@article{Wyrwa2017,
  author    = {Wyrwa, Ulrich},
  title     = {Zum Hundertsten nichts Neues},
  series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  volume    = {65},
  journal   = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  number    = {11},
  publisher = {Metropol-Verl.},
  address   = {Berlin},
  issn      = {0044-2828},
  pages     = {955 -- 976},
  year      = {2017},
  language  = {de}
}
@article{Renault2021,
  author    = {Renault, Manon},
  title     = {Antiquit{\´e}s et pop cultures dans la haute couture et le pr{\^e}t-{\`a}-porter des ann{\´e}es 2010},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  doi       = {10.34679/thersites.vol13.149},
  pages     = {125 -- 140},
  year      = {2021},
  abstract  = {From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women's fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion's worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word "fashion" are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion.},
  language  = {fr}
}
@article{D'Aprile2022,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Post aus Felsenburg},
  series = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte},
  journal   = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-077606-5},
  doi       = {10.1515/9783110776195-008},
  pages     = {145 -- 166},
  year      = {2022},
  abstract  = {2019 j{\"a}hrte sich das Erscheinen von Defoes Robinson Crusoe zum 300. Mal. Zu diesem Anlass fand am Zentrum f{\"u}r Buchwissenschaft der LMU M{\"u}nchen eine Tagung statt, bei der buchhandelsgeschichtliche Kontexte des Romans dargelegt, neue Interpretationen diskutiert sowie die Rezeption des Robinson Crusoe untersucht wurden. In der Einleitung des Sammelbandes legt Christine Haug dar, unter welchen presse- und buchgeschichtlichen Voraussetzungen sich Daniel Defoe im fr{\"u}hkapitalistischen London als Bestsellerautor und politischer Journalist etablieren konnte. Die folgenden Beitr{\"a}ge behandeln motivgeschichtliche, {\"o}konomische, kultur- und rechtsgeschichtliche Aspekte des Robinson Crusoe (Oliver Bach, Anne Enderwitz, Hania Siebenpfeiffer, Daniel Syrovy), befassen sich mit der Gattung der Robinsonade ( Iwan Michelangelo d'Aprile, Norbert Bachleitner, Wolfram Malte Fues, Wynfrid Kriegleder), mit jugendliterarischen Bearbeitungen des Stoffes (Andrew O`Malley, Peter Pohl, Hans-Heino Ewers) und mit der Robinson-Rezeption in der Lyrik und im Roman des 19. und 20. Jahrhunderts (Bill Bell, Daniela Jancs{\´o}). Der vorliegende Sammelband geh{\"o}rt zu den wenigen neuen Neuerscheinungen, die zum Robinson-Jahr ver{\"o}ffentlicht wurden. Erstmals wird darin im deutschsprachigen Raum die aktuelle internationale Forschung zu Defoe ausf{\"u}hrlich dargestellt und mit einer innovativen Sicht auf den in Entstehung begriffenen globalen Buchmarkt verbunden.},
  language  = {de}
}
@article{CarlaUhinkFreitag2022,
  author    = {Carl{\`a}-Uhink, Filippo and Freitag, Florian},
  title     = {Theme Park Imitations},
  series = {Cultural History},
  volume    = {11},
  journal   = {Cultural History},
  number    = {2},
  publisher = {Edinburgh University Press},
  address   = {Edinburgh},
  issn      = {2045-290X},
  doi       = {10.3366/cult.2022.0267},
  pages     = {181 -- 198},
  year      = {2022},
  abstract  = {Theme parks frequently draw not only on historical themes, from antiquity to the roaring twenties, but also on their own history - that is, the history of the medium of the theme park itself. This article uses the example of the Happy World ride at Happy Valley Beijing (China) to discuss theme park imitations, that is, the fact that theme parks frequently borrow individual elements (themes, technologies, visuals, layouts, names) and/or entire units (rides, restaurants, themed areas) from each other. Opened in 2014 in the Greek-themed Aegean Harbour section of Happy Valley Beijing, Happy World may upon first sight look like an almost exact copy of Disney's 'it's a small world' (opened at Disneyland in California in 1966) but turns out to be, upon closer examination, a complex refunctionalization of central elements of 'it's a small world' that establishes meaningful connections between (ancient) Greece and the city of Beijing via the theme of the Olympic Games: drawing on the origins of 'it's a small world' in the 1964-5 New York World's Fair and the latter's motto of 'Peace through Understanding', Happy World takes visitors on a journey from the ancient Olympiad to contemporary Beijing (the site of the 2008 Summer and the 2022 Winter Olympic Games) to offer a theme park rendition of the 2008 Olympic torch relay as an homage to 'the spirit [of peace, respect, and friendship] in the people's [sic] of the world'.},
  language  = {en}
}
@article{Gloeckner2022,
  author    = {Gl{\"o}ckner, Olaf},
  title     = {Trauma, Sieger, Selbstbehauptung},
  series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  journal   = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  publisher = {Hentrich und Hentrich Verlag Berlin},
  address   = {Berlin},
  isbn      = {978-3-95565-541-9},
  pages     = {117 -- 122},
  year      = {2022},
  language  = {de}
}
@article{Kotowski2022,
  author    = {Kotowski, Elke-Vera},
  title     = {Die Geschichte als Sinngebung ...},
  series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  journal   = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  publisher = {Hentrich und Hentrich Verlag Berlin},
  address   = {Berlin},
  isbn      = {978-3-95565-541-9},
  pages     = {79 -- 84},
  year      = {2022},
  language  = {de}
}
@article{Homolka2022,
  author    = {Homolka, Walter},
  title     = {Konvergenzen: Rationale Theologie als Moment christlich-j{\"u}discher Ann{\"a}herung},
  series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  journal   = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  publisher = {Hentrich und Hentrich Verlag Berlin},
  address   = {Berlin},
  isbn      = {978-3-95565-541-9},
  pages     = {49 -- 57},
  year      = {2022},
  language  = {de}
}
@article{Martykanova2017,
  author    = {Martykanova, Darina},
  title     = {A Gateway to the World},
  series = {Diasporas : circulations, migrations, histoire},
  volume    = {29},
  journal   = {Diasporas : circulations, migrations, histoire},
  publisher = {Presses Universitaires du Midi},
  address   = {Toulouse},
  issn      = {1637-5823},
  doi       = {10.4000/diasporas.718},
  pages     = {33 -- 51},
  year      = {2017},
  abstract  = {In the second half of the 19th century, the French {\´E}cole centrale des arts et manufactures became one of the engineering schools that enjoyed a worldwide reputation. There were many foreigners among its students. This article focuses on the graduates born in the Ottoman Empire, particularly on Jews and Armenians. It analyses their backgrounds, their common features and their professional careers, tracing their links with other centraliens. The patterns in the Ottoman centraliens' professional trajectories help us picture a world full of opportunities where highly qualified men could cross borders and build careers with ease, but where, at the same time, origins, allegiances, contacts and credentials mattered greatly.},
  language  = {en}
}
@article{Ruerup2021,
  author    = {R{\"u}rup, Miriam},
  title     = {Kommentar zum Beitrag von Marion R{\"o}wekamp},
  series = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung},
  journal   = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung},
  publisher = {Klostermann},
  address   = {Frankfurt am Main},
  isbn      = {978-3-465-04535-9},
  issn      = {1610-6040},
  pages     = {197 -- 204},
  year      = {2021},
  language  = {de}
}
@article{Boesch2017,
  author    = {B{\"o}sch, Frank},
  title     = {Taming Nuclear Power},
  series = {German history : the journal of the German History Societ},
  volume    = {35},
  journal   = {German history : the journal of the German History Societ},
  number    = {1},
  publisher = {Oxford Univ. Press},
  address   = {Oxford},
  issn      = {0266-3554},
  doi       = {10.1093/gerhis/ghw143},
  pages     = {71 -- 95},
  year      = {2017},
  abstract  = {In 2011 a broad majority in the German Federal Parliament voted to abandon nuclear energy. This article explores the origins of the change in attitude towards nuclear energy and argues that seven years before the Chernobyl disaster, the accident at the U.S. power plant Three Mile Island near Harrisburg, Pennsylvania, in 1979, had a profound impact which nowadays seems to be largely forgotten in Europe. The article identifies the structural causes underlying the transnational reception of the Three Mile Island accident and explores international reactions, particularly in the Federal Republic of Germany. The accident near Harrisburg led to a loss of public confidence and created unease about nuclear expansion in many industrialized nations. Reactions to the accident can be understood as an attempt to tame nuclear energy both technically, by increasing safety measures and abandoning plans for new nuclear power stations, and politically, with a more critical appraisal of nuclear energy and with semantics that encouraged a long-term withdrawal from nuclear power. Critics were now also accepted as experts. Nuclear policy in all countries became closely dependent on public opinion, indicating a high level of political responsiveness. Various factors, however, including the contemporaneous oil crisis put the brakes on this critical approach to nuclear power, while safety improvements and the limited expansion of nuclear power created new confidence in the early 1980s.},
  language  = {en}
}
@article{AltieriKessler2022,
  author    = {Altieri, Riccardo and Keßler, Mario},
  title     = {Arbeiterbewegung, Antisemitismus und j{\"u}dische Emanzipation},
  series = {J{\"u}disches Leben in Deutschland},
  journal   = {J{\"u}disches Leben in Deutschland},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Bonn},
  isbn      = {978-3-7425-0799-0},
  pages     = {82 -- 92},
  year      = {2022},
  language  = {de}
}
@article{Goertemaker2021,
  author    = {G{\"o}rtemaker, Manfred},
  title     = {Die aktuelle geschichtspolitische Debatte und die Kommission des Bundesministeriums der Justiz},
  series = {Aufarbeitung des Nationalsozialismus : ein Kompendium},
  journal   = {Aufarbeitung des Nationalsozialismus : ein Kompendium},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Bonn},
  isbn      = {978-3-7425-0772-3},
  pages     = {455},
  year      = {2021},
  language  = {de}
}
@article{DixKlohr2022,
  author    = {Dix, Sophie and Klohr, Silvia},
  title     = {Ein studentischer Bericht zur Tagung „IMAGINES VII: PLAYFUL CLASSICS" (05. - 06. 03. 2021)},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.193},
  pages     = {141 -- 151},
  year      = {2022},
  abstract  = {In March 2021, the IMAGINES Project - an international and interdisciplinary research network for the modern reception of antiquity in the visual and performing arts - held their seventh conference online. The event focused on PLAYFUL CLASSICS, and was hosted from G{\"o}ttingen University by the organizers Juliette Harrisson, Antje Kuhle and Martin Lindner. The keynote by Dunstan Lowe on „The Danger of Seriousness: Play and the Future of Classics" outlined the potential of researching classical reception as a creative process. The following sections brought this to life with in-depth treatments of the underlying mechanics of constructing and deconstructing, playful learning, the „Faces of Antiquity", forms of interaction and national/nationalistic traditions. The programme combined scholarly contributions with presentations and workshops by various artists and open discussion elements. The shift to an online format allowed the participation of an unusually international audience, while the interactive elements - including a thematic game as a continuous side event - especially encouraged a large number of students to participate actively. Therefore, this conference report will not just summarize the content of the event, but also provide a student perspective on attending a conference on classical reception - a research area which is mostly neglected in the teaching curriculum.},
  language  = {de}
}
@article{Hanisch2022,
  author    = {Hanisch, Xenia},
  title     = {Demagogen dichten},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.201},
  pages     = {121 -- 140},
  year      = {2022},
  abstract  = {Manipulative rhetoric is a common issue in ancient sources. As the issue of political populism and rhetoric still attracts a high degree of interest among a wide range of people, the author, a singer-songwriter, attempts to 'revive' these ancient sources and to adapt them into a lyrical/musical format for modern audiences, in order to test different strategies of manipulation and gauge the reactions of modern audiences. The following article describes the process of adapting and performing two of these experiments, as well as the results and feedback from audiences. The ancient case studies chosen for this are Thucydides' description of how Alcibiades lead the Athenians into a fatal expedition to Sicily, and Xenophon's blames of two public orators for executing Athenian generals after the battle of Arginusae through their manipulative speeches.},
  language  = {de}
}
@article{UncetaGomezCarlaUhinkFreitag2022,
  author    = {Unceta G{\´o}mez, Luis and Carl{\`a}-Uhink, Filippo and Freitag, Florian},
  title     = {De h{\´e}roes y efebos. El mundo cl{\´a}sico en la fotograf{\´i}a de desnudo masculino contempor{\´a}neo. Entrevista a Carmelo Bl{\´a}zquez},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.208},
  pages     = {103 -- 120},
  year      = {2022},
  abstract  = {Entrevista a Carmelo Bl{\´a}zquez, fot{\´o}grafo especializado en fotograf{\´i}a de desnudo masculino, que trabaja con motivos y modelos procedentes de la Antig{\"u}edad grecolatina.},
  language  = {es}
}
@article{Brueck2022,
  author    = {Br{\"u}ck, Alexander},
  title     = {„Rom lernt von den Griechen, Europa von Rom"},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.198},
  pages     = {41 -- 102},
  year      = {2022},
  abstract  = {Given the immense ethnic and cultural diversity as well as the vast geographical dimensions of the Roman Empire, the teaching of Roman antiquity comprises an enormous potential to deal with the increasing heterogeneity in German-speaking classrooms. This article aims to show how the majority of contemporaneous Latin textbooks, however, fail to use this potential by being limited to mono-perspective and Eurocentric approaches to the ancient world. In spite of didactical claims to foster students' intercultural competence, most of the textbooks depict the city of Rome as an ethnically and culturally homogeneous sphere. At the same time, they present the Roman Empire nearly exclusively from the perspective of representatives of Italian-born, powerful upper-class families firmly connected to 'Roman' culture. In doing so, the Latin textbooks falsify the ancient historical realities and deprive students of the perspectives of figures like provincials or slaves. Furthermore, the textbooks' narrative scope clearly focusses on Rome and Greece, still paying noticeable attention to West-European provinces, with the African and Asian ones being remarkably excluded. Only few exceptions among the textbooks apply alternative approaches which allow students to engage with the Roman Empire's intercultural dynamics in a more differentiated and multi-perspective way.},
  language  = {de}
}
@article{Cromwell2022,
  author    = {Cromwell, Jennifer},
  title     = {From Pyramids to Obscure Gods},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.199},
  pages     = {1 -- 40},
  year      = {2022},
  abstract  = {Within Persona 5's modern Tokyo setting, imagined worlds are created that represent the cognitive processes of various characters. These 'palaces' allow the player to explore locations far removed from the game's real-world, contemporary backdrop. One episode creates an ancient Egyptian world. This article examines how this world has been produced and the different transmedial tropes and other influences that its developers have drawn upon. Many references are recognisable to a broad audience (pyramids, gods, hieroglyphs), while others reflect Japanese pop-cultural trends (in various manga and anime), including the mention of an obscure Egyptian god, Medjed. The intentionally fictitious nature of these 'palaces' means that the Egypt that appears in this game is not bound by the need to replicate an 'accurate' landscape. Instead, the developers were free to design a gamescape that combines multiple and diverse receptions of ancient Egypt.},
  language  = {en}
}
@article{Gaertner2018,
  author    = {G{\"a}rtner, Ursula},
  title     = {nempe exemplis discimus},
  series = {Antike Erz{\"a}hl- und Deutungsmuster : Zwischen Exemplarit{\"a}t und Transformation},
  volume    = {374},
  journal   = {Antike Erz{\"a}hl- und Deutungsmuster : Zwischen Exemplarit{\"a}t und Transformation},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-061251-6},
  issn      = {1616-0452},
  doi       = {10.1515/9783110612516-022},
  pages     = {455 -- 472},
  year      = {2018},
  abstract  = {'Tradition' and 'example' are key concepts of the ancient fable. The fable has not only developed a literary tradition of its own, but from the beginning, it was also used as a rhetorical device, the exemplum. A diachronic overview of the genre and especially the use of the fable as exemplum reveals that Phaedrus adapts these terms in a new and ingenious way. In a case study of fable 3.9 this paper demonstrates how the fable finds its place in the literary tradition of the motif, how Socrates is presented as a model for the poet's persona and how an intricate network of inter- and intratextual references is established between Socrates, Aesop, Phaedrus, and his potential successors. The subtle irony of the poet is particularly evident in the gradual development of the poet's persona into a caricature, but the message of the fable itself remains unaffected: the value of true friendship.},
  language  = {en}
}
@article{AscheBrechenmacher2022,
  author    = {Asche, Matthias and Brechenmacher, Thomas},
  title     = {Auswahlbibliographie zur berlin-brandenburgischen Immigrationsgeschichte},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54689},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546899},
  pages     = {251 -- 262},
  year      = {2022},
  language  = {de}
}
@article{Schenck2022,
  author    = {Schenck, Marcia C.},
  title     = {Einwanderung aus den ›sozialistischen Bruderl{\"a}ndern‹},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54687},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546875},
  pages     = {225 -- 237},
  year      = {2022},
  language  = {de}
}