@article{SanchezGarcia2020,
  author    = {Sanchez Garcia, Maria Clemencia},
  title     = {Las unidades fraseol{\´o}gicas del parlache como elementos evocadores de la oralidad ficcional en la novela Rosario Tijeras, de Jorge Franco y su traducci{\´o}n al alem{\´a}n},
  series = {Ling{\"u}{\´i}stica y literatura},
  volume    = {41},
  journal   = {Ling{\"u}{\´i}stica y literatura},
  number    = {77},
  publisher = {Universidad de Antioquia},
  address   = {Medell{\´i}n},
  issn      = {0120-5587},
  doi       = {10.17533/udea.lyl.n77a17},
  pages     = {385 -- 409},
  year      = {2020},
  abstract  = {Este estudioanaliz{\´o}c{\´o}mose evoca la oralidad ficcional en la novela Rosario Tijerasa trav{\´e}s de la variaci{\´o}n ling{\"u}{\´i}stica. Para ello, se analiz{\´o}un corpus de veinteunidades fraseol{\´o}gicas presentes en la novela y su traducci{\´o}n al alem{\´a}n. En esta novela negra, el autor recurri{\´o}a un lenguaje coloquial llamado parlache. Este art{\´i}culo, por tanto,se pretender{\´a} establecer c{\´o}mo estas unidades fraseol{\´o}gicas t{\´i}picas del parlachecontribuyerona la construcci{\´o}n de un di{\´a}logo hablado veros{\´i}mil, adem{\´a}s de determinar las divergencias de traducci{\´o}n y profundizar en la descripci{\´o}n de la variaci{\´o}n ling{\"u}{\´i}stica a trav{\´e}s de las unidades fraseol{\´o}gicas.},
  language  = {es}
}
@article{Minnes2020,
  author    = {Minnes, Mark},
  title     = {M{\´a}s all{\´a} de la oscuridad},
  series = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna},
  volume    = {36},
  journal   = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna},
  number    = {1},
  publisher = {Ediciones Universidad de Navarra},
  address   = {Pamplona},
  issn      = {0213-2370},
  doi       = {10.15581/008.36.1.387-406},
  pages     = {387 -- 406},
  year      = {2020},
  abstract  = {En los {\´u}ltimos a{\~n}os, la cr{\´i}tica ha vuelto a enfatizar el v{\´i}nculo de la escritura gongorina la {\´e}pica y los subg{\´e}neros denominados "heroicos" (Mercedes Blanco, Jes{\´u}s Ponce C{\´a}rdenas). Esta nueva perspectiva significa un cambio importante respecto a la recepci{\´o}n del poeta instaurada por la Generaci{\´o}n del 27 y en particular por D{\´a}maso Alonso. Limit{\´a}ndose a las Soledades de G{\´o}ngora, el presente art{\´i}culo explora las consecuencias de este nuevo paradigma, m{\´a}s all{\´a} de un G{\´o}ngora puramente l{\´i}rico. Metodol{\´o}gicamente, proponemos dejar atr{\´a}s la dial{\´e}ctica idealista o marxista de forma-contenido (la ideolog{\´i}a de la forma de Fredric Jameson), por considerarla un enfoque anacr{\´o}nico en el caso de G{\´o}ngora. Sin embargo, encontramos un acercamiento filol{\´o}gico viable en el compromiso de la forma del temprano Barthes, que trata de esquivar la dial{\´e}ctica de forma-contenido y volver a un gesto de escritura ({\´e}criture). La hip{\´o}tesis del presente art{\´i}culo ser{\´i}a, pues, que no se ha reflexionado suficientemente sobre el gesto de la escritura gongorina en las Soledades: una escritura que piratea el lenguaje {\´e}pico.},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Mi primera lectura acad{\´e}mica},
  series = {{\´A}labe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  journal   = {{\´A}labe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  number    = {22},
  publisher = {Universidad de Almer{\´i}a},
  address   = {Almer{\´i}a},
  issn      = {2171-9624},
  doi       = {10.15645/Alabe2020.22.13},
  pages     = {4},
  year      = {2020},
  language  = {es}
}
@article{Prieto2021,
  author    = {Prieto, Julio},
  title     = {Un dandy de zapatos gastados},
  series = {Chasqui : revista de literatura latinoamericana},
  volume    = {51},
  journal   = {Chasqui : revista de literatura latinoamericana},
  number    = {1},
  publisher = {Arizona State University},
  address   = {Tempe},
  issn      = {0145-8973},
  pages     = {389 -- 407},
  year      = {2021},
  abstract  = {El comienzo podr{\´i}an ser dos im{\´a}genes de Vallejo en Par{\´i}s. La primera la extraigo de la m{\´a}s reciente biograf{\´i}a del escritor peruano, C{\´e}sar Vallejo: A Literary Biography, obra del hispanista brit{\´a}nico Stephen Hart. Refiere Hart que en sus primeros a{\~n}os en Par{\´i}s la situaci{\´o}n de Vallejo era tan precaria que cuando viajaba en tren evitaba descender del vag{\´o}n hasta que no se hubiera detenido del todo para no desgastar su {\´u}nico par de zapatos. En cierta ocasi{\´o}n, yendo con unos amigos y top{\´a}ndose con una acera encharcada por la ruptura de una boca de riego, Vallejo prefiri{\´o} dar media vuelta y despedirse de sus amigos antes que arriesgarse a arruinar sus zapatos atravesando el charco (108). Quisiera contrastar esta imagen, que sintetiza la penuria econ{\´o}mica que marc{\´o} la vida de Vallejo en Par{\´i}s y en general los quince a{\~n}os que pas{\´o} en Europa desde que abandon{\´o} el Per{\´u} en 1923 hasta su muerte en 1938, con la imagen que propone una fotograf{\´i}a (v{\´e}ase Fig. 1). Es una fotograf{\´i}a muy conocida: tomada en 1929 por Juan Domingo C{\´o}rdoba en el curso de un paseo veraniego por Versalles, se ha convertido en una suerte de imagen emblem{\´a}tica, reproducida en numerosas reediciones de la obra de Vallejo. De hecho, lo que a m{\´i} siempre me llam{\´o} la atenci{\´o}n en esta imagen es la pose. La pose, y la elegancia del atuendo. Consideremos por un momento lo atildado del traje, el coqueto pa{\~n}uelo que asoma del bolsillo superior de la chaqueta, el anillo con un {\´a}gata negra engastada en el dedo coraz{\´o}n, el sombrero de fieltro dejado al desgaire en la pierna, el se{\~n}orial bast{\´o}n—o la corbata anudada en pajarita con que aparece en otra fotograf{\´i}a contempor{\´a}nea (v{\´e}ase Fig. 2). Si hubiera que definir en una palabra la elegancia de esa pose, yo dir{\´i}a que es la pose de un dandy. Un dandy de zapatos gastados. En los m{\´u}ltiples transtierros de Vallejo, y en particular en los quince a{\~n}os que vivi{\´o} en Par{\´i}s, coexisten as{\´i} pues la precariedad econ{\´o}mica del emigrante y el cosmopolitismo del viajero culto.},
  language  = {es}
}
@article{Prieto2021,
  author    = {Prieto, Julio},
  title     = {'La poes{\´i}a no da para tanto'},
  series = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool},
  volume    = {98},
  journal   = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool},
  number    = {1},
  publisher = {Liverpool Univ. Press},
  address   = {Liverpool},
  issn      = {1475-3839},
  doi       = {10.3828/bhs.2021.5},
  pages     = {67 -- 86},
  year      = {2021},
  abstract  = {This article focuses on the unique combination of poetry, fiction and autobiography that distinguishes Lorenzo Garcia Vega's recent work. Through a reading of this work and, in particular, of the 'bad novel', Devastacion del Hotel San Luis (2007), a rethinking of the concept of autofiction is proposed, based on Benveniste's linguistic analysis of enunciation modes and on a revision of Kate Hamburger's theory of literary genres. My reading situates the question of autofiction in this author in the context of his conflictive dialogue with the group Origenes, tracing the mixture of narrative and lyrical modes of autofiguration in Garcia Vega's unique project: rewriting both Proust's autobiographic narrative and Lezama's neobaroque poetics.},
  language  = {es}
}
@article{Soto2018,
  author    = {Soto, Paulina},
  title     = {Una reeducaci{\´o}n cr{\´i}tica: emergencia de revistas literarias digitales chilenas en el transcurso de la primera d{\´e}cada del siglo XXI},
  series = {Estudios Avanzados},
  journal   = {Estudios Avanzados},
  number    = {28},
  publisher = {Universidad de Santiago de Chile (USACH)},
  address   = {Santiago},
  issn      = {0718-5022},
  pages     = {121 -- 137},
  year      = {2018},
  abstract  = {Para inicios del siglo XXI se instalan nuevos medios de cr{\´i}tica literaria a trav{\´e}s de soportes digitales. Estas publicaciones tensionan un campo letrado chileno que enfrenta cuestionamientos. Gestionadas mayoritariamente por creadores precedentes de la generaci{\´o}n del 90, producen reaproximaciones a la cultura letrada. El objetivo es desafiar din{\´a}micas de interacci{\´o}n lectora heredadas vinculadas a las luces patria, desarrollistas, de tipo linear y ciegas a la heterogeneidad cultural vivida en la {\´e}poca. El proceso comprende, de tal modo, una reeducaci{\´o}n cr{\´i}tica centrada en ensayar po{\´e}ticas de productividad anal{\´i}tico-literarias heter{\´o}clitas. Se trata de una interacci{\´o}n lectora diversa, sujeta a ret{\´o}ricas {\´i}ntimas de apreciaci{\´o}n est{\´e}tica, que ponen en cuesti{\´o}n las nociones tradicionales mayoritariamente instructiva de la cultura chilena.},
  language  = {es}
}
@article{Hennemann2020,
  author    = {Hennemann, Anja},
  title     = {Tal vez es x vs. Tal ves sea X. Construcciones de probabilidad y el uso de los modos},
  series = {Romanica Olomucensia},
  volume    = {32},
  journal   = {Romanica Olomucensia},
  number    = {1},
  publisher = {Univerzita Palack{\´e}ho v Olomouci},
  address   = {Olomouc},
  issn      = {1803-4136},
  doi       = {10.5507/ro.2020.003},
  pages     = {51 -- 71},
  year      = {2020},
  abstract  = {This paper is concerned with constructions that express probability and their interaction with the indicative and subjunctive mood, as well as with other contextual elements. In detail, the paper deals with the constructions [sin duda + indicative/subjunctive], [tal vez + indicative/subjunctive], [probablemente + indicative/subjunctive] and [posiblemente + indicative/subjunctive]. In their interaction with mood, the constructions are understood as different microconstructions. For example, [sin duda + indicative] and [sin duda + subjunctive] are seen as different microconstructions of the superordinate mesoconstruction [modal construction (of probability) + verb]. In a qualitative analysis examples from the CREA, CORPES XXI, and CdE corpora are examined regarding the interaction of [expression of probability] + [mood]. Following the Principle of No Synonymy of Grammatical Forms, the analysis confirms that the use of mood additionally influences the expressed degree of probability of the constructions. For instance, while probablemente generally expresses a slightly higher probability than posiblemente, a fine-tuned analysis shows that the expressed degrees of probability of [probablemente + subjunctive] and [posiblemente + indicative] are highly similar. This is also often confirmed by further contextual information. In summary, the paper shows that Cognitive Construction Grammar is a very suitable background against which to investigate modal phenomena, as cognitive approaches generally deal with the ways in which language users conceptualize the world from their own point of view, and as expressions of modality, more precisely, probability, are also closely related to speakers' attitudes or perspectives.},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Siempre me ha ispirado horror pensar el mundo desde una sola perspectiva},
  series = {Chuy : revista de estudios literarios latinoamericanos},
  volume    = {8},
  journal   = {Chuy : revista de estudios literarios latinoamericanos},
  number    = {julio},
  publisher = {Universidad Nacional},
  address   = {Buenos Aires},
  pages     = {170 -- 176},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Escritura breve y estructura relacional},
  series = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  journal   = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  editor    = {Ette, Ottmar and S{\´a}nchez, Yvette},
  publisher = {Iberoamericana},
  address   = {Madrid},
  isbn      = {978-3-96869-038-4},
  pages     = {303 -- 339},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Mi primera lectura acad{\´e}mica: "Mimesis", de Erich Auerbach},
  series = {Alabe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  volume    = {22},
  journal   = {Alabe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  number    = {julio-diciembre},
  issn      = {2171-9624},
  pages     = {4},
  year      = {2020},
  language  = {es}
}
@article{Garcia2017,
  author    = {Garcia, Francisca},
  title     = {Imaginer{\´i}a fotosensible: guadalupe santa cruz y la escritura con grabado},
  series = {Pasavento : revista de estudios hisp{\´a}nicos},
  volume    = {5},
  journal   = {Pasavento : revista de estudios hisp{\´a}nicos},
  publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones},
  address   = {Madrid},
  issn      = {2255-4505},
  pages     = {53 -- 62},
  year      = {2017},
  abstract  = {A partir de la met{\´a}fora "imaginer{\´i}a fotosensible", el ensayo explora c{\´o}mo el fotograbado afecta la escritura de la autora chilena guadalupe santa Cruz. el grabado no solo implica aqu{\´i} una t{\´e}cnica art{\´i}stica, sino tambi{\´e}n una imaginaci{\´o}n cr{\´i}tica sobre el movimiento, las huellas y la memoria colectiva. la revisi{\´o}n del programa literario de la autora (ars poetica), permite afirmar que el grabado brinda la principal estrategia para activar la prosa y arraigar la palabra en el contexto de alienaci{\´o}n social generalizada en la post-dictadura chilena (d{\´e}cada del 90). Si bien planteo que la influencia de esta imaginaci{\´o}n del gra-bado est{\´a} presente en todo el proyecto literario de la autora, me centro en la revisi{\´o}n de dos novelas: Quebrada: las cordilleras en andas (2007) y la reciente-mente publicada y p{\´o}stuma Esta parcela (2015), las cuales incorporan una serie de im{\´a}genes impresas.},
  language  = {es}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Pasigraf{\´i}a y antipasigraf{\´i}a a finales del siglo XVIII y a principios del siglo XIX},
  volume    = {41},
  editor    = {Calero Vaquerao, Mar{\´i}a Luisa},
  publisher = {Infoling},
  address   = {Barcelona},
  issn      = {1139-8736},
  pages     = {169 -- 192},
  year      = {2020},
  abstract  = {In 1797 a rather short work appeared in Paris in two volumes, under the title Pasigraphie in both its French and German versions. The author, Joseph de Maimieux (1753-1820), is said to have coined the term pasigraphie. With the invention of pasigraphy, Maimieux pursued the goal of creating a conceptually based writing system that could be applied to all languages. In this way, a text written in this script could be read in all languages. The pasigraphic system is based on an a priori system of conceptual classification to which written characters are assigned. It is therefore initially an exclusively written language, on which Maimieux two years later also built a spoken language with the Pasilalie. The first arguments against the endeavour represented by the Pasigraphie were brought forward by Maimieux' immediate contemporaries, the ideologues. These objections were re-affirmed in particular by Johann Severin Vater. The decisive difference between Maimieux and his critics lies in the determination of the role of signs in the formation of concepts. While for Maimieux the signs only name the finished concepts, his critics argued that signs have a function in the constitution of the concepts. A universal language is therefore ultimately not possible, since there are no universal concepts and the individual languages lead to different conceptual structures.},
  language  = {es}
}
@article{Lenz2016,
  author    = {Lenz, Markus Alexander},
  title     = {THINKING THE CONTEMPORARY BY THE LYRICAL: THE WORK OF NICANOR PARRA AND ROBERT BOLANO},
  series = {Alea : estudos neolatinos},
  volume    = {18},
  journal   = {Alea : estudos neolatinos},
  publisher = {Universidade Federal do Rio de Janeiro, Faculdade de Letras},
  address   = {Rio de Janeiro RJ},
  issn      = {1517-106X},
  doi       = {10.1590/1517-106X/182-313},
  pages     = {313 -- 328},
  year      = {2016},
  abstract  = {Two Chilean poets with equal and yet different conceptions of poetry: While Nicanor Parra is considered one of the most important Latin American lyricists of the 20th century, the poetry of novelist Roberto Bola{\~n}o only finds little attention in comparison to his highly successful prose. Yet both authors give constructive answers to the possible functions of contemporary poetry under an epistemology based upon materialism that affects language as emancipatory capacity of each human individual. A comparative reading of two volumes of their poetry, Parra's well known Poemas y antipoemas (1954) and Bola{\~n}o's last 'collection of poems' Tres (2000), does not only demonstrate some structural links. The urgent question concerning the benefits of literature among globalized societies, involving highly complex cultural and linguistic identities, could benefit from a revived awareness towards poetry as historically relative formalization of language, but also as an efficient instrument to reflect the restrictions of language in times of its economic and cultural-industrial standardization.},
  language  = {es}
}
@article{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Intersecci{\´o}n entre la evidencialidad y la atenuaci{\´o}n: el pret{\´e}rito imperfecto evidencial y el futuro narrativo},
  series = {Normas. Revista de estudios ling{\"u}{\´i}sticos hisp{\´a}nicos},
  volume    = {7},
  journal   = {Normas. Revista de estudios ling{\"u}{\´i}sticos hisp{\´a}nicos},
  number    = {2},
  publisher = {Universidad de Valencia},
  address   = {Valencia},
  issn      = {2174-7245},
  doi       = {10.7203/normas.v7i2.9276},
  pages     = {19 -- 32},
  year      = {2017},
  language  = {es}
}
@article{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {El Curso de ling{\"u}{\´i}stica general de Saussure y su importancia en el desarrollo de la ling{\"u}{\´i}stica estructural},
  series = {Revista Entornos},
  volume    = {29},
  journal   = {Revista Entornos},
  number    = {2},
  edition   = {1},
  publisher = {Vicerrector{\´i}a de Investigaci{\´o}n y Proyecci{\´o}n Social de la Universidad Surcolombiana},
  address   = {Colombia},
  issn      = {0124-7905},
  pages     = {235 -- 255},
  year      = {2017},
  language  = {es}
}
@article{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {La inversiones del orden de palabras},
  series = {Revista de Investigaci{\´o}n Ling{\"u}{\´i}stica},
  volume    = {19},
  journal   = {Revista de Investigaci{\´o}n Ling{\"u}{\´i}stica},
  issn      = {1989-4554},
  pages     = {35 -- 60},
  year      = {2016},
  abstract  = {Las teor{\´i}as sobre el orden de las palabras del siglo XVII han encontrado mucha repercusi{\´o}n en las investigaciones actuales sobre la estructura de la informaci{\´o}n. No obstante, estas alusiones tienden a ser inconscientes. ?'C{\´o}mo deben evaluar los histori{\´o}grafos tales similitudes, mucho m{\´a}s all{\´a} de determinar su continuidad? ?'Se pueden derivar tal vez conclusiones sobre este tema complejo, que es relevante en la discusi{\´o}n de hoy en d{\´i}a, tomando en cuenta las diversas posiciones opuestas y el intenso discurso del siglo XVIII?},
  language  = {es}
}
@article{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {El Curso de ling{\"u}{\´i}stica general de Saussure y su importancia en el desarrollo de la ling{\"u}{\´i}stica estructural},
  series = {Revista Entornos : {\´O}rgano de divulgaci{\´o}n cient{\´i}fico, tecnol{\´o}gico y cultural de la Vicerrector{\´i}a de Investigaci{\´o}n y Proyecci{\´o}n Social de la Universidad Surcolombiana},
  volume    = {29},
  journal   = {Revista Entornos : {\´O}rgano de divulgaci{\´o}n cient{\´i}fico, tecnol{\´o}gico y cultural de la Vicerrector{\´i}a de Investigaci{\´o}n y Proyecci{\´o}n Social de la Universidad Surcolombiana},
  number    = {2},
  edition   = {1},
  publisher = {Vicerrector{\´i}a de Investigaci{\´o}n y Proyecci{\´o}n Social de la Universidad Surcolombiana},
  address   = {Neiva},
  issn      = {0124-7905},
  pages     = {235 -- 255},
  year      = {2016},
  abstract  = {En esta contribuci{\´o}n se explicar{\´a} la influencia que tuvo el Curso de ling{\"u}{\´i}stica general de Ferdinand de Saussure en la ling{\"u}{\´i}stica estructural, as{\´i} como el desarrollo de algunos conceptos prominentes en esta obra antes y despu{\´e}s de Saussure. El estructuralismo es un fen{\´o}meno que se ha caracterizado por ser una corriente importante de la ling{\"u}{\´i}stica europea y americana del siglo XX. Se demostrar{\´a} que la ling{\"u}{\´i}stica estructural no hace m{\´a}s que acentuar una actitud que ya se encontraba presente anteriormente en la ling{\"u}{\´i}stica y que todav{\´i}a sigue estando presente. Esto tambi{\´e}n se puede ver en Espa{\~n}a donde la ling{\"u}{\´i}stica estructural no se puede explicar solamente como una importaci{\´o}n tard{\´i}a. Tambi{\´e}n se observar{\´a}, por el otro lado, que el pensamiento de Ferdinand de Saussure, considerado el fundador del estructuralismo, es menos opuesto a todo lo que se considera ajeno al estructuralismo. En esta contribuci{\´o}n me propongo hacer una revisi{\´o}n de los conceptos que se consideran iniciadores del estructuralismo. La publicaci{\´o}n de los manuscritos de la ling{\"u}{\´i}stica general de Saussure (2002) permite adquirir una visi{\´o}n m{\´a}s amplia y m{\´a}s detallada de los conceptos de las teor{\´i}as ling{\"u}{\´i}sticas en cuesti{\´o}n.},
  language  = {es}
}
@article{Hassler2015,
  author    = {Haßler, Gerda},
  title     = {Ram{\´o}n Campos P{\´e}rez: un te{\´o}rico del lenguaje dejado en el olvido},
  series = {Censuras, exclusiones y silencios en la historia de la ling{\"u}{\´i}stica hisp{\´a}nica},
  volume    = {36},
  journal   = {Censuras, exclusiones y silencios en la historia de la ling{\"u}{\´i}stica hisp{\´a}nica},
  editor    = {Calero Vaquero, Mar{\´i}a Luisa and Subirats R{\"u}ggeberg, Carlos},
  issn      = {1139-8736},
  pages     = {73 -- 94},
  year      = {2015},
  abstract  = {Ram{\´o}n Campos was very much influenced by the sensationist views current in French linguistic theory and developed these further, even to the point of drawing radical conclusions. In his opinion, abstraction is solely possible by using words. According to his ideas, articulated spoken language is the essential prerequisite for higher thought processes. Furthermore, the adjectives which name characteristics are derived from nouns. Memory and the formation of general ideas are the result of the "gift of the word" and by no means are actions of the human mind. Sign language, which was accepted in French linguistic theory as a precursor of spoken language, is not enough for carrying out abstractions. The tendency of thought to concretise contributes to the dissemination of abstractions. No dependent or referential word can be understood as the original word. He also developed these ideas in his treatise De la desigualdad personal en la sociedad civil ('On personal inequality in civil society'), where they became the basis of a new ethics of communication. This paper intends to explore the concept of the "gift of the word", which according to Campos is the only instrument of abstraction and analysis. Applying this concept, human thought can be divided into two capacities or powers: imagination and memory.},
  language  = {es}
}
@article{Hassler2014,
  author    = {Haßler, Gerda},
  title     = {Los tiempos verbales y sus denominaciones en las gram{\´a}ticas espa{\~n}olas desde el siglo XVII hasta el siglo XX},
  series = {M{\´e}todos y resultados actuales en Historiograf{\´i}a de la Ling{\"u}{\´i}stica},
  volume    = {1},
  journal   = {M{\´e}todos y resultados actuales en Historiograf{\´i}a de la Ling{\"u}{\´i}stica},
  publisher = {Nodus Publikationen},
  address   = {M{\"u}nster},
  isbn      = {978-3-89323-020-4},
  pages     = {349 -- 360},
  year      = {2014},
  abstract  = {In this paper, the names of the Spanish verb forms are examined with emphasis on the forms of the so-called past tense and the relationship of their conceptual potential to the function of these forms. The names of the verb forms in Spanish grammars from the 17th to the 20th century are determined by Latin grammar, but also by theoretical positions of their authors.},
  language  = {es}
}
@article{Ette2015,
  author    = {Ette, Ottmar},
  title     = {Excellence(s), velociferina(s). On the bestiary of deceptive elites of Bologna},
  series = {Literatura : teor{\´i}a, historia, cr{\´i}tica ; revista del Departamento de Literatura},
  volume    = {17},
  journal   = {Literatura : teor{\´i}a, historia, cr{\´i}tica ; revista del Departamento de Literatura},
  number    = {2},
  publisher = {Departamento de Literatura, Universidad Nacional de Colombia},
  address   = {Bogota},
  issn      = {0123-5931},
  pages     = {237 -- 242},
  year      = {2015},
  language  = {es}
}