@article{Stutz2022, author = {Stutz, Kathryn H.}, title = {G. B. Smith's "Elzevir Cicero" and the Construction of Queer Immortality in Tolkien's Mythopoeia}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.225}, pages = {253 -- 284}, year = {2022}, abstract = {Following the death of J. R. R. Tolkien in 1973, an obituary appeared in The Times quoting Tolkien as having said that his "love for the classics took ten years to recover from lectures on Cicero and Demosthenes." This contentious relationship between Tolkien and the Greco-Roman past contrasts with the work of unabashedly classicizing poet Geoffrey Bache Smith, a school friend of Tolkien's who was killed in the Great War. When Tolkien collected Smith's poems for posthumous publication, this paper shows, Smith's engagements with the ancient world became part of Tolkien's own philosophy of immortality through literary composition. Within his 1931 poem "Mythopoeia," and his 1939 speech "On Fairy-Stories," Tolkien articulated a unified method of mythmaking by looking back to his lost friend's understanding of mythology as a type of ancient story-craft that enabled poets to preserve the dead against the ravages of time. By tracing a triangular path through the relationships between Tolkien, Smith, and the classical past inhabited by figures like Cicero, this paper argues that Tolkien not only recovered a "love for the classics," but used classical texts to "recover" his lost friend, granting Smith a queer, classical immortality in return.}, language = {en} } @article{Praet2022, author = {Praet, Raf}, title = {The Throne of the King}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.210}, pages = {232 -- 252}, year = {2022}, abstract = {A conspicuous feature of Tolkien's description of the city of Minas Tirith in The Return of The King is the depiction of two thrones in the Great Hall; one empty throne reserved for the king, and one seat for the steward of Gondor. This paper aims to ascertain the late antique and mediaeval sources of inspiration behind Tolkien's creation of the throne room in Minas Tirith. As a starting point, we shall compare the setting of the two thrones in Minas Tirith with a motive in Christian iconography, the hetoimasia, and its architectural expression in the Chrysotriklinos, the throne room in the Byzantine Great Palace in Constantinople. Next, we shall show that Tolkien intentionally obscured his appropriation of the Byzantine throne room to create a multi-layered image of rulership, in accordance with his aesthetics of applicability and allegory. In conclusion, we shall formulate some remarks on the interpretation of the association between the Byzantine Chrysotriklinos and the Gondorian Great Hall. As a form of Tolkien's literary process of sub-creation, the description of the throne room in Minas Tirith serves to emphasise the significance of The Return of the King as a retelling of Christ's restoration of the fallen world, placing the work of Tolkien in the context of a strong personal Catholic piety.}, language = {en} } @article{Matz2022, author = {Matz, Alicia}, title = {Quis enim laesos impune putaret esse deos?: Ents, Sacred Groves, and the Cost of Desecration}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.215}, pages = {204 -- 231}, year = {2022}, abstract = {Seneca the Younger, in his Letters, describes a sacred grove as a "thick grove of ancient trees which rise far above the usual height and block the view of the sky with their umbrella of intertwining branches" (Seneca the Younger, Letters 41.3). Fangorn Forest is clearly a sacred site as defined by Seneca, made even more sacred by the presence of the Ents. Thus, to violate it would be a terrible act of desecration, not unlike Lucan's narrator's shock at Caesar's desecration of the sacred grove at Massilia (Lucan BC 3.447 - 8, quoted in the title of this paper). After exploring the relationship between Ents and sacred groves, the paper will compare the fate of Caesar to that of Saruman, who violated Fangorn Forest. Just as Augoustakis (2006) argues that the violation of the grove foreshadows Caesar's death, so too Saruman's death at the hands of Wormtongue becomes a fitting punishment for his violation of Fangorn.}, language = {en} } @article{ChinnThompson2022, author = {Chinn, Christopher and Thompson, Phoebe}, title = {Tolkien's Ithilien and the Landscape of the Ancient Mediterranean}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.211}, pages = {163 -- 203}, year = {2022}, abstract = {This paper examines the intertext between Tolkien's Ithilien episode in Two Towers and artistic presentations of plants in the art and literature of Augustan Rome. We argue that the evident 'superbloom' depicted in the ekphrasis of the flora of Ithilien recalls both Vergilian botanical adynata (especially in the Georgics) and Roman wall paintings of the Augustan period.}, language = {en} } @article{Oughton2022, author = {Oughton, Charles W.}, title = {Roman Heroes at Helm's Deep?}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.214}, pages = {123 -- 162}, year = {2022}, abstract = {This article analyzes Tolkien's narrative of the Battle of Helm's Deep as a retelling of the Horatius Cocles episode from Livy's AUC, which contains descriptions of the defenses and the bridge, a rally encouraged by Horatius, his bold stand both with his companions and alone, and the honors paid to him after the battle. Tolkien's Battle of Helm's Deep contains the same elements split across two narratives: the defense of the causeway leading to the gates of the Deep by Aragorn, {\´E}omer, and Gimli; and, after the fall of the Deeping wall, Aragorn's defiant stand alone on the stairway leading to the inner doors of the Hornburg. Aragorn's double action demonstrates a fulfillment of Livy's exemplary arc. Tolkien's knowledge of Macaulay's "Horatius" provides a possible intermediary that accounts for various additions to the story. However, the larger structure of Tolkien's narrative as well as the imagery that resonates throughout the text distinctly evoke the vivid descriptions of Livy. While both sets of heroes make brave stands against their enemies, Tolkien's warriors represent a civilizing force in their efforts to build and restore their defenses while Livy's Roman heroes destroy the bridge to save their state.}, language = {en} } @article{Kambo2022, author = {Kambo, Kevin}, title = {Platonic Tripartition and the Peoples of Middle-Earth}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.219}, pages = {90 -- 122}, year = {2022}, abstract = {Tolkien's The Hobbit and The Lord of the Rings employ traditional races from fairy tales: elves, men and dwarves. These peoples are differentiated principally by their dominant desires, but also by their speech, diet, and realms. I argue that these three races are significantly inspired by the three aspects that characterize the Republic's tripartite soul—logistikon, thumoeides, and epithumetikon—along with their respective principal desires: desire for truth, greatness, and material goods. For Tolkien, therefore, these races have a corporate or political psychology that explains who they are as peoples in the history of Middle-earth. I offer a comprehensive view of the major races, connecting the dwarves with the appetitive artisans of the Republic, humans with the honour- and glory-seeking auxiliaries, and elves with the ruling guardians. This treatment explains the artisanal dwarves, as well as the battle-loving men (and women) of Rohan and Gondor, and the nostalgic, 'anamnetic' condition of exile that distinguishes the elves. Indeed, the condition of elves in many descriptions recalls a Platonic philosopher returned to the Cave, as well as the Neo-Platonic sagacity pictured in the biographies of Plotinus and Proclus.}, language = {en} } @article{Capra2022, author = {Capra, Elena Sofia}, title = {"Orfeo out of Care"}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.209}, pages = {52 -- 89}, year = {2022}, abstract = {The paper focuses on an example of multiple-step reception: the contribution of the classical story of Orpheus and Eurydice and the mediaeval lay Sir Orfeo to Tolkien's work. In the first part, I compare the lay with Virgilian and Ovidian versions of Orpheus' myth. This comparison shows the anonymous author's deep knowledge of the ancient texts and complex way of rewriting them through stealing and hybridization. The lay was highly esteemed by Tolkien, who translated it and took inspiration from it while describing the Elven kingdom in The Hobbit and building the storyline of Beren and L{\´u}thien in The Silmarillion. Through this key tale, Orpheus/Orfeo's romance has a deep influence also on Aragorn and Arwen's story in The Lord of the Rings. The most important element that Tolkien takes from the Sir Orfeo figuration of the ancient story is undoubtedly the insertion of political theme: the link established between the recovery of the main character's beloved and the return to royal responsability. The second part of the paper is, thus, dedicated to the reception of Sir Orfeo and the classical myth in Tolkien. It shows how in his work the different steps of the tradition of Orpheus' story are co-present, creating an inextricable substrate of inspiration that nourishes his imagination.}, language = {en} } @article{Pezzini2022, author = {Pezzini, Giuseppe}, title = {(Classical) Narratives of Decline in Tolkien: Renewal, Accommodation, Focalisation}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.213}, pages = {25 -- 51}, year = {2022}, abstract = {The paper investigates Tolkien's narratives of decline through the lens of their classical ancestry. Narratives of decline are widespread in ancient culture, in both philosophical and literary discourses. They normally posit a gradual degradation (moral and ontological) from an idealized Golden Age, which went hand-in-hand with increasing detachment of gods from mortal affairs. Narratives of decline are also at the core of Tolkien's mythology, constituting yet another underresearched aspect of classical influence on Tolkien. Such Classical narratives reverberate e.g. in Tolkien's division of Arda's history into ages, from an idealized First Age filled with Joy and Light to a Third Age, described as "Twilight Age (…) the first of the broken and changed world" (Letters 131). More generally, these narratives are related to Tolkien's notorious perception of history as a "long defeat" (Letters 195) and to that "heart-racking sense of the vanished past" which pervades Tolkien's works - the emotion which, in his words, moved him "supremely" and which he found "small difficulty in evoking" (Letters 91). The paper analyses the reception of narratives of decline in Tolkien's legendarium, pointing out similarities but also contrasts and differences, with the aim to discuss some key patterns of (classical) reception in Tolkien's theory and practice ('renewal', 'accommodation', 'focalization').}, language = {en} } @article{Cristini2022, author = {Cristini, Marco}, title = {The Fall of Two Cities: Troy and Gondolin}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, doi = {10.34679/thersites.vol15.200}, pages = {1 -- 24}, year = {2022}, abstract = {Vergil was a fundamental source of inspiration for Tolkien, not only when writing the Lord of the Rings, but also at the beginning of his "world-building". The Fall of Gondolin, written in 1916, was modeled upon the Aeneid, whose second book shares many similarities with the description of Gondolin's last day. For instance, the attack that seals the fate of the city takes place during a feast in both works, whereas both protagonists (Aeneas and Tuor) leave wives and sons to fight the enemy and witness deaths of their kings (Priam/Turgon). Other analogies include the topos of the fall of the tallest tower of the city as well as the scenes of Creusa/Idril clasping the knees of her husband and begging him not to go back to the battle. Tolkien chose the Aeneid as his main model because, in his opinion, the Aeneid and The Fall of Gondolin evoked the air of antiquity and melancholy. Vergil's nostalgia for a "lost world" conveyed in the Aeneid greatly resembles the nostalgia pervading both Tolkien's writing and life.}, language = {en} } @article{MatzPaprocki2022, author = {Matz, Alicia and Paprocki, Maciej}, title = {There and Back Again: Tolkien and Greco-Roman Antiquity}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.228}, pages = {i -- xii}, year = {2022}, abstract = {The following introduction sketches the status questionis of the research on the influence of Greco-Roman antiquity on the works of Tolkien and provides details about the volume's theoretical impetus and its broad themes. The editors discuss Tolkien's complicated and indirect relationship with classical models, underscoring certain emergent themes in volume's contributions, such as decline, multifocal reception and relationship with nature.}, language = {en} } @article{Wyrwa2017, author = {Wyrwa, Ulrich}, title = {Zum Hundertsten nichts Neues}, series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft}, volume = {65}, journal = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft}, number = {11}, publisher = {Metropol-Verl.}, address = {Berlin}, issn = {0044-2828}, pages = {955 -- 976}, year = {2017}, language = {de} } @article{Renault2021, author = {Renault, Manon}, title = {Antiquit{\´e}s et pop cultures dans la haute couture et le pr{\^e}t-{\`a}-porter des ann{\´e}es 2010}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, doi = {10.34679/thersites.vol13.149}, pages = {125 -- 140}, year = {2021}, abstract = {From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women's fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion's worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word "fashion" are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion.}, language = {fr} } @article{D'Aprile2022, author = {D'Aprile, Iwan-Michelangelo}, title = {Post aus Felsenburg}, series = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte}, journal = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte}, publisher = {de Gruyter}, address = {Berlin}, isbn = {978-3-11-077606-5}, doi = {10.1515/9783110776195-008}, pages = {145 -- 166}, year = {2022}, abstract = {2019 j{\"a}hrte sich das Erscheinen von Defoes Robinson Crusoe zum 300. Mal. Zu diesem Anlass fand am Zentrum f{\"u}r Buchwissenschaft der LMU M{\"u}nchen eine Tagung statt, bei der buchhandelsgeschichtliche Kontexte des Romans dargelegt, neue Interpretationen diskutiert sowie die Rezeption des Robinson Crusoe untersucht wurden. In der Einleitung des Sammelbandes legt Christine Haug dar, unter welchen presse- und buchgeschichtlichen Voraussetzungen sich Daniel Defoe im fr{\"u}hkapitalistischen London als Bestsellerautor und politischer Journalist etablieren konnte. Die folgenden Beitr{\"a}ge behandeln motivgeschichtliche, {\"o}konomische, kultur- und rechtsgeschichtliche Aspekte des Robinson Crusoe (Oliver Bach, Anne Enderwitz, Hania Siebenpfeiffer, Daniel Syrovy), befassen sich mit der Gattung der Robinsonade ( Iwan Michelangelo d'Aprile, Norbert Bachleitner, Wolfram Malte Fues, Wynfrid Kriegleder), mit jugendliterarischen Bearbeitungen des Stoffes (Andrew O`Malley, Peter Pohl, Hans-Heino Ewers) und mit der Robinson-Rezeption in der Lyrik und im Roman des 19. und 20. Jahrhunderts (Bill Bell, Daniela Jancs{\´o}). Der vorliegende Sammelband geh{\"o}rt zu den wenigen neuen Neuerscheinungen, die zum Robinson-Jahr ver{\"o}ffentlicht wurden. Erstmals wird darin im deutschsprachigen Raum die aktuelle internationale Forschung zu Defoe ausf{\"u}hrlich dargestellt und mit einer innovativen Sicht auf den in Entstehung begriffenen globalen Buchmarkt verbunden.}, language = {de} } @article{CarlaUhinkFreitag2022, author = {Carl{\`a}-Uhink, Filippo and Freitag, Florian}, title = {Theme Park Imitations}, series = {Cultural History}, volume = {11}, journal = {Cultural History}, number = {2}, publisher = {Edinburgh University Press}, address = {Edinburgh}, issn = {2045-290X}, doi = {10.3366/cult.2022.0267}, pages = {181 -- 198}, year = {2022}, abstract = {Theme parks frequently draw not only on historical themes, from antiquity to the roaring twenties, but also on their own history - that is, the history of the medium of the theme park itself. This article uses the example of the Happy World ride at Happy Valley Beijing (China) to discuss theme park imitations, that is, the fact that theme parks frequently borrow individual elements (themes, technologies, visuals, layouts, names) and/or entire units (rides, restaurants, themed areas) from each other. Opened in 2014 in the Greek-themed Aegean Harbour section of Happy Valley Beijing, Happy World may upon first sight look like an almost exact copy of Disney's 'it's a small world' (opened at Disneyland in California in 1966) but turns out to be, upon closer examination, a complex refunctionalization of central elements of 'it's a small world' that establishes meaningful connections between (ancient) Greece and the city of Beijing via the theme of the Olympic Games: drawing on the origins of 'it's a small world' in the 1964-5 New York World's Fair and the latter's motto of 'Peace through Understanding', Happy World takes visitors on a journey from the ancient Olympiad to contemporary Beijing (the site of the 2008 Summer and the 2022 Winter Olympic Games) to offer a theme park rendition of the 2008 Olympic torch relay as an homage to 'the spirit [of peace, respect, and friendship] in the people's [sic] of the world'.}, language = {en} } @article{Gloeckner2022, author = {Gl{\"o}ckner, Olaf}, title = {Trauma, Sieger, Selbstbehauptung}, series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, journal = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, publisher = {Hentrich und Hentrich Verlag Berlin}, address = {Berlin}, isbn = {978-3-95565-541-9}, pages = {117 -- 122}, year = {2022}, language = {de} } @article{Kotowski2022, author = {Kotowski, Elke-Vera}, title = {Die Geschichte als Sinngebung ...}, series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, journal = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, publisher = {Hentrich und Hentrich Verlag Berlin}, address = {Berlin}, isbn = {978-3-95565-541-9}, pages = {79 -- 84}, year = {2022}, language = {de} } @article{Homolka2022, author = {Homolka, Walter}, title = {Konvergenzen: Rationale Theologie als Moment christlich-j{\"u}discher Ann{\"a}herung}, series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, journal = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, publisher = {Hentrich und Hentrich Verlag Berlin}, address = {Berlin}, isbn = {978-3-95565-541-9}, pages = {49 -- 57}, year = {2022}, language = {de} } @article{Martykanova2017, author = {Martykanova, Darina}, title = {A Gateway to the World}, series = {Diasporas : circulations, migrations, histoire}, volume = {29}, journal = {Diasporas : circulations, migrations, histoire}, publisher = {Presses Universitaires du Midi}, address = {Toulouse}, issn = {1637-5823}, doi = {10.4000/diasporas.718}, pages = {33 -- 51}, year = {2017}, abstract = {In the second half of the 19th century, the French {\´E}cole centrale des arts et manufactures became one of the engineering schools that enjoyed a worldwide reputation. There were many foreigners among its students. This article focuses on the graduates born in the Ottoman Empire, particularly on Jews and Armenians. It analyses their backgrounds, their common features and their professional careers, tracing their links with other centraliens. The patterns in the Ottoman centraliens' professional trajectories help us picture a world full of opportunities where highly qualified men could cross borders and build careers with ease, but where, at the same time, origins, allegiances, contacts and credentials mattered greatly.}, language = {en} } @article{Ruerup2021, author = {R{\"u}rup, Miriam}, title = {Kommentar zum Beitrag von Marion R{\"o}wekamp}, series = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung}, journal = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung}, publisher = {Klostermann}, address = {Frankfurt am Main}, isbn = {978-3-465-04535-9}, issn = {1610-6040}, pages = {197 -- 204}, year = {2021}, language = {de} } @article{Boesch2017, author = {B{\"o}sch, Frank}, title = {Taming Nuclear Power}, series = {German history : the journal of the German History Societ}, volume = {35}, journal = {German history : the journal of the German History Societ}, number = {1}, publisher = {Oxford Univ. Press}, address = {Oxford}, issn = {0266-3554}, doi = {10.1093/gerhis/ghw143}, pages = {71 -- 95}, year = {2017}, abstract = {In 2011 a broad majority in the German Federal Parliament voted to abandon nuclear energy. This article explores the origins of the change in attitude towards nuclear energy and argues that seven years before the Chernobyl disaster, the accident at the U.S. power plant Three Mile Island near Harrisburg, Pennsylvania, in 1979, had a profound impact which nowadays seems to be largely forgotten in Europe. The article identifies the structural causes underlying the transnational reception of the Three Mile Island accident and explores international reactions, particularly in the Federal Republic of Germany. The accident near Harrisburg led to a loss of public confidence and created unease about nuclear expansion in many industrialized nations. Reactions to the accident can be understood as an attempt to tame nuclear energy both technically, by increasing safety measures and abandoning plans for new nuclear power stations, and politically, with a more critical appraisal of nuclear energy and with semantics that encouraged a long-term withdrawal from nuclear power. Critics were now also accepted as experts. Nuclear policy in all countries became closely dependent on public opinion, indicating a high level of political responsiveness. Various factors, however, including the contemporaneous oil crisis put the brakes on this critical approach to nuclear power, while safety improvements and the limited expansion of nuclear power created new confidence in the early 1980s.}, language = {en} }