@article{Lindquist2004,
  author    = {Lindquist, Jason H.},
  title     = {"Under the influence of an exotic nature...national remembrances are insensibly effaced"},
  series = {HIN : Alexander von Humboldt im Netz ; international review for Humboldtian studies},
  volume    = {V},
  journal   = {HIN : Alexander von Humboldt im Netz ; international review for Humboldtian studies},
  number    = {9},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {2568-3543},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-35109},
  pages     = {44 -- 59},
  year      = {2004},
  abstract  = {My essay attends to a number of passages in Alexander von Humboldt's Personal Narrative in which the Prussian explorer expresses anxiety about the apparent dangers posed by the overwhelmingly productive tropical landscapes he observes. In these passages, the excesses of an "exotic nature" threaten European identity and modes of civilization—and they trouble the accuracy of Humboldt's own observational project. I also explore Humboldt's related worry that South American vegetable (and visual) overload will exert a destabilizing effect on his aesthetic sensibility, disrupting his ability to represent the "New Continent" accurately in writing. Finally, I sketch the influence of Humboldt's representations of tropical excess on nineteenth-century British cultural thought and literary practice. Studying the instabilities experienced by Personal Narrative's expatriates and colonists promises to draw out important tensions latent in Humboldt's treatment of tropical landscape and to illuminate broader epistemological and aesthetic shifts being worked out during the period.},
  language  = {en}
}
@article{RebokWinkle2019,
  author    = {Rebok, Sandra and Winkle, Timothy},
  title     = {"Mason without apron"},
  series = {HiN : Alexander von Humboldt im Netz ; international review for Humboldtian studies},
  volume    = {XX},
  journal   = {HiN : Alexander von Humboldt im Netz ; international review for Humboldtian studies},
  number    = {38},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {2568-3543},
  doi       = {10.25932/publishup-43473},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-434735},
  pages     = {31 -- 50},
  year      = {2019},
  abstract  = {W{\"a}hrend das Fehlen einer religi{\"o}sen Haltung in Humboldts Werk, sowie die Kritik, die er diesbez{\"u}glich erhalten hat, allgemein bekannt sind, ist sein m{\"o}glicher Bezug zur Freimaurerei noch weitgehend unerforscht. Zwar erscheint Humboldt auf einigen Listen von „illustren Freimaurern", zudem tragen mehrere Logen seinen Namen, aber die Frage bleibt offen, ob Humboldt wirklich ein Freimaurer war. Wenn ja, wann und wo ist er einer Loge beigetreten? Gibt es vielleicht Kommentare von ihm zu dieser Art von Geheimb{\"u}nden? Und wer waren die bekanntesten Freimaurer in seiner Umgebung? Der Artikel beantwortet diese Punkte, aber wichtiger noch geht er der Frage nach, was eine Mitgliedschaft f{\"u}r Humboldts wissenschaftliche Arbeit bedeutet haben k{\"o}nnte, insbesondere im Hinblick auf den herausragenden Erfolg, den er in den Vereinigten Staaten zu Beginn des 19. Jahrhunderts hatte und die Gr{\"u}nde hierf{\"u}r. Was h{\"a}tten solche Verbindungen f{\"u}r ihn bedeutet und wie wurde er von den wichtigsten freimaurerischen Pers{\"o}nlichkeiten und Logen in der transatlantischen Welt wahrgenommen?},
  language  = {en}
}
@article{Hennemann2019,
  author    = {Hennemann, Anja},
  title     = {"I mean, no soy psic{\´o}loga"},
  doi       = {10.25932/publishup-43098},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-430984},
  pages     = {23},
  year      = {2019},
  abstract  = {This paper is concerned with the qualitative analysis of the use of the English discourse marker I mean in Spanish and Portuguese online discourses (in online fora, blogs or user comments on websites). The examples are retrieved from the Corpus del Espa{\~n}ol (Web/ Dialects) as well as the Corpus do Portugu{\^e}s (Web/ Dialects).},
  language  = {en}
}
@article{Hassler2015,
  author    = {Haßler, Gerda},
  title     = {'Communicating the past to the present'},
  series = {History and Philosophy of the Language Sciences},
  journal   = {History and Philosophy of the Language Sciences},
  editor    = {McElvenny, James},
  issn      = {2366-2409},
  year      = {2015},
  language  = {en}
}
@book{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Writing-between-worlds},
  series = {Mimesis ; 64},
  journal   = {Mimesis ; 64},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-046109-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {339},
  year      = {2016},
  language  = {en}
}
@phdthesis{Sojka2022,
  author    = {S{\´o}jka, Pia},
  title     = {Writing travel, writing life},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-537-8},
  issn      = {2629-2548},
  doi       = {10.25932/publishup-55879},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-558799},
  school      = {Universit{\"a}t Potsdam},
  pages     = {319},
  year      = {2022},
  abstract  = {The book compares the texts of three Swiss authors: Ella Maillart, Annemarie Schwarzenbach and Nicolas Bouvier. The focus is on their trip from Gen{\`e}ve to Kabul that Ella Maillart and Annemarie Schwarzenbach made together in 1939/1940 and Nicolas Bouvier 1953/1954 with the artist Thierry Vernet. The comparison shows the strong connection between the journey and life and between ars vivendi and travel literature. This book also gives an overview of and organises the numerous terms, genres, and categories that already exist to describe various travel texts and proposes the new term travelling narration. The travelling narration looks at the text from a narratological perspective that distinguishes the author, narrator, and protagonist within the narration. In the examination, ten motifs could be found to characterise the travelling narration: Culture, Crossing Borders, Freedom, Time and Space, the Aesthetics of Landscapes, Writing and Reading, the Self and/as the Other, Home, Religion and Spirituality as well as the Journey. The importance of each individual motif does not only apply in the 1930s or 1950s but also transmits important findings for living together today and in the future.},
  language  = {en}
}
@article{Ette2012,
  author    = {Ette, Ottmar},
  title     = {Worldwide : Living in Transarchipelagic Worlds},
  isbn      = {978-8-48-489670-8},
  year      = {2012},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Wilhelm \& Alexander von Humboldt or: Humboldtian Science},
  series = {Wilhelm und Alexander von Humboldt - Berlin Cosmos},
  journal   = {Wilhelm und Alexander von Humboldt - Berlin Cosmos},
  editor    = {Spies, Paul and Tintemann, Ute and Mende, Jan},
  publisher = {Wienand},
  address   = {K{\"o}ln},
  isbn      = {978-3-86832-559-1},
  pages     = {19 -- 23},
  year      = {2020},
  language  = {en}
}
@article{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Welterleben/Weiterleben},
  series = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur},
  volume    = {45},
  journal   = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur},
  number    = {3-4},
  publisher = {Editions Rodopi BV},
  address   = {Amsterdam},
  issn      = {0300-693X},
  doi       = {10.1163/18796583-04503002},
  pages     = {343 -- 388},
  year      = {2017},
  abstract  = {Welterleben and Weiterleben are what determine the second globalization (of four previously explored) whose constantly accelerating dynamic, vectorization, this essay explores. On the basis of selected writings of Georg Forster, Alexander von Humboldt, and Adelbert von Chamisso, the author highlights the increasing speed with which knowledge, especially in the experiential sciences, is produced and disseminated following the routes of ever-widening trade speeded along by globalization. The notion of 'vectopia' stands for the connection of utopia and uchronia in space and time in such a way that the experience of the world, expanded worldwide, contains within it a Weiter-Leben, a 'living-further' that is to be understood first in a spatial, and not yet temporal, sense, of what Forster called Erfahrungswissen, or 'experiential knowledge.' Vectopia, as elaborated here, has a material dimension that relates to the physical person, the body, the experience of the world that cannot occur without the constant changing of place, without a journeying that is again and again recommenced. Vectopia develops the projection of a life not from space or from time alone, but by their combination. Vectopia is more than a concept, it is a thought-figure: it is vitally connected to life, and thus a life-figure. It opens itself to a type of knowledge that stands almost at the threshold of a further life, indeed, of a Weiterleben that, opening itself to a 'living-onward,' resides beyond space, time, and movement.},
  language  = {en}
}
@article{Ette2005,
  author    = {Ette, Ottmar},
  title     = {Wandering Networks : Euphoria and the Dead Ends of Science in Alexander von Humboldt's Personal Narrative},
  year      = {2005},
  language  = {en}
}
@book{OPUS4-33739,
  title     = {Views of the cordilleras and monuments of the indigenous peoples of the Americas : a critical edition},
  editor    = {Kutzinski, Vera M. and Ette, Ottmar},
  publisher = {University of Chicago Press},
  address   = {Chicago},
  isbn      = {0-226-86506-1},
  pages     = {618 S.},
  year      = {2012},
  language  = {en}
}
@article{AuhagenUth2022,
  author    = {Auhagen, Christopher Patrick and Uth, Melanie},
  title     = {Variation of relative complementizers in Yucatecan Spanish},
  series = {Languages},
  volume    = {7},
  journal   = {Languages},
  number    = {4},
  publisher = {MDPI},
  address   = {Basel},
  issn      = {2226-471X},
  doi       = {10.3390/languages7040279},
  pages     = {16},
  year      = {2022},
  abstract  = {The starting point of this article is the occurrence of determiner-less and bare que relative complementizers like (en) que, '(in) that', instead of (en) el que, '(in) which', in Yucatecan Spanish (southeast Mexico). While reference grammars treat complementizers with a determiner as the standard option, previous diachronic research has shown that determiner-less complementizers actually predate relative complementizers with a determiner. Additionally, Yucatecan Spanish has been in long-standing contact with Yucatec Maya. Relative complementation in Yucatec Maya differs from that in Spanish (at least) in that the non-complex complementizer tu'ux ('where') is generally the only option for locative complementation. The paper explores monolingual and bilingual data from Yucatecan Spanish to discuss the question whether the determiner-less and bare que relative complementizers in our data constitute a historic remnant or a dialectal recast, possibly (but not necessarily) due to language contact. Although our pilot study may not answer these far-reaching questions, it does reveal two separate, but intertwined developments: (i) a generally increased rate of bare que relative complementation, across both monolingual speakers of Spanish and Spanish Maya bilinguals, compared to other Spanish varieties, and (ii) a preference for donde at the cost of other locative complementizer constructions in the bilingual group. Our analysis thus reveals intriguing differences between the complementizer preferences of monolingual and bilingual speakers, suggesting that different variational patterns caused by different (socio-)linguistic factors can co-develop in parallel in one and the [same] region.},
  language  = {en}
}
@misc{AuhagenUth2022,
  author    = {Auhagen, Christopher Patrick and Uth, Melanie},
  title     = {Variation of relative complementizers in Yucatecan Spanish},
  series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-58437},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-584375},
  pages     = {18},
  year      = {2022},
  abstract  = {The starting point of this article is the occurrence of determiner-less and bare que relative complementizers like (en) que, '(in) that', instead of (en) el que, '(in) which', in Yucatecan Spanish (southeast Mexico). While reference grammars treat complementizers with a determiner as the standard option, previous diachronic research has shown that determiner-less complementizers actually predate relative complementizers with a determiner. Additionally, Yucatecan Spanish has been in long-standing contact with Yucatec Maya. Relative complementation in Yucatec Maya differs from that in Spanish (at least) in that the non-complex complementizer tu'ux ('where') is generally the only option for locative complementation. The paper explores monolingual and bilingual data from Yucatecan Spanish to discuss the question whether the determiner-less and bare que relative complementizers in our data constitute a historic remnant or a dialectal recast, possibly (but not necessarily) due to language contact. Although our pilot study may not answer these far-reaching questions, it does reveal two separate, but intertwined developments: (i) a generally increased rate of bare que relative complementation, across both monolingual speakers of Spanish and Spanish Maya bilinguals, compared to other Spanish varieties, and (ii) a preference for donde at the cost of other locative complementizer constructions in the bilingual group. Our analysis thus reveals intriguing differences between the complementizer preferences of monolingual and bilingual speakers, suggesting that different variational patterns caused by different (socio-)linguistic factors can co-develop in parallel in one and the [same] region.},
  language  = {en}
}
@article{EtteMinnes2011,
  author    = {Ette, Ottmar and Minnes, M.},
  title     = {Urbanity and literature : cities as transareal spaces of movement in Assia Djebar, Emine Sevgi {\"O}zdamar and Cecile Wajsbrot},
  issn      = {1062-7987},
  year      = {2011},
  language  = {en}
}
@article{Ette2011,
  author    = {Ette, Ottmar},
  title     = {Urbanity and literature - cities as transareal spaces of movement in Assia Djebar, Emine Sevgi Ozdamar and Cecile Wajsbrot},
  series = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  volume    = {19},
  journal   = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  number    = {3},
  publisher = {Cambridge Univ. Press},
  address   = {Cambridge},
  issn      = {1062-7987},
  doi       = {10.1017/S106279871100010X},
  pages     = {367 -- 383},
  year      = {2011},
  abstract  = {Transarea studies focus upon spaces as created by the movements that criss-cross them. From this point of view, from its very beginnings, literature is closely interrelated with a vectorial (and much less with a purely spatial) conception of history - and with urbanity, which plays a decisive role in Gilgamesh's travels through a (narrative) cosmos centered upon the city of Uruk. This article explores the city as a transareal space of movement in three examples of literature, with no fixed abode, around the turn of the millennium, i.e. Assia Djebar's Les Nuits de Strasbourg, Emine Sevgi Oezdamar's Istanbul-Berlin Trilogy, and Cecile Wajsbrot's L'ile aux musees. These three writers project, in a very specific way, cities in motion as anagrammatic and fractal structures.},
  language  = {en}
}
@misc{Ette2011,
  author    = {Ette, Ottmar},
  title     = {Urbanity and literature},
  series = {European Review},
  journal   = {European Review},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-413767},
  pages     = {17},
  year      = {2011},
  abstract  = {Transarea studies focus upon spaces as created by the movements that criss-cross them. From this point of view, from its very beginnings, literature is closely interrelated with a vectorial (and much less with a purely spatial) conception of history - and with urbanity, which plays a decisive role in Gilgamesh's travels through a (narrative) cosmos centered upon the city of Uruk. This article explores the city as a transareal space of movement in three examples of literature, with no fixed abode, around the turn of the millennium, i.e. Assia Djebar's Les Nuits de Strasbourg, Emine Sevgi Oezdamar's Istanbul-Berlin Trilogy, and Cecile Wajsbrot's L'ile aux musees. These three writers project, in a very specific way, cities in motion as anagrammatic and fractal structures.},
  language  = {en}
}
@article{Ette2012,
  author    = {Ette, Ottmar},
  title     = {TransTropics: Alexander von Humboldt and Hemispheric Constructions},
  isbn      = {978-3-938944-63-9},
  year      = {2012},
  language  = {en}
}
@article{Ette2018,
  author    = {Ette, Ottmar},
  title     = {TransArea Tangier},
  series = {Re-mapping World Literature Writing, Book Markets and Epistemologies between Latin America and the Global South / Escrituras, mercados y epistemolog{\´i}as entre Am{\´e}rica Latina y el Sur Global},
  journal   = {Re-mapping World Literature Writing, Book Markets and Epistemologies between Latin America and the Global South / Escrituras, mercados y epistemolog{\´i}as entre Am{\´e}rica Latina y el Sur Global},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-054957-7},
  issn      = {2513-0757},
  doi       = {10.1515/9783110549577-019},
  pages     = {283 -- 321},
  year      = {2018},
  language  = {en}
}
@article{Saendig2017,
  author    = {S{\"a}ndig, Brigitte},
  title     = {Trag{\´e}die et psychologie},
  series = {Revue romane : langue et litt{\´e}rature},
  volume    = {52},
  journal   = {Revue romane : langue et litt{\´e}rature},
  number    = {1},
  publisher = {Benjamins},
  address   = {Amsterdam},
  issn      = {0035-3906},
  doi       = {10.1075/rro.52.1.07san},
  pages     = {70 -- 79},
  year      = {2017},
  abstract  = {His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.},
  language  = {en}
}
@article{Ette2007,
  author    = {Ette, Ottmar},
  title     = {Towards World Science? Humboldtian Science, World Concepts, and Transarea Studies},
  isbn      = {978-84-8489-303-5},
  year      = {2007},
  language  = {en}
}