@article{Oehme2020,
  author    = {Oehme, Annegret},
  title     = {Tu felix Camelot nube!},
  series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  volume    = {2020},
  journal   = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  number    = {26},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-493-7},
  issn      = {1614-6492},
  doi       = {10.25932/publishup-48563},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-485637},
  pages     = {61 -- 74},
  year      = {2020},
  abstract  = {This article explores the ways in which the Yiddish Arthurian romance Viduvilt (sixteenth ct.) reworks its Middle High German model text, Wirnt von Grafenberg's Wigalois (1210/1220), for an early modern Jewish audience. Through seemingly minor changes, the adaptor creates a story world in which family politics play an essential role and become the driving force behind the story development. Part of this change is the reevaluation of female figures, in particular mothers. In contrast to its model, the Arthurian knight in Viduvilt is created as a figure that relies and depends largely on the decisions made by mothers, who are portrayed as powerful matres familias.},
  language  = {de}
}