@book{Fliessbach2023, author = {Fliessbach, Jan}, title = {The intonation of expectations}, publisher = {Language Science Press}, address = {Berlin}, isbn = {978-3-96110-413-0}, issn = {2940-1100}, doi = {10.5281/zenodo.7929375}, pages = {285}, year = {2023}, abstract = {This book provides a new perspective on prosodically marked declaratives, wh-exclamatives, and discourse particles in the Madrid variety of Spanish. It argues that some marked forms differ from unmarked forms in that they encode modal evaluations of the at-issue meaning. Two epistemic evaluations that can be shown to be encoded by intonation in Spanish are obviousness and mirativity, which present the at-issue meaning as expected and unexpected, respectively. An empirical investigation via a production experiment finds that they are associated with distinct intonational features under constant focus scope, with stances of (dis)agreement showing an impact on obvious declaratives. Wh-exclamatives are found not to differ significantly in intonational marking from neutral declaratives, showing that they need not be miratives. Moreover, we find that intonational marking on different discourse particles in natural dialogue correlates with their meaning contribution without being fully determined by it. In part, these findings quantitatively confirm previous qualitative findings on the meaning of intonational configurations in Madrid Spanish. But they also add new insights on the role intonation plays in the negotiation of commitments and expectations between interlocutors.}, language = {en} } @misc{Klettke2023, author = {Klettke, Cornelia}, title = {Demonizzazione dell'umano: nebulosa dantesca e imagerie populaire in L'ultimo capodanno dell'umanit{\`a} di Niccol{\`o} Ammaniti}, series = {Letteratura e arte per Marcello Ciccuto}, journal = {Letteratura e arte per Marcello Ciccuto}, publisher = {ETS}, address = {Pisa}, year = {2023}, language = {it} } @incollection{Klettke2023, author = {Klettke, Cornelia}, title = {Saluto dell'Istituto di Romanistica dell'Universit{\`a} di Potsdam}, series = {"Vorrei cogliere questa terra / dentro l'immobile occhio del bue". Leonardo Sciascia, lo sguardo di un intellettuale 'scomodo'.}, booktitle = {"Vorrei cogliere questa terra / dentro l'immobile occhio del bue". Leonardo Sciascia, lo sguardo di un intellettuale 'scomodo'.}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-73298-993-5}, pages = {11 -- 13}, year = {2023}, language = {it} } @article{Klettke2023, author = {Klettke, Cornelia}, title = {Le copertine come chiavi di lettura per i romanzi di Andrea De Carlo}, series = {Letteratura \& Arte}, volume = {21}, journal = {Letteratura \& Arte}, editor = {Ciccuto, Marcello and Morra, Eloisa and Portesine, Chiara}, publisher = {Serra}, address = {Pisa}, issn = {1824-4602}, doi = {10.19272/202306001011}, pages = {185 -- 202}, year = {2023}, language = {it} } @article{Klettke2023, author = {Klettke, Cornelia}, title = {Pierre Klossowksi. L'acte cr{\´e}ateur de l'{\´e}crivain peintre}, series = {Cahiers Erta}, volume = {33}, journal = {Cahiers Erta}, publisher = {Wydawnictwo Uniwersytetu Gdańskiego}, address = {Gdansk}, issn = {2300-4681}, doi = {10.4467/23538953CE.23.006.17568}, pages = {139 -- 157}, year = {2023}, abstract = {Klossowski, who had originally started as a religious seeker of truth in his younger years, will - after his « reversal » - feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicit{\´e} d'une force "d{\´e}monique" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).}, language = {fr} } @phdthesis{Kern2023, author = {Kern, Anne}, title = {Juana Borrero}, series = {Mimesis}, volume = {93}, journal = {Mimesis}, publisher = {De Gruyter}, address = {Berlin}, isbn = {978-3-11-074835-2}, issn = {0178-7489}, doi = {10.1515/9783110748499}, school = {Universit{\"a}t Potsdam}, pages = {XIII, 602}, year = {2023}, abstract = {Juana Borrero y Pierra (1877-1896) war eine der wichtigsten Vertreterinnen des inselkubanischen Modernismo. Gleichwohl ist das Schaffen der schon zu Lebzeiten zum Wunderkind stilisierten Autorin, Dichterin und Malerin wissenschaftlich kaum eingehender untersucht worden. Die Werkstudie schl{\"a}gt einen umfassenden, konsequent {\"a}sthetischen Blick auf das aus Gedichten, poetischer Prosa, literarischen Liebesbriefen, Zeichnungen und Malereien bestehende Gesamtwerk Borreros vor, das im Kern ein Streben nach Ganzheit von Kunst und Leben offenlegt. Dabei werden die Text- und Bildstrategien der K{\"u}nstlerin mit den {\"a}sthetischen, soziohistorischen und biografischen Kontexten verzahnt, wodurch Juana Borreros Stimme als exemplarische Stimme der kubanischen Sp{\"a}tmoderne sowie einer bewegten kubanischen Literatur les- und sichtbar wird.}, language = {de} } @phdthesis{Woebbeking2024, author = {W{\"o}bbeking, Cordula}, title = {K{\"o}rper - Karte - Text}, series = {Sanssouci - Forschungen zur Romanistik}, volume = {22}, journal = {Sanssouci - Forschungen zur Romanistik}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-1016-8}, issn = {2193-9985}, school = {Universit{\"a}t Potsdam}, pages = {280}, year = {2024}, abstract = {Rabelais' Pentalogie um die Riesen Gargantua und Pantagruel spiegelt Aspekte des sich ver{\"a}ndernden Weltbildes ihrer Entstehungszeit. Diese Studie untersucht auf der Folie der Theorie des Simulakrum Schrift, wie K{\"o}rpermodellierungen und kartographisches imaginaire durch den Autor als Strategien der Verh{\"u}llung verborgener Botschaften eingesetzt werden. Sie zeigt an ausgew{\"a}hlten Beispielen des Quart Livre die Aufweichung der Grenzen von K{\"o}rper, Karte und Text und deren Durchdringung. Die Metaphorizit{\"a}t des Textes gibt Aufschluss {\"u}ber seine Autoreflexivit{\"a}t und bewirkt eine gleichsam ganzheitliche Lekt{\"u}reerfahrung. Schließlich avanciert die Fiktion in ihrer Trugbildhaftigkeit als grotesk-sinnlicher K{\"o}rper und polysemantische Karte zum Welterkl{\"a}rungsmodell, das jedoch erst dechiffriert werden muss.}, language = {de} } @article{GerstenbergSkupienDekens2021, author = {Gerstenberg, Annette and Skupien-Dekens, Carine}, title = {A grammar of authority?}, series = {Journal of historical pragmatics}, volume = {22}, journal = {Journal of historical pragmatics}, number = {1}, publisher = {John Benjamins Publishing Co.}, address = {Amsterdam}, issn = {1566-5852}, doi = {10.1075/jhp.17006.ger}, pages = {1 -- 33}, year = {2021}, abstract = {Directive Speech Acts (dsas) are a major feature of historical pragmatics, specifically in research on historical (im)politeness. However, for Classical French, there is a lack of research on related phenomena. In our contribution, we present two recently constructed corpora covering the period of Classical French, sermo and apwcf. We present these corpora in terms of their genre characteristics on a communicative-functional and socio-pragmatic level. Based on the observation that, both in sermo and apwcf, dsas frequently occur together with terms of address, we analyse and manually code a sample based on this co-occurrence, and we compare the results with regard to special features in the individual corpora. The emerging patterns show a clear correspondence between socio-pragmatic factors and the linguistic means used to realise dsas. We propose that these results can be interpreted as signs of an underlying "grammar of authority".}, language = {en} } @article{Schroeer2022, author = {Schr{\"o}er, Marie}, title = {Illustrated personalities}, series = {Zeitschrift f{\"u}r Germanistik}, volume = {32}, journal = {Zeitschrift f{\"u}r Germanistik}, number = {2}, publisher = {Lang}, address = {Bern}, issn = {0323-7982}, doi = {10.3726/92171_352}, pages = {352 -- 372}, year = {2022}, abstract = {Bio-Comics (or comic biographies) are becoming increasingly popular and are widely discussed in the media. The article outlines which and how personalities are portrayed in words and pictures and discusses possible subcategories. The review of a large number of current biographical comics makes it possible to find initial answers to two complementary questions: To what extent does the comic benefit from the biography; and to what extent does the biography benefit from the comic?}, language = {de} } @article{Buschmann2008, author = {Buschmann, Albrecht}, title = {Der B{\"u}rger, der Krieg und der Held}, series = {Literaturen des B{\"u}rgerkriegs}, journal = {Literaturen des B{\"u}rgerkriegs}, publisher = {Trafo}, address = {Berlin}, isbn = {978-3-89626-680-4}, pages = {203 -- 218}, year = {2008}, language = {de} } @article{vonTreskow2008, author = {von Treskow, Isabella}, title = {Techniken der {\"A}sthetisierung von innergesellschaftlicher Gewalt}, series = {Literaturen des B{\"u}rgerkriegs}, journal = {Literaturen des B{\"u}rgerkriegs}, publisher = {Trafo}, address = {Berlin}, isbn = {978-3-89626-680-4}, pages = {159 -- 183}, year = {2008}, language = {de} } @article{OrtizWallner2008, author = {Ortiz Wallner, Alexandra}, title = {Die {\"A}stetisierung der Gewalt am Beispiel der Romane von Horacio Castellaos Moya}, series = {Literaturen des B{\"u}rgerkriegs}, journal = {Literaturen des B{\"u}rgerkriegs}, publisher = {Trafo}, address = {Berlin}, isbn = {978-3-89626-680-4}, pages = {75 -- 89}, year = {2008}, language = {de} } @article{BandauBuschmannvonTreskow2008, author = {Bandau, Anja and Buschmann, Albrecht and von Treskow, Isabella}, title = {Einleitung}, series = {Literaturen des B{\"u}rgerkriegs}, journal = {Literaturen des B{\"u}rgerkriegs}, publisher = {Trafo}, address = {Berlin}, isbn = {978-3-89626-680-4}, pages = {7 -- 18}, year = {2008}, language = {de} } @book{OPUS4-60854, title = {Literaturen des B{\"u}rgerkriegs}, series = {Potsdamer Beitr{\"a}ge zur Kultur- und Sozialgeschichte}, volume = {6}, journal = {Potsdamer Beitr{\"a}ge zur Kultur- und Sozialgeschichte}, editor = {Bandau, Anja and Buschmann, Albrecht and von Treskow, Isabella}, publisher = {Trafo}, address = {Berlin}, isbn = {978-3-89626-680-4}, pages = {312}, year = {2008}, language = {de} } @article{Ette2023, author = {Ette, Ottmar}, title = {Arquip{\´e}lagos e espa{\c{c}}os temporais}, series = {Fractais do mundo : Caminhos pelas Literaturas do Mondo}, volume = {2}, journal = {Fractais do mundo : Caminhos pelas Literaturas do Mondo}, publisher = {Class}, address = {Porto Alegre, RS}, isbn = {978-65-84571-68-6}, pages = {361}, year = {2023}, language = {pt} } @book{Ette2022, author = {Ette, Ottmar}, title = {Teorias e vetore}, series = {Fractais do mundo : Caminhos pelas Literaturas do Mondo}, volume = {1}, journal = {Fractais do mundo : Caminhos pelas Literaturas do Mondo}, publisher = {Class}, address = {Porto Alegre, RS}, isbn = {978-65-84571-54-9}, pages = {272}, year = {2022}, language = {pt} } @incollection{Ette2019, author = {Ette, Ottmar}, title = {Pride and conviviality - pride in conviviality}, series = {Taking Stock - Twenty-Five Years of Comparative Literary Research (Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft)}, volume = {200}, booktitle = {Taking Stock - Twenty-Five Years of Comparative Literary Research (Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft)}, publisher = {Brill Rodopi}, address = {Leiden [u.a.]}, isbn = {978-90-04-41035-0}, issn = {0929-6999}, doi = {10.1163/9789004410350_006}, pages = {121 -- 155}, year = {2019}, abstract = {Pride is linked to conviviality, to the practice of life-with-an-other, and to an awareness of the limitations of the life forms and life norms which guide and regulate the life of culturally, socially, and historically defined communities. Assuming this link, pride in living-together and conviviality appear as concepts creating a framework for future perspectives. But these concepts need a space in which they can unfold critically and confidently with a view to the future. For millennia, the literatures of the world have created this space of simulation and experimentation in which knowledge of how-to-live-with-an-other has been put down on paper through the open-ended tradition of writing. It is the space of the life forms and life norms of conviviality: it offers us prospective knowledge for the future by translating the imaginable into the thinkable, and the readable into the livable.}, language = {en} } @book{Ette2023, author = {Ette, Ottmar}, title = {Sin domicilio fijo}, series = {Colecci{\´o}n iridiscencias}, journal = {Colecci{\´o}n iridiscencias}, publisher = {Ubu ediciones}, address = {Olivios, Buenos Aires}, isbn = {978-987-8495-25-5}, pages = {141}, year = {2023}, language = {es} } @phdthesis{Gwozdz2023, author = {Gwozdz, Patricia A.}, title = {Ecce figura}, series = {Mimesis}, journal = {Mimesis}, number = {103}, publisher = {De Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-099722-4}, issn = {0178-7489}, doi = {10.1515/9783110985863}, pages = {XII, 835}, year = {2023}, abstract = {Wor{\"u}ber wir reden, wenn wir von Figuren reden, ist eine komplexe Fragestellung, die unterschiedliche Disziplinen ber{\"u}hrt. Mit Erich Auerbachs figura/Mimesis-Projekt wurde die interdiszplin{\"a}re Forschung dieses Begriffs initiiert. Ob Literatur-, Bild- oder Wissensgeschichte - die Pr{\"a}senz und Aktualit{\"a}t von figura in der romanistischen und komparatistischen Forschung bezeugt ein anhaltendes Interesse an der Theoriearbeit zwischen Theologie, Philosophie, Literatur- und Kunstwissenschaft. Allerdings fehlt bislang eine grundlegende methodologische Reflexion, die die interdisziplin{\"a}ren Aspekte gleichrangig ber{\"u}cksichtigt und zu einer gemeinsamen Arbeit am Begriff vereinigt. Dieses Vers{\"a}umnis zu beheben, ist Aufgabe der vorliegenden Arbeit. Ausgehend von Erich Auerbach, Walter Benjamin und Hannah Arendt verfolgt die Monographie in vergleichenden Konstellationen von der Antike bis in die Moderne die literatur- und kunsthistorischen, theologischen und philosophischen Spuren von figura, die zu einer Methode der literaturphilosophischen Figuralogie ausgebaut werden. Ecce figura versteht sich als ein Kompendium interdisziplin{\"a}rer Begriffsgeschichte zwischen Literatur, Philosophie und Theologie, das dazu einl{\"a}dt, in neuen Konstellationen gelesen und erweitert zu werden.}, language = {de} } @article{SanchezGarcia2020, author = {Sanchez Garcia, Maria Clemencia}, title = {Las unidades fraseol{\´o}gicas del parlache como elementos evocadores de la oralidad ficcional en la novela Rosario Tijeras, de Jorge Franco y su traducci{\´o}n al alem{\´a}n}, series = {Ling{\"u}{\´i}stica y literatura}, volume = {41}, journal = {Ling{\"u}{\´i}stica y literatura}, number = {77}, publisher = {Universidad de Antioquia}, address = {Medell{\´i}n}, issn = {0120-5587}, doi = {10.17533/udea.lyl.n77a17}, pages = {385 -- 409}, year = {2020}, abstract = {Este estudioanaliz{\´o}c{\´o}mose evoca la oralidad ficcional en la novela Rosario Tijerasa trav{\´e}s de la variaci{\´o}n ling{\"u}{\´i}stica. Para ello, se analiz{\´o}un corpus de veinteunidades fraseol{\´o}gicas presentes en la novela y su traducci{\´o}n al alem{\´a}n. En esta novela negra, el autor recurri{\´o}a un lenguaje coloquial llamado parlache. Este art{\´i}culo, por tanto,se pretender{\´a} establecer c{\´o}mo estas unidades fraseol{\´o}gicas t{\´i}picas del parlachecontribuyerona la construcci{\´o}n de un di{\´a}logo hablado veros{\´i}mil, adem{\´a}s de determinar las divergencias de traducci{\´o}n y profundizar en la descripci{\´o}n de la variaci{\´o}n ling{\"u}{\´i}stica a trav{\´e}s de las unidades fraseol{\´o}gicas.}, language = {es} }