@article{Goese2020,
  author    = {G{\"o}se, Frank},
  title     = {Luise als Politikerin},
  series = {Berliner Geschichte - Zeitschrift f{\"u}r Geschichte und Kultur : K{\"o}nigin Luise},
  volume    = {25},
  journal   = {Berliner Geschichte - Zeitschrift f{\"u}r Geschichte und Kultur : K{\"o}nigin Luise},
  publisher = {Elsengold Verlag},
  address   = {Berlin},
  isbn      = {978-3-96201-062-1},
  pages     = {28 -- 35},
  year      = {2020},
  language  = {de}
}
@article{Kleinjung2021,
  author    = {Kleinjung, Christine},
  title     = {Stiftische und monastische Lebensformen in Frauenkl{\"o}stern am s{\"u}dlichen Oberrhein zwischen Kategorisierung und Dynamik (mit Schwerpunkt auf Waldkirch und S{\"a}ckingen)},
  series = {Religi{\"o}se Frauengemeinschaften am s{\"u}dlichen Oberrhein},
  journal   = {Religi{\"o}se Frauengemeinschaften am s{\"u}dlichen Oberrhein},
  editor    = {Kleinjung, Christine},
  publisher = {Thorbecke},
  address   = {Ostfildern},
  isbn      = {978-3-7995-7842-4},
  pages     = {17 -- 30},
  year      = {2021},
  language  = {de}
}
@article{Neitzel2017,
  author    = {Neitzel, S{\"o}nke},
  title     = {Rezension zu: Chiari, Bernhard: Die Bundeswehr als Zauberlehrling der Politik? Der ISAF-Einsatz und das Provincial Reconstruction Team (PRT)Kunduz 2003 bis 2012. - In: Militaergeschichtliche Zeitschrift MGZ. - 72 (2013), 2, S. 317-351; https://doi.org/10.1515/mgzs-2013-0013},
  series = {Milit{\"a}rgeschichtliche Zeitschrift},
  volume    = {76},
  journal   = {Milit{\"a}rgeschichtliche Zeitschrift},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {2193-2336},
  doi       = {10.1515/mgzs-2017-0166},
  pages     = {160 -- 167},
  year      = {2017},
  language  = {de}
}
@article{FennUrban2021,
  author    = {Fenn, Monika and Urban, Stefanie},
  title     = {Das Potsdamer Modell des erweiterten Fachwissens f{\"u}r den schulischen Kontext Geschichte},
  series = {Motivation - Kognition - Reflexion : Schlaglichter geschichtsdidaktischer Professionsforschung},
  journal   = {Motivation - Kognition - Reflexion : Schlaglichter geschichtsdidaktischer Professionsforschung},
  publisher = {Wochenschau Verlag},
  address   = {Frankfurt},
  isbn      = {978-3-7344-1229-5},
  pages     = {105 -- 133},
  year      = {2021},
  language  = {de}
}
@article{Botsch2014,
  author    = {Botsch, Gideon},
  title     = {„Nur der Freiheit …"?},
  series = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  journal   = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  publisher = {de Gruyter},
  address   = {Oldenburg},
  isbn      = {978-3-11-030642-2},
  doi       = {10.1515/9783110306422},
  pages     = {242 -- 261},
  year      = {2014},
  language  = {de}
}
@article{BotschHaverkamp2014,
  author    = {Botsch, Gideon and Haverkamp, Josef},
  title     = {Einleitung},
  series = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  journal   = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  publisher = {de Gruyter},
  address   = {Oldenburg},
  isbn      = {978-3-11-030642-2},
  doi       = {10.1515/9783110306422},
  pages     = {1 -- 8},
  year      = {2014},
  language  = {de}
}
@article{CreuzbergerGeppert2018,
  author    = {Creuzberger, Stefan and Geppert, Dominik Nicolas},
  title     = {Die {\"A}mter und ihre Vergangenheit},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-657-78821-7},
  pages     = {183 -- 199},
  year      = {2018},
  language  = {de}
}
@article{CreuzbergerGeppert2018,
  author    = {Creuzberger, Stefan and Geppert, Dominik Nicolas},
  title     = {Das Erbe des NS-Staats als deutsch-deutsches Problem},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {7 -- 15},
  year      = {2018},
  language  = {de}
}
@article{BoeschWirsching2018,
  author    = {B{\"o}sch, Frank and Wirsching, Andreas},
  title     = {Erfahrene M{\"a}nner},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {163 -- 181},
  year      = {2018},
  language  = {de}
}
@article{Wentker2018,
  author    = {Wentker, Hermann},
  title     = {Von der Deutschen Zentralverwaltung f{\"u}r Justiz zum Ministerium der Justiz},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {71 -- 86},
  year      = {2018},
  language  = {de}
}
@article{Goertemaker2018,
  author    = {G{\"o}rtemaker, Manfred},
  title     = {Die heile Welt der Rosenburg},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {47 -- 69},
  year      = {2018},
  language  = {de}
}
@article{Scianna2018,
  author    = {Scianna, Bastian Matteo},
  title     = {A prelude to total war?},
  series = {International Journal of Military History and Historiography},
  volume    = {38},
  journal   = {International Journal of Military History and Historiography},
  number    = {1},
  publisher = {Brill},
  address   = {Leiden},
  issn      = {2468-3299},
  doi       = {10.1163/24683302-03801001},
  pages     = {5 -- 33},
  year      = {2018},
  abstract  = {The conflict between Italy and Ethiopia in 1935-36 has been framed as a prelude to the Second World War and as a watershed towards 'Total War'. One perspective has so far been neglected: the assessments of foreign military observers. This article examines American, British, German, and Austrian views on the operations and thereby also analyses the mindset of European officers at the time. The core argument emerging from these reports is that the war was perceived as a rather 'normal' colonial conflict. Neither the use of gas, nor the employment of aircraft against civilians was seen as a taboo or created significant outrage among the military observers. Instead, they lauded the Italians' steady logistical efforts and employment of artillery and airpower to overcome nature and the enemy's resistance.},
  language  = {en}
}
@article{HornungNitezkiKraemer2018,
  author    = {Hornung, Jessica and Nitezki, Tina and Kraemer, Stephanie},
  title     = {Zieht die Schubladen auf! Ein Appell zur Ver{\"o}ffentlichung von Negativ-Ergebnissen in der tierbasierten Forschung},
  series = {Berliner und M{\"u}nchener Tier{\"a}rztliche Wochenschrift},
  volume    = {131},
  journal   = {Berliner und M{\"u}nchener Tier{\"a}rztliche Wochenschrift},
  number    = {7-8},
  publisher = {Schl{\"u}tersche Verlagsgesellschaft mbH \& Co. KG.},
  address   = {Hannover},
  issn      = {0005-9366},
  doi       = {10.2376/0005-9366-17093},
  pages     = {279 -- 283},
  year      = {2018},
  abstract  = {In der Humanmedizin stellt die sogenannte evidenzbasierte Medizin nach Einf{\"u}hrung des Begriffs durch D.L. Sackett (Sackett et al. 1996) und der Gr{\"u}ndung des Cochrane Instituts (1972) einen wichtigen Standard in der Aufbereitung und dem Transfer von Ergebnissen aus klinischen Studien in den {\"a}rztlichen Alltag dar. Ziel ist es, die Vermittlung von Erkenntnissen aus der Wissenschaft f{\"u}r die praktizierenden {\"A}rzte zu erleichtern. Dabei werden Studienergebnisse in Abh{\"a}ngigkeit von der jeweiligen Fragestellung mittels systematischer Literaturrecherche zusammengetragen und hinsichtlich ihrer Evidenz bewertet, um so dem Arzt ein Instrument an die Hand zu geben, mit dem die gewonnenen Erkenntnisse im Hinblick auf eine konkrete klinische Situation abgewogen und angewendet werden k{\"o}nnen. In den letzten Jahren wurde allerdings vermehrt Kritik laut, dass der Ausgang vieler klinischer Studien in den {\"U}bersichtsarbeiten zu positiv dargestellt werde. Urs{\"a}chlich hierf{\"u}r ist der Aspekt des Publikationsbias, also die Beobachtung, dass Autoren wissenschaftliche Ergebnisse mit positivem Ausgang bevorzugt publizieren. {\"U}bertr{\"a}gt man diesen Sachverhalt auf die pr{\"a}klinische Forschung, die in weiten Teilen auf der Durchf{\"u}hrung tierexperimenteller Untersuchungen beruht, so widerspr{\"a}che das Zur{\"u}ckhalten negativer Ergebnisse in fataler Weise dem 3R-Konzept von Russel und Burch, da dadurch die Gefahr besteht, dass Forschungsvorhaben wiederholt durchgef{\"u}hrt werden.},
  language  = {de}
}
@article{Scapin2021,
  author    = {Scapin, Mathieu},
  title     = {Les chefs d'œuvre de l'Art antique dans la bande dessin{\´e}e du XXIᵉ s. Usages et Background},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.128},
  pages     = {169 -- 199},
  year      = {2021},
  abstract  = {Whether you open a manga, a French-language comic strip or a North-American comic strip with Classic subject, it seems normal to the reader to encounter many representations of sculptures, paintings or object of daily life from this period throughout the story. These images are taken from catalogues notably available online. The artists also seem to have drawn their inspiration from museum publications or directly from the collections exhibited by these cultural institutions. This article will review the masterpieces used in comic strips and the reasons why they are chosen. Depending on the formats and cultures that stage them, these works do not constitute decorative elements of an ancient past but contribute to the narrative.},
  language  = {fr}
}
@article{SauraZiegelmeyer2021,
  author    = {Saura-Ziegelmeyer, Arnaud},
  title     = {Construire ses propres mod{\`e}les : le cas des bandes sonores post-Gladiator},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.150},
  pages     = {141 -- 168},
  year      = {2021},
  abstract  = {Ringing trumpets announcing the arrival of a Roman emperor, an oriental flowing and delicate harp reverberating inside the intimate palace of an Egyptian queen, a rude aulos singing in a bucolic Greek landscape: where are these familiar sound images coming from? Are these creations inspired by archaeological data or built after modern fantasy? The scarcity of ancient musical data necessitated, in fact, to reinvent the films' soundscape taking place in the Ancient world. It is therefore a question of seeing on which models a peplum's soundtrack is conceived and what it can reveal on our way of perceiving the ancient and contemporary world. Far from wanting to gauge the historicity of the sound backgrounds offered to the spectator of dark rooms, it is rather a question of seeing the imitation phenomena that can appear from the sound clich{\´e}s created by the peplum itself and of also deducing from them thought patterns which, contextualized, influence these compositions. This article will focus on post-2000 productions.},
  language  = {fr}
}
@article{Costanzo2021,
  author    = {Costanzo, Daniela},
  title     = {Le destin des ic{\^o}nes : perception, symboles et images des Bronzes de Riace dans la culture contemporaine},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.153},
  pages     = {100 -- 124},
  year      = {2021},
  abstract  = {Tr{\`e}s peu d'originaux nous permettent de conna{\^i}tre la statuaire grecque ancienne. Eu {\´e}gard {\`a} la grande production de statues en bronze, un nombre tr{\`e}s limit{\´e} d'oeuvres a {\´e}t{\´e} sauv{\´e} de la fureur du temps et des hommes. Le reste nous est connu de mani{\`e}re partielle et imparfaite par les copies romaines en marbre ou par des notes rapides d'auteurs anciens, qui mentionnent des artistes et des oeuvres dont le seul nom demeure. La d{\´e}couverte de statues en bronze de production grecque est donc un {\´e}v{\´e}nement exceptionnel d'un point de vue scientifique. Les « Bronzes de Riace » ont notamment eu, d{\`e}s leur d{\´e}couverte en 1972, une immense influence dans la culture populaire, que nous allons aborder dans cet article sous l'angle des Reception Studies, en essayant d'int{\´e}grer ces r{\´e}flexions au d{\´e}bat sur leur perception dans le monde contemporain, d{\´e}j{\`a} abord{\´e} par deux volumes sortis en 1986 et 2015 (Gli eroi venuti dal mare/Heroes from the sea et Sul buono e sul cattivo uso dei Bronzi di Riace1), en portant une attention particuli{\`e}re au Web et aux r{\´e}seaux sociaux. 1 Je remercie Maurizio Paoletti et Fabien Bi{\`e}vre-Perrin pour la relecture de cet article ; Domenico Benedetto D'Agostino pour m'avoir fait conna{\^i}tre, il y a quelques ann{\´e}es, le po{\`e}me de Felice Mastroianni d{\´e}di{\´e} au Bronzes de Riace ; l'Archivio du Mus{\´e}e Arch{\´e}ologique National de Reggio Calabria, Mike_art04, le collectif La Psicoscimmia et Emanuela Robustelli pour les images qu'ils ont partag{\´e}es.},
  language  = {fr}
}
@article{Besnard2021,
  author    = {Besnard, Tiphaine Annabelle},
  title     = {La V{\´e}nus de Milo dans l'art contemporain (de 1980 {\`a} nos jours) : une ic{\^o}ne globalis{\´e}e},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.156},
  pages     = {84 -- 99},
  year      = {2021},
  abstract  = {This paper aims to analyse the figure of the Venus of Milo in (extreme) contemporary art productions. The reception of this sculpture has already been studied in the past, but without considering the last ten years (2010 - 2020), during which artists like Yinka Shonibare, Fabio Viale, or Daniel Arsham decided to use the Venus for their new productions. The paper also explains how the Venus of Milo became a globalised icon and an inspiration for artists from all over the world.},
  language  = {fr}
}
@article{Pampanay2021,
  author    = {Pampanay, {\´E}lise},
  title     = {The Nike of Samothrace's presences during the XX and XXI centuries: mysteries and victories},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.146},
  pages     = {71 -- 83},
  year      = {2021},
  abstract  = {Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur. Despite its recent restoration in 2014, some of its mysteries might indeed never be solved, like the identity of its sculptor. But this fascination also comes from the statue itself, its majestic aesthetics and lack of head, in a similar fashion perhaps to the loss of the Venus of Milo's arms. Since her discovery more than 150 years ago by Charles Champoiseau, she's been on the throne at the top of the Daru stairs at the Louvre Museum. This hellenistic masterpiece, that Champoiseau called a "mousseline de marbre", became a must see in the Paris museum, together with the Mona Lisa and its other chefs d'oeuvre. But this statue's fate is not set in stone. Many modern artists, like Omar Hassan or Xu Zhen, have tried to make it their own and give it a new depth. Recently, Beyonce and Jay-Z also offered a new perspective by including this Louvre masterpiece, among others, in their political masterstroke, the video clip "Apeshit". This paper seeks to decode the meanings and symbolism of these new versions of the Nike.},
  language  = {en}
}
@article{Jouteur2021,
  author    = {Jouteur, Isabelle},
  title     = {Laocoon Relook{\´e}},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.136},
  pages     = {43 -- 70},
  year      = {2021},
  abstract  = {This article focuses on the reception of the ancient statue of Laocoon in the arts and popular culture of the 21st century. It looks into why this icon has remained continuously present in the public's collective imagination and covers, in particular, the recapturing of this motif by four contemporary painters : Richard Wallace (2002), Ron Milewicz (2005), Gilles Chambon (2008), Kent Monkman (2008). The article examines as well the new meanings associated with its treatment and finally explores the way our contemporary world deals with the notion of monument and the concept of academicism.},
  language  = {fr}
}
@article{Briand2021,
  author    = {Briand, Michel},
  title     = {Le Laocoon en ic{\^o}ne queer et camp},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.133},
  pages     = {1 -- 42},
  year      = {2021},
  abstract  = {The Laoco{\"o}n group, a famous source of inspiration for modern artists and a crucial masterpiece for historians of art and philosophers, is also a popular figure in queer contemporary art and culture, both distorted and celebrated through camp performative devices. After remarks about 1. "queer gaze" and the complex relation of queer or LGBTQIA+ culture and politics to the dialectics of kitsch/camp and classical / contemporary / pop art, and 2. (not straight but) queer classics, using "anachronisme raisonn{\´e}" (Loraux") and "{\´e}cart" (Dupont), this article focuses on case studies from the 2010's: 1. The untold gay history of Vatican guided tour; the music video Falling, by the "queer cowboy" Drew Beckman. 2. Paintings by Richard Wallace (esp. Laoco{\"o}n); photographic series of Danil Golovkin (Modern Heroes : Photographing Bodybuilders in the Digital Age), 3. Julien Servy (Collages : Photo vs. Statues) ; the design firm modern8 (for the 2017 Utah Pride Festival). 4. The indigenous Canadian artist Kent Monkman, who, in paintings (The Academy), performances, installations, altogether stages and questions the violence of historical and cultural colonization and its impact on issues of gender and identity, and promotes dynamic interactions of aesthetics and politics, as well of pathos and camp.},
  language  = {fr}
}