@misc{Eckstein2009, author = {Eckstein, Lars}, title = {Witi Ihimaera, The Whale Rider}, isbn = {978-3- 476-04000-8}, year = {2009}, language = {en} } @article{Eckstein2007, author = {Eckstein, Lars}, title = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips}, isbn = {978-3-8260-3769-6}, year = {2007}, language = {en} } @article{Eckstein2010, author = {Eckstein, Lars}, title = {Think global sell global : magical realism, the Whale Rider and the Market}, isbn = {978-90-420-3226-2}, year = {2010}, language = {en} } @misc{Eckstein2011, author = {Eckstein, Lars}, title = {The white backlash: conservatisms in contemporary british writing}, publisher = {Hard Times}, address = {Berlin}, issn = {0171-1695}, pages = {47}, year = {2011}, language = {en} } @article{EcksteinReinfandt2003, author = {Eckstein, Lars and Reinfandt, Christoph}, title = {The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu}, year = {2003}, language = {en} } @article{EcksteinSchwarz2019, author = {Eckstein, Lars and Schwarz, Anja}, title = {The making of Tupaia's map}, series = {The journal of pacific history}, volume = {54}, journal = {The journal of pacific history}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {London}, issn = {0022-3344}, doi = {10.1080/00223344.2018.1512369}, pages = {1 -- 95}, year = {2019}, abstract = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.}, language = {en} } @article{Eckstein2001, author = {Eckstein, Lars}, title = {The insistence of voices : an interview with Caryl Phillips}, year = {2001}, language = {en} } @phdthesis{Eckstein2010, author = {Eckstein, Lars}, title = {The Culture of Lyrics}, isbn = {978-3-868212-259-4}, year = {2010}, language = {en} } @misc{EcksteinReinfandt2006, author = {Eckstein, Lars and Reinfandt, Christoph}, title = {The cultural validity of music in contemporary fiction}, series = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)}, volume = {54.2006,1}, journal = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)}, publisher = {K{\"o}nigshausen u. Neumann}, address = {W{\"u}rzburg}, isbn = {3-8260-3365-5}, pages = {vi + 112 S.}, year = {2006}, language = {en} } @article{EcksteinReinfandt2009, author = {Eckstein, Lars and Reinfandt, Christoph}, title = {The adventures of William Bloke, or : romanticism today and how it got here}, year = {2009}, language = {en} } @article{EcksteinLeypoldt2007, author = {Eckstein, Lars and Leypoldt, G{\"u}nter}, title = {T.S. Eliot and the transcultural sublime}, isbn = {978-3-88476-976-8}, year = {2007}, language = {en} } @article{Eckstein2016, author = {Eckstein, Lars}, title = {Sound matters: postcolonial critique for a viral age}, series = {Atlantic studies : literary, cultural and historical perspectives}, volume = {13}, journal = {Atlantic studies : literary, cultural and historical perspectives}, publisher = {American Geophysical Union}, address = {Abingdon}, issn = {1478-8810}, doi = {10.1080/14788810.2016.1216222}, pages = {445 -- 456}, year = {2016}, abstract = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.}, language = {en} } @misc{BarrettEcksteinHurleyetal.2018, author = {Barrett, Lindsay and Eckstein, Lars and Hurley, Andrew Wright and Schwarz, Anja}, title = {Remembering German-Australian colonial entanglement}, series = {Postcolonial studies : culture, politics, economy}, volume = {21}, journal = {Postcolonial studies : culture, politics, economy}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1368-8790}, doi = {10.1080/13688790.2018.1443671}, pages = {1 -- 5}, year = {2018}, language = {en} } @article{Eckstein2020, author = {Eckstein, Lars}, title = {Reflections of Lus{\´a}ni Ciss{\´e}}, series = {Ideology in postcolonial texts and contexts}, journal = {Ideology in postcolonial texts and contexts}, publisher = {Rodopi}, address = {Leiden}, isbn = {978-90-04-42805-8}, doi = {10.1163/9789004437456_010}, pages = {147 -- 161}, year = {2020}, language = {en} } @article{Eckstein2018, author = {Eckstein, Lars}, title = {Recollecting bones}, series = {Postcolonial Studies}, volume = {21}, journal = {Postcolonial Studies}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1368-8790}, doi = {10.1080/13688790.2018.1435146}, pages = {6 -- 19}, year = {2018}, abstract = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.}, language = {en} } @incollection{Eckstein2020, author = {Eckstein, Lars}, title = {Recollecting bones}, series = {Remembering German-Australian colonial entanglements}, booktitle = {Remembering German-Australian colonial entanglements}, publisher = {Routledge}, address = {London}, isbn = {978-0-367-42159-5}, pages = {22 -- 35}, year = {2020}, language = {en} } @article{Eckstein2018, author = {Eckstein, Lars}, title = {Recollecting bones}, volume = {21}, number = {1}, publisher = {Taylor \& Francis}, address = {London}, issn = {1368-8790}, doi = {10.1080/13688790.2018.1435146}, pages = {6 -- 19}, year = {2018}, abstract = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.}, language = {en} } @phdthesis{Eckstein2010, author = {Eckstein, Lars}, title = {Reading song lyrics}, series = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft}, volume = {137}, journal = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft}, publisher = {Rodopi}, address = {Amsterdam}, isbn = {978-90-420-3035-0}, pages = {291 S.}, year = {2010}, language = {en} } @book{Eckstein2006, author = {Eckstein, Lars}, title = {Re-Membering the Black Atlantic : on the poetics and politics of literary memory}, series = {Cross cultures}, volume = {84}, journal = {Cross cultures}, publisher = {Rodopi}, address = {Amsterdam}, isbn = {94-420-1958-1}, pages = {XVI, 289 S.}, year = {2006}, language = {en} } @book{EcksteinBartelsWalleretal.2019, author = {Eckstein, Lars and Bartels, Anke and Waller, Nicole and Wiemann, Dirk}, title = {Postcolonial Literatures in English: An Introduction}, publisher = {Metzler}, address = {Berlin}, isbn = {978-3-476-02674-3}, pages = {V, 202}, year = {2019}, abstract = {Postcoloniale Literatur bezeichnet die nationalen anglophonen Literaturen in den Amerikas, Asien, Afrika und Ozeanien (zeitweise auch New English Literatures genannt). Eine Darstellung nach Regionen ist wegen der migrantischen Bewegungen der Autor/innen allerdings nicht zu leisten. Daher behandelt der Band die zentralen Themen der postkolonialen Debatte, die jeweils Autor/innen aus verschiedenen Regionen betreffen.}, language = {en} } @article{EcksteinReinfandt2006, author = {Eckstein, Lars and Reinfandt, Christoph}, title = {On dancing about architecture : words and music between cultural practise and transcendence}, year = {2006}, language = {en} } @article{EcksteinSchwarz2012, author = {Eckstein, Lars and Schwarz, Anja}, title = {Oceanic modernity : indigeneity, globality and cultural translation}, isbn = {978-8-48-489670-8}, year = {2012}, language = {en} } @book{EcksteinKortePinkeretal.2008, author = {Eckstein, Lars and Korte, Barbara and Pinker, Ulrike and Reinfandt, Christoph}, title = {Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts}, series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft}, volume = {121}, journal = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft}, publisher = {Rodopi}, address = {Amsterdam, New York}, isbn = {978-90-420-2497-7}, pages = {v + 427 S.}, year = {2008}, language = {en} } @misc{Eckstein2009, author = {Eckstein, Lars}, title = {Maurice Duggan Summer in the Gravel Pit}, isbn = {978-3- 476-04000-8}, year = {2009}, language = {en} } @article{Eckstein2015, author = {Eckstein, Lars}, title = {Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition}, series = {Journal of Australian studies}, volume = {39}, journal = {Journal of Australian studies}, number = {4}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1444-3058}, doi = {10.1080/14443058.2015.1076024}, pages = {512 -- 528}, year = {2015}, abstract = {In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive.}, language = {en} } @article{EcksteinLutz2001, author = {Eckstein, Lars and Lutz, Andrea}, title = {Literary missions and global ethic}, isbn = {3-86057-741-7}, year = {2001}, language = {en} } @article{EcksteinWiemann2017, author = {Eckstein, Lars and Wiemann, Dirk}, title = {Kleine Kosmopolitismen}, series = {Global Citizenship - Perspektiven einer Weltgemeinschaft}, journal = {Global Citizenship - Perspektiven einer Weltgemeinschaft}, publisher = {Steidel}, address = {G{\"o}ttingen}, isbn = {978-3-95829-211-6}, pages = {44 -- 53}, year = {2017}, language = {en} } @article{WiemannEckstein2013, author = {Wiemann, Dirk and Eckstein, Lars}, title = {Introduction : towards a cultural politics of passion}, isbn = {978-3-631-60196-9}, year = {2013}, language = {en} } @article{EcksteinKraemer2011, author = {Eckstein, Lars and Kr{\"a}mer, Lucia}, title = {Introduction : postcolonial media cultures}, isbn = {978-3- 86821-332-4}, year = {2011}, language = {en} } @article{Eckstein2007, author = {Eckstein, Lars}, title = {Introduction}, isbn = {978-3-8252-8345-2}, year = {2007}, language = {en} } @article{Eckstein2023, author = {Eckstein, Lars}, title = {Hawaiki according to Tupaia}, series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : ZAA ; a quarterly of language, literature and culture}, volume = {71}, journal = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : ZAA ; a quarterly of language, literature and culture}, number = {1}, publisher = {de Gruyter}, address = {Berlin}, issn = {0044-2305}, doi = {10.1515/zaa-2023-2006}, pages = {55 -- 69}, year = {2023}, abstract = {This essay looks into the concept of an ancestral homeland in Remote Oceania, commonly referred to as Hawaiki ('Avaiki; Havai'i; Hawai'i). Hawaiki intriguingly challenges Eurocentric notions of 'home.' Following the rapid settlement of the so-called Polynesian triangle from Samoa/Tonga at around 1000 AD, Hawaiki has emerged as a concept that is both mythological and real; genealogical and geographic; singular and yet portable, existing in plural regional manifestations. I argue that predominantly Pakeha/Popa'ā research trying to identify Hawaiki as a singular and geographically fixed homeland is misleading. I tap into the archive surrounding the Ra'iātean tahu'a and master navigator Tupaia who joined Captain Cook's crew during his first voyage to the Pacific to offer glimpses of an alternative ontology of home and epistemology of Oceanic 'homing.'}, language = {en} } @article{Eckstein2001, author = {Eckstein, Lars}, title = {Getting back to the idea of art as art : an interview with David Dabydeen}, year = {2001}, language = {en} } @article{EcksteinHurley2020, author = {Eckstein, Lars and Hurley, Andrew}, title = {German-Australian Colonial Entanglements}, series = {Remembering German-Australian colonial entanglements}, journal = {Remembering German-Australian colonial entanglements}, publisher = {Routledge}, address = {London}, isbn = {978-0-367-42159-5}, pages = {1 -- 21}, year = {2020}, abstract = {Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.}, language = {en} } @misc{Eckstein2008, author = {Eckstein, Lars}, title = {Fred D'Aguiar}, isbn = {978-1-85109-441-7}, year = {2008}, language = {en} } @misc{Eckstein2010, author = {Eckstein, Lars}, title = {Erll, A., Mediation, remediation and the dynamics of cultural memory; Berlin, DeGruyter, 2009}, year = {2010}, language = {en} } @book{Eckstein2007, author = {Eckstein, Lars}, title = {English literatures across the globe : a companion}, series = {UTB : Literaturwissenschaft}, volume = {8345}, journal = {UTB : Literaturwissenschaft}, publisher = {Fink}, address = {Paderborn}, isbn = {978-3-4252-9}, pages = {360 S.}, year = {2007}, language = {en} } @article{Eckstein2005, author = {Eckstein, Lars}, title = {Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration}, year = {2005}, language = {en} } @misc{Eckstein2008, author = {Eckstein, Lars}, title = {Dionne Brand}, isbn = {978-1-85109-441-7}, year = {2008}, language = {en} } @article{Eckstein2001, author = {Eckstein, Lars}, title = {Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory}, year = {2001}, language = {en} } @misc{Eckstein2004, author = {Eckstein, Lars}, title = {David Dabydeen}, isbn = {3-520-83804-4}, year = {2004}, language = {en} } @misc{Eckstein2008, author = {Eckstein, Lars}, title = {Caryl Phillips}, isbn = {978-1-85109-441-7}, year = {2008}, language = {en} } @misc{Eckstein2011, author = {Eckstein, Lars}, title = {Carrington, B., Sport and Politics: the Sporting Black Diaspora; London, Sage, 2010}, year = {2011}, language = {en} } @article{Eckstein2003, author = {Eckstein, Lars}, title = {Caribbean - English Passages: Intertextuality in a Postcolonial Tradition}, year = {2003}, language = {en} } @book{EcksteinDengelJanic2008, author = {Eckstein, Lars and Dengel-Janic, Ellen}, title = {Bridehood revisited : disarming concepts of gender and culture in recent asian british film}, isbn = {978-90-420-2497-7}, year = {2008}, language = {en} } @article{Eckstein2005, author = {Eckstein, Lars}, title = {Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"}, isbn = {978-3-88476-772- 6}, year = {2005}, language = {en} } @misc{EcksteinSchwarz2019, author = {Eckstein, Lars and Schwarz, Anja}, title = {Authors' Response: The Making of Tupaia's Map Revisited}, series = {The journal of pacific history}, volume = {54}, journal = {The journal of pacific history}, number = {4}, publisher = {Routledge}, address = {London}, issn = {1469-9605}, doi = {10.1080/00223344.2019.1657500}, pages = {549 -- 561}, year = {2019}, language = {en} } @misc{Eckstein2006, author = {Eckstein, Lars}, title = {Alder, E., Hauck, D., Music and Literature: Music in the Works of Anthony Burgess and E.M. Forster - An Interdisciplinary Study; T{\"u}bingen, Francke, 2005}, year = {2006}, language = {en} } @misc{Eckstein2011, author = {Eckstein, Lars}, title = {Agnew, V., Enlightenment Orpheus: the Power of Music in Other Worlds; New York, Oxford Univ. Press, 2008}, year = {2011}, language = {en} } @article{Eckstein2009, author = {Eckstein, Lars}, title = {Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting}, isbn = {978-3-86821-194-8}, year = {2009}, language = {en} } @article{EcksteinKortePirkeretal.2008, author = {Eckstein, Lars and Korte, Barbara and Pirker, Ulrike and Reinfandt, Christoph}, title = {A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium}, isbn = {978-90-420-2497-7}, year = {2008}, language = {en} } @article{Eckstein2012, author = {Eckstein, Lars}, title = {"We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale}, isbn = {978-3-938944- 60-8}, year = {2012}, language = {en} } @article{Eckstein2009, author = {Eckstein, Lars}, title = {"Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores}, isbn = {978-3-86821-141-2}, year = {2009}, language = {en} }