@article{Pohl2020, author = {Pohl, Manuela}, title = {„The game's afoot!"}, series = {DIGAREC Series}, journal = {DIGAREC Series}, number = {08}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-467-8}, issn = {1867-6219}, doi = {10.25932/publishup-43067}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-430672}, pages = {104 -- 133}, year = {2020}, abstract = {Computerspiele bieten - verstanden als Text, als popkulturelles Artefakt, als Lerngelegenheit und vieles mehr - auch f{\"u}r den Einsatz im Fremdsprachenunterricht zahlreiche M{\"o}glichkeiten, curricular vorgegebene Kompetenzen auszubilden. Nicht nur kann die Auseinandersetzung mit Computerspielen einen Beitrag zur fachintegrativen Vermittlung von Medienkompetenz leisten, sondern ebenso dazu genutzt werden, Handlungen zu simulieren, in denen Sch{\"u}lerinnen und Sch{\"u}ler fremdsprachig (inter-)agieren. Der folgende Beitrag versucht daher, exemplarisch zwei Computerspiele auf ihr Potential f{\"u}r den Einsatz im Fremdsprachenunterricht Englisch zu untersuchen. Er versteht sich als praktischer Beitrag, der Einblick in didaktisch-methodische {\"U}berlegungen bietet, welche die Auseinandersetzung mit den zwei exemplarisch ausgew{\"a}hlten Spielen, HER STORY (2015) und 1979 REVOLUTION: BLACK FRIDAY (2016), in den Blick nehmen.}, language = {de} } @incollection{Kent2007, author = {Kent, Alan M.}, title = {"Mozeying on down ..." : the Cornish Language in North America}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-19275}, publisher = {Universit{\"a}t Potsdam}, year = {2007}, abstract = {Content: Cornish Scat Abroad The Next Parish after Land's End: Early Explorations William Gwavas and that 1710 Letter Yee-Har!!: Miners and Cowboys Some Language Cowboys: Nancarrow, Bottrell and Weekes Cornish Language in Twenty-First-Century North America}, language = {en} } @phdthesis{Schallau2024, author = {Schallau, Juliane}, title = {"Maybe Happen Is Never Once" - temporalities of guilt in William Faulkner}, doi = {10.25932/publishup-62885}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-628858}, school = {Universit{\"a}t Potsdam}, pages = {iv, 171}, year = {2024}, abstract = {This study focuses on William Faulkner, whose works explore the demise of the slavery-based Old South during the Civil War in a highly experimental narrative style. Central to this investigation is the analysis of the temporal dimensions of both individual and collective guilt, thus offering a new approach to the often-discussed problem of Faulkner's portrayal of social decay. The thesis examines how Faulkner re-narrates the legacy of the Old South as a guilt narrative and argues that Faulkner uses guilt in order to corroborate his concept of time and the idea of the continuity of the past. The focus of the analysis is on three of Faulkner's arguably most important novels: The Sound and the Fury, Absalom, Absalom!, and Go Down, Moses. Each of these novels features a main character deeply overwhelmed by the crimes of the past, whether private, familial, or societal. As a result, guilt is explored both from a domestic as well as a social perspective. In order to show how Faulkner blends past and present by means of guilt, this work examines several methods and motifs borrowed from different fields and genres with which Faulkner narratively negotiates guilt. These include religious notions of original sin, the motif of the ancestral curse prevalent in the Southern Gothic genre, and the psychological concept of trauma. Each of these motifs emphasizes the temporal dimensions of guilt, which are the core of this study, and makes clear that guilt in Faulkner's work is primarily to be understood as a temporal rather than a moral problem.}, language = {en} } @misc{BarthWeingartenOgden2021, author = {Barth-Weingarten, Dagmar and Ogden, Richard}, title = {"Chunking" spoken language}, series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, publisher = {Universit{\"a}t Potsdam}, address = {Potsdam}, issn = {1866-8380}, doi = {10.25932/publishup-53625}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-536259}, pages = {531 -- 548}, year = {2021}, abstract = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.}, language = {en} } @article{BarthWeingartenOgden2021, author = {Barth-Weingarten, Dagmar and Ogden, Richard}, title = {"Chunking" spoken language}, series = {Open linguistics}, volume = {7}, journal = {Open linguistics}, number = {1}, publisher = {De Gruyter}, address = {Berlin}, issn = {2300-9969}, doi = {10.1515/opli-2020-0173}, pages = {531 -- 548}, year = {2021}, abstract = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.}, language = {en} } @unpublished{Eckstein2012, author = {Eckstein, Lars}, title = {'We're destroyed if we mix. And we're destroyed if we don't'}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529}, pages = {11}, year = {2012}, language = {en} } @article{OPUS4-21989, title = {{\"U}bersetzung, Adaptation und Akkulturation im insularen Mittelalter : Festschrift II f{\"u}r Prof. Dr. Dr. hc. Gear{\´o}id Mac Eoin (Galway)}, series = {Studien und Texte zur Keltologie}, volume = {4}, journal = {Studien und Texte zur Keltologie}, editor = {Tristram, Hildegard L. C. and Poppe, Erich}, publisher = {Nodus-Publ}, address = {M{\"u}nster}, isbn = {3-89323-614-7}, pages = {346 S.}, year = {1999}, abstract = {This Festschrift contains 19 original articles in the field of medieval Celtic Studies in honour of Professor Gear{\´o}id Mac Eoin, plus an introduction by Hildegard L. C. Tristram and a thematic prologue by Erich Poppe}, language = {de} } @phdthesis{Maerz2020, author = {M{\"a}rz, Moses}, title = {{\´E}douard Glissant's politics of relation}, doi = {10.25932/publishup-50948}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-509486}, school = {Universit{\"a}t Potsdam}, pages = {xv, 530}, year = {2020}, abstract = {The political legacy of the Martinican poet, novelist and philosopher {\´E}douard Glissant (1928-2011) is the subject of an ongoing debate among postcolonial literary scholars. Responding to an influential view shaping this debate, that Glissant's work can be categorised into an early political and late apolitical phase, this dissertation claims that this division is based on a narrow conception of 'engaged political writing' that prevents a more comprehensive view of the changing political strategies Glissant pursued throughout his life from emerging. Proceeding from this conceptual basis, the dissertation is concerned with re-reading the dimensions of Glissant's work that have hitherto been relegated as apolitical, literary or poetic, with the aim of conceptualising the politics of relation as an integral part of his overall poetic project. In methodological terms, the dissertation therefore proposes a relational reading of Glissant's life-work across literary genres, epochs, as well as the conventional divisions between political thought, writing and activism. This perspective is informed by Glissant's philosophy of relation, and draws on a conception of political practice that includes both explicit engagements with established political systems and institutions, as well as literary and cultural interventions geared towards their transformation and the creation of alternatives to them. Theoretically the work thus combines a poststructuralist lens on the conceptual difference between 'politics' and 'the political' with arguments for an inherent political quality of literature, and perspectives from the Afro-Caribbean radical tradition, in which writers and intellectuals have historically sought to combine discursive interventions with organisational actions. Applying this theoretical angle to the analysis of Glissant's politics of relation results in an interdisciplinary research framework designed to explore the synergies between postcolonial political and literary studies. In order to comprehensively describe Glissant's politics of relation without recourse to evolutionary or digressive models, the concept of an intellectual marronage is proposed as a framework to map the strategies making up Glissant's political archive. Drawing on a variety of historic, political theoretical and literary sources, intellectual marronage is understood as a mode of radical resistance to the neocolonial subjugation for which the plantation system stands historically and metaphorically, as an inherently innovative political practice invested in the creation of communities marked by relational ontologies, and as a commitment to fostering an imagination of the world and the human that differs fundamentally from the Enlightenment paradigm. This specific conception of intellectual marronage forms the basis on which three key strategies that consistently shape Glissant's political practice are identified and mapped. They revolve around Glissant's engagement with history (chapter 2), his commitment to fostering an imagination of the Tout-Monde (whole-world) as a political point of reference (chapter 3), and the continuous exploration of alternative forms of community on the levels of the island, the archipelago and the Tout-Monde (chapter 4). Together these strategies constitute Glissant's personal politics of relation. Its abstract characteristics can be put in a productive conversation with related theoretical traditions invested in exploring the political potentials of fugitivity (chapters 5), as well as with the work of other postcolonial actors whose holistic practice warrants to be described as a politics of relation (chapter 6).}, language = {en} } @article{Schwarz2004, author = {Schwarz, Anja}, title = {Zwischen Multikulti und der Angst vor einer Balkanisierung Europas : ein Vergleich des deutschen und australischen Diskurses um Multikulturalismus}, isbn = {83-88216-65-1}, year = {2004}, language = {de} } @article{Tristram1993, author = {Tristram, Hildegard L. C.}, title = {Zwiebeln und W{\"o}rter : zum Sprachkontakt {\"u}ber den {\"A}rmelkanal}, isbn = {3-484-42911-9}, year = {1993}, abstract = {realisation in form of a retroflex is not only found in the English south West ('West Country burr'), but also across the English Channel in a well circumscribed area of Tr{\´e}gor in Brittany. Both areas also share other phonetic features such as sonorisation of word initial fricatives, epenthesis, surnames etc. How is this to be explained? Intensive mobility and trade across the sea suggest themselves as a possible answer. Travelling by sea, aided by expert knowledge of the seasonal currents and winds, was much quicker and efficient in former times than travelling across land. In this connection, the phenomenon of the "Johnnys de Roccoff" who traded Breton onions along the English coasts until very recently is pointed ou as a type of contact which may have transported phoneme realisations and lexis across the sea, forming a linguistic area with not much contact with their respective hinterlands in England and Brittany.}, language = {de} } @article{Mussil2002, author = {Mussil, Stephan}, title = {Zur Theorie des literarischen Kanons}, year = {2002}, language = {de} } @misc{Scharrer2008, type = {Master Thesis}, author = {Scharrer, Daniela}, title = {Zur Problematik von Herkunft, Geschlecht und Identit{\"a}tsfindung in den beiden Romanen von Nella Larsen "Quicksand" (1928) und "Passing" (1929)}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-20732}, school = {Universit{\"a}t Potsdam}, year = {2008}, abstract = {Diese Arbeit besch{\"a}ftigt sich mit den Konstruktionen literarischer Figuren in Bezug auf die kulturellen Konstruktionen von „race" und Gender. Die beiden hier besprochenen Romane „Quicksand" und „Passing" von Nella Larsen zeigen Hauptprotagonistinnen mit interrassischen Identit{\"a}ten, die auf einer schwarzen und weißen Elternschaft beruhen und sich damit an den bis in die sp{\"a}ten 1970er Jahre in den USA tats{\"a}chlich existierenden sog. Rassenmischungsverboten (Anti-Miscegenation Laws) sowie an schwarzen Weiblichkeitsentw{\"u}rfen reiben. Aus kultureller wie auch aus literarischer Perspektive sind diese Identit{\"a}ten interessant, da sie lange als „schwarz" und nicht als „interrassisch" eingeordnet wurden und eigene interrassische Identit{\"a}tsentw{\"u}rfe damit weitenteils fehlen. Eine Ausnahme ist die Figur der Tragischen Mulattin, die in Kapitel 3 besprochen wird. Die Arbeit blickt nach einer Darlegung kultureller Prozesse der Identit{\"a}tsbildung auf interrassische Figuren in der Literaturgeschichte, Identit{\"a}tsentw{\"u}rfe in der Harlem Renaissance, Vorstellungen von Weiblichkeit und Sexualit{\"a}t und schließlich auf die Praxis des Passing (dem Verschleiern eines Teils der Herkunft zu Gunsten eines anderen).}, language = {de} } @article{Drexler1998, author = {Drexler, Peter}, title = {Zur Funktion des Chors und chorischer Elemente in den Filmen Woody Allens}, year = {1998}, language = {de} } @article{Blell1996, author = {Blell, Gabriele}, title = {Zur Arbeit mit k{\"u}nstlerischen Bildtexten im Fremdsprachenunterricht : vom Bild- zum Sprachtext}, year = {1996}, language = {de} } @article{Gienow1991, author = {Gienow, Wilfried}, title = {Zum Verst{\"a}ndnis von Veranschaulichung beim Fremdsprachenerwerb}, isbn = {3-923549-43-1}, year = {1991}, language = {de} } @article{Wischer2008, author = {Wischer, Ilse}, title = {Zum kategorialen Status von Derivationsaffixen im Rahmen von Grammatikalisierungsprozessen}, isbn = {978-3-8196-0719-6}, year = {2008}, language = {de} } @article{Tristram2000, author = {Tristram, Hildegard L. C.}, title = {Zum Forschungsprojekt "The Celtic englishes" in Potsdam}, year = {2000}, abstract = {This report discusses the objectives of the new Potsdam based research project on the "Celtic Englishes" and provides a survey of the research undertaken so far in this dramatically underresearched area of the investigation of the European colonial varieties of English.}, language = {de} } @misc{Schwarz2010, author = {Schwarz, Anja}, title = {Zirkelschl{\"u}sse der Authentizit{\"a}t : das Erleben von Geschichte im australischen TV-Reenactment Outback House}, isbn = {978- 3-8376-1516-6}, year = {2010}, language = {de} } @misc{Wischer2010, author = {Wischer, Ilse}, title = {Ziegeler, D., Interfaces with English Aspect. Diachronic and empirical studies; Amsterdam, Benjamins Publ. Company, 2006}, year = {2010}, language = {en} } @article{Tristram1995, author = {Tristram, Hildegard L. C.}, title = {Zaoz and Zomerzet : Linguistic Contacts Across the English Channel}, year = {1995}, language = {en} }