}bersetzung als Wissenstransfer},
  journal   = {Selbst{\"u}bersetzung als Wissenstransfer},
  editor    = {Willer, Stefan and Keller, Andreas},
  publisher = {Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-467-7},
  pages     = {279 -- 302},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Feld und Stil},
  series = {Stilwechsel und ihre Funktionen in Textsorten der Fach- und Wissenschaftskommunikation},
  journal   = {Stilwechsel und ihre Funktionen in Textsorten der Fach- und Wissenschaftskommunikation},
  editor    = {Adamzik, Kirsten and Kessanlis, Mikaela},
  publisher = {Narr Verlag},
  address   = {T{\"u}bingen},
  isbn      = {978-3-8233-8223-2},
  pages     = {111 -- 145},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Autopoiesis als Modell interdiskursive Selbst{\"u}bersetzung},
  series = {Selbst{\"u}bersetzung als Wissenstransfer},
  journal   = {Selbst{\"u}bersetzung als Wissenstransfer},
  editor    = {Willer, Stefan and Keller, Andreas},
  publisher = {Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-467-7},
  pages     = {279 -- 301},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Die Tierfl{\"u}sterer. Konrad Lorenz, Niko Tinbergen und die "poetische Lizenz" des ethologischen Genres seit den 1960er Jahren},
  series = {Animal Print : Das popul{\"a}re Tiersachbuch (Non-Fiktion. Arsenal der anderen Gattung)},
  volume    = {15},
  journal   = {Animal Print : Das popul{\"a}re Tiersachbuch (Non-Fiktion. Arsenal der anderen Gattung)},
  number    = {1/2},
  editor    = {Schikowski, Michael and Schneider, Ute},
  publisher = {Wehrhahn Verlag},
  address   = {Hannover},
  isbn      = {978-3-86525-823-6},
  issn      = {1862-9563},
  pages     = {103 -- 122},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Figura Tropicana},
  series = {Ding und Bild in der Europ{\"a}ischen Romantik},
  journal   = {Ding und Bild in der Europ{\"a}ischen Romantik},
  editor    = {Heller, Jakob and Sch{\"o}nbeck, Sebastian and Martik, Erik},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-068598-5},
  doi       = {10.1515/9783110686197-007},
  pages     = {135 -- 156},
  year      = {2020},
  language  = {de}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Humboldts Konzept einer sprachlichen Weltansicht und seine Stellung in der Geschichte des sprachlichen Relativismus},
  series = {Aesthetics and Politics in Wilhelm von Humboldt},
  volume    = {6},
  journal   = {Aesthetics and Politics in Wilhelm von Humboldt},
  number    = {1},
  publisher = {Universit{\`a} di Pisa},
  address   = {Pisa},
  issn      = {2465-1060},
  pages     = {21 -- 63},
  year      = {2020},
  abstract  = {The idea of a linguistic worldview was clearly expressed in German national romantic thought of the early 19th century, where language was seen as the expression of the spirit of a nation. Wilhelm von Humboldt argued that every language shaped the world-view of its speakers, but he also saw a possibility to improve human knowledge in the co-action of languages. The idea of linguistic relativity can be found in John Locke's statement that words interpose themselves between our understandings and the truth which it would contemplate and apprehend. In the 18th century, we can find formulations that our language accustoms us to arrange our ideas in a specific way, that some languages are more suitable for certain kinds of thought, or that metaphors have significant influence on peoples' thought. In the 20thcentury the Neo-Humboldtian school revitalised the idea of an influence of language on thought in a reductionist way. At the end of the 20th century, some authors, for example John J. Gumperz and Stephen C. Levinson, tried to rethink linguistic relativity and to prove it by empirical results.},
  language  = {de}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Le tournant dans l'enseignement des langues {\´e}trang{\`e}res chez Wilhelm Vi{\"e}tor dans le contexte linguistique de l'{\´e}poque},
  series = {Documents pour l'histoire du fran{\c{c}}ais langue {\´e}trang{\`e}re ou seconde : revue semestrielle},
  journal   = {Documents pour l'histoire du fran{\c{c}}ais langue {\´e}trang{\`e}re ou seconde : revue semestrielle},
  number    = {64-65},
  publisher = {SIHFLES},
  address   = {Paris},
  issn      = {0992-7654},
  pages     = {75 -- 94},
  year      = {2020},
  language  = {fr}
}
@article{Hennemann2020,
  author    = {Hennemann, Anja},
  title     = {Tal vez es x vs. Tal ves sea X. Construcciones de probabilidad y el uso de los modos},
  series = {Romanica Olomucensia},
  volume    = {32},
  journal   = {Romanica Olomucensia},
  number    = {1},
  publisher = {Univerzita Palack{\´e}ho v Olomouci},
  address   = {Olomouc},
  issn      = {1803-4136},
  doi       = {10.5507/ro.2020.003},
  pages     = {51 -- 71},
  year      = {2020},
  abstract  = {This paper is concerned with constructions that express probability and their interaction with the indicative and subjunctive mood, as well as with other contextual elements. In detail, the paper deals with the constructions [sin duda + indicative/subjunctive], [tal vez + indicative/subjunctive], [probablemente + indicative/subjunctive] and [posiblemente + indicative/subjunctive]. In their interaction with mood, the constructions are understood as different microconstructions. For example, [sin duda + indicative] and [sin duda + subjunctive] are seen as different microconstructions of the superordinate mesoconstruction [modal construction (of probability) + verb]. In a qualitative analysis examples from the CREA, CORPES XXI, and CdE corpora are examined regarding the interaction of [expression of probability] + [mood]. Following the Principle of No Synonymy of Grammatical Forms, the analysis confirms that the use of mood additionally influences the expressed degree of probability of the constructions. For instance, while probablemente generally expresses a slightly higher probability than posiblemente, a fine-tuned analysis shows that the expressed degrees of probability of [probablemente + subjunctive] and [posiblemente + indicative] are highly similar. This is also often confirmed by further contextual information. In summary, the paper shows that Cognitive Construction Grammar is a very suitable background against which to investigate modal phenomena, as cognitive approaches generally deal with the ways in which language users conceptualize the world from their own point of view, and as expressions of modality, more precisely, probability, are also closely related to speakers' attitudes or perspectives.},
  language  = {es}
}
@article{SanchezGarcia2020,
  author    = {Sanchez Garcia, Maria Clemencia},
  title     = {Las unidades fraseol{\´o}gicas del parlache como elementos evocadores de la oralidad ficcional en la novela Rosario Tijeras, de Jorge Franco y su traducci{\´o}n al alem{\´a}n},
  series = {Ling{\"u}{\´i}stica y literatura},
  volume    = {41},
  journal   = {Ling{\"u}{\´i}stica y literatura},
  number    = {77},
  publisher = {Universidad de Antioquia},
  address   = {Medell{\´i}n},
  issn      = {0120-5587},
  doi       = {10.17533/udea.lyl.n77a17},
  pages     = {385 -- 409},
  year      = {2020},
  abstract  = {Este estudioanaliz{\´o}c{\´o}mose evoca la oralidad ficcional en la novela Rosario Tijerasa trav{\´e}s de la variaci{\´o}n ling{\"u}{\´i}stica. Para ello, se analiz{\´o}un corpus de veinteunidades fraseol{\´o}gicas presentes en la novela y su traducci{\´o}n al alem{\´a}n. En esta novela negra, el autor recurri{\´o}a un lenguaje coloquial llamado parlache. Este art{\´i}culo, por tanto,se pretender{\´a} establecer c{\´o}mo estas unidades fraseol{\´o}gicas t{\´i}picas del parlachecontribuyerona la construcci{\´o}n de un di{\´a}logo hablado veros{\´i}mil, adem{\´a}s de determinar las divergencias de traducci{\´o}n y profundizar en la descripci{\´o}n de la variaci{\´o}n ling{\"u}{\´i}stica a trav{\´e}s de las unidades fraseol{\´o}gicas.},
  language  = {es}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {La guerre et le t{\´e}moin},
  series = {(Post-)koloniale frankophone Kriegsreportagen : Genrehybridisierungen, Medienkonkurrenzen},
  journal   = {(Post-)koloniale frankophone Kriegsreportagen : Genrehybridisierungen, Medienkonkurrenzen},
  editor    = {Izzo, Sara},
  publisher = {Lang},
  address   = {Berlin},
  isbn      = {978-3-631-82881-6},
  doi       = {https://doi.org/10.3726/b17241},
  pages     = {75 -- 89},
  year      = {2020},
  abstract  = {En 2012, l'{\´e}crivain Jonathan Littell s'est rendu dans la ville syrienne de Homs, marqu{\´e}e par la guerre civile, pour rendre compte de cette guerre dans le quotidien Le Monde. Toutefois, il a publi{\´e} ses notes non seulement sous la forme d'une s{\´e}rie d'articles, mais aussi comme un livre ind{\´e}pendant. Dans ce contexte, la question se pose de savoir pourquoi cette d{\´e}cision a {\´e}t{\´e} prise. Le statut de t{\´e}moin de guerre acquiert-il une qualit{\´e} diff{\´e}rente avec une autre forme de publication ? En outre, il faut souligner la probl{\´e}matique de la recontextualisation et de l'esth{\´e}tisation du reportage quotidien de guerre {\`a} travers une allocation formelle et archi-textuelle de l'{\´e}crit du domaine journalistique au domaine litt{\´e}raire. Car la publication d'un journal de guerre {\´e}dit{\´e} doit s'inscrire dans une longue tradition, comme on l'appellera dans l'article {\`a} l'exemple des œuvres d'Ernst J{\"u}nger, dont les relations avec l'{\´e}criture de Jonathan Littell sont {\`a} remettre en question ici.},
  language  = {fr}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {A Prophet of Divine Wisdom?},
  series = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico},
  volume    = {5},
  journal   = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico},
  number    = {1},
  editor    = {Islam, Dayeh},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {2451-9189},
  issn      = {2451-9197},
  pages     = {50 -- 75},
  year      = {2020},
  abstract  = {In the nineteenth century, the reception of Giambattista Vico's writings came along with nationalist interpretations of his Scienza Nuova as an 'Italian Science'. This tendency was based upon an increased examination of the role that the philosopher Pythagoras and his Italian school of Croton played in Vico's hierarchical conception of the ancient Greek and Italian civilizations. Writers, archaeologists and historians used the New Science as a metonymic reference work for their own nationalist concepts by updating the Pythagorean myth in accordance with relevant narratives of exclusive genealogies concerning an ancient Italian wisdom. These narratives follow tendencies in Vico's own writings that were quoted strategically and mixed with further interpretations of the Scienza Nuova as reliable testimonial for a glorious Italian history. A theological poet characterized by deeper insight into the secrets of nature and some parts of the divine providence, Pythagoras gains his special position in Vico's general conception of knowledge.},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {{\"A}sthetik der Natur und Natur der {\"A}sthetik},
  series = {Humboldt, Alexander von: Geographie der Pflanzen : Unver{\"o}ffentlichte Schriften aus dem Nachlass},
  journal   = {Humboldt, Alexander von: Geographie der Pflanzen : Unver{\"o}ffentlichte Schriften aus dem Nachlass},
  editor    = {P{\"a}ßler, Ulrich},
  publisher = {Metzler},
  address   = {Stuttgart},
  isbn      = {978-3-476-04965-0},
  pages     = {XI -- XIV},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Exploring the World: On Vectopia},
  series = {Doing Humanities in Nineteenth-Century Germany},
  journal   = {Doing Humanities in Nineteenth-Century Germany},
  editor    = {Pdoksik, Efraim},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {978-90-04-36117-1},
  pages     = {214 -- 242},
  year      = {2020},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Wilhelm \& Alexander von Humboldt or: Humboldtian Science},
  series = {Wilhelm und Alexander von Humboldt - Berlin Cosmos},
  journal   = {Wilhelm und Alexander von Humboldt - Berlin Cosmos},
  editor    = {Spies, Paul and Tintemann, Ute and Mende, Jan},
  publisher = {Wienand},
  address   = {K{\"o}ln},
  isbn      = {978-3-86832-559-1},
  pages     = {19 -- 23},
  year      = {2020},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Saga-Like World-Fractals: Jo{\~a}o Guimar{\~a}es Rosa, "Sagarana", and the Literatures of the World},
  series = {Journal of Foreign Languages and Cultures},
  volume    = {IV},
  journal   = {Journal of Foreign Languages and Cultures},
  number    = {1},
  publisher = {Hunan Normal University},
  address   = {Changsha},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {This article presents and discusses Jo{\~a}o Guimar{\~a}es Rosa as an outstanding Brazilian author whose literary work, especially Sagarana, expresses aesthetically different ways of life-forms between human beings, animals, plants, and landscapes. Movement and transformations are the basic principles in which the melody of prose expresses itself as a language in and as motion. Although based in Brazilian culture, Rosa shows the conviviality of different logics which are not reduced to one myth of the Brazilian people, but produce multiple ways of co-existence between different life-forms and culture narratives. The translingual title "Sagarana" already alludes to the transitions between two languages, regions, and cultures: the Icelandic "saga-" and the Tupic-Word "rana" which means "similar" or "alike." The interpretation figures out the correlation of different provenances ("Herk{\"u}nfte") which emerge from Rosa's craft of storytelling. In its center, the Sert{\~a}o arises as a region of nature whose forces are connected with the life of human beings. As fractal of the world, it symbolizes Brazilian relations as a world of its own and at the same time as a part of the world of others. From this point of view the essay turns world literature upside down: it emphasizes on the one hand that the epoch of world literature since Goethe has come to an end and that the meridian has shifted to Latin America. On the other hand it can be observed that the lusophonic world between Brazil and Angola, Portugal and Kap Verde develops new perspectives on literatures of the world beyond the fixed coordinations of periphery and center. Rosa's ways of world making already shift the perspective from the local to the global as a miniatured model of a universe which reveals interpretations of a better understanding of the world as world fractals.},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {From the Transarchip{\´e}lique Antilles},
  series = {Ameena Gafoor Institute},
  journal   = {Ameena Gafoor Institute},
  pages     = {11},
  year      = {2020},
  abstract  = {Ottmar Ette: TransArea : a literary history of globalization. Translated by Mark W. Person, Berlin, Boston, Walter de Gruyter, 2016. - 356 S. - ISBN 978-3-11-047773-3},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Sagenhafte WeltFraktale},
  series = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen},
  journal   = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen},
  editor    = {Ette, Ottmar and Soethe, Paulo Astor},
  publisher = {de Gruyter},
  address   = {Berlin-Boston},
  isbn      = {978-3-11-067770-6},
  pages     = {25 -- 52},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Escritura breve y estructura relacional},
  series = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  journal   = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  editor    = {Ette, Ottmar and S{\´a}nchez, Yvette},
  publisher = {Iberoamericana},
  address   = {Madrid},
  isbn      = {978-3-96869-038-4},
  pages     = {303 -- 339},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Towards a polylogical Philology of the Literatures of the World},
  series = {Abralic},
  journal   = {Abralic},
  pages     = {41},
  year      = {2020},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Alexander von Humboldt oder der st{\"a}ndige Impuls},
  series = {Das Jubil{\"a}umsjahr 2019 : Tagungen in Leipzig und Berlin},
  journal   = {Das Jubil{\"a}umsjahr 2019 : Tagungen in Leipzig und Berlin},
  publisher = {Humboldt-Gesellschaft f{\"u}r Wissenschaft, Kunst und Bildung e.V.},
  address   = {Mannheim},
  isbn      = {978-3-940456-93-6},
  pages     = {115 -- 126},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Romanistik als Lust. Kleines romanistisches ABC},
  series = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII},
  journal   = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII},
  editor    = {Ertler, Klaus-Dieter},
  publisher = {LIT Verlag},
  address   = {Wien},
  isbn      = {978-3-643-51010-5},
  pages     = {165 -- 189},
  year      = {2020},
  language  = {de}
}
@article{Pchalek2020,
  author    = {Pchalek, Magda},
  title     = {War Alexander von Humboldt Bio{\"o}konom?},
  series = {Portal: Das Potsdamer Universit{\"a}tsmagazin - Bio{\"o}konomie},
  journal   = {Portal: Das Potsdamer Universit{\"a}tsmagazin - Bio{\"o}konomie},
  number    = {1},
  issn      = {1618-6893},
  pages     = {15 -- 15},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Mi primera lectura acad{\´e}mica},
  series = {{\´A}labe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  journal   = {{\´A}labe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  number    = {22},
  publisher = {Universidad de Almer{\´i}a},
  address   = {Almer{\´i}a},
  issn      = {2171-9624},
  doi       = {10.15645/Alabe2020.22.13},
  pages     = {4},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Vorwort zur zweiten Auflage im Januar 2020 : Alexander von Humboldt oder ein Werk in st{\"a}ndiger Bewegung},
  series = {Weltbewusstsein : Alexander von Humboldt oder das unvollendete Projekt einer anderen Moderne},
  journal   = {Weltbewusstsein : Alexander von Humboldt oder das unvollendete Projekt einer anderen Moderne},
  editor    = {Ette, Ottmar},
  edition   = {2},
  publisher = {Velbr{\"u}ck Wissenschaft},
  address   = {Weilerswist},
  isbn      = {978-3-95832-220-2},
  pages     = {3 -- 8},
  year      = {2020},
  language  = {de}
}