@article{CoeruetCoeruet2021, author = {C{\"o}r{\"u}t, G{\"o}zde Yaz{\i}c{\i} and C{\"o}r{\"u}t, İlker}, title = {The neo-liberal conception of empowerment and its limits}, series = {Central Asian survey}, volume = {41}, journal = {Central Asian survey}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {0263-4937}, doi = {10.1080/02634937.2021.1969897}, pages = {118 -- 137}, year = {2021}, abstract = {Through qualitative research conducted in the bazaars of Bishkek, this paper examines the posited tripartite relationship between the free market, micro-finance and women's empowerment by focusing on how loans from micro-finance institutions in Bishkek influence the lives of female loanees. The neo-liberal conception of 'individual autonomy' and 'empowerment', it is argued, may not adequately serve as indicators of actual female empowerment/disempowerment in Bishkek and lead us to fail to recognize moments of self-exploitation and forms of claim-making. The research also underlines the disempowering effects of the affectional burden, that is, the constant sense of anxiety, that the loanees have to manage in order to survive in the neo-liberal business environment, which offers high interest rate loans and exposes the loanees to over-indebtedness. These effects can be followed through the analysis of the role the desire for stability and 'ontological security' plays in the formation of the identities/world views of the loanees.}, language = {en} } @article{Pittel2021, author = {Pittel, Harald}, title = {Fin du globe}, series = {Thesis eleven : critical theory and historical sociology}, volume = {162}, journal = {Thesis eleven : critical theory and historical sociology}, number = {1}, publisher = {Sage}, address = {London}, issn = {0725-5136}, doi = {10.1177/0725513621994702}, pages = {121 -- 136}, year = {2021}, abstract = {This essay argues that Oscar Wilde noticeably contributed to the emerging discourse about world literature, even though his views in this regard have to be unearthed from the margins of his works, from his early and unpublished American lectures and 'between the lines' of his major critical essays. Wilde's implicit ideas around world literature can be understood as being closely related to his broader endeavour of redirecting and revaluing the pejorative discourse around 'decadence' in art and literature. More specifically, the arch-aesthete preferred to use the word 'romance' rather than 'decadence' (a term he hardly used at all in his writings), signalling a sensitivity attuned to what he called the 'love of things impossible'. This reconceptualization of the decadent outlook was to inspire a critical ideal of literature which relied on creatively activating the other as Other, culminating in a vision of intersubjective, transcultural and unlimited literary communication. Wilde's thought can be more specifically understood as anticipating central tenets of Gayatri Chakravorty Spivak's evocations of the planetary, thus preparing the way for an alterity-oriented understanding of literary cosmopolitanism.}, language = {en} }