@article{Gloeckner2022,
  author    = {Gl{\"o}ckner, Olaf},
  title     = {Kampf um die "Brit Mila"},
  edition   = {2. unver{\"a}nderte},
  publisher = {Olms},
  address   = {Hildesheim},
  isbn      = {978-3-7582-0358-9},
  pages     = {93 -- 107},
  year      = {2022},
  language  = {de}
}
@article{JikeliGloeckner2022,
  author    = {Jikeli, G{\"u}nther and Gl{\"o}ckner, Olaf},
  title     = {Einleitung},
  series = {Das neue Unbehagen - Antisemitismus in Deutschland heute},
  journal   = {Das neue Unbehagen - Antisemitismus in Deutschland heute},
  edition   = {2. unver{\"a}nderte},
  publisher = {Olms},
  address   = {Hildesheim},
  isbn      = {978-3-7582-0358-9},
  pages     = {7 -- 19},
  year      = {2022},
  language  = {de}
}
@article{KotthausSchaeferStankovicetal.2021,
  author    = {Kotthaus, Jochem and Sch{\"a}fer, Matthias and Stankovic, Nikola and Weitzel, Gerrit},
  title     = {How soccer becomes politics},
  series = {International journal of sport communication},
  volume    = {14},
  journal   = {International journal of sport communication},
  number    = {3},
  publisher = {Human Kinetics Publ.},
  address   = {Champaign},
  issn      = {1936-3915},
  doi       = {10.1123/ijsc.2020-0320},
  pages     = {428 -- 447},
  year      = {2021},
  abstract  = {In this case study, the authors elaborate on the narrative structure of transnational popular media events. Drawing from Dayan and Katz's concept of media events and Julia Sonnevend's exceptional work on iconic global media events, they argue that fundamental changes in the way occurrences are being reported on and news is structured must be considered. Allowing for recent technological advancements, the role of the consumer and the compression of time in media use, the authors develop a methodological and theoretical framework fitting a more mundane and everyday life-based approach. They derive their results from the analysis of the "Podgorica Media Event," a news cycle emerging from a racist incident during an international soccer game between England and Montenegro. Based on the body of 250 international news pieces, they identify a primary mother narration and a distinctive narration as the typical ways of storytelling on a transnational level. While differing greatly in content, aspects of transnational popular media events serve to protect and reify the cultural background they are grounded in on a national level. Thus, we assume that sport, or, more specifically, soccer, may become political in media communication not by the impact of state government but by the consumers themselves choosing and developing a popular media event in the first place.},
  language  = {en}
}
@article{Maurice2023,
  author    = {Maurice, Lisa},
  title     = {From Olympian to Christ-figure: Lucifer (2016 - 2021)},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.244},
  pages     = {245 -- 272},
  year      = {2023},
  abstract  = {On the surface the television series Lucifer (2016 - 21) is a simple police procedural but, in actuality, the criminal cases in the show serve merely as window-dressing and structure for the deeper consideration of issues, such as guilt, shame, love, and even the meaning of life on both an individual and universal level. These topics are explored through the ever-developing character of Lucifer himself, who, like other recent anti-hero depictions, is initially presented in a manner that is very different from traditional portrayals of the Devil, and is, in fact, far closer to that of the Greek Olympian gods. Over the course of six seasons, the depiction of Lucifer alters, however, as he becomes a figure that is in many ways Christ-like, but with a 21st century twist that places the individual in an exalted position that is superior to that of divinity.},
  language  = {en}
}
@article{MartinezJimenez2023,
  author    = {Mart{\´i}nez Jim{\´e}nez, Javier},
  title     = {Lycaon and classical versipelles in MTV's Teen Wolf},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.248},
  pages     = {212 -- 244},
  year      = {2023},
  abstract  = {The modern conception of the werewolf is heavily influenced by Gothic reinterpretations of medieval European stories. This kind of werewolf is the one that has appeared on screen and written fiction for decades, but MTV's Teen Wolf, a re-boot of the 1980s film which aired between 2011 - 17, is different. In this young adult supernatural drama, werewolves descend directly from Lycaon, and a substantial proportion of the show's werewolf lore derives from Graeco-Roman stories about wolf-shifters and versipelles. This paper wants to explore the extent of the use in the show of the myth of Lycaon in particular, of Classical versipelles in general, the significance of these two references for the narrative, and the degree of innovation in modern supernatural fiction of this adaptation of Greek and Roman stories.},
  language  = {en}
}
@article{Skibinski2023,
  author    = {Skibinski, Connie},
  title     = {'Crazy Man-Killing Monsters'},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.240},
  pages     = {183 -- 211},
  year      = {2023},
  abstract  = {The Amazons have a long legacy in literature and the visual arts, extending from antiquity to the present day. Prior scholarship tends to treat the Amazons as hostile 'Other' figures, embodying the antithesis of Greco-Roman cultural norms. Recently, scholars have begun to examine positive portrayals of Amazons in contemporary media, as role models and heroic figures. However, there is a dearth of scholarship examining the Amazons' inherently multifaceted nature, and their subsequent polarised reception in popular media. This article builds upon the large body of scholarship on contemporary Amazon narratives, in which the figures of Wonder Woman and Xena, Warrior Princess dominate scholarly discourse. These 'modern Amazon' figures epitomise the dominant contemporary trend of portraying Amazons as strong female role models and feminist icons. To highlight the complexity of the Amazon image in contemporary media, this article examines the representation of the Amazons in the Supernatural episode 'Slice Girls' (S7 E13, 2012), where their portrayal as hostile, monstrous figures diverges greatly from the positive characterisation of Wonder Woman and Xena. I also consider the show's engagement with ancient written sources, to examine how the writers draw upon the motifs of ancient Amazon narratives when crafting their unique Amazon characters. By contrasting the Amazons of 'Slice Girls' to contemporary figures and ancient narratives, this article examines how factors such as feminist ideology, narrative story arcs, characters'/audience's perspectives and male bias shape the representation of Amazons post-antiquity.},
  language  = {en}
}
@article{Siegel,
  author    = {Siegel, Janice},
  title     = {Guillermo del Toro's Hellboy: A Kinder, Gentler, More Modern Heracles},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.253},
  pages     = {143 -- 182},
  abstract  = {In Hellboy (2004, Sony Pictures), Guillermo del Toro presents a mythic hero (half human/half demon) seemingly made from the same mold as the classical hero Heracles (Hercules). Hellboy's modern world is shaped by a cosmology not unlike that of Greek mythology, and as is true for Heracles, his unique pedigree and superior physicality empower him to mediate between the forces of supernaturality and humanity. Hellboy's experiences evoke comparison with most characters and exploits in the Heraclean mythological corpus; his good character precludes comparison with others. Hellboy must contend with his own versions of Hera, Eurystheus, and a Nemean Lion/Hydra-like monster. He, too, relies on his own superhuman strength, innate cunning and an Athena-like protector to be successful at his job. Both heroes navigate a difficult path to their very different destinies. But in the end, Hellboy's compassion, humility, unerring moral compass, and genuinely altruistic motivations make him both a better man and a better mythic hero, one worthy even of being loved.},
  language  = {en}
}
@article{Strong2023,
  author    = {Strong, Anise K.},
  title     = {The Persistence of Memory},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.255},
  pages     = {125 -- 142},
  year      = {2023},
  abstract  = {The 2017 Pixar film Coco and the 2021 Disney film Encanto form a small part of an increasing modern wave of media focused on parent-child conflicts caused by intergenerational trauma and rejection. Other recent works in this genre include the video game Hades, the films Turning Red and Everything Everywhere All At Once, and the television series Ms. Marvel. The traumas in all these films, some directed explicitly at a younger audience and some pitched more broadly, serve as a distinct set of meditations on the immigrant experience, even while not necessarily focusing on literal immigration. They also all invoke imagery of ghosts and death, both echoing specific classical Mediterranean motifs and tropes and incorporating a wide variety of other cultures' supernatural traditions. These works' concern with familial traumas of separation, culture shock, and loss of ancestral memories and connections contrasts sharply with the individual-focused myth of the American Dream common to earlier generations of American media, in which a lone individual typically emigrates, assimilates, and succeeds in a new culture, forming a new family and set of myths. However, themes of assimilation and questions of cultural imperialism also form a bridge between ancient Roman and modern North American anxieties and traditions.},
  language  = {en}
}
@article{Potter2023,
  author    = {Potter, Amanda},
  title     = {Classical Monsters and Hero(ines) in InSEXts, Eros/Psyche and Porcelain},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.247},
  pages     = {96 -- 124},
  year      = {2023},
  abstract  = {This paper applies Monster Theory to the use of Greek mythology in three creator-owned comic series by female writers: InSEXts (2016 - 2017) by American comic writer Marguerite Bennett and Indonesian artist working in America Ariela Kristantina as well as Eros/Psyche (2021) and Porcelain (2021) by Maria Llovet, a comic writer and artist from Barcelona. In the first volume of InSEXts, set in Victorian London, there are allusions to the Furies and Pandora, linked with the discourse of the repression of women. In the second volume, set in the late nineteenth century Paris art world, the representation of classical subjects in art becomes a means to repress women, and a goddess with a Gorgon-like appearance takes revenge on the male repressors. In Eros/Psyche the story of Eros and Psyche and broken statues forms the backdrop and context for a tale of love and deception at a girls' school, and in Porcelain a girl is faced with a choice of paths towards Eros or Thanatos, like Herakles at the crossroads choosing between the paths of virtue and vice. With reference to Cohen's seven theses of Monster Culture I examine how Bennett and Lovett subvert the idea of the monster and the hero.},
  language  = {en}
}
@article{Lovatt2023,
  author    = {Lovatt, Helen},
  title     = {Resurrecting the Argo},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.254},
  pages     = {55 -- 95},
  year      = {2023},
  abstract  = {This paper analyses the relationship between the figure of the Argo (ship and character) and the supernatural in the mythic fantasy of Robert Holdstock's Merlin Codex. It shows how Holdstock's re-writing of the Argonautica draws on various versions from the Argonautic tradition, including Euripides' Medea, Apollonius, Valerius Flaccus, Nathaniel Hawthorne, Henry Treece and the 1963 film Jason and the Argonauts. It sets Holdstock's Argo alongside other representations, as divine herself, possessed by divinity, and a channel of communication with the divine, and in the context of Holdstock's previous work, particularly Mythago Wood, Lavondyss and Merlin's Wood. The paper argues that Holdstock uses the Argo as a reflection of myth itself, a version of the forest in Mythago Wood, as well as a metapoetic image for the challenges and complexities of adapting a well-known story, bringing multiple mythological traditions (Arthurian, Finnish and Argonautic) together. It reflects on Holdstock's relationship to the ancient genres of epic and tragedy, as well as Argo as plot facilitator and mechanism of transformation and transition. Holdstock's relationship with ancient literature is richer and deeper than previously acknowledged; his self-conscious plays reveal a deep understanding of the polymorphous nature of mythical traditions.},
  language  = {en}
}
@article{Foster2023,
  author    = {Foster, Frances},
  title     = {Gods and Magic in Megan Whalen Turner's The Thief},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.242},
  pages     = {32 -- 54},
  year      = {2023},
  abstract  = {Megan Whalen Turner's series The Queen's Thief (1996 - 2020) centres on the political intrigues in a group of countries which are at once very like - but also very unlike - Bronze Age and archaic Greece threatened by a powerful Persian Empire. The first book in the series, The Thief (1996), begins as a political adventure haunted by stories of the gods. When those gods directly influence the action, the narrative changes from present political intrigue to a fantasy from the distant past. The mythology in The Thief reflects, imitates and distorts archaic Greek creation myths - stories about how the earth and sky were formed, the divine pantheon and heroes. I examine the presentation of this divine pantheon against the narratives about the gods in Hesiod, the Homeric hymns and Homer's epics. I evaluate how the supernatural element interacts with the largely political narrative of The Thief. In so doing, I explore how the text blends a 'classical supernatural' with a world that is like - but in many ways very unlike - Bronze Age and archaic Greece.},
  language  = {en}
}
@article{Toscano2023,
  author    = {Toscano, Margaret Merrill},
  title     = {Varieties of Supernatural Depictions},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.249},
  pages     = {2 -- 31},
  year      = {2023},
  abstract  = {This article proposes several conceptual frameworks for examining the widespread use of classical intertexts depicting the supernatural in popular media. Whether the supernatural is viewed as reality or simply a trope, it represents the human capacity and desire to explore worlds and meanings beyond the obvious and mundane. Representations of classical gods, heroes, and monsters evoke the power of mythic stories to probe and explain human psychology, social concerns, philosophical questions, and religious beliefs, including belief about the paranormal and supernatural. The entertainment value of popular media allows creators and audiences to engage with larger issues in non-dogmatic and playful ways that help them negotiate tensions among various beliefs and identities. This paper also gives an overview of the other articles in this journal issue, showing overlapping themes and patterns that connect with these tensions. By combining knowledge of classical myths in their original contexts with knowledge about contemporary culture, classical scholars contribute unique perspectives about why classical intertexts dominate in popular media today.},
  language  = {en}
}
@article{PotterGardner2023,
  author    = {Potter, Amanda and Gardner, Hunter H.},
  title     = {Classics and the Supernatural in Modern Media},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.256},
  pages     = {1 -- 1},
  year      = {2023},
  abstract  = {Short preface to the special edition of Thersites.},
  language  = {en}
}
@article{Asche2023,
  author    = {Asche, Matthias},
  title     = {Ich muss zugeben, dass ich immer mehr Gefallen an dem Begriff Alteuropa finde},
  series = {Geschichte Europas : seine Desintegration und Integration schreiben : Vorl{\"a}ufer, Perzeptionen und Perspektiven der europ{\"a}ischen Idee},
  volume    = {1},
  journal   = {Geschichte Europas : seine Desintegration und Integration schreiben : Vorl{\"a}ufer, Perzeptionen und Perspektiven der europ{\"a}ischen Idee},
  publisher = {Universit{\"a}tsverlag Hildesheim},
  address   = {Hildesheim},
  isbn      = {978-3-487-16328-4},
  issn      = {1869-1196},
  pages     = {212 -- 227},
  year      = {2023},
  language  = {de}
}
@article{Geppert2023,
  author    = {Geppert, Dominik Nicolas},
  title     = {Zwischen politischen Zielen und {\"o}konomischen Zw{\"a}ngen},
  series = {Geschichte Europas : seine Desintegration und Integration schreiben : Vorl{\"a}ufer, Perzeptionen und Perspektiven der europ{\"a}ischen Idee},
  volume    = {1},
  journal   = {Geschichte Europas : seine Desintegration und Integration schreiben : Vorl{\"a}ufer, Perzeptionen und Perspektiven der europ{\"a}ischen Idee},
  publisher = {Universit{\"a}tsverlag Hildesheim},
  address   = {Hildesheim},
  isbn      = {978-3-487-16328-4},
  issn      = {1869-1196},
  pages     = {485 -- 496},
  year      = {2023},
  language  = {de}
}
@article{BraeselFenn2023,
  author    = {Br{\"a}sel, Tim and Fenn, Monika},
  title     = {Steigerung der Relevanzeinsch{\"a}tzung von Fachwissen im Geschichtslehramtsstudium {\"u}ber eine Vorlesung und ein Online-Tutorium mit Lehr-Lern-Videos - eine Interventionsstudie},
  series = {PSI-Potsdam: Ergebnisbericht zu den Aktivit{\"a}ten im Rahmen der Qualit{\"a}tsoffensive Lehrerbildung (2019-2023) (Potsdamer Beitr{\"a}ge zur Lehrerbildung und Bildungsforschung ; 3)},
  journal   = {PSI-Potsdam: Ergebnisbericht zu den Aktivit{\"a}ten im Rahmen der Qualit{\"a}tsoffensive Lehrerbildung (2019-2023) (Potsdamer Beitr{\"a}ge zur Lehrerbildung und Bildungsforschung ; 3)},
  number    = {3},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-568-2},
  issn      = {2626-3556},
  doi       = {10.25932/publishup-61669},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-616694},
  pages     = {143 -- 163},
  year      = {2023},
  abstract  = {Befragungsergebnisse unter Lehramtsstudierenden belegen nur mittelm{\"a}ßige Relevanzeinsch{\"a}tzungen hinsichtlich fachwissenschaftlicher Studieninhalte. Der Relevanzwahrnehmung in Lehr-Lern-Situationen werden indes motivations- und interessensf{\"o}rderliche Effekte und dadurch Einfl{\"u}sse auf den Wissenserwerb zugeschrieben. Der Beitrag stellt eine auf Theorien zur Relevanzeinsch{\"a}tzung und einem besonderen, auf Lehr-Lern-Kontexte anwendungsbezogenen Fachwissen basierende Interventionsmaßnahme im Bachelorgeschichtsstudium an der Universit{\"a}t Potsdam vor: eine spezielle Vorlesung und Online-Tutorium mit Lehr-Lern-Videos, die auf die Erh{\"o}hung der Relevanzwahrnehmung von Lehramts- und Fachstudierenden abzielt. Eine fragebogengest{\"u}tzte Erhebung zu den Relevanzeinsch{\"a}tzungen der Studierenden nach dem Besuch der Lehrveranstaltung zeigt, dass alle Geschichtsstudierenden die Inhalte der Vorlesung und des Online-Tutoriums als relevant f{\"u}r Studium und Beruf einsch{\"a}tzen. Insbesondere die Inhalte des Online-Tutoriums, das anwendungsbezogenes Fachwissen vertieft, werden als berufsrelevant eingestuft, Fachstudierende k{\"o}nnten aber noch besser adressiert und Reflexionsfragen zur eigenen Generierung von Relevanz seitens der Studierenden eingebaut werden. Die Studie belegt insgesamt Gelingensfaktoren f{\"u}r die Konzeption fachwissenschaftlicher Vorlesungen, die auch an anderen Universit{\"a}tsstandorten die mangelnde Relevanzeinsch{\"a}tzung erh{\"o}hen k{\"o}nnten.},
  language  = {de}
}
@article{Huebener2019,
  author    = {H{\"u}bener, Kristina},
  title     = {Vollstreckungsrechtlicher Erziehungsauftrag in der DDR 1949 bis 1989/90},
  series = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  journal   = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  publisher = {be.bra wissenschafts Verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-242-6},
  pages     = {129 -- 141},
  year      = {2019},
  language  = {de}
}
@article{Weigle2019,
  author    = {Weigle, Jeremias},
  title     = {Die Organisation des Gerichtsvolzieherwesen 1945-1949},
  series = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  journal   = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  publisher = {be.bra wissenschafts Verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-242-6},
  pages     = {101 -- 127},
  year      = {2019},
  language  = {de}
}
@article{ZareHamedani2019,
  author    = {Zare-Hamedani, Naghme},
  title     = {Gerichtsvollzieher im "Dritten Reich"},
  series = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  journal   = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  publisher = {be.bra wissenschafts Verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-242-6},
  year      = {2019},
  language  = {de}
}
@article{Goertemaker2019,
  author    = {G{\"o}rtemaker, Manfred},
  title     = {Vorwort},
  series = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  journal   = {Schwert der Justiz : das Gerichtsvollzieherwesen in Deutschland von 1800 bis zur Gegenwart},
  publisher = {be.bra wissenschafts Verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-242-6},
  pages     = {7 -- 9},
  year      = {2019},
  language  = {de}
}
@article{Schulze2023,
  author    = {Schulze, Christoph},
  title     = {J{\"u}rgen Rieger (1946-2009)},
  series = {Rechtsextrem: Biografien nach 1945},
  journal   = {Rechtsextrem: Biografien nach 1945},
  publisher = {De Gruyter},
  address   = {Oldenburg},
  isbn      = {978-3-1110-0870-7},
  doi       = {10.1515/9783111010991-021},
  pages     = {381 -- 402},
  year      = {2023},
  language  = {de}
}
@article{BotschKopkeWilke2023,
  author    = {Botsch, Gideon and Kopke, Christoph and Wilke, Karsten},
  title     = {Protagonistinnen und Protagonisten der „nationalen Opposition" in der Bundesrepublik Deutschland},
  series = {Rechtsextrem: Biografien nach 1945},
  journal   = {Rechtsextrem: Biografien nach 1945},
  publisher = {De Gruyter},
  address   = {Oldenburg},
  isbn      = {978-3-1110-0870-7},
  doi       = {10.1515/9783111010991-001},
  pages     = {1 -- 14},
  year      = {2023},
  language  = {de}
}
@article{Hannesen2023,
  author    = {Hannesen, Hans Gerhard},
  title     = {Neubeginn: Wie aus der K{\"o}niglichen Seehandlungs-Societ{\"a}t und Preußischen Staatsbank die Kultur und Wissenschaft f{\"o}rdernde Stiftung Preußische Seehandlung wurde},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59991},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599911},
  pages     = {151 -- 165},
  year      = {2023},
  abstract  = {Die Geschichte der Preußischen Seehandlung als Institut f{\"u}r Handels- und Gewerbef{\"o}rderung ist nur partiell erforscht. Vor allem f{\"u}r die Jahrzehnte nach 1870, als die Seehandlung zur preußischen Staatsbank wurde, bleibt vieles unbekannt. Mit Alliiertem Kontrollratsbeschluss vom 15. Februar 1947 wurden das Land Preußen und auch die Seehandlung aufgel{\"o}st. Die Abwicklung der Gesch{\"a}fte dauerte bis 1983. Mit dem Restverm{\"o}gen wurde die heute existierende Stiftung gegr{\"u}ndet, die sich der F{\"o}rderung von Wissenschaft und Forschung, Kunst und Kultur widmet. Die von der Stiftung gef{\"o}rderten Aktivit{\"a}ten reichen von Wissenschafts- und Literaturstipendien {\"u}ber den Ankauf von Nachl{\"a}ssen und Sammlungen bis hin zu Kulturpreisen, v.a. dem Theaterpreis Berlin.},
  language  = {de}
}
@article{HannesenWienfort2023,
  author    = {Hannesen, Hans Gerhard and Wienfort, Monika},
  title     = {Vorwort},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59983},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599831},
  pages     = {7 -- 8},
  year      = {2023},
  abstract  = {Die K{\"o}niglich Preußische Seehandlung, nach der heute die „Stiftung Preußische Seehandlung" benannt ist, besitzt eine lange und vielseitige Geschichte. Der anl{\"a}sslich des Stiftungsjubil{\"a}ums erscheinende Band wirft einen Blick auf die Gr{\"u}ndungskonstellation 1772, als K{\"o}nig Friedrich II. die Gewerbe in Preußen f{\"o}rdern wollte. Er zeichnet die Aktivit{\"a}ten von M{\"a}nnern an der Spitze der Seehandlung nach, wie Finanzminister Carl August von Struensee und dem unter- nehmerisch denkenden Karrierebeamten Christian Rother. Das Geb{\"a}ude der Seehandlung wurde nach 1900 neu erbaut und ist heute in der Berlin-Brandenburgischen Akademie am Gendarmenmarkt lebendige Gegenwart. Die Seehand- lung erhielt von ihren Zeitgenossen im 19. Jahr- hundert ambivalente Urteile. Ein Ausblick auf die Geschichte der Stiftung Preußische Seehandlung seit 1983 zeigt das Bem{\"u}hen um Kunst- und Kul- turf{\"o}rderung als zentrale Aufgabe.},
  language  = {de}
}
@article{Wienfort2023,
  author    = {Wienfort, Monika},
  title     = {Die Preußische Seehandlung im Lexikon im 19. Jahrhundert},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59990},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599907},
  pages     = {129 -- 150},
  year      = {2023},
  abstract  = {Im 19. Jahrhundert waren Konversationslexika, wie der Name schon andeutet, dazu gedacht, die Konversation in Salon und Vereinen mit Informationen zu bereichern. In den einzelnen Artikeln wurde auf Pr{\"a}zision, Genauigkeit und {\"U}berpr{\"u}fbarkeit gesetzt, um der Leserschaft auch ein eigenes Urteil zu erm{\"o}glichen. Die „Seehandlungs-Societ{\"a}t in Preußen" oder „Seehandlung, preußische", wie sie in deutschen Lexika vorkommt, wandelte sich im 19. Jahrhundert zur Staatsbank. In der ersten H{\"a}lfte des 19. Jahrhunderts fielen die Urteile der Lexika meist ablehnend aus: Die Seehandlung erschien als eine wirtschaftspolitisch katastrophale Fehlentwicklung. Eine besondere Rolle spielte der Pr{\"a}sident Christian (von) Rother, der die Seehandlung zum selbst{\"a}ndigen Unternehmen gemacht hatte. Der Wandel der allgemeinen Lexika in der zweiten H{\"a}lfte des 19. Jahrhunderts ver{\"a}nderte auch die Sicht auf die Seehandlung. Die Gesch{\"a}fte der Bank wurden positiv hervorgehoben, die Beurteilungen verwiesen auf Statistiken und Bilanzen. Der Fokus r{\"u}ckte von den leitenden Personen der Seehandlung hin zum Kampf um Handelsmonopole und den preußischen Landtag als {\"o}ffentlichem Forum. Das vernichtende Urteil der ersten H{\"a}lfte des 19. Jahrhunderts war einer differenzierten Bewertung der Bankent{\"a}tigkeit gewichen.},
  language  = {de}
}
@article{Parzinger2023,
  author    = {Parzinger, Herrmann},
  title     = {Seehandlung, Kunstkammer, Museum, Humboldt Forum - von der Vielschichtigkeit eines Federmantels und seines Weges},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59989},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599892},
  pages     = {103 -- 127},
  year      = {2023},
  abstract  = {Das in Bremen gebaute Handelsschiff Princess Louise, gewissermaßen das Flaggschiff der Preußischen Seehandlung, unternahm zwischen 1825 und 1844 insgesamt sechs Weltumsegelungen. Das Schiff fungierte u. a. als {\"U}berbringer diplomatischer Geschenke zwischen Herrschern und Herrscherfamilien. Von der ersten Weltumsegelung brachte es den ber{\"u}hmten Federmantel mit, den der hawai'ianische Monarch Kamehameha III. dem preußischen K{\"o}nig Friedrich Wilhelm III. zum Geschenk machte. Bei der zweiten Weltumsegelung wurden wiederum Gaben des preußischen K{\"o}nigs nach Hawai'i transportiert. Die Princess Louise brachte aber dar{\"u}ber hinaus auch Gebrauchsgegenst{\"a}nde wie Kleidung, Waffen, K{\"o}rbe, Tongef{\"a}ße und F{\"a}cher aus der S{\"u}dsee und S{\"u}damerika nach Europa. Solche ethnographischen Objekte der Vergangenheit k{\"o}nnen nicht zuletzt mit und durch zeitgen{\"o}ssische Kunst Fragen an die Gegenwart stellen.},
  language  = {de}
}
@article{BredekampUsenbinz2023,
  author    = {Bredekamp, Horst and Usenbinz, Kay},
  title     = {Das Geb{\"a}ude: Teil des Gendarmenplatzes und Relais der Berliner Museen},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59988},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599884},
  pages     = {81 -- 102},
  year      = {2023},
  abstract  = {Der Beitrag widmet sich der Baugeschichte des Geb{\"a}udes der Preußischen Seehandlung bis zu seinem Abriss und dem Neubau in den Jahren 1901-1903, um dann die Ver{\"a}nderungen dieses Bauwerkes bis in die Gegenwart zu verfolgen. In einem zweiten Schritt wird versucht, die Stellung dieser Geb{\"a}ude im urbanen Kontext zu verorten. Der dritte Teil rekonstruiert an Beispielen, welch markanten Beitrag die Preußische Seehandlung f{\"u}r die Berliner Museen und insbesondere f{\"u}r die im Berliner Schloss lozierte Kunstkammer wie auch f{\"u}r das Museum f{\"u}r Naturkunde geleistet hat, indem seine Großsegler Meteor und Princess Louise von ihren Weltreisen jeweils reich beladen mit naturkundlichen und v{\"o}lkerkundlichen Exponaten zur{\"u}ckkamen, die durch Austausch oder Kauf oder auch als Geschenk erworben worden waren.},
  language  = {de}
}
@article{Radtke2023,
  author    = {Radtke, Wolfgang},
  title     = {Ann{\"a}herungen an Christian von Rother},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59987},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599878},
  pages     = {53 -- 80},
  year      = {2023},
  abstract  = {Christian (von) Rother, Chef der Preußischen Seehandlung 1820-1848, ist vermutlich die pr{\"a}gendste Gestalt der Institution im 19. Jahrhundert. Seine Lebensgeschichte als Sohn eines schlesischen Bauern zeugt von sozialem Aufstieg und einer eindrucksvollen Beamtenkarriere. Rother formte die Seehandlung zu einem Konglomerat von gewerblichen Unternehmen, die durch Bankengesch{\"a}fte, Chausseebauprogramme und das Engagement des Staates in der Wirtschaftsf{\"o}rderung leistungsstark gemacht werden sollten. Der Erfolg blieb allerdings unterschiedlich. In den 1840er Jahren stießen diese Bem{\"u}hungen dar{\"u}ber hinaus auf Kritik von unternehmerischen Konkurrenten. Bleibende Bedeutung behauptete eine von Rother gegr{\"u}ndete soziale Einrichtung, die in Berlin ans{\"a}ssige Rother-Stiftung f{\"u}r arme und unverheiratete T{\"o}chter von Beamten und Offizieren.},
  language  = {de}
}
@article{D'Aprile2023,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {{\"O}konomische Aufkl{\"a}rung und europ{\"a}ische Friedenspolitik},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59986},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599865},
  pages     = {25 -- 52},
  year      = {2023},
  abstract  = {Kein anderer Akteur pr{\"a}gte die ersten Dezennien der Preußischen Seehandlung so sehr wie Carl August von Struensee. Als deren Direktor und dann als preußischer Finanzminister initiierte er zwischen 1782 und seinem Tod im Jahr 1804 bereits maßgeblich den langen Transformationsprozess der Seehandlung vom k{\"o}niglichen Wachs- und Salzmonopol hin zu einer Staatsbank, der erst im 20. Jahrhundert zum Abschluss kommen sollte. In dem Beitrag wird Struensee sowohl als Wirtschaftstheoretiker in den {\"o}konomischen Diskursen der Aufkl{\"a}rung zwischen Physiokratie und Fr{\"u}hliberalismus situiert als auch als ein Finanzpolitiker mit konsequent europ{\"a}ischem Handlungshorizont vor dem Hintergrund einer beschleunigten globalen und kolonialen M{\"a}chtekonkurrenz portr{\"a}tiert.},
  language  = {de}
}
@article{Luh2023,
  author    = {Luh, J{\"u}rgen},
  title     = {Das Jahr 1772},
  series = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  journal   = {Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung},
  editor    = {Wienfort, Monika},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-562-0},
  doi       = {10.25932/publishup-59985},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599859},
  pages     = {9 -- 24},
  year      = {2023},
  abstract  = {Im Jahr 1772 besch{\"a}ftigten drei Dinge, die lange Zeit ihre Bedeutung behalten sollten, den preußischen K{\"o}nig Friedrich den Großen. Zun{\"a}chst war dies die Adelsrepublik Polen. Polen beabsichtigte er zusammen mit der Zarin Katharina II. von Russland und Kaiserin Maria Theresia zu zerteilen. Dies geschah am 5. August des Jahres. Der geraubte Landgewinn f{\"u}hrte bei Friedrich II. zu wirtschaftlichen {\"U}berlegungen. Mit und in den annektierten Gebieten wollte er den preußischen Handel intensivieren, zuv{\"o}rderst den Salzhandel, und zwar am liebsten mit Spanien, einem Land, mit dem er schon seit geraumer Zeit versuchte, einen Handelsvertrag abzuschließen. Dazu gr{\"u}ndete er u. a. die Preußische Seehandlungs-Gesellschaft, die, um sich zu behaupten, verschiedene weitreichende Privilegien erhielt. Ein schneller Erfolg der Bem{\"u}hungen blieb jedoch aus. Trotz aller gew{\"a}hrten Privilegien florierten die Gesch{\"a}fte der Seehandlungs-Gesellschaft in den ersten Jahren nach ihrer Gr{\"u}ndung nicht in dem erhofften Maß. Zu Lebzeiten des K{\"o}nigs kam auch kein Handelsvertrag mit Spanien zustande. Bis die Seehandlung durch die Vorteile, die sie aus dem annektierten Polen ziehen konnte, profitierte, dauerte es noch einige Jahre.},
  language  = {de}
}
@article{Schoeps2020,
  author    = {Schoeps, Julius H.},
  title     = {Vergiftetes Kulturerbe},
  series = {Zeitschrift f{\"u}r Religions- und Geistesgeschichte},
  volume    = {72},
  journal   = {Zeitschrift f{\"u}r Religions- und Geistesgeschichte},
  number    = {4},
  publisher = {Brill},
  address   = {Leiden [u.a.]},
  issn      = {0044-3441},
  doi       = {10.1163/15700739-07204003},
  pages     = {390 -- 411},
  year      = {2020},
  abstract  = {Medieval sculptures of so-called, Jew-Sows" inside and outside famous Church buildings, especially in the German-speaking countries, have a disastrous tradition and a poisoning impact until today. There are sharp controversies now on how to deal with these "unappetizing" sculptures, visible for example at the City church of Wittenberg, the town where protestant reformer Martin Luther had lived and worked. But the problem goes deeper. Obscene and perfidious representations of Jews, as they were usual in Christian-dominated Europe over centuries, have also penetrated the thought world and language use until today. Swearwords like "Jew-Sow" and "Jew-Pig" are used in order to attack and discredit Jews, non-Jews and disliked coevals. New strategies of combatting this "poisoning traditions" are needed. This article also refers to the roots of early Christian Jew-hatred and recommends an impartial critical discussion on relevant anti-Jewish passages in the Christian Bible.},
  language  = {de}
}
@article{WeissWerner2023,
  author    = {Weiß, Adrian and Werner, Eva},
  title     = {Geschlechterverh{\"a}ltnisse im Dialog},
  series = {thersites 16},
  volume    = {2023},
  journal   = {thersites 16},
  number    = {16},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol16.216},
  pages     = {128 -- 138},
  year      = {2023},
  abstract  = {Die abgetrennte Zunge by Katharina Wesselmann deals with gender and power relations in ancient literature and beyond. It has received widespread attention, particularly in popular media. In this interview, thersites examines the book from an academic perspective. We talk to Katharina Wesselmann about the reactions to her work, her methodology and her conclusions. The primary focus of this interview is on what ancient texts may tell us about today's gender issues and vice versa - it, thus, entails a broader discussion about modern Classics.},
  language  = {de}
}
@article{Laudenbach2023,
  author    = {Laudenbach, Beno{\^i}t},
  title     = {Sophocle sur Netflix},
  series = {thersites 16},
  volume    = {2023},
  journal   = {thersites 16},
  number    = {16},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol16.222},
  pages     = {83 -- 127},
  year      = {2023},
  abstract  = {The paper focuses on two recent occurrences of a Sophoclean drama on screen, Electra in the romantical movie Marriage Story, and Philoctetes in an episode of the mainstream medical series New Amsterdam, both productions currently available on the popular streaming service Netflix. The case studies explore the mechanisms of the use of these dramas and their significance in both productions, showing that they are partly used for their "classical" authority, are deeply integrated within the scenarios, and help to design the narratives, the characters and their (social and personal) relationships.},
  language  = {fr}
}
@article{SanchezSanz2023,
  author    = {Sanchez Sanz, Arturo},
  title     = {La her{\´a}ldica amaz{\´o}nica},
  series = {thersites 16},
  volume    = {2023},
  journal   = {thersites 16},
  number    = {16},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol16.202},
  pages     = {1 -- 82},
  year      = {2023},
  abstract  = {Nowadays, we know about 4,475 iconographic representations dedicated to the Amazonian universe in Antiquity. Most of them belong to vase painting pieces (3,448). This current work analyze the Amazonian emblems that appear in a high percentage of these representations (725), together with the few examples associated with other artistic supports. In that way, we will study the chosen designs, which of them achieved greater popularity and the possible reasons why some of them were more popular in certain contexts. According to the results, we can discover that the Amazons present a type of emblem very similar to that used by the hoplites who fought against them in the same representation of the Amazonomachy. It is true that we appreciate a greater interest in certain models within a broad group of options that became traditional for Amazonian representations, but the results of this study suggest that the artists freely chose between them. However, his decision could be influenced by aspects such as the predominant trends in each period, the tastes of the export markets or the influence generated by other types of works (mainly paintings, reliefs or sculptures) whose popularity made them models.},
  language  = {es}
}
@article{BoeschSu2020,
  author    = {B{\"o}sch, Frank and Su, Phi Hong},
  title     = {Competing contexts of reception in refugee and immigrant incorporation},
  series = {Journal of ethnic and migration studies},
  volume    = {47},
  journal   = {Journal of ethnic and migration studies},
  number    = {21},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1369-183X},
  doi       = {10.1080/1369183X.2020.1724418},
  pages     = {4853 -- 4871},
  year      = {2020},
  abstract  = {Scholars have long recognised the importance of contexts of reception in shaping the integration of immigrants and refugees in a host society. Studies of refugees, in particular, have examined groups where the different dimensions of reception (government, labour market, and ethnic community) have been largely positive. How important is this merging of positive contexts across dimensions of reception? We address this through a comparative study of Vietnamese refugees to West Germany beginning in 1979 and contract workers to East Germany beginning in 1980. These two migration streams converged when Germany reunified in 1990. Drawing on mixed qualitative methods, this paper offers a strategic case for understanding factors that shape the resettlement experiences of Vietnamese refugees and immigrants in Germany. By comparing two migration streams from the same country of origin, but with different backgrounds and contexts of reception, we suggest that ethnic networks may, in time, offset the disadvantages of a negative government reception.},
  language  = {en}
}
@article{ReedSchenck2023,
  author    = {Reed, Kate and Schenck, Marcia C.},
  title     = {A right to research?},
  series = {International migration},
  volume    = {61},
  journal   = {International migration},
  number    = {3},
  publisher = {Wiley-Blackwell},
  address   = {Oxford},
  issn      = {0020-7985},
  doi       = {https://doi.org/10.1111/imig.13145},
  pages     = {390 -- 393},
  year      = {2023},
  language  = {en}
}
@article{CantenarKozera2022,
  author    = {Cantenar, {\"O}mer Faruk and Kozera, Cyprian Aleksander},
  title     = {Fighting ISIS in Syria},
  series = {Small wars \& insurgencies},
  volume    = {33},
  journal   = {Small wars \& insurgencies},
  number    = {3},
  publisher = {Routledge},
  address   = {Basingstoke},
  issn      = {0959-2318},
  doi       = {10.1080/09592318.2021.1875308},
  pages     = {350 -- 381},
  year      = {2022},
  abstract  = {This paper analyses the Operation Euphrates Shield (OES) al-Bab battle and presents the lessons learned. OES started with a mixed force of Free Syrian Army, Turkish special forces and armoured units. During the operation, the aims and the force structure gradually changed, yet not the command structure. When OES aimed to capture al-Bab, ISIS employed conventional active defence strategy. The OES commander's insistence on employing special forces increased own casualties and al-Bab was seized only after resorting to a conventional urban attack. OES presents tactical and operational lessons for the militaries on structure and execution of operations against an irregular adversary employing conventional means.},
  language  = {en}
}
@article{Barthel2021,
  author    = {Barthel, Christian},
  title     = {Die Prophezeiung des Karour (Charour)},
  series = {Le mus{\´e}on : revue d'{\´e}tudes orientales},
  volume    = {134},
  journal   = {Le mus{\´e}on : revue d'{\´e}tudes orientales},
  number    = {1-2},
  publisher = {Peeters},
  address   = {Leuven},
  issn      = {0771-6494},
  doi       = {10.2143/MUS.134.1.3289397},
  pages     = {35 -- 77},
  year      = {2021},
  abstract  = {This article discusses the so-called 'Apocalypse' of Carour, a text preserved in a Codex (M586) of the famous Hamuli-find, that originally emanated from the environment of the Pachomian monastic enterprise. It addresses a series of disasters and communal deficiencies through metaphorical imagery and similes that struck the community after the death of its founding father Pachomios. After presenting a few conjectures to the editio princeps and providing a German translation, the 'Apocalypse' is contextualized within the historical and liturgical background of this late antique monastic community. The author asserts that this unique text not only displays the symptoms of disaster, but also gives us new insights into how the Pachomians productively coped with crises. In contrast to modern scholarship, the author argues that the 'Apocalypse' is in fact a prophecy (ex eventu) that was based on an instruction, which was publicly read at the large Easter assembly of the Pachomians, most likely by Horsiesos, the third abbot of the Koinonia. Using the figure of the frog, C(h)arour, to symbolize the biblical plague but also the Egyptian concept of rebirth, the instruction was intended to strengthen group cohesion and especially to prepare the novices that were about to receive their baptism during the Easter celebration for a life devoted to the Koinonia and its principles. To this initial prophecy, which developed an antithesis to the ideal monastic life envisioned by the Pachomians, another text was later added that narrated an unsuccessful attempt to overthrow Apa Besarion, the fifth abbot of the Koinonia. In a much more practical manner this second part of the prophecy elaborated on the same themes while also displaying the resilience of the community in averting crises through remembering and recommitting to its founding precepts. The convoluted text we possess now should therefore be equally viewed as a testament to the communication structures of the Pachomians as well as their memorial culture, which targeted moments of crisis and despair to imbue future generations with the necessary persistence to overcome possible disasters themselves and secure the long-term existence of the Koinonia.},
  language  = {de}
}
@article{Faber2023,
  author    = {Faber, Eike},
  title     = {Der n{\"o}rdliche Schwarzmeerraum in der Antike},
  series = {Ukraine und Ostmitteleuropa},
  journal   = {Ukraine und Ostmitteleuropa},
  editor    = {Rink, Martin and Haug, Clemens and Hammerich, Helmuth R.},
  publisher = {Brill},
  address   = {Paderborn},
  isbn      = {978-3-506-79153-5},
  pages     = {28 -- 37},
  year      = {2023},
  language  = {de}
}
@article{D'AprileLerenard2022,
  author    = {D'Aprile, Iwan-Michelangelo and Lerenard, Mathilde},
  title     = {Fontane auf Franz{\"o}sisch},
  series = {Fontane Bl{\"a}tter},
  journal   = {Fontane Bl{\"a}tter},
  number    = {113},
  publisher = {Theodor-Fontane-Archiv},
  address   = {Potsdam},
  issn      = {2510-7445},
  pages     = {12 -- 32},
  year      = {2022},
  language  = {de}
}
@article{D'Aprile2022,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Propaganda und Poetologie},
  series = {Fontanes Medien},
  journal   = {Fontanes Medien},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-073323-5},
  doi       = {10.1515/9783110733235-003},
  pages     = {25 -- 40},
  year      = {2022},
  language  = {de}
}
@article{D'Aprile2023,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {B{\"a}cker Roesike statt Humboldt},
  series = {Nur in Freiheit wird man frei},
  journal   = {Nur in Freiheit wird man frei},
  publisher = {Kiepenheuer \& Witsch},
  address   = {K{\"o}ln},
  isbn      = {978-3-462-50002-8},
  pages     = {7 -- 20},
  year      = {2023},
  language  = {de}
}
@article{D'Aprile2022,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Mit 180 Jahren Versp{\"a}tung},
  series = {Fontane Bl{\"a}tter},
  volume    = {2022},
  journal   = {Fontane Bl{\"a}tter},
  number    = {113},
  publisher = {Theodor-Fontane-Archiv},
  address   = {Potsdam},
  issn      = {0015-6175},
  pages     = {49 -- 65},
  year      = {2022},
  language  = {de}
}
@article{D'Aprile2022,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Post aus Felsenburg},
  series = {300 Jahre ‚Robinson Crusoe' : ein Weltbestseller und seine Rezeptionsgeschichte},
  journal   = {300 Jahre ‚Robinson Crusoe' : ein Weltbestseller und seine Rezeptionsgeschichte},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-077619-5},
  doi       = {10.1515/9783110776195-008},
  pages     = {145 -- 166},
  year      = {2022},
  language  = {de}
}
@article{Becker2022,
  author    = {Becker, Julius Lucas},
  title     = {'To grab, when the grabbing begins'},
  series = {The international history review},
  volume    = {44},
  journal   = {The international history review},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {New York, NY [u.a.]},
  issn      = {0707-5332},
  doi       = {10.1080/07075332.2021.1909101},
  pages     = {1 -- 20},
  year      = {2022},
  abstract  = {The Sino-Japanese War of 1894/95 is usually only briefly mentioned in studies on diplomatic history. Especially the war's impact on Wilhelmine foreign and world policy (Weltpolitik) has been largely neglected. However, the events in East Asia had a profound influence on the political leadership in Berlin. The Wilhelmstrasse's attitude towards the conflict changed rapidly when the course of the war in Northeast Asia made a collapse of the Qing Empire increasingly likely. Afraid of the prospect of being left empty handed in an upcoming scramble for China, German diplomacy got active in early 1895. Driven by a hectic activism which soon should become a dominant feature of Weltpolitik, Berlin concluded an ad-hoc alliance with St. Petersburg and Paris. In April 1895, this unlikely coalition intervened against Tokyo. While the Triple Intervention served primarily Russia's interest to maintain the status quo on the Chinese mainland, Germany aimed at the acquisition of a military and commercial base in Northeast Asia. Driven by public opinion, the naval leadership and the Emperor Wilhelm II., the formerly neutral and reserved German diplomacy changed towards an aggressive and unstable imperialist policy, which ultimately resulted in the acquisition of Qingdao in November 1897.},
  language  = {en}
}
@article{Steger2021,
  author    = {Steger, Sascha},
  title     = {Kurt Daluege, die Stennes-Revolten 1930/31 und der Aufstieg der SS},
  series = {Vierteljahrshefte f{\"u}r Zeitgeschichte / im Auftr. des Instituts f{\"u}r Zeitgeschichte, M{\"u}nchen-Berlin herausgegeben},
  volume    = {69},
  journal   = {Vierteljahrshefte f{\"u}r Zeitgeschichte / im Auftr. des Instituts f{\"u}r Zeitgeschichte, M{\"u}nchen-Berlin herausgegeben},
  number    = {4},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0042-5702},
  doi       = {10.1515/vfzg-2021-0041},
  pages     = {607 -- 632},
  year      = {2021},
  abstract  = {In 1930 and 1931, two revolts by SA Leader Walter Stennes shook the Nazi Movement as it was in permanent campaign mode. The East German SS under Kurt Daluege claimed the quick suppression of both party crises for itself and disseminated the tale, that Hitler had awarded the rising SS with the motto "Meine Ehre heisst Treue" (My Honour is Called Loyalty) in order to thank it for its sacrificial deployment against the rebels. Sascha Steger puts this narrative, which is efficacious to date, to the test, analyses the actual course of the Stennes revolts and comes to the conclusion that, while the SS under Daluege was loyal to the Fuhrer, it played no decisive role in ending the confrontation.},
  language  = {de}
}
@article{FennZuelsdorfKersting2023,
  author    = {Fenn, Monika and Z{\"u}lsdorf-Kersting, Meik},
  title     = {Historisches Denken, historisches Wissen, historische Kompetenzen},
  series = {Geschichts-Didaktik - Praxishandbuch f{\"u}r den Geschichtsunterricht : Sekundarstufe I und II},
  journal   = {Geschichts-Didaktik - Praxishandbuch f{\"u}r den Geschichtsunterricht : Sekundarstufe I und II},
  publisher = {Cornelsen},
  address   = {Berlin},
  isbn      = {978-3-589-16886-6},
  pages     = {53},
  year      = {2023},
  language  = {de}
}
@article{Dieckmann2021,
  author    = {Dieckmann, Irene},
  title     = {Der Zerfall des alten Preußen},
  series = {Preußen : Geschichte eines Mythos},
  journal   = {Preußen : Geschichte eines Mythos},
  publisher = {be.bra},
  address   = {Berlin},
  isbn      = {978-3-89809-095-7},
  pages     = {66 -- 89},
  year      = {2021},
  language  = {de}
}
@article{Luth2021,
  author    = {Luth, J{\"u}rgen},
  title     = {Die Zeit der Reformen},
  series = {Preußen : Geschichte eines Mythos},
  journal   = {Preußen : Geschichte eines Mythos},
  publisher = {be.bra},
  address   = {Berlin},
  isbn      = {978-3-89809-095-7},
  pages     = {90 -- 103},
  year      = {2021},
  language  = {de}
}
@article{Leps2021,
  author    = {Leps, Marko},
  title     = {Preußen im Deutschen Kaiserreich},
  series = {Preußen : Geschichte eines Mythos},
  journal   = {Preußen : Geschichte eines Mythos},
  publisher = {be.bra},
  address   = {Berlin},
  isbn      = {978-3-89809-095-7},
  pages     = {150 -- 169},
  year      = {2021},
  language  = {de}
}