@misc{Adair2017,
  author    = {Adair, Gigi},
  title     = {The "Feringhi Hakīm": medical encounters and colonial ambivalence in Isabella Bird's travels in Japan and Persia},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {120},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-395316},
  pages     = {13},
  year      = {2017},
  abstract  = {This article considers Isabella Bird's representation of medicine in Unbeaten Tracks in Japan (1880) and Journeys in Persia and Kurdistan (1891), the two books in which she engages most extensively with both local (Chinese/Islamic) and Western medical science and practice. I explore how Bird uses medicine to assert her narrative authority and define her travelling persona in opposition to local medical practitioners. I argue that her ambivalence and the unease she frequently expresses concerning medical practice (expressed particularly in her later adoption of the Persian appellation "Feringhi Hakīm" [European physician] to describe her work) serves as a means for her to negotiate the colonial and gendered pressures on Victorian medicine. While in Japan this attitude works to destabilise her hierarchical understanding of science and results in some acknowledgement of traditional Japanese traditions, in Persia it functions more to disguise her increasing collusion with overt British colonial ambitions.},
  language  = {en}
}
@article{AdairMcLaughlin2022,
  author    = {Adair, Gigi and McLaughlin, Carly},
  title     = {Beyond humanitarianism},
  series = {Narrating Flight and Asylum},
  journal   = {Narrating Flight and Asylum},
  publisher = {Trier},
  address   = {WVT Wissenschaftlicher Verlag Trier},
  isbn      = {978-3-86821-965-4},
  pages     = {165 -- 182},
  year      = {2022},
  language  = {en}
}
@article{Adamik2021,
  author    = {Adamik, Verena},
  title     = {Making worlds from literature},
  series = {Thesis eleven : critical theory and historical sociology},
  volume    = {162},
  journal   = {Thesis eleven : critical theory and historical sociology},
  number    = {1},
  publisher = {Sage},
  address   = {London},
  issn      = {0725-5136},
  doi       = {https://doi.org/10.1177/0725513621993308},
  pages     = {105 -- 120},
  year      = {2021},
  abstract  = {While W.E.B. Du Bois's first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon - so-called 'classics' from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space for African Americans in the world (literature) of the 20th century. Weary of the traditions of this 'world literature', the novels complicate and begin to decenter the canon that they draw on. This reading traces what I interpret as subtle signs of frustration over the limits set by the literature that underlies Dark Princess, while its predecessor had been more optimistic in its appropriation of Eurocentric fiction for its propagandist aims.},
  language  = {en}
}
@phdthesis{Adamik2020,
  author    = {Adamik, Verena},
  title     = {In Search of the Utopian States of America},
  series = {Palgrave Studies in Utopianism},
  journal   = {Palgrave Studies in Utopianism},
  publisher = {Palgrave Macmillan},
  address   = {Cham},
  isbn      = {978-3-030-60278-9},
  doi       = {10.1007/978-3-030-60279-6},
  pages     = {xiii, 248},
  year      = {2020},
  abstract  = {This book endeavours to understand the seemingly direct link between utopianism and the USA, discussing novels that have never been brought together in this combination before, even though they all revolve around intentional communities: Imlay's The Emigrants (1793), Hawthorne's The Blithedale Romance (1852), Howland's Papas Own Girl (1874), Griggs's Imperium in Imperio (1899), and Du Bois's The Quest of the Silver Fleece (1911). They relate nation and utopia not by describing perfect societies, but by writing about attempts to immediately live radically different lives. Signposting the respective communal history, the readings provide a literary perspective to communal studies, and add to a deeply necessary historicization for strictly literary approaches to US utopianism, and for studies that focus on Pilgrims/Puritans/Founding Fathers as utopian practitioners. This book therefore highlights how the authors evaluated the USA's utopian potential and traces the nineteenth-century development of the utopian imagination from various perspectives.},
  language  = {en}
}
@phdthesis{anHaack2018,
  author    = {an Haack, Jan},
  title     = {Market and affect in evangelical mission},
  doi       = {10.25932/publishup-42469},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-424694},
  school      = {Universit{\"a}t Potsdam},
  pages     = {viii, 240},
  year      = {2018},
  abstract  = {This text is a contribution to the research on the worldwide success of evangelical Christianity and offers a new perspective on the relationship between late modern capitalism and evangelicalism. For this purpose, the utilization of affect and emotion in evangelicalism towards the mobilization of its members will be examined in order to find out what similarities to their employment in late modern capitalism can be found. Different examples from within the evangelical spectrum will be analyzed as affective economies in order to elaborate how affective mobilization is crucial for evangelicalism's worldwide success. Pivotal point of this text is the exploration of how evangelicalism is able to activate the voluntary commitment of its members, financiers, and missionaries. Gathered here are examples where both spheres—evangelicalism and late modern capitalism—overlap and reciprocate, followed by a theoretical exploration of how the findings presented support a view of evangelicalism as an inner-worldly narcissism that contributes to an assumed re-enchantment of the world.},
  language  = {en}
}
@misc{BalaKerrigan2021,
  author    = {Bala, Sruti and Kerrigan, Dylan},
  title     = {Embodied Practices - Looking from Small Places},
  series = {Minor Constellations in Conversation Lecture Series},
  journal   = {Minor Constellations in Conversation Lecture Series},
  editor    = {Heide, Johanna},
  doi       = {10.25932/publishup-50899},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-508999},
  year      = {2021},
  abstract  = {"Embodied Practices - Looking From Small Places" is an edited transcript of a conversation between theatre and performance scholar Sruti Bala (University of Amsterdam) and sociologist, criminologist and anthropologist Dylan Kerrigan (University of Leicester) that took place as an online event in November 2020. Throughout their talk, Bala and Kerrigan engage with the legacy of Haitian anthropologist Michel-Rolph Trouillot. Specifically, they focus on his approach of looking from small units, such as small villages in Dominica, outwards to larger political structures such as global capitalism, social inequalities and the distribution of power. They also share insights from their own research on embodied practices in the Caribbean, Europe and India and answer questions such as: What can research on and through embodied practices tell us about systems of power and domination that move between the local and the global? How can performance practices which are informed by multiple locations and cultures be read and appreciated adequately? Sharing insights from his research into Guyanese prisons, Kerrigan outlines how he aims to connect everyday experiences and struggles of Caribbean people to trans-historical and transnational processes such as racial capitalism and post/coloniality. Furthermore, he elaborates on how he uses performance practices such as spoken word poetry and data verbalisation to connect with systematically excluded groups. Bala challenges na{\"i}ve notions about the inherent transformative potential of performance in her research on performance and translation. She points to the way in which performance and its reception is always already inscribed in what she calls global or planetary asymmetries. At the conclusion of this conversation, they broach the question: are small places truly as small as they seem?},
  language  = {en}
}
@misc{BarrettEcksteinHurleyetal.2018,
  author    = {Barrett, Lindsay and Eckstein, Lars and Hurley, Andrew Wright and Schwarz, Anja},
  title     = {Remembering German-Australian colonial entanglement},
  series = {Postcolonial studies : culture, politics, economy},
  volume    = {21},
  journal   = {Postcolonial studies : culture, politics, economy},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1443671},
  pages     = {1 -- 5},
  year      = {2018},
  language  = {en}
}
@article{BarthWeingarten2009,
  author    = {Barth-Weingarten, Dagmar},
  title     = {Contrasting and turn transition : prosodic projection with parallel-opposition constructions},
  issn      = {0378-2166},
  doi       = {10.1016/j.pragma.2009.03.007},
  year      = {2009},
  abstract  = {The parallel-opposition construction has not yet been widely described as an independent construction type. This article reports on its realization in everyday British-English conversation. In particular, it focusses on prosodic projection in the lexically and syntactically unmarked first component of this syntactic pattern, and thus adds to the body of research investigating the organization of turn-taking in the context of bi-clausal constructions with which the first part lacks explicit lexical hint, to their continuation. It is shown that the parallel-opposition construction, next to specific semantic-pragmatic, syntactic and lexical features, also exhibits a relatively fixed range of prosodic features in the first conjunct, among these narrow focus, continuing intonation and/or the avoidance of intonation-unit boundary signals. These are used to project continuation of an otherwise complete utterance and, thus, to secure the floor for the expression of contrast. In addition, the detailed analysis of apparently deviant cases, which takes into account the on-line production of syntax, shows that a lack of prosodically projective features in the first component of the parallel-opposition construction can be explained by the strategic, retrospective use of the construction to resolve problems in turn transition.},
  language  = {en}
}
@misc{BarthWeingartenOgden2021,
  author    = {Barth-Weingarten, Dagmar and Ogden, Richard},
  title     = {"Chunking" spoken language},
  series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  publisher = {Universit{\"a}t Potsdam},
  address   = {Potsdam},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-53625},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-536259},
  pages     = {531 -- 548},
  year      = {2021},
  abstract  = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.},
  language  = {en}
}
@article{BarthWeingartenOgden2021,
  author    = {Barth-Weingarten, Dagmar and Ogden, Richard},
  title     = {"Chunking" spoken language},
  series = {Open linguistics},
  volume    = {7},
  journal   = {Open linguistics},
  number    = {1},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {2300-9969},
  doi       = {10.1515/opli-2020-0173},
  pages     = {531 -- 548},
  year      = {2021},
  abstract  = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.},
  language  = {en}
}
@phdthesis{Behrendt2020,
  author    = {Behrendt, Aileen Jorena},
  title     = {Gender Politics and British Women Writers of the 1930s},
  series = {Epistemata : W{\"u}rzburger wissenschaftliche Schriften. Reihe Literaturwissenschaft},
  journal   = {Epistemata : W{\"u}rzburger wissenschaftliche Schriften. Reihe Literaturwissenschaft},
  number    = {937},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-8260-7177-5},
  issn      = {2699-5859},
  pages     = {298},
  year      = {2020},
  abstract  = {Today's focus on the 1930s as a time of radical politics paving the way for the apocalypse of the Second World War ignores the complexity of the decade's cultural responses, especially those by British women writers who highlighted gender issues within their contemporary political climate. The decade's literature is often understood to capture the political unrest, either narrating people's chaotic movement or their paralysed shock. This book argues that 1930s novels collapse the distinction between movement and standstill and calls this phenomenon Dynamic Stasis. This Dynamic Stasis thematically and structurally informs the novels of Nancy Mitford, Stevie Smith, Rosamond Lehmann and Jean Rhys. By disrupting the oft-repeated clich{\´e} of the 1930s as the age of political extremes, gender politics and negotiations of femininity can emerge from the discursive periphery. This book therefore corrects a persistent gender blind spot, which opens up a (re)consideration of authors that have been overlooked in literary criticism of 1930s to this day.},
  language  = {en}
}
@article{BestSchroederHerbert2006,
  author    = {Best, Wendy and Schr{\"o}der, Astrid and Herbert, Ruth},
  title     = {An investigation of a relative impairment in naming non-living items : theoretical and methodological implications},
  issn      = {0911-6044},
  doi       = {10.1016/j.jneuroling.2005.09.001},
  year      = {2006},
  abstract  = {This paper presents a study of PH, a woman with aphasia, who shows a robust impairment in naming pictures of non-living relative to living things. Un-timed investigations of feature knowledge show similar performance across categories suggesting that, as in previous studies, the category effect may be arising at a post-semantic level. However, her performance on a timed feature verification task was slower for non-living than living things (relative to matched controls), in line with her naming. This suggests that the source of PH's category deficit is in fact semantic and that thorough investigation is necessary before claiming a post-semantic category specific deficit in word production. Finally, the results of an intervention study, which apparently eliminated the effect of semantic category on PH's naming, are reported.},
  language  = {en}
}
@misc{Blell1996,
  author    = {Blell, Gabriele},
  title     = {Mitchell, M., Caribbean stories, I see these island; M{\"u}nchen, Langenscheidt-Longman, 1996},
  year      = {1996},
  language  = {en}
}
@misc{Blell1996,
  author    = {Blell, Gabriele},
  title     = {The postcolonial experience : decolonizing the mind ; Langenscheidt-Longman, M{\"u}nchen, 1995 (Viewfinder : Topics)},
  year      = {1996},
  language  = {en}
}
@misc{Blell1996,
  author    = {Blell, Gabriele},
  title     = {Davis, A., Wells, S., Shakespeare and the moving image; Cambridge, Cambridge Univ. Press, 1994},
  year      = {1996},
  language  = {en}
}
@misc{Blell1996,
  author    = {Blell, Gabriele},
  title     = {Freese, P. (Hrsg.), Growing up in a multicultural society, nine american short stories; M{\"u}nchen, Langenscheidt-Longman, 1994 (Viewfinder : Literature)},
  year      = {1996},
  language  = {en}
}
@misc{Blell1995,
  author    = {Blell, Gabriele},
  title     = {Freese, P., From melting pot to multiculturalism; M{\"u}nchen, Langenscheidt-Longman, 1994},
  year      = {1995},
  language  = {en}
}
@article{Blell1994,
  author    = {Blell, Gabriele},
  title     = {Cross-Over : Literature, Paintings and Music},
  year      = {1994},
  language  = {en}
}
@article{Bobda2006,
  author    = {Bobda, Augustin Simo},
  title     = {Irish presence in colonial Cameroon and its linguistic legacy},
  series = {The Celtic Englishes IV : the interface between English and the Celtic languages ; proceedings of the fourth international colloquium on the "Celtic Englishes" held at the University of Potsdam in Golm (Germany) from 22-26 September 2004},
  journal   = {The Celtic Englishes IV : the interface between English and the Celtic languages ; proceedings of the fourth international colloquium on the "Celtic Englishes" held at the University of Potsdam in Golm (Germany) from 22-26 September 2004},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-41011},
  pages     = {217 -- 233},
  year      = {2006},
  abstract  = {Content: 1. Survey of Foreign Influences on English in Cameroon 1.1. Early Foreign Influences in the Formation of English in Cameroon 1.2. Later Influences 2. Irish Linguistic Legacy 2.1. Language Policy 2.2. Structural Aspects of English},
  language  = {en}
}
@book{Bredereck1991,
  author    = {Bredereck, Gabriele},
  title     = {English today II : Lehrerhandbuch},
  editor    = {Gienow, Wilfried and Gr{\"o}cht, Martina and Fiß, Dietrich},
  publisher = {Volk und Wissen},
  address   = {Berlin},
  year      = {1991},
  language  = {en}
}
@article{Brosch2006,
  author    = {Brosch, Renate},
  title     = {Making sense : sense perception in the British novel of the 1980s and 1990s},
  issn      = {0171-5410},
  year      = {2006},
  language  = {en}
}
@article{Brosch2004,
  author    = {Brosch, Renate},
  title     = {Visual Culture},
  year      = {2004},
  language  = {en}
}
@article{Brosch2004,
  author    = {Brosch, Renate},
  title     = {Reason and imagination in English Romanticism : S.T. Coleridge as a culmination point of his time},
  year      = {2004},
  language  = {en}
}
@article{Brosch2003,
  author    = {Brosch, Renate},
  title     = {Insidious interiors : John Singer Sargent's theatrical versions of domestic portraiture},
  year      = {2003},
  language  = {en}
}
@article{Brosch2003,
  author    = {Brosch, Renate},
  title     = {Visible victual : victorian iconographies of dining},
  year      = {2003},
  language  = {en}
}
@article{Brosch2003,
  author    = {Brosch, Renate},
  title     = {Stemming the torrent : expression and control in Victorian discourses on emotion, 1830 - 1872},
  year      = {2003},
  language  = {en}
}
@article{Brosch2002,
  author    = {Brosch, Renate},
  title     = {The funny side of james : genderer lauther in and at Henry James},
  year      = {2002},
  language  = {en}
}
@article{Brosch2002,
  author    = {Brosch, Renate},
  title     = {Romancing the condition of england : making the academic novel work in the literary market place},
  year      = {2002},
  language  = {en}
}
@misc{Brosch2001,
  author    = {Brosch, Renate},
  title     = {Scholz, A.-M., An orgy of proprierty : Jane Austen and the emergence and legacy of the female author in America, 1826 - 1926; Trier, WVT, Wiss. Verl. Trier, 1999},
  year      = {2001},
  language  = {en}
}
@article{Brosch2001,
  author    = {Brosch, Renate},
  title     = {Spectacular Emotions : Edmund Burke{\"i}s Redefinition of visible Identity},
  year      = {2001},
  language  = {en}
}
@article{BroschRippl2004,
  author    = {Brosch, Renate and Rippl, Gabriele},
  title     = {Word and image : Intermedial Relationshs},
  isbn      = {3-88476- 702-X},
  year      = {2004},
  language  = {en}
}
@misc{Brunkhorst1996,
  author    = {Brunkhorst, Martin},
  title     = {Rawson, C. J., Satire and sentiment 1660 - 1830; Cambridge Univ. Press, Cambridge, 1994},
  year      = {1996},
  language  = {en}
}
@article{Brunkhorst1993,
  author    = {Brunkhorst, Martin},
  title     = {Sidney, Shakespeare, and the Contingencies of Performance},
  year      = {1993},
  language  = {en}
}
@article{Brunkhorst1997,
  author    = {Brunkhorst, Martin},
  title     = {Politics, morals, and the development of drama in the restoration period},
  year      = {1997},
  language  = {en}
}
@article{Brunkhorst2000,
  author    = {Brunkhorst, Martin},
  title     = {The very false gallop of verses : Shakespeares Liebeslyrik in As You Like It und Hamlet},
  year      = {2000},
  language  = {en}
}
@article{BurchertDeBleser2004,
  author    = {Burchert, Frank and De Bleser, Ria},
  title     = {Passives in agrammatic sentence comprehension : a German Study},
  year      = {2004},
  abstract  = {Background: A large number of studies examining agrammatic comprehension of canonical and non-canonical sentences in Broca's aphasia have focused on passives and results have been interpreted in theoretical frameworks such as the trace deletion hypothesis (TDH: Grodzinsky, 1995a). However, there are a number of unresolved issues associated with passives. The linguistic analysis of passive structures in different languages has remained controversial as well as the empirical neurolinguistic basis of agrammatic passive comprehension. In addition, a variety of morphological and semantic questions have been raised with respect to the implicit argument in short passives and the ordering of thematic roles reflected by different positions of the by-phrase in long passives. Aims: The major aims of the present study were to re-examine the analyses of passives with and without traces, the role of an implicit argument in short passives, and the influence of the position of the by-phrase on agrammatic sentence comprehension. Methods \& Procedures: A binary picture-sentence matching task was administered to six non-fluent German agrammatic speakers. Various types of passives including long, short, and topicalised passives were tested. Additionally, comprehension of active SVO sentences was assessed in a separate but similar session. Only those patients whose comprehension on active sentences was above chance were included. Outcomes \& Results: As a group, the six subjects performed above chance over all passive types. If only long canonical passives are considered, as is done in most studies, five subjects showed a pattern compatible with the TDH. However, the picture was modified if other passive constructions were taken into account, in which case only three of the six subjects showed TDH conformity. Conclusions: There is no unique pattern of agrammatic passive comprehension and only half of the agrammatic subjects conformed to the trace deletion hypothesis. Given the results on long canonical and topicalised passives, our data support linguistic analyses that assume a trace- based derivation of passives. Furthermore, the results are in line with linguistic analyses adopting an implicit argument in short passives. Since comprehension of topicalised passives with a canonical order of theta-roles was not better than that of long passives without a canonical order, the agrammatic problem with passives does not seem to hinge on semantics},
  language  = {en}
}
@article{BoehnkeBrusbergKiermeierDrexler2010,
  author    = {B{\"o}hnke, Dietmar and Brusberg-Kiermeier, Stefanie and Drexler, Peter},
  title     = {Introduction},
  series = {Victorian highways, Victorian byways : new approaches to nineteenth century British literature and culture},
  journal   = {Victorian highways, Victorian byways : new approaches to nineteenth century British literature and culture},
  publisher = {Trafo},
  address   = {Berlin},
  isbn      = {978-3-89626-939-3},
  pages     = {7 -- 11},
  year      = {2010},
  language  = {en}
}
@article{Carroll1998,
  author    = {Carroll, Susanne},
  title     = {The language acquisition device and linguistic competence : what's in, what's not},
  series = {Interaction and linguistic structures},
  volume    = {4},
  journal   = {Interaction and linguistic structures},
  publisher = {Inst. f{\"u}r Germanistik},
  address   = {Potsdam},
  pages     = {48 S.},
  year      = {1998},
  language  = {en}
}
@article{Carroll1995,
  author    = {Carroll, Susanne},
  title     = {The Hidden Danger in Computer Modelling : remarks on sokolik \& smith's connectionist learning model of french gender},
  year      = {1995},
  language  = {en}
}
@article{Carroll1995,
  author    = {Carroll, Susanne},
  title     = {The Irrelevance of feedback to language learning},
  year      = {1995},
  language  = {en}
}
@article{Carroll1996,
  author    = {Carroll, Susanne},
  title     = {Parameter-setting in SLA : explanas and explanandum},
  year      = {1996},
  language  = {en}
}
@article{Carroll1998,
  author    = {Carroll, Susanne},
  title     = {On processability theory and second language acquisition},
  year      = {1998},
  language  = {en}
}
@book{Carroll2000,
  author    = {Carroll, Susanne},
  title     = {Input and evidence : the raw material of second language acquisition},
  series = {Language acquisition and language disorders},
  volume    = {25},
  journal   = {Language acquisition and language disorders},
  publisher = {J. Benjamins},
  address   = {Amsterdam, Philadelphia},
  isbn      = {1-588-11011-7},
  pages     = {478 S.},
  year      = {2000},
  language  = {en}
}
@article{Carroll2000,
  author    = {Carroll, Susanne},
  title     = {Language contact from a developmental perspective},
  isbn      = {3-8253-0925-8},
  year      = {2000},
  language  = {en}
}
@article{Carroll1999,
  author    = {Carroll, Susanne},
  title     = {Putting "input" in its proper place},
  year      = {1999},
  language  = {en}
}
@article{Carroll1999,
  author    = {Carroll, Susanne},
  title     = {Adults' sensitivity to different sorts of input},
  year      = {1999},
  language  = {en}
}
@article{CarrollRoberge1998,
  author    = {Carroll, Susanne and Roberge, Yves},
  title     = {On the acquisition of morphosyntactic systems},
  year      = {1998},
  language  = {en}
}
@article{CoetzeeVanRooyPeters2021,
  author    = {Coetzee-Van Rooy, Susan and Peters, Arne},
  title     = {A portrait-corpus study of language attitudes towards Afrikaans and English},
  series = {Language matters : studies in the languages of Africa},
  volume    = {52},
  journal   = {Language matters : studies in the languages of Africa},
  number    = {2},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1022-8195},
  doi       = {10.1080/10228195.2021.1942167},
  pages     = {3 -- 28},
  year      = {2021},
  abstract  = {Language portraits are useful instruments to elicit speakers' reflections on the languages in their repertoires. In this study, we implement a "portrait-corpus approach" (Peters and Coetzee-Van Rooy 2020) to investigate the conceptualisations of the languages Afrikaans and English in 105 language portraits. In this approach, we use participants' reflections about their placement of the two languages on a human silhouette as a linguistic corpus. Relying on quantitative and qualitative analyses using WordSmith, Statistica and Atlas.ti, our study shows that Afrikaans is mainly conceptualised as a language that is located in more peripheral areas of the body (for example, the hands and feet) and, hence, is perceived as less important in participants' repertoires. The central location of English in the head reveals its status as an important language in the participants' multilingual repertoires. We argue that these conceptualisations of Afrikaans and English provide additional insight into the attitudes towards these languages in South Africa.},
  language  = {en}
}
@article{CouperKuhlen2004,
  author    = {Couper-Kuhlen, Elizabeth},
  title     = {Prosody and sequence organization in English conversation},
  isbn      = {1-58811-570-4},
  year      = {2004},
  language  = {en}
}
@article{CouperKuhlen2004,
  author    = {Couper-Kuhlen, Elizabeth},
  title     = {Review of Joybrato Mukherjee, form and function of parasyntactic presentation structures : a corpus-based study of talk units in spoken English},
  year      = {2004},
  language  = {en}
}
@article{CouperKuhlen2004,
  author    = {Couper-Kuhlen, Elizabeth},
  title     = {Analyzing language in interaction : the practice of never mind},
  year      = {2004},
  language  = {en}
}
@article{CouperKuhlen2003,
  author    = {Couper-Kuhlen, Elizabeth},
  title     = {On initial boundary tones in English conversation},
  isbn      = {1-87634-649-3},
  year      = {2003},
  language  = {en}
}
@article{Crane2019,
  author    = {Crane, Kylie Ann},
  title     = {Anthropocene Presences and the Limits of Deferral},
  series = {Open library of humanities},
  volume    = {5},
  journal   = {Open library of humanities},
  number    = {1},
  publisher = {Open library of humanities},
  address   = {Cambridge},
  issn      = {2056-6700},
  doi       = {10.16995/olh.348},
  pages     = {24},
  year      = {2019},
  abstract  = {Literary criticism, particularly ecocriticism, occupies an uneasy position with regard to activism: reading books (or plays, or poems) seems like a rather leisurely activity to be undertaking if our environment—our planet—is in crisis. And yet, critiquing the narratives that structure worlds and discourses is key to the activities of the (literary) critic in this time of crisis. If this crisis manifests as a 'crisis of imagination' (e.g. Ghosh), I argue that this not so much a crisis of the absence of texts that address the environmental disaster, but rather a failure to comprehend the presences of the Anthropocene in the present. To interpret (literary) texts in this framework must entail acknowledging and scrutinising the extent of the incapacity of the privileged reader to comprehend the crisis as presence and present rather than spatially or temporally remote. The readings of the novels Carpentaria (2006) and The Swan Book (2013) by Waanyi writer Alexis Wright (Australia) trace the uneven presences of Anthropocenes in the present by way of bringing future worlds (The Swan Book) to the contemporary (Carpentaria). In both novels, protagonists must forge survival amongst ruins of the present and future: the depicted worlds, in particular the representations of the disenfranchisement of indigenous inhabitants of the far north of the Australian continent, emerge as a critique of the intersections of capitalist and colonial projects that define modernity and its impact on the global climate.},
  language  = {en}
}
@article{deOliveira2018,
  author    = {de Oliveira, Milene Mendes},
  title     = {Cultural conceptualizations of business negotiations in the Expanding Circle},
  series = {World Englishes},
  volume    = {37},
  journal   = {World Englishes},
  number    = {4},
  publisher = {Wiley},
  address   = {Hoboken},
  issn      = {0883-2919},
  doi       = {10.1111/weng.12346},
  pages     = {684 -- 696},
  year      = {2018},
  abstract  = {Following recents calls for the inclusion of conceptual aspects into world Englishes research, I report in this article on conceptualizations of business negotiations by Brazilian and German business people. I conducted semi-structured interviews in English with nine participants from each country. Subsequently, I analyzed conceptualizations of respect, success, and conflict in business negotiations by looking at 'conceptual scripts' underlying interviewees' answers. Results point to differences in how the Brazilian and the German interviewees conceptualize business negotiations.},
  language  = {en}
}
@article{Deffa2016,
  author    = {Deffa, Oromiya-Jalata},
  title     = {The impact of homogeneity on intra-group cohesion: a macro-level comparison of minority communities in a Western diaspora},
  series = {Journal of multilingual and multicultural development},
  volume    = {37},
  journal   = {Journal of multilingual and multicultural development},
  publisher = {Elsevier},
  address   = {Abingdon},
  issn      = {0143-4632},
  doi       = {10.1080/01434632.2015.1072203},
  pages     = {343 -- 356},
  year      = {2016},
  abstract  = {Contrary to earlier studies dealing with the cultural identity development of diasporic minorities, this paper assesses the impact of homogeneity on intra-group cohesion and ethnic orientation. To this end, Oromo-Americans, an ethnic group originally located within the national borders of Ethiopia, will be compared to Armenian-Americans, British-Pakistanis and Somali-Americans. Despite different circumstances, all four groups share the experience of displacement owing to war and destitution. Additionally, all groups are confronted with the ramifications of a visible minority status. In the process of comparing these groups, their degrees of homogeneity in regard to language and religion - central aspects of culture and cultural identity - will be examined and juxtaposed at a macro level. Based on the correlative relationship of group homogeneity and social cohesion, I argue that the more homogeneous a group is in terms of language and religion, the more close-knit it will be. Consequently, exiled minorities who share the same language and religion are more likely to develop and retain a strong ethnic orientation than groups who are heterogeneous with regard to language and/or religion.},
  language  = {en}
}
@phdthesis{Deffa2016,
  author    = {Deffa, Oromiya-Jalata},
  title     = {Discursive Construction of Bicultural Identity},
  series = {Duisburger Arbeiten zur Sprach- und Kulturwissenschaft ; 113},
  journal   = {Duisburger Arbeiten zur Sprach- und Kulturwissenschaft ; 113},
  publisher = {Lang},
  address   = {Frankfurt am Main},
  isbn      = {978-3-631-67312-6},
  school      = {Universit{\"a}t Potsdam},
  pages     = {233},
  year      = {2016},
  abstract  = {The author examines the cultural identity development of Oromo-Americans in Minnesota, an ethnic group originally located within the national borders of Ethiopia. Earlier studies on language and cultural identity have shown that the degree of ethnic orientation of minorities commonly decreases from generation to generation. Yet oppression and a visible minority status were identified as factors delaying the process of de-ethnicization. Given that Oromos fled persecution in Ethiopia and are confronted with the ramifications of a visible minority status in the U.S., it can be expected that they have retained strong ties to their ethnic culture. This study, however, came to a more complex and theory-building result.},
  language  = {en}
}
@article{DiewaldWischer2013,
  author    = {Diewald, Gariele and Wischer, Ilse},
  title     = {Markers of futurity in old high german and old english},
  series = {Comparative Studies in Early Germanic Languages},
  journal   = {Comparative Studies in Early Germanic Languages},
  editor    = {Diewald, Gabriele and Kahlas-Karkka, Leena and Wischer, Ilse},
  publisher = {Benjamins Publishing},
  address   = {Amsterdam},
  isbn      = {978-90-272-7145-7},
  pages     = {195 -- 215},
  year      = {2013},
  language  = {en}
}
@article{DomahsBarthaLochyetal.2006,
  author    = {Domahs, Frank and Bartha, Lisa and Lochy, Aliette and Benke, Thomas and Delazer, Margarette},
  title     = {Number words are special : evidence from a case of primary progressive aphasia},
  issn      = {0911-6044},
  doi       = {10.1016/j.jneuroling.2005.07.001},
  year      = {2006},
  abstract  = {We present a patient with primary progressive aphasia who showed no problems dealing with a variety of semantic tasks for simple nouns and numerical material. However, massive impairments became apparent in all lexical input and output tasks for non-number words, whereas peripheral processing was demonstrated to be intact. Interestingly, no parallel impairment was observed for numerals. This is the first case study reporting an isolated sparing of number words at the level of lexical processing in all four modalities.},
  language  = {en}
}
@article{Drexler2003,
  author    = {Drexler, Peter},
  title     = {Defining britishhness from the margins : Peter Weir's gallipoli and hugh hudson's chariots of fire},
  isbn      = {3-89626-292-0},
  year      = {2003},
  language  = {en}
}
@article{Drexler1997,
  author    = {Drexler, Peter},
  title     = {Recolating the nation : Prince Charles and the architectural debate},
  isbn      = {3-89206-863-1},
  year      = {1997},
  language  = {en}
}
@article{Drexler1998,
  author    = {Drexler, Peter},
  title     = {Mapping the gaps : detctives and detective themes in Brithish novels of the 1870s and 1880s},
  year      = {1998},
  language  = {en}
}
@article{Drexler2010,
  author    = {Drexler, Peter},
  title     = {Labour and Gender},
  series = {Victorian highways, Victorian byways : new approaches to nineteenth century British literature and culture},
  journal   = {Victorian highways, Victorian byways : new approaches to nineteenth century British literature and culture},
  publisher = {Trafo},
  address   = {Berlin},
  isbn      = {978-3-89626-939-3},
  pages     = {67 -- 101},
  year      = {2010},
  language  = {en}
}
@article{DrexlerKinskyEhritt2003,
  author    = {Drexler, Peter and Kinsky-Ehritt, Andrea},
  title     = {Introduction},
  isbn      = {3-89626-292-0},
  year      = {2003},
  language  = {en}
}
@article{Dunst2011,
  author    = {Dunst, Alexander},
  title     = {"Android gods : Philipp K. Dick after postmodernism"},
  issn      = {0950-236X},
  year      = {2011},
  language  = {en}
}
@article{Dunst2012,
  author    = {Dunst, Alexander},
  title     = {"After trauma : time and affect in american culture beyond 9/11"},
  issn      = {1353-4645},
  year      = {2012},
  language  = {en}
}
@article{Dunst2013,
  author    = {Dunst, Alexander},
  title     = {The politics of conspiracy theories : American histories and global narratives},
  year      = {2013},
  language  = {en}
}
@article{Dunst2012,
  author    = {Dunst, Alexander},
  title     = {After trauma time and affect in american culture beyond 9/11},
  series = {Parallax},
  volume    = {18},
  journal   = {Parallax},
  number    = {2},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1353-4645},
  doi       = {10.1080/13534645.2012.672244},
  pages     = {56 -- 71},
  year      = {2012},
  language  = {en}
}
@article{DunstEdwards2011,
  author    = {Dunst, Alexander and Edwards, Caroline},
  title     = {"Collective subjects, emancipatory cultures, and political transformation"},
  issn      = {1755-6341},
  year      = {2011},
  language  = {en}
}
@unpublished{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Performing jazz, defying essence},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85574},
  pages     = {15},
  year      = {2006},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Monk Lewis's Timour the Tartar, grand romantic orientalism and imperial melancholy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85503},
  pages     = {23},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Politics of passion and the production of human illegality},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85512},
  pages     = {20},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think local sell global},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85537},
  pages     = {12},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Filming illegals},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85491},
  pages     = {13},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {'We're destroyed if we mix. And we're destroyed if we don't'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529},
  pages     = {11},
  year      = {2012},
  language  = {en}
}
@unpublished{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548},
  pages     = {9},
  year      = {2009},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Recollecting Bones},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103278},
  pages     = {20},
  year      = {2016},
  abstract  = {In the same "guarded, roundabout and reticent way" which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy's words, "the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism's intellectual, ethical and scientific pre-history" (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.},
  language  = {en}
}
@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@unpublished{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in music and the music of unbelonging in Richard Powers's The Time of Our Singing},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85584},
  pages     = {10},
  year      = {2005},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59422},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59201},
  year      = {2009},
  abstract  = {Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips's dialogic imagination Literary imagination and the Zong Massacre: Fred D'Aguiar and David Dabydeen Perspectives},
  language  = {en}
}
@misc{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {M.I.A.'s "Born Free" and the ambivalent politics of authenticity and provocation},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59236},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips},
  isbn      = {978-3-8260-3769-6},
  year      = {2007},
  language  = {en}
}
@book{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Re-Membering the Black Atlantic : on the poetics and politics of literary memory},
  series = {Cross cultures},
  volume    = {84},
  journal   = {Cross cultures},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {94-420-1958-1},
  pages     = {XVI, 289 S.},
  year      = {2006},
  language  = {en}
}
@book{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {English literatures across the globe : a companion},
  series = {UTB : Literaturwissenschaft},
  volume    = {8345},
  journal   = {UTB : Literaturwissenschaft},
  publisher = {Fink},
  address   = {Paderborn},
  isbn      = {978-3-4252-9},
  pages     = {360 S.},
  year      = {2007},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Reading song lyrics},
  series = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  volume    = {137},
  journal   = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {978-90-420-3035-0},
  pages     = {291 S.},
  year      = {2010},
  language  = {en}
}
@article{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"},
  isbn      = {978-3-88476-772- 6},
  year      = {2005},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Agnew, V., Enlightenment Orpheus: the Power of Music in Other Worlds; New York, Oxford Univ. Press, 2008},
  year      = {2011},
  language  = {en}
}
@article{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration},
  year      = {2005},
  language  = {en}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Introduction},
  isbn      = {978-3-8252-8345-2},
  year      = {2007},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2003,
  author    = {Eckstein, Lars},
  title     = {Caribbean - English Passages: Intertextuality in a Postcolonial Tradition},
  year      = {2003},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {Getting back to the idea of art as art : an interview with David Dabydeen},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {The insistence of voices : an interview with Caryl Phillips},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {"Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores},
  isbn      = {978-3-86821-141-2},
  year      = {2009},
  language  = {en}
}
@article{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think global sell global : magical realism, the Whale Rider and the Market},
  isbn      = {978-90-420-3226-2},
  year      = {2010},
  language  = {en}
}
@article{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting},
  isbn      = {978-3-86821-194-8},
  year      = {2009},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {The Culture of Lyrics},
  isbn      = {978-3-868212-259-4},
  year      = {2010},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {The white backlash: conservatisms in contemporary british writing},
  publisher = {Hard Times},
  address   = {Berlin},
  issn      = {0171-1695},
  pages     = {47},
  year      = {2011},
  language  = {en}
}