@article{CivitilloJuangSchachner2021,
  author    = {Civitillo, Sauro and Juang, Linda P. and Schachner, Maja},
  title     = {Stressing similarities or ignoring differences?},
  series = {Zeitschrift f{\"u}r Erziehungswissenschaft : ZfE},
  volume    = {24},
  journal   = {Zeitschrift f{\"u}r Erziehungswissenschaft : ZfE},
  number    = {1},
  publisher = {Springer VS/Springer Fachmedien Wiesbaden GmbH},
  address   = {Wiesbaden},
  issn      = {1434-663X},
  doi       = {10.1007/s11618-021-00995-9},
  pages     = {135 -- 153},
  year      = {2021},
  abstract  = {The color-evasive ideology (commonly termed "colorblindness") proposes that ethnic and cultural group memberships should be deemphasized. Yet there is a conceptual confusion around the meaning and measurement of color-evasiveness, and this construct is not used consistently in the international as well as German literature. Our purpose is to investigate whether two underlying forms of the color-evasive ideology (i.e., stressing similarities and ignoring differences) are two distinct, albeit related, constructs. We tested this hypothesis by applying these two forms of the color-evasive ideology to teachers' cultural diversity beliefs. In two cross-sectional field studies conducted with pre-service teachers (Study 1, n = 210), and in-service teachers (Study 2, n = 99), questionnaire items on the stressing similarities ideology and items on the ignoring differences ideology loaded on two separate factors, providing a better fit to the data than the one-factor model. Mean scores on these two types of color-evasive ideology also differed substantially, indicating that participants across the two studies mainly endorsed the stressing similarities perspective. The stressing similarities and ignoring differences ideologies related differently to other intergroup ideologies (i.e., multiculturalism and polyculturalism), and showed different patterns to psychosocial functioning in culturally diverse classrooms (i.e., cultural diversity-related stress).},
  language  = {en}
}
@article{Clausen2009,
  author    = {Clausen, Bernd},
  title     = {„Vielfalt" in musikbezogenen Diskursen},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-31950},
  pages     = {124 -- 134},
  year      = {2009},
  abstract  = {Inhalt: 1. Vorbemerkung 2. Was Vielfalt nicht heißt 3. Was meint denn nun musikalische Vielfalt? 4. Schlussbemerkung},
  language  = {de}
}
@article{Jank2009,
  author    = {Jank, Birgit},
  title     = {Zur notwendigen F{\"o}rderung interkultureller Kompetenz an deutschen Hochschulen in den Bereichen der Musik},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {2196-5080},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32188},
  pages     = {121 -- 123},
  year      = {2009},
  abstract  = {Inhalt: 1. {\"O}ffnung der Hochschulen f{\"u}r einen kulturellen Dialog 2. F{\"o}rderung einer interkulturellen Kompetenz in allen Bereichen des Studiums 3. Forschung zu interkulturellen Fragestellungen initiieren 4. Sprachf{\"a}higkeit f{\"o}rdern},
  language  = {de}
}
@article{Jank2009,
  author    = {Jank, Birgit},
  title     = {J{\"u}dische Musik als Gegenstand interkultureller Musikp{\"a}dagogik},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32177},
  pages     = {119 -- 120},
  year      = {2009},
  language  = {de}
}
@article{Jank2009,
  author    = {Jank, Birgit},
  title     = {Zeitgeschichtliche Dimensionen musikalischen Lernens und musikp{\"a}dagogischer Forschung},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {2196-5080},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32165},
  pages     = {108 -- 118},
  year      = {2009},
  abstract  = {Inhalt: 1. Einf{\"u}hrung 2. Einige Bruchst{\"u}cke aus den Arbeitsergebnissen zur Forschung DDR-Musikerziehung und zum Musiklernen in der DDR 3. Ausgew{\"a}hlte Diskussionspunkte und Perspektiven im zeitgeschichtlichen Forschungsfeld DDR-Musikerziehung 3.1 Was ist Zeitgeschichte im Kontext musikp{\"a}dagogischer Forschung? 3.2 Welche motivationalen Zug{\"a}nge zur Erforschung der DDR-Musikp{\"a}dagogik lassen sich finden? 3.3 Kann die wissenschaftliche Auseinandersetzung mit der DDR-Musikp{\"a}dagogik als Modellfall gelten? 3.4 Welcher Sachstand ist zur Erforschung der DDR-Musikp{\"a}dagogik zu bilanzieren? 3.5 Welche Forschungsdesiderata konnten festgestellt werden?},
  language  = {de}
}
@article{OliveiraPinto2009,
  author    = {Oliveira Pinto, Tiago de},
  title     = {Kulturen im Karneval und 'Karneval der Kulturen'},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32152},
  pages     = {103 -- 107},
  year      = {2009},
  language  = {de}
}
@article{RodriguezQuilesyGarcia2009,
  author    = {Rodr{\´i}guez-Quiles y Garc{\´i}a, Jos{\´e} A.},
  title     = {Haben die Deutschen Interesse am Flamenco?},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32147},
  pages     = {76 -- 95},
  year      = {2009},
  abstract  = {Are the Germans interested in flamenco nowadays? If so they are, then how can a type of art that is so different from both German cultured and popular music be represented in the culture of that country? Possible answers to this and other questions on the still romantic image of flamenco held in Central Europe will be provided by the analysis of the flamenco being offered at German universities, festivals, private dance schools, publishing houses and websites.},
  language  = {de}
}
@article{RodriguezQuilesyGarcia2009,
  author    = {Rodr{\´i}guez-Quiles y Garc{\´i}a, Jos{\´e} A.},
  title     = {?'Est{\´a}n los alemanes interesados por el flamenco?},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32133},
  pages     = {55 -- 75},
  year      = {2009},
  abstract  = {Are the Germans interested in flamenco nowadays? If so they are, then how can a type of art that is so different from both German cultured and popular music be represented in the culture of that country? Possible answers to this and other questions on the still romantic image of flamenco held in Central Europe, will be provided by the analysis of the flamenco being offered at German universities, festivals, private dance schools, publishing houses and websites.},
  language  = {mul}
}
@article{RodriguezQuilesyGarcia2009,
  author    = {Rodr{\´i}guez-Quiles y Garc{\´i}a, Jos{\´e} A.},
  title     = {Spain : current planning for music education},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32124},
  pages     = {34 -- 54},
  year      = {2009},
  abstract  = {Content: 1. Introduction 2. Music in the curriculum of The Educaci{\´o}n Obligatoria 2.1 Music in Educaci{\´o}n Primaria - Listening and Comprehension - Music Making - Rational Analysis (Musical Notation) 2.2. Music in Educaci{\´o}n Secundaria Obligatoria (E.S.O. Compulsory Secondary education) and Bachillerato (Pre-University Education) 3. Music in the Spanish Non-Compulsory Education 3.1. Elementary and Medium Levels 3.2. The "Title of Higher Music Education" 4. The new certificate of "Didactic Specialization" 5. Concluding remarks},
  language  = {en}
}
@article{RodriguezQuilesyGarcia2009,
  author    = {Rodr{\´i}guez-Quiles y Garc{\´i}a, Jos{\´e} A.},
  title     = {Vergleichende Musikp{\"a}dagogik am Beispiel der L{\"a}nder Spanien und Deutschland},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32116},
  pages     = {26 -- 33},
  year      = {2009},
  abstract  = {Inhalt: 1. Musikp{\"a}dagogik in Spanien: ein neues Forschungsgebiet 2. Konzeptionelle Rahmenbedingungen 3. Aktueller Stand und geplante Fortf{\"u}hrung des Forschungsprojektes},
  language  = {de}
}
@article{Jank2009,
  author    = {Jank, Birgit},
  title     = {Grunds{\"a}tzliche Strategien und methodische Wege des Umgangs mit (sich bildenden) eigenen und fremden kulturellen Identit{\"a}ten der Sch{\"u}lerinnen und Sch{\"u}ler im Musikunterricht},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {2},
  issn      = {1861-8529},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-32102},
  year      = {2009},
  abstract  = {Inhalt: 1. Interkulturelles Musiklernen in der Schule - einige grunds{\"a}tzliche Anmerkungen 2. Zielsetzungen eines interkulturellen Musikunterrichts 3. Probleme eines schulischen interkulturellen Musiklernens 4. Methodische Versuche und Optionen eines interkulturellen Musiklernens 4.1 Methodische Wege eines interkulturellen Musiklernens 5. Ausblick},
  language  = {de}
}