@article{Saendig2017, author = {S{\"a}ndig, Brigitte}, title = {Trag{\´e}die et psychologie}, series = {Revue romane : langue et litt{\´e}rature}, volume = {52}, journal = {Revue romane : langue et litt{\´e}rature}, number = {1}, publisher = {Benjamins}, address = {Amsterdam}, issn = {0035-3906}, doi = {10.1075/rro.52.1.07san}, pages = {70 -- 79}, year = {2017}, abstract = {His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.}, language = {en} } @article{McElvenny2017, author = {McElvenny, James}, title = {Grammar, typology and the Humboldtian tradition in the work of Georg von der Gabelentz}, series = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas}, volume = {60}, journal = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1759-7536}, doi = {10.1080/17597536.2016.1212580}, pages = {1 -- 20}, year = {2017}, abstract = {A frequently mentioned if somewhat peripheral figure in the historiography of late nineteenth-century linguistics is the German sinologist and general linguist Georg von der Gabelentz (1840-1893). Today Gabelentz is chiefly remembered for several insights that proved to be productive in the development of subsequent schools and subdisciplines. In this paper, we examine two of these insights, his analytic and synthetic systems of grammar and his foundational work on typology. We show how they were intimately connected within his conception of linguistic research, and how this was in turn embedded in the tradition established by Wilhelm von Humboldt (1767-1835), especially as it was further developed by H. Steinthal (1823-1899). This paper goes beyond several previous works with a similar focus by drawing on a wider range of Gabelentz' writings, including manuscript sources that have only recently been published, and by examining specific textual connections between Gabelentz and his predecessors.}, language = {en} } @article{Ette2017, author = {Ette, Ottmar}, title = {Welterleben/Weiterleben}, series = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur}, volume = {45}, journal = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur}, number = {3-4}, publisher = {Editions Rodopi BV}, address = {Amsterdam}, issn = {0300-693X}, doi = {10.1163/18796583-04503002}, pages = {343 -- 388}, year = {2017}, abstract = {Welterleben and Weiterleben are what determine the second globalization (of four previously explored) whose constantly accelerating dynamic, vectorization, this essay explores. On the basis of selected writings of Georg Forster, Alexander von Humboldt, and Adelbert von Chamisso, the author highlights the increasing speed with which knowledge, especially in the experiential sciences, is produced and disseminated following the routes of ever-widening trade speeded along by globalization. The notion of 'vectopia' stands for the connection of utopia and uchronia in space and time in such a way that the experience of the world, expanded worldwide, contains within it a Weiter-Leben, a 'living-further' that is to be understood first in a spatial, and not yet temporal, sense, of what Forster called Erfahrungswissen, or 'experiential knowledge.' Vectopia, as elaborated here, has a material dimension that relates to the physical person, the body, the experience of the world that cannot occur without the constant changing of place, without a journeying that is again and again recommenced. Vectopia develops the projection of a life not from space or from time alone, but by their combination. Vectopia is more than a concept, it is a thought-figure: it is vitally connected to life, and thus a life-figure. It opens itself to a type of knowledge that stands almost at the threshold of a further life, indeed, of a Weiterleben that, opening itself to a 'living-onward,' resides beyond space, time, and movement.}, language = {en} } @misc{Prieto2017, author = {Prieto, Julio}, title = {El concepto de intermedialidad}, series = {Pasavento : revista de estudios hisp{\´a}nicos}, volume = {5}, journal = {Pasavento : revista de estudios hisp{\´a}nicos}, publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones}, address = {Madrid}, issn = {2255-4505}, pages = {7 -- 18}, year = {2017}, language = {es} } @article{Garcia2017, author = {Garcia, Francisca}, title = {Imaginer{\´i}a fotosensible: guadalupe santa cruz y la escritura con grabado}, series = {Pasavento : revista de estudios hisp{\´a}nicos}, volume = {5}, journal = {Pasavento : revista de estudios hisp{\´a}nicos}, publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones}, address = {Madrid}, issn = {2255-4505}, pages = {53 -- 62}, year = {2017}, abstract = {A partir de la met{\´a}fora "imaginer{\´i}a fotosensible", el ensayo explora c{\´o}mo el fotograbado afecta la escritura de la autora chilena guadalupe santa Cruz. el grabado no solo implica aqu{\´i} una t{\´e}cnica art{\´i}stica, sino tambi{\´e}n una imaginaci{\´o}n cr{\´i}tica sobre el movimiento, las huellas y la memoria colectiva. la revisi{\´o}n del programa literario de la autora (ars poetica), permite afirmar que el grabado brinda la principal estrategia para activar la prosa y arraigar la palabra en el contexto de alienaci{\´o}n social generalizada en la post-dictadura chilena (d{\´e}cada del 90). Si bien planteo que la influencia de esta imaginaci{\´o}n del gra-bado est{\´a} presente en todo el proyecto literario de la autora, me centro en la revisi{\´o}n de dos novelas: Quebrada: las cordilleras en andas (2007) y la reciente-mente publicada y p{\´o}stuma Esta parcela (2015), las cuales incorporan una serie de im{\´a}genes impresas.}, language = {es} } @article{Klettke2017, author = {Klettke, Cornelia}, title = {L'archipel dans le Roland furieux de l'Arioste - hybridit{\´e} du savoir cartographique et de l'imaginaire g{\´e}ographique}, series = {{\^I}les et Insulaires : XVIe - XVIIIe si{\`e}cles}, journal = {{\^I}les et Insulaires : XVIe - XVIIIe si{\`e}cles}, editor = {Lestringant, Frank and Tarr{\^e}te, Alexandre}, publisher = {Presses de l'Universit{\´e} Paris-Sorbonne}, address = {Paris}, isbn = {979-10-231-0558-2}, pages = {225 -- 242}, year = {2017}, language = {fr} } @article{Ippolito2017, author = {Ippolito, Antonella}, title = {Zwischen fanatsia und ingegno. Die sprachliche Simulation der Antike bei Leopardi}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {201 -- 225}, year = {2017}, language = {de} } @incollection{Hassler2017, author = {Haßler, Gerda}, title = {La pr{\´e}sence du fran{\c{c}}ais et des Fran{\c{c}}ais {\`a} Berlin au XVIII{\`e}me si{\`e}cle : contexte culturel et influence linguistique}, series = {Traductions et contextes, contextes de la traduction}, booktitle = {Traductions et contextes, contextes de la traduction}, publisher = {L'Harmattan}, address = {Paris}, isbn = {978-2-343-13838-1}, publisher = {Universit{\"a}t Potsdam}, pages = {95 -- 123}, year = {2017}, language = {fr} } @article{Klettke2017, author = {Klettke, Cornelia}, title = {La po{\´e}tique du nuage dans Corinne ou l'Italie de Mme de Sta{\"e}l}, series = {Les Nuages: du tournant des Lumi{\`e}res au cr{\´e}puscule du romantisme (1760-1880)}, journal = {Les Nuages: du tournant des Lumi{\`e}res au cr{\´e}puscule du romantisme (1760-1880)}, editor = {Glaudes, Pierre and Vasak, Anouchka}, publisher = {Hermann}, address = {Paris}, isbn = {978-2-7056-9475-3}, pages = {165 -- 185}, year = {2017}, language = {fr} } @article{Mathieu2017, author = {Mathieu, Carlo}, title = {Imago, ombre, sembianze}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {183 -- 200}, year = {2017}, language = {de} } @article{Ratschow2017, author = {Ratschow, Sophie}, title = {Leopardi in Tozzis Bestie. Reminiszenzen an die Canti L'infinito, Le ricordanze, Canto notturno di un pastore errante dell'Asia, A se stesso}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {303 -- 318}, year = {2017}, language = {de} } @article{Kilian2017, author = {Kilian, Sven Thorsten}, title = {Dichtung, Erkenntnis und Nation im Discorso sopra lo stato presente dei costumi degl'italiani und in der Idylle La sera del d{\`i} di festa}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {283 -- 302}, year = {2017}, language = {de} } @article{Klettke2017, author = {Klettke, Cornelia}, title = {Hypernephelos: Spiegel der (Selbst)T{\"a}uschung von G{\"o}ttern und Menschen ({\"U}berlegungen zu La scommessa di Prometeo)}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia and Neumeister, Sebastian}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {73 -- 100}, year = {2017}, language = {de} } @inproceedings{OPUS4-43816, title = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, series = {Ginestra ; 25/26 (2015/2016) Sanssouci - Forschungen zur Romanistik ; 14}, booktitle = {Ginestra ; 25/26 (2015/2016) Sanssouci - Forschungen zur Romanistik ; 14}, editor = {Klettke, Cornelia and Neumeister, Sebastian}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {339}, year = {2017}, language = {de} } @misc{PaesslerEtteHeydetal.2017, author = {P{\"a}ßler, Ulrich and Ette, Ottmar and Heyd, Thomas and Rapisarda, Cettina and Schwarz, Ingo and Stottmeister, Ulrich and Hoppe, G{\"u}nter}, title = {HiN : Alexander von Humboldt im Netz}, series = {HIN : Alexander von Humboldt im Netz ; international review for Humboldtian studies}, volume = {XVIII}, journal = {HIN : Alexander von Humboldt im Netz ; international review for Humboldtian studies}, number = {35}, editor = {Ette, Ottmar and Knobloch, Eberhard}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, issn = {2568-3543}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-405028}, pages = {97}, year = {2017}, abstract = {Inhalt: -Ulrich P{\"a}ßler: Plantae des {\´E}tats-Unis Rediscovered Pages from Alexander von Humboldt's United States Diary -Ottmar Ette: Texto-isla y escritura archipi{\´e}lica: „Isle de Cube. Antilles en g{\´e}n{\´e}ral" de Alexander von Humboldt -Thomas Heyd: Alexander von Humboldt y la unidad de la naturaleza -Cettina Rapisarda: Lava memoriae deodati dolomieu Alexander von Humboldts Gesteinsstudien in Neapel -Ingo Schwarz: Fahndung nach geraubtem Gold und Silber - 1839 -Ulrich Stottmeister: Umweltgedanken zu Alexander von Humboldt -G{\"u}nter Hoppe: Ein Museumsdiebstahl vor 144 Jahren}, language = {de} } @incollection{Hassler2017, author = {Haßler, Gerda}, title = {Was ist unbestimmt am indefinido? Antworten aus der Geschichte der spanischen Grammatikographie}, series = {Streifz{\"u}ge durch die Romania: Festschrift f{\"u}r Gabriele Beck-Busse zum 60. Geburtstag}, booktitle = {Streifz{\"u}ge durch die Romania: Festschrift f{\"u}r Gabriele Beck-Busse zum 60. Geburtstag}, editor = {Loh{\"o}fer, Astrid and S{\"u}selbeck, Kirsten}, publisher = {ibidem-Verlag}, address = {Stuttgart}, isbn = {978-3-83821-000-1}, publisher = {Universit{\"a}t Potsdam}, pages = {31 -- 52}, year = {2017}, language = {de} } @incollection{Hassler2017, author = {Haßler, Gerda}, title = {La pr{\´e}sence du fran{\c{c}}ais et des Fran{\c{c}}ais {\`a} Berlin au XVIII{\`e}me si{\`e}cle : contexte culturel et influence linguistique}, series = {Traductions et contextes, contextes de la tradition}, booktitle = {Traductions et contextes, contextes de la tradition}, editor = {Gr{\´e}goire, Micha{\"e}l and Mathios, B{\´e}n{\´e}dicte}, publisher = {Harmattan}, address = {Paris}, isbn = {978-2-343-13838-1}, publisher = {Universit{\"a}t Potsdam}, pages = {95 -- 123}, year = {2017}, language = {fr} } @incollection{Hassler2017, author = {Haßler, Gerda}, title = {Creatividad, variaci{\´o}n y fijaci{\´o}n en el discurso repetido y la t{\´e}cnica del hablar}, series = {Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015}, booktitle = {Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015}, publisher = {Lang}, address = {Frankfurt am Main}, isbn = {978-3-631-67130-6}, publisher = {Universit{\"a}t Potsdam}, pages = {183 -- 194}, year = {2017}, language = {de} } @book{OPUS4-40566, title = {Kompetenz - Funktion - Variation. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015.}, series = {Sprachkontakte. Variation, Migration und Sprachdynamik ; 4}, journal = {Sprachkontakte. Variation, Migration und Sprachdynamik ; 4}, editor = {Haßler, Gerda and Stehl, Thomas}, edition = {1}, publisher = {Lang}, address = {Frankfurt am Main}, isbn = {978-3-631-67130-6}, publisher = {Universit{\"a}t Potsdam}, pages = {404}, year = {2017}, abstract = {Dieser Band enth{\"a}lt Beitr{\"a}ge der V. Internationalen Tagung zur Linguistica Coseriana. 26 Autoren behandeln theoretische Aspekte des Werks Coserius, seine Stellung in der Geschichte und Gegenwart der Sprachtheorien, sprachliche Kompetenz, Kreativit{\"a}t und Fixierung, Funktionen im Text und im Diskurs sowie Variation von Sprachen. Die Beitr{\"a}ge geben theoretisch orientierte Antworten auf einige von Coseriu aufgeworfene Fragen, sie sind empirisch fundiert und beinhalten auch historiographische {\"U}berlegungen. Dabei geht es nicht um eine Exegese der Texte Coserius, sondern um produktive Weiterentwicklungen einer kompetenzorientierten, funktionalen und auf sprachliche Variation bezogenen Linguistik.}, language = {de} } @incollection{Hassler2017, author = {Haßler, Gerda}, title = {Philologie und Grammatik bei der Analyse von metasprachlichen Manuskripten des 18. Jahrhunderts}, series = {Philologie und Grammatik}, booktitle = {Philologie und Grammatik}, editor = {Kaiser, Georg, A. and V{\"o}lker, Harald}, publisher = {Walter de Gruyter GmbH}, address = {Berlin, Boston}, isbn = {978-3-11-052776-6}, publisher = {Universit{\"a}t Potsdam}, pages = {59 -- 73}, year = {2017}, language = {de} }