@article{Wiemann2013,
  author    = {Wiemann, Dirk},
  title     = {Spectacles of astonishment: tragedy and the regicide in England and Germany, 1649 - 1663},
  isbn      = {978-140-945-556-1},
  year      = {2013},
  language  = {en}
}
@article{Wiemann2013,
  author    = {Wiemann, Dirk},
  title     = {Cities of the mind - villages of the mind},
  series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur},
  volume    = {61},
  journal   = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur},
  number    = {1},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  issn      = {0044-2305},
  doi       = {10.1515/zaa.2013.61.1.59},
  pages     = {59 -- 72},
  year      = {2013},
  abstract  = {Deep into the second half of the twentieth century the traditionalist definition of India as a country of villages remained dominant in official political rhetoric as well as cultural production. In the past two decades or so, this ruralist paradigm has been effectively superseded by a metropolitan imaginary in which the modern, globalised megacity increasingly functions as representative of India as a whole. Has the village, then, entirely vanished from the cultural imaginary in contemporary India? Addressing economic practices from upper-class consumerism to working-class family support strategies, this paper attempts to trace how 'the village' resurfaces or survives as a cultural reference point in the midst of the urban.},
  language  = {en}
}
@article{RobertsStablerFischeretal.2013,
  author    = {Roberts, Andrew Michael and Stabler, Jane and Fischer, Martin H. and Otty, Lisa},
  title     = {Space and pattern in linear and postlinear poetry empirical and theoretical approaches},
  series = {European journal of English studies : official journal of the European Society for the Study of English (ESSE)},
  volume    = {17},
  journal   = {European journal of English studies : official journal of the European Society for the Study of English (ESSE)},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1382-5577},
  doi       = {10.1080/13825577.2012.754967},
  pages     = {23 -- 40},
  year      = {2013},
  abstract  = {This article derives from two interdisciplinary research projects funded by the UK Arts and Humanities Research Council, involving the application of psychological experimental techniques to the study of poetic form and reader response. It discusses the semantic and expressive effects of space and pattern in innovative forms of contemporary British and American poetry. After referring to some historical and theoretical contexts for these issues, the article analyses the results of experiments using eye-tracking, manipulations of text, memory tests and readers' recorded responses and interpretations. The first group of poems studied were lineated, with extended spaces within lines and displacement of lines from the left margin. Referring to a poem from Geoffrey Hill'sCanaan(1996), the authors show that such use of space may serve to articulate syntactical structures, but may also promote richer interpretation by encouraging cross-linear semantic connections. The second technique studied was the break from linear into postlinear poetry, as an initially lineated sequence shifts to pages of dispersed text. In readings of Susan Howe'sPythagorean Silence(fromThe Europe of Trusts, 1990), the authors detected more radical effects of space, shape and pattern, with associated consequences for interpretative strategies and aesthetic responses. Finally, the article discusses the potential for both mutual support and heuristic challenge between an empirical study of reader response, and a historical-theoretical approach as exemplified by Jerome McGann's interpretation ofPythagorean Silence.},
  language  = {en}
}
@article{Mueller2013,
  author    = {M{\"u}ller, Gesine},
  title     = {From "The Novel" (1966) to "The Art of the Novel" (2000) readings of Vargas Llosa as Topos of Latin American Disenchantment},
  series = {Review: Literature and Arts of the Americas},
  volume    = {46},
  journal   = {Review: Literature and Arts of the Americas},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {0890-5762},
  doi       = {10.1080/08905762.2013.780894},
  pages     = {20 -- 25},
  year      = {2013},
  language  = {en}
}
@article{Klettke2013,
  author    = {Klettke, Cornelia},
  title     = {The voice of the other : heterotopy and heterology inBernard-Marie Koltes black battles with dogs},
  year      = {2013},
  language  = {en}
}
@article{D'Aprile2013,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Prussian republicanism? Friedrich Buchholz's reception of James Harrington},
  isbn      = {978-140-945-556-1},
  year      = {2013},
  language  = {en}
}
@book{AbazaDevoucouxChenetal.2013,
  author    = {Abaza, Mona and Devoucoux, Daniel and Chen, Buyun and Firsching-Tovar, Oly and Kawamura, Yuniya and Lehnert, Gertrud and Mentges, Gabriele and Shukla, Pravina},
  title     = {Fusion Fashion : culture beyond orientalism and occidentalism},
  editor    = {Lehnert, Gertrud and Mentges, Gabriele},
  publisher = {Peter Lang GmbH},
  address   = {Frankfurt am Main},
  isbn      = {978-3-631-60975-0},
  pages     = {162 S.},
  year      = {2013},
  abstract  = {The focus of "Fusion Fashion" is on Orientalism as a sartorial practice which has to be differentiated from the common idea of Orientalism by means of its organization, constitution and reception.},
  language  = {en}
}
@book{OPUS4-33923,
  title     = {European contexts for english republicanism},
  series = {Politics and culture in Europa, 1650 - 1750},
  journal   = {Politics and culture in Europa, 1650 - 1750},
  editor    = {Mahlberg, Gaby and Wiemann, Dirk},
  publisher = {Ashgate Publishing Ltd},
  address   = {Farnham},
  isbn      = {978-140-945-556-1},
  pages     = {XI, 273 S.},
  year      = {2013},
  language  = {en}
}