@misc{NiehusKettler2023, author = {Niehus-Kettler, Melinda}, title = {Naturalising perceived otherness}, series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, isbn = {978-3-8474-2679-0}, issn = {1866-8380}, doi = {10.25932/publishup-60133}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-601332}, pages = {20}, year = {2023}, abstract = {This essay takes an Anglophone Cultural Studies approach to reflect on the interdependence among as well as the individual (implicit) impact of the elements constituting our (embodied) power structures. These are, e.g., bodily experience/s such as shame and fear, everyday and institutional discourses and practices, but also manifestations of differences and particularities that we transform into phenomena such as "norms", "binary systems" and "binary organisations". The analysis of seemingly cyclic "Othering processes" and patterns of violence shows how people who identify as trans*, inter*, or non-binary have to live through and embody epistemological, emotional, and/or physical violence. At the same time, the descriptions illustrate numberless potential forms of resistance and change.}, language = {en} } @misc{BarthWeingartenOgden2021, author = {Barth-Weingarten, Dagmar and Ogden, Richard}, title = {"Chunking" spoken language}, series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, publisher = {Universit{\"a}t Potsdam}, address = {Potsdam}, issn = {1866-8380}, doi = {10.25932/publishup-53625}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-536259}, pages = {531 -- 548}, year = {2021}, abstract = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.}, language = {en} } @misc{Kuettner2014, author = {K{\"u}ttner, Uwe-Alexander}, title = {Rhythmic analyses as a proof-procedure?}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {172}, issn = {1866-8380}, doi = {10.25932/publishup-44536}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445363}, pages = {26}, year = {2014}, abstract = {This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL.}, language = {en} } @misc{EcksteinSchwarz2019, author = {Eckstein, Lars and Schwarz, Anja}, title = {La carte de Tupaia, ma{\^i}tre d'astres et de navigation polyn{\´e}sienne}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {170}, issn = {1866-8380}, doi = {10.25932/publishup-44538}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445381}, pages = {156}, year = {2019}, abstract = {La carte de Tupaia constitue l'un des art{\´e}facts les plus c{\´e}l{\`e}bres et les plus {\´e}nigmatiques {\`a} {\´e}merger des toutes premi{\`e}res rencontres entre Europ{\´e}ens et {\^i}liens du Pacifique. Elle a {\´e}t{\´e} {\´e}labor{\´e}e entre ao{\^u}t 1769 et f{\´e}vrier 1770 par Tupaia, pr{\^e}tre 'arioi, conseiller royal et ma{\^i}tre de navigation originaire de Ra'iātea, aux {\^I}les Sous-le-Vent de la Soci{\´e}t{\´e}. En collaboration avec divers membres d'{\´e}quipage de l'Endeavour de James Cook, en deux temps distincts de cartographie et trois {\´e}bauches. L'identit{\´e} de bien des {\^i}les qui y figurent et la logique de leur agencement demeuraient jusqu'{\`a} pr{\´e}sent des {\´e}nigmes. En se fiant en partie {\`a} des pi{\`e}ces d'archives rest{\´e}es ignor{\´e}es, nous proposons, dans ce long essai, une nouvelle compr{\´e}hension de sa logique cartographique, une reconstitution d{\´e}taill{\´e}e de sa gen{\`e}se et donc, pour la toute premi{\`e}re fois, une lecture exhaustive. La carte de Tupaia n'illustre pas seulement la magnitude et la ma{\^i}trise de la navigation polyn{\´e}sienne, elle r{\´e}alise aussi une remarquable synth{\`e}se repr{\´e}sentationnelle de deux syst{\`e}mes d'orientation tr{\`e}s diff{\´e}rents.}, language = {fr} } @misc{Kuettner2019, author = {K{\"u}ttner, Uwe-Alexander}, title = {At the intersection of stance-management and repair}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, issn = {1866-8380}, doi = {10.25932/publishup-44348}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-443485}, pages = {115 -- 156}, year = {2019}, abstract = {This article offers an in-depth analysis of one particular type of meta-talk. It looks at how speakers use the meta-pragmatic claim to have previously communicated ('said' or 'meant') the same as, or the equivalent of, what their interlocutor just said. Through detailed sequential analyses, it is shown that this claim is frequently used as a practice for disarming disaffiliative responses and thus to manage (and often resolve) incipient disagreement. Besides unpacking the precise mechanisms underlying this practice, the paper also takes stock of the various (and partly variable) lexico-morpho-syntactic, prosodic and bodily-visual elements of conduct that recurrently enter into its composition. Since the practice essentially rests on the speaker's insinuation of having been misunderstood by their co-participant, its relationship to the organization of repair will also be discussed. It is argued that the practice operates precisely at the intersection of stance-management (agreement/disagreement) and repair, and that it exhibits features which reflect this intersectional character. Data are in English.}, language = {en} } @misc{EcksteinSchwarz2018, author = {Eckstein, Lars and Schwarz, Anja}, title = {The Making of Tupaia's Map}, series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe}, number = {154}, issn = {1866-8380}, doi = {10.25932/publishup-42309}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-423091}, pages = {96}, year = {2018}, abstract = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.}, language = {en} } @misc{Wiemann2014, author = {Wiemann, Dirk}, title = {George, Rosemary Marangoly, Indian English and the Fiction of National Literature / [reviewed by] Dirk Wiemann}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {135}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-398664}, pages = {4}, year = {2014}, abstract = {Rezensiertes Werk: George, Rosemary Marangoly, Indian English and the Fiction of National Literature - Cambridge: Cambridge University Press, 2013. - Hb. viii, 285 pp. - (Zeitschrift f{\"u}r Anglistik und Amerikanistik ; 62(4)) ISBN 978-1-107-04000-7.}, language = {en} } @misc{Reimer2017, author = {Reimer, Anna Maria}, title = {Pink, Katharina, Identitas Oriens: Discursive Constructions of Identity and Alterity in British Orient Travelogues / [reviewed by] Anna Maria Reimer}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {126}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-397856}, pages = {3}, year = {2017}, abstract = {Rezensiertes Werk Pink, Katharina, Identitas Oriens: Diskursive Konstruktionen von Identit{\"a}t und Alterit{\"a}t in britischer Orient-Reiseliteratur - W{\"u}rzburg, Ergon Verlag, 2014 337 S. - (Literatur - Kultur - Theorie, 19)}, language = {en} } @misc{Roeder2016, author = {R{\"o}der, Katrin}, title = {Engaging with T.S. Eliot: Four Quartets as a Multimedia Performance}, series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik}, journal = {Zeitschrift f{\"u}r Anglistik und Amerikanistik}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-397808}, pages = {20}, year = {2016}, abstract = {This article explores a recent performance of excerpts from T.S. Eliot's Four Quartets (1935/36-1942) entitled Engaging Eliot: Four Quartets in Word, Color, and Sound as an example of live poetry. In this context, Eliot's poem can be analysed as an auditory artefact that interacts strongly with other oral performances (welcome addresses and artists' conversations), as well as with the musical performance of Christopher Theofanidis's quintet "At the Still Point" at the end of the opening of Engaging Eliot. The event served as an introduction to a 13-day art exhibition and engaged in a re-evaluation of Eliot's poem after 9/11: while its first part emphasises the connection between Eliot's poem and Christian doctrine, its second part - especially the combination of poetry reading and musical performance - highlights the philosophical and spiritual dimensions of Four Quartets.}, language = {en} } @misc{Adair2017, author = {Adair, Gigi}, title = {The "Feringhi Hakīm": medical encounters and colonial ambivalence in Isabella Bird's travels in Japan and Persia}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {120}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-395316}, pages = {13}, year = {2017}, abstract = {This article considers Isabella Bird's representation of medicine in Unbeaten Tracks in Japan (1880) and Journeys in Persia and Kurdistan (1891), the two books in which she engages most extensively with both local (Chinese/Islamic) and Western medical science and practice. I explore how Bird uses medicine to assert her narrative authority and define her travelling persona in opposition to local medical practitioners. I argue that her ambivalence and the unease she frequently expresses concerning medical practice (expressed particularly in her later adoption of the Persian appellation "Feringhi Hakīm" [European physician] to describe her work) serves as a means for her to negotiate the colonial and gendered pressures on Victorian medicine. While in Japan this attitude works to destabilise her hierarchical understanding of science and results in some acknowledgement of traditional Japanese traditions, in Persia it functions more to disguise her increasing collusion with overt British colonial ambitions.}, language = {en} } @misc{Eckstein2016, author = {Eckstein, Lars}, title = {Sound matters}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {119}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393}, pages = {13}, year = {2016}, abstract = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.}, language = {en} } @misc{Roeder2014, author = {R{\"o}der, Katrin}, title = {Reparative Reading, Post-structuralist Hermeneutics and T. S. Eliot's Four Quartets}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {115}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-94204}, pages = {58 -- 77}, year = {2014}, abstract = {This essay approaches T. S. Eliot's Four Quartets (1935-1942) from the perspectives of Eve Kosofsky Sedgwick's critical practice of reparative reading and of Paul Ricoeur's poststructuralist hermeneutics. It demonstrates that Sedgwick's and Ricoeur's approaches can be productively combined to investigate hermeneutic processes in which the textual energy of a dissemination of meaning is redirected by a reparative or integrative impulse. In Four Quartets, this impetus induces the creation of semantic innovation through a violation of semantic pertinence, that is, through novel, tensional and provisional connections between formerly separate textual elements and semantic units.}, language = {en} } @misc{Kranich2013, author = {Kranich, Svenja}, title = {Functional layering and the English progressive}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {110}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-93961}, pages = {32}, year = {2013}, abstract = {In this article, it will be argued that the concept of functional layering - an extension of Hopper's (1991) concept of layering - can be fruitfully applied to understand the mechanisms behind the sometimes large and messy looking synchronic picture of diverse meanings which one and the same construction can fulfill at a particular point in time. The concept will be used to account for the meaning spectrum of the present-day English progressive, which, it will be argued, no monosemic approach to date can account for. Taking a look at the diachrony of the construction will help to reveal that the various "exceptions" found in the use of the progressive can be understood as reflections of different stages in its development. Older, less grammaticalized or less well-defined usage patterns thus often survive in certain restricted niches next to the newer, more grammaticalized or more clear-cut functions, representing different diachronic layers. In addition to this diachronic motivation for synchronic meaning variety, the article will also address the crucial question of how a present-day hearer of a progressive form is able to decode the specific meaning intended by the speaker based on contextual clues. The article ends with some suggestions for further applications of the concept of functional layering.}, language = {en} } @misc{Wiemann2013, author = {Wiemann, Dirk}, title = {Cities of the Mind - Villages of the Mind}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {109}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-93951}, pages = {14}, year = {2013}, abstract = {Deep into the second half of the twentieth century the traditionalist definition of India as a country of villages remained dominant in official political rhetoric as well as cultural production. In the past two decades or so, this ruralist paradigm has been effectively superseded by a metropolitan imaginary in which the modern, globalised megacity increasingly functions as representative of India as a whole. Has the village, then, entirely vanished from the cultural imaginary in contemporary India? Addressing economic practices from upper-class consumerism to working-class family support strategies, this paper attempts to trace how 'the village' resurfaces or survives as a cultural reference point in the midst of the urban.}, language = {en} } @misc{EcksteinReinfandt2014, author = {Eckstein, Lars and Reinfandt, Christoph}, title = {Luhmann in the Contact Zone}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85488}, pages = {107 -- 124}, year = {2014}, language = {de} } @misc{EcksteinSchwarz2014, author = {Eckstein, Lars and Schwarz, Anja}, title = {Postcolonial piracy}, series = {Theory for a global age}, journal = {Theory for a global age}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-72189}, pages = {300}, year = {2014}, abstract = {Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.}, language = {en} } @misc{Eckstein2006, author = {Eckstein, Lars}, title = {A love supreme : Jazzthetic strategies in Toni Morrison's Beloved}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-60446}, year = {2006}, language = {de} } @misc{Eckstein2008, author = {Eckstein, Lars}, title = {The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59422}, year = {2008}, language = {en} } @misc{Eckstein2010, author = {Eckstein, Lars}, title = {M.I.A.'s "Born Free" and the ambivalent politics of authenticity and provocation}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59236}, year = {2010}, language = {en} } @misc{Eckstein2011, author = {Eckstein, Lars}, title = {Saturday on Dover Beach : Ian McEwan, Matthew Arnold, and post-9/11 melancholia}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59228}, year = {2011}, abstract = {This essay revisits Ian McEwan's extremely successful novel Saturday, and interrogates its exemplary assessment of the British cultural climate after 9/11. The particular focus is on McEwan's extensive recourse to the writings of Matthew Arnold, whose melancholy outlook on culture and anarchy McEwan basically translates into the 21st century without much ideological fraction. This relapse into Victorian liberal humanism as consolation for a Western world besieged by the contingencies of terrorism is extremely problematic. Not only does it wilfully ignore the transcultural realities of modern Britain, it also promotes an ahistorical and apolitical mode of critical inquiry which may be called reductive at best in view of the global challenges that the novel addresses.}, language = {en} }