@misc{DuevelEhmigMcCalletal.2024, author = {D{\"u}vel, Pia and Ehmig, Ulrike and McCall, Jeremiah and Unceta G{\´o}mez, Luis and Bakogianni, Anastasia and Fischer, Jens and Serrano Lozano, David and Amb{\"u}hl, Annemarie and Matz, Alicia and Brinker, Wolfram and Mach, Jonas Konstantin and Mancini, Mattia and Werner, Eva}, title = {Spring Issue}, series = {thersites}, volume = {2024}, journal = {thersites}, number = {18}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol18}, year = {2024}, language = {en} } @article{WeissWerner2023, author = {Weiß, Adrian and Werner, Eva}, title = {Geschlechterverh{\"a}ltnisse im Dialog}, series = {thersites 16}, volume = {2023}, journal = {thersites 16}, number = {16}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol16.216}, pages = {128 -- 138}, year = {2023}, abstract = {Die abgetrennte Zunge by Katharina Wesselmann deals with gender and power relations in ancient literature and beyond. It has received widespread attention, particularly in popular media. In this interview, thersites examines the book from an academic perspective. We talk to Katharina Wesselmann about the reactions to her work, her methodology and her conclusions. The primary focus of this interview is on what ancient texts may tell us about today's gender issues and vice versa - it, thus, entails a broader discussion about modern Classics.}, language = {de} } @misc{SanchezSanzLaudenbachWeissetal.2023, author = {Sanchez Sanz, Arturo and Laudenbach, Beno{\^i}t and Weiß, Adrian and Werner, Eva and Stachon, Markus and Anders, Friedrich and Barthel, Christian and Berrens, Dominik and Avalli, Andrea and Vandewalle, Alexander and Ferrara, Pasquale and Pohl, Patrik}, title = {Spring Issue}, series = {thersites}, volume = {2023}, journal = {thersites}, number = {16}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol16}, year = {2023}, language = {en} } @misc{SteffensenUrsinColbertetal.2021, author = {Steffensen, Nils and Ursin, Frank and Colbert, Vivian and Carl{\`a}-Uhink, Filippo and Brilke, Clara and Werner, Eva and Warnking, Pascal and Potter, Amanda and Reinard, Patrick}, title = {Spring Issue}, series = {thersites}, volume = {2020}, journal = {thersites}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12}, year = {2021}, language = {en} } @article{BrilkeWerner2021, author = {Brilke, Clara and Werner, Eva}, title = {I am not sure that I feel like singing, thanks very much for asking!}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12.189}, pages = {104 -- 115}, year = {2021}, abstract = {In her writings on ancient myth, the British author Natalie Haynes moves women to the centre of attention. Her two latest books, A Thousand Ships and Pandora's Jar - a fiction novel and a non-fiction one - approach this topic from two different perspectives. This interview takes stock of Haynes' motives and methodology as well as of the challenges she faces in the process of writing.}, language = {en} } @article{KranzdorfWerner2020, author = {Kranzdorf, Anna and Werner, Eva}, title = {„An Herrn Prof. A. Wlosok"}, series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, volume = {2020}, journal = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, number = {11}, editor = {Amb{\"u}hl, Annemarie}, issn = {2364-7612}, doi = {10.34679/thersites.vol11.165}, pages = {343 -- 356}, year = {2020}, abstract = {In contrast to other European countries, female professors of Classical Philology have been severely underrepresented in Germany. This article wants to shed light on Antonie Wlosok (1930-2013), the first or second woman to hold a Chair of Classical Philology in Germany. How can Wlosok's work at Johannes Gutenberg University Mainz be described, considering especially the very male-dominated academic world? Based on testimonials from the university archives and selected publications, this essay aims to give insights to this question, highlighting current debates about women in academia.}, language = {de} } @misc{AnnemarieWeissSchierletal.2020, author = {Annemarie, Amb{\"u}hl and Weiss, Irene M. and Schierl, Petra and Schmitzer, Ulrich and Kirichenko, Alexander and Heinemann, Matthias and Weiß, Adrian and Esposito, Paolo and Grewing, Farouk F. and Merli, Elena and Feichtinger, Barbara and Seng, Helmut and Wieber, Anja and Schollmeyer, Patrick and Kranzdorf, Anna and Werner, Eva and W{\"o}hrle, Georg and Brinker, Wolfram and Di Rocco, Emilia and Wesselmann, Katharina and L{\"o}bcke, Konrad and Benedetti, Ginevra}, title = {tessellae - Birthday Issue for Christine Walde}, series = {thersites}, volume = {2020}, journal = {thersites}, number = {11}, editor = {Amb{\"u}hl, Annemarie}, issn = {2364-7612}, doi = {10.34679/thersites.vol11}, year = {2020}, abstract = {This special birthday issue for Christine Walde, co-founder and co-editor of thersites, features contributions from colleagues and friends. The articles, essays, and book reviews, centering around the honoranda's research interests as well as focusing on core topics of thersites, form a thematically varied mosaic (tessellae): innovative constructions of literary genres and poetics (especially bucolic, elegy, epic, and epigram), images of the city of Rome and its counterparts, sleep and dreams, history of classical scholarship, gender studies, and classical reception studies.}, language = {en} }