@misc{Adair2017, author = {Adair, Gigi}, title = {The "Feringhi Hakīm": medical encounters and colonial ambivalence in Isabella Bird's travels in Japan and Persia}, series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe}, number = {120}, issn = {1866-8380}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-395316}, pages = {13}, year = {2017}, abstract = {This article considers Isabella Bird's representation of medicine in Unbeaten Tracks in Japan (1880) and Journeys in Persia and Kurdistan (1891), the two books in which she engages most extensively with both local (Chinese/Islamic) and Western medical science and practice. I explore how Bird uses medicine to assert her narrative authority and define her travelling persona in opposition to local medical practitioners. I argue that her ambivalence and the unease she frequently expresses concerning medical practice (expressed particularly in her later adoption of the Persian appellation "Feringhi Hakīm" [European physician] to describe her work) serves as a means for her to negotiate the colonial and gendered pressures on Victorian medicine. While in Japan this attitude works to destabilise her hierarchical understanding of science and results in some acknowledgement of traditional Japanese traditions, in Persia it functions more to disguise her increasing collusion with overt British colonial ambitions.}, language = {en} } @article{AdairMcLaughlin2022, author = {Adair, Gigi and McLaughlin, Carly}, title = {Beyond humanitarianism}, series = {Narrating Flight and Asylum}, journal = {Narrating Flight and Asylum}, publisher = {Trier}, address = {WVT Wissenschaftlicher Verlag Trier}, isbn = {978-3-86821-965-4}, pages = {165 -- 182}, year = {2022}, language = {en} } @article{Adamik2021, author = {Adamik, Verena}, title = {Making worlds from literature}, series = {Thesis eleven : critical theory and historical sociology}, volume = {162}, journal = {Thesis eleven : critical theory and historical sociology}, number = {1}, publisher = {Sage}, address = {London}, issn = {0725-5136}, doi = {https://doi.org/10.1177/0725513621993308}, pages = {105 -- 120}, year = {2021}, abstract = {While W.E.B. Du Bois's first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon - so-called 'classics' from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space for African Americans in the world (literature) of the 20th century. Weary of the traditions of this 'world literature', the novels complicate and begin to decenter the canon that they draw on. This reading traces what I interpret as subtle signs of frustration over the limits set by the literature that underlies Dark Princess, while its predecessor had been more optimistic in its appropriation of Eurocentric fiction for its propagandist aims.}, language = {en} } @phdthesis{Adamik2020, author = {Adamik, Verena}, title = {In Search of the Utopian States of America}, series = {Palgrave Studies in Utopianism}, journal = {Palgrave Studies in Utopianism}, publisher = {Palgrave Macmillan}, address = {Cham}, isbn = {978-3-030-60278-9}, doi = {10.1007/978-3-030-60279-6}, pages = {xiii, 248}, year = {2020}, abstract = {This book endeavours to understand the seemingly direct link between utopianism and the USA, discussing novels that have never been brought together in this combination before, even though they all revolve around intentional communities: Imlay's The Emigrants (1793), Hawthorne's The Blithedale Romance (1852), Howland's Papas Own Girl (1874), Griggs's Imperium in Imperio (1899), and Du Bois's The Quest of the Silver Fleece (1911). They relate nation and utopia not by describing perfect societies, but by writing about attempts to immediately live radically different lives. Signposting the respective communal history, the readings provide a literary perspective to communal studies, and add to a deeply necessary historicization for strictly literary approaches to US utopianism, and for studies that focus on Pilgrims/Puritans/Founding Fathers as utopian practitioners. This book therefore highlights how the authors evaluated the USA's utopian potential and traces the nineteenth-century development of the utopian imagination from various perspectives.}, language = {en} } @phdthesis{anHaack2018, author = {an Haack, Jan}, title = {Market and affect in evangelical mission}, doi = {10.25932/publishup-42469}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-424694}, school = {Universit{\"a}t Potsdam}, pages = {viii, 240}, year = {2018}, abstract = {This text is a contribution to the research on the worldwide success of evangelical Christianity and offers a new perspective on the relationship between late modern capitalism and evangelicalism. For this purpose, the utilization of affect and emotion in evangelicalism towards the mobilization of its members will be examined in order to find out what similarities to their employment in late modern capitalism can be found. Different examples from within the evangelical spectrum will be analyzed as affective economies in order to elaborate how affective mobilization is crucial for evangelicalism's worldwide success. Pivotal point of this text is the exploration of how evangelicalism is able to activate the voluntary commitment of its members, financiers, and missionaries. Gathered here are examples where both spheres—evangelicalism and late modern capitalism—overlap and reciprocate, followed by a theoretical exploration of how the findings presented support a view of evangelicalism as an inner-worldly narcissism that contributes to an assumed re-enchantment of the world.}, language = {en} } @article{Bahls2004, author = {Bahls, Gudrun}, title = {Vignetten}, isbn = {3-89626-499-0}, year = {2004}, language = {de} } @misc{BalaKerrigan2021, author = {Bala, Sruti and Kerrigan, Dylan}, title = {Embodied Practices - Looking from Small Places}, series = {Minor Constellations in Conversation Lecture Series}, journal = {Minor Constellations in Conversation Lecture Series}, editor = {Heide, Johanna}, doi = {10.25932/publishup-50899}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-508999}, year = {2021}, abstract = {"Embodied Practices - Looking From Small Places" is an edited transcript of a conversation between theatre and performance scholar Sruti Bala (University of Amsterdam) and sociologist, criminologist and anthropologist Dylan Kerrigan (University of Leicester) that took place as an online event in November 2020. Throughout their talk, Bala and Kerrigan engage with the legacy of Haitian anthropologist Michel-Rolph Trouillot. Specifically, they focus on his approach of looking from small units, such as small villages in Dominica, outwards to larger political structures such as global capitalism, social inequalities and the distribution of power. They also share insights from their own research on embodied practices in the Caribbean, Europe and India and answer questions such as: What can research on and through embodied practices tell us about systems of power and domination that move between the local and the global? How can performance practices which are informed by multiple locations and cultures be read and appreciated adequately? Sharing insights from his research into Guyanese prisons, Kerrigan outlines how he aims to connect everyday experiences and struggles of Caribbean people to trans-historical and transnational processes such as racial capitalism and post/coloniality. Furthermore, he elaborates on how he uses performance practices such as spoken word poetry and data verbalisation to connect with systematically excluded groups. Bala challenges na{\"i}ve notions about the inherent transformative potential of performance in her research on performance and translation. She points to the way in which performance and its reception is always already inscribed in what she calls global or planetary asymmetries. At the conclusion of this conversation, they broach the question: are small places truly as small as they seem?}, language = {en} } @article{Bandau2005, author = {Bandau, Anja}, title = {Verwaltigung als Trope ? Texte {\"u}ber den Genozid in Ruanda}, isbn = {3-89626- 538-5}, year = {2005}, language = {de} } @misc{BarrettEcksteinHurleyetal.2018, author = {Barrett, Lindsay and Eckstein, Lars and Hurley, Andrew Wright and Schwarz, Anja}, title = {Remembering German-Australian colonial entanglement}, series = {Postcolonial studies : culture, politics, economy}, volume = {21}, journal = {Postcolonial studies : culture, politics, economy}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1368-8790}, doi = {10.1080/13688790.2018.1443671}, pages = {1 -- 5}, year = {2018}, language = {en} } @article{BarthWeingarten2009, author = {Barth-Weingarten, Dagmar}, title = {Contrasting and turn transition : prosodic projection with parallel-opposition constructions}, issn = {0378-2166}, doi = {10.1016/j.pragma.2009.03.007}, year = {2009}, abstract = {The parallel-opposition construction has not yet been widely described as an independent construction type. This article reports on its realization in everyday British-English conversation. In particular, it focusses on prosodic projection in the lexically and syntactically unmarked first component of this syntactic pattern, and thus adds to the body of research investigating the organization of turn-taking in the context of bi-clausal constructions with which the first part lacks explicit lexical hint, to their continuation. It is shown that the parallel-opposition construction, next to specific semantic-pragmatic, syntactic and lexical features, also exhibits a relatively fixed range of prosodic features in the first conjunct, among these narrow focus, continuing intonation and/or the avoidance of intonation-unit boundary signals. These are used to project continuation of an otherwise complete utterance and, thus, to secure the floor for the expression of contrast. In addition, the detailed analysis of apparently deviant cases, which takes into account the on-line production of syntax, shows that a lack of prosodically projective features in the first component of the parallel-opposition construction can be explained by the strategic, retrospective use of the construction to resolve problems in turn transition.}, language = {en} } @misc{BarthWeingartenOgden2021, author = {Barth-Weingarten, Dagmar and Ogden, Richard}, title = {"Chunking" spoken language}, series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, journal = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe}, publisher = {Universit{\"a}t Potsdam}, address = {Potsdam}, issn = {1866-8380}, doi = {10.25932/publishup-53625}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-536259}, pages = {531 -- 548}, year = {2021}, abstract = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.}, language = {en} } @article{BarthWeingartenOgden2021, author = {Barth-Weingarten, Dagmar and Ogden, Richard}, title = {"Chunking" spoken language}, series = {Open linguistics}, volume = {7}, journal = {Open linguistics}, number = {1}, publisher = {De Gruyter}, address = {Berlin}, issn = {2300-9969}, doi = {10.1515/opli-2020-0173}, pages = {531 -- 548}, year = {2021}, abstract = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.}, language = {en} } @article{BartoschDerichsweilerHeidt2022, author = {Bartosch, Roman and Derichsweiler, Sina and Heidt, Irene}, title = {Against „Values"?}, series = {unterricht_kultur_theorie : Kulturelles Lernen im Fremdsprachenunterricht gemeinsam anders denken}, journal = {unterricht_kultur_theorie : Kulturelles Lernen im Fremdsprachenunterricht gemeinsam anders denken}, editor = {K{\"o}nig, Lotta and Sch{\"a}dlich, Birgit and Surkamp, Carola}, publisher = {J.B. Metzler}, address = {Stuttgart}, isbn = {978-3-662-63782-1}, doi = {10.1007/978-3-662-63782-1_5}, pages = {73 -- 90}, year = {2022}, abstract = {Im Kontext fortschreitender Globalisierung, die sich durch zunehmende Migrationsbewegungen, weltweite Mobilit{\"a}t und globale Kommunikationsformen auszeichnet, ist es nicht l{\"a}nger m{\"o}glich, ‚Kultur' nationalstaatlich im Sinne einer geteilten Sprache und homogen anerkannter Wertordnungen zu verstehen. Vielmehr sind Gemeinschaften unter Bedingungen der Globalisierung sprachlich und kulturell so heterogen geworden, dass Sprecher*innen, die die gleiche ‚Sprache' sprechen, nicht die gleichen objektiven Bedeutungen indizieren, sondern stattdessen auf subjektive Erinnerungen, unterschiedliche moralische Ordnungen, Wahrheiten und {\"U}berzeugungen verweisen.}, language = {de} } @phdthesis{Behrendt2020, author = {Behrendt, Aileen Jorena}, title = {Gender Politics and British Women Writers of the 1930s}, series = {Epistemata : W{\"u}rzburger wissenschaftliche Schriften. Reihe Literaturwissenschaft}, journal = {Epistemata : W{\"u}rzburger wissenschaftliche Schriften. Reihe Literaturwissenschaft}, number = {937}, publisher = {K{\"o}nigshausen \& Neumann}, address = {W{\"u}rzburg}, isbn = {978-3-8260-7177-5}, issn = {2699-5859}, pages = {298}, year = {2020}, abstract = {Today's focus on the 1930s as a time of radical politics paving the way for the apocalypse of the Second World War ignores the complexity of the decade's cultural responses, especially those by British women writers who highlighted gender issues within their contemporary political climate. The decade's literature is often understood to capture the political unrest, either narrating people's chaotic movement or their paralysed shock. This book argues that 1930s novels collapse the distinction between movement and standstill and calls this phenomenon Dynamic Stasis. This Dynamic Stasis thematically and structurally informs the novels of Nancy Mitford, Stevie Smith, Rosamond Lehmann and Jean Rhys. By disrupting the oft-repeated clich{\´e} of the 1930s as the age of political extremes, gender politics and negotiations of femininity can emerge from the discursive periphery. This book therefore corrects a persistent gender blind spot, which opens up a (re)consideration of authors that have been overlooked in literary criticism of 1930s to this day.}, language = {en} } @article{BestSchroederHerbert2006, author = {Best, Wendy and Schr{\"o}der, Astrid and Herbert, Ruth}, title = {An investigation of a relative impairment in naming non-living items : theoretical and methodological implications}, issn = {0911-6044}, doi = {10.1016/j.jneuroling.2005.09.001}, year = {2006}, abstract = {This paper presents a study of PH, a woman with aphasia, who shows a robust impairment in naming pictures of non-living relative to living things. Un-timed investigations of feature knowledge show similar performance across categories suggesting that, as in previous studies, the category effect may be arising at a post-semantic level. However, her performance on a timed feature verification task was slower for non-living than living things (relative to matched controls), in line with her naming. This suggests that the source of PH's category deficit is in fact semantic and that thorough investigation is necessary before claiming a post-semantic category specific deficit in word production. Finally, the results of an intervention study, which apparently eliminated the effect of semantic category on PH's naming, are reported.}, language = {en} } @phdthesis{Bickert2013, author = {Bickert, Stefanie}, title = {Floras rastlose T{\"o}chter hinter dem Gartentor : die Entwicklung weiblichen Selbstbewusstseins im Hausgarten des 19. Jahrhunderts}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-269-8}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-68172}, school = {Universit{\"a}t Potsdam}, pages = {313}, year = {2013}, abstract = {Die Dissertation untersucht von Autorinnen (Louisa Johnson, Jane Loudon, Maria Theresa Earle, Gertrude Jekyll, Elizabeth von Arnim) verfasste Ratgeberliteratur zum Hausgarten f{\"u}r ein weibliches Lesepublikum, mit dem Anspruch an eine praktische Gartent{\"a}tigkeit, im Zeitraum von 1839 bis 1900. Die Genderperspektive steht hieraus folgend im Mittelpunkt der vorliegenden Arbeit. Der Fokus auf die b{\"u}rgerliche Mittelklasse ergibt sich aus der Autorinnenperspektive und der angesprochenen Leserschaft. Die Behandlung des Gartens wird einer Analyse unterzogen, die nach der weiblichen Sicht auf den Garten und einem spezifisch weiblichen Selbstverst{\"a}ndnis der garteninteressierten bzw. g{\"a}rtnernden Frauen fragt. In ihrer Besch{\"a}ftigung mit dem Garten leisten die Frauen einen Beitrag zur Konzeption von m{\"a}nnlich und weiblich, zur Bewertung von Geschlechternormen und deren Verhandlung. Das Schreiben und Lesen {\"u}ber den Garten sowie hieraus resultierende Handlungen waren mit der Konstruktion weiblicher Identit{\"a}t verkn{\"u}pft. In ihrer befreienden Konzeption des Gartens heben sich diese Frauenstimmen zu Weiblichkeitsvorstellungen von anderen gesellschaftlichen zugeschriebenen Wirkungsbereichen ab. An die b{\"u}rgerliche Frau herangetragene Rollenerwartungen werden in den Werken weder affirmativ best{\"a}tigt noch offen subversiv hinterfragt. Es handelt sich vielmehr um ein subtiles Unterlaufen durch das Anbieten von Handlungsfeldern, die dem Wunsch nach Selbstverwirklichung und Selbstbestimmung entgegen kamen. Im Garten als vermeintlich kleinem, hausnah-restriktivem Kontext nehmen die Frauen neue Rollen an und variieren diese. Der Besch{\"a}ftigung mit dem Garten kommt daher ein protofeministischer Charakter vor dem Einsetzen der Ersten Frauenbewegung zu, so dass von einem Gartenfeminismus als Instrument zur weiblichen Bewusstwerdung gesprochen werden kann.}, language = {de} } @phdthesis{Birkner2005, author = {Birkner, Nicola}, title = {AIDS Narratives : die literarische Imagination von Krankheit}, pages = {397 Bl.}, year = {2005}, language = {de} } @misc{Blell1996, author = {Blell, Gabriele}, title = {Mitchell, M., Caribbean stories, I see these island; M{\"u}nchen, Langenscheidt-Longman, 1996}, year = {1996}, language = {en} } @misc{Blell1996, author = {Blell, Gabriele}, title = {The postcolonial experience : decolonizing the mind ; Langenscheidt-Longman, M{\"u}nchen, 1995 (Viewfinder : Topics)}, year = {1996}, language = {en} } @misc{Blell1996, author = {Blell, Gabriele}, title = {Arbeitsgruppe "Bildende Kunst und Musik im Fremsprachenunterricht"}, year = {1996}, language = {de} } @misc{Blell1996, author = {Blell, Gabriele}, title = {Bericht Brandenburgischer Sprachentag 1995}, year = {1996}, language = {de} } @article{Blell1996, author = {Blell, Gabriele}, title = {E. A. Poes und A. Parsons "A Dream Within a Dream"}, year = {1996}, language = {de} } @article{Blell1996, author = {Blell, Gabriele}, title = {Tonkunst als Mittel zur F{\"o}rderung rezeptiver und produktiver Sprachprozesse im fortgeschrittenen Fremdsprachenunterricht}, year = {1996}, language = {de} } @article{Blell1996, author = {Blell, Gabriele}, title = {Zur Arbeit mit k{\"u}nstlerischen Bildtexten im Fremdsprachenunterricht : vom Bild- zum Sprachtext}, year = {1996}, language = {de} } @misc{Blell1996, author = {Blell, Gabriele}, title = {Davis, A., Wells, S., Shakespeare and the moving image; Cambridge, Cambridge Univ. Press, 1994}, year = {1996}, language = {en} } @misc{Blell1996, author = {Blell, Gabriele}, title = {Freese, P. (Hrsg.), Growing up in a multicultural society, nine american short stories; M{\"u}nchen, Langenscheidt-Longman, 1994 (Viewfinder : Literature)}, year = {1996}, language = {en} } @article{Blell1995, author = {Blell, Gabriele}, title = {Gedichte sehen und h{\"o}ren, nicht nur lesen!}, year = {1995}, language = {de} } @misc{Blell1995, author = {Blell, Gabriele}, title = {Freese, P., From melting pot to multiculturalism; M{\"u}nchen, Langenscheidt-Longman, 1994}, year = {1995}, language = {en} } @article{Blell1994, author = {Blell, Gabriele}, title = {Cross-Over : Literature, Paintings and Music}, year = {1994}, language = {en} } @article{Blell1994, author = {Blell, Gabriele}, title = {Vom literarischen Text zum Bild und zum Musikst{\"u}ck : literarisierte Bilder und Musikst{\"u}cke zur F{\"o}rderung der Prozeßorientierung im Fremdsprachenunterricht}, year = {1994}, language = {de} } @article{BlellKrueck1999, author = {Blell, Gabriele and Kr{\"u}ck, Brigitte}, title = {Mediale Textvielfalt und Handlungskompetenz : Sprach- und Sinnbildung im Fremdsprachenunterricht [Vorwort]}, year = {1999}, language = {de} } @article{Bobda2006, author = {Bobda, Augustin Simo}, title = {Irish presence in colonial Cameroon and its linguistic legacy}, series = {The Celtic Englishes IV : the interface between English and the Celtic languages ; proceedings of the fourth international colloquium on the "Celtic Englishes" held at the University of Potsdam in Golm (Germany) from 22-26 September 2004}, journal = {The Celtic Englishes IV : the interface between English and the Celtic languages ; proceedings of the fourth international colloquium on the "Celtic Englishes" held at the University of Potsdam in Golm (Germany) from 22-26 September 2004}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-41011}, pages = {217 -- 233}, year = {2006}, abstract = {Content: 1. Survey of Foreign Influences on English in Cameroon 1.1. Early Foreign Influences in the Formation of English in Cameroon 1.2. Later Influences 2. Irish Linguistic Legacy 2.1. Language Policy 2.2. Structural Aspects of English}, language = {en} } @misc{Bohlen1994, author = {Bohlen, Andreas}, title = {Die sanfte Offensive : Untersuchungen zur Verwendung politischer Euphemismen in britischen und amerikanischen Printmedien bei der Berichterstattung {\"u}ber den Golfkrieg im Spannungsfeld zwischen Verwendung und Mißbrauch der Sprache}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-39213}, year = {1994}, abstract = {Inhalt: 1. Vorbemerkungen 2. Zu einigen philosophischen und theoretisch-linguistischen Grundlagen einer kommunikativ orientierten Betrachtung der Sprache 3. Sprache und menschliche Gesellschaft 4. Der Euphemismus 5. Euphemismen im Golfkrieg - Zur Analyse der Untersuchungsergebnisse 6. Zusammenfassung und Schlußfolgerungen 7. Perspektiven der kommunikativen Sprachforschung bez{\"u}glich 215der Untersuchung des politischen Euphemismus - Forschungsausblick und Schlußbemerkungen}, language = {de} } @phdthesis{Bohlen1992, author = {Bohlen, Andreas}, title = {Untersuchungen zum Problem des politischen Euphemismus in journalistischen Texten des heutigen Englisch}, pages = {313 S.}, year = {1992}, language = {de} } @book{Bredereck1991, author = {Bredereck, Gabriele}, title = {English today II : Lehrerhandbuch}, editor = {Gienow, Wilfried and Gr{\"o}cht, Martina and Fiß, Dietrich}, publisher = {Volk und Wissen}, address = {Berlin}, year = {1991}, language = {en} } @article{Brosch2006, author = {Brosch, Renate}, title = {Making sense : sense perception in the British novel of the 1980s and 1990s}, issn = {0171-5410}, year = {2006}, language = {en} } @article{Brosch2004, author = {Brosch, Renate}, title = {Einleitung}, isbn = {3-89626-400-1}, year = {2004}, language = {de} } @article{Brosch2004, author = {Brosch, Renate}, title = {Die gute Ekphrasis : Grenzg{\"a}nge der Repr{\"a}sentation}, isbn = {3-89626-400-1}, year = {2004}, language = {de} } @article{Brosch2004, author = {Brosch, Renate}, title = {Einleitung : eine etwas andere Moderne}, year = {2004}, language = {de} } @article{Brosch2004, author = {Brosch, Renate}, title = {Visual Culture}, year = {2004}, language = {en} } @article{Brosch2004, author = {Brosch, Renate}, title = {Vernon Lees Theorie der {\"a}sthetischen Erfahrung: Grenzg{\"a}nge der Empathie}, year = {2004}, language = {de} } @article{Brosch2004, author = {Brosch, Renate}, title = {Reason and imagination in English Romanticism : S.T. Coleridge as a culmination point of his time}, year = {2004}, language = {en} } @article{Brosch2003, author = {Brosch, Renate}, title = {Insidious interiors : John Singer Sargent's theatrical versions of domestic portraiture}, year = {2003}, language = {en} } @article{Brosch2003, author = {Brosch, Renate}, title = {Visible victual : victorian iconographies of dining}, year = {2003}, language = {en} } @article{Brosch2003, author = {Brosch, Renate}, title = {Das Never Never als Ort des Begehrens in Patrick Whites Voss}, year = {2003}, language = {de} } @article{Brosch2003, author = {Brosch, Renate}, title = {Autofikationen australischer Aboriginal-Autorinnen}, year = {2003}, language = {de} } @article{Brosch2003, author = {Brosch, Renate}, title = {Stemming the torrent : expression and control in Victorian discourses on emotion, 1830 - 1872}, year = {2003}, language = {en} } @article{Brosch2002, author = {Brosch, Renate}, title = {Patrick White Voss und das Begehren des Anderen}, year = {2002}, language = {de} } @article{Brosch2002, author = {Brosch, Renate}, title = {The funny side of james : genderer lauther in and at Henry James}, year = {2002}, language = {en} } @article{Brosch2002, author = {Brosch, Renate}, title = {Romancing the condition of england : making the academic novel work in the literary market place}, year = {2002}, language = {en} } @article{Brosch2001, author = {Brosch, Renate}, title = {Nackte Akte : Repr{\"a}sendation weiblicher K{\"o}rper und der b{\"o}se Blick des Begehrens}, year = {2001}, language = {de} } @misc{Brosch2001, author = {Brosch, Renate}, title = {Scholz, A.-M., An orgy of proprierty : Jane Austen and the emergence and legacy of the female author in America, 1826 - 1926; Trier, WVT, Wiss. Verl. Trier, 1999}, year = {2001}, language = {en} } @article{Brosch2001, author = {Brosch, Renate}, title = {Spectacular Emotions : Edmund Burke{\"i}s Redefinition of visible Identity}, year = {2001}, language = {en} } @phdthesis{Brosch2001, author = {Brosch, Renate}, title = {Reif-H{\"u}lser, M. (Hrsg.), Borderlands, negotiating boundaries in post-colonial writing; Amsterdam, Rudopi, 1999, ANSEL papers ; 4}, year = {2001}, language = {de} } @phdthesis{Brosch2000, author = {Brosch, Renate}, title = {Krisen des Sehens : Henry James und die Ver{\"a}nderungen der Wahrnehmung im 19. Jahrhundert}, series = {Transatlantic perspectives}, volume = {11}, journal = {Transatlantic perspectives}, publisher = {Stauffenburg-Verl.}, address = {T{\"u}bingen}, isbn = {3-86057-341-1}, pages = {XVI, 567 S.}, year = {2000}, language = {de} } @misc{Brosch2000, author = {Brosch, Renate}, title = {Breger, C. (Hrsg.), Figuren des Dritten, Erkundungen kultureller Zwischenr{\"a}ume; Amsterdam, Rodoph, 1998}, year = {2000}, language = {de} } @article{Brosch2000, author = {Brosch, Renate}, title = {Imperiale Imagination : words metaphorische Neukonzeption der Dichtung}, year = {2000}, language = {de} } @article{BroschRippl2004, author = {Brosch, Renate and Rippl, Gabriele}, title = {Word and image : Intermedial Relationshs}, isbn = {3-88476- 702-X}, year = {2004}, language = {en} } @article{Brunkhorst2005, author = {Brunkhorst, Martin}, title = {"Effie": Becketts Fontane-Zitat und Adornos "Kulturm{\"u}ll"-Vorwurf}, isbn = {3-518-45674-1}, year = {2005}, language = {de} } @article{Brunkhorst2004, author = {Brunkhorst, Martin}, title = {Varianten des analytischen Dramas bei Max Frisch, Harold Pinter und Volker Braun}, isbn = {3-89626-499-0}, year = {2004}, language = {de} } @article{Brunkhorst2003, author = {Brunkhorst, Martin}, title = {Becketts Fußzeug}, isbn = {3-89942-164-7}, year = {2003}, language = {de} } @article{Brunkhorst2002, author = {Brunkhorst, Martin}, title = {Das Maskenspiel als h{\"o}fische Unteraltungsform : Grenzf{\"a}lle einer theatralischen Gattung bei Shakespeare, Milton und Crowne}, year = {2002}, language = {de} } @article{Brunkhorst1998, author = {Brunkhorst, Martin}, title = {Sch{\"a}ferk{\"o}nigin und Maskenspiel bei Sidney, Shakespeare und Milton}, year = {1998}, language = {de} } @article{Brunkhorst1996, author = {Brunkhorst, Martin}, title = {Literatur und Leidenschaft : das Bild des Philologen bei Heinrich Mann, Vladimir Nabokov und Brigitte Kronauer}, year = {1996}, language = {de} } @article{Brunkhorst1996, author = {Brunkhorst, Martin}, title = {Scherz, Satire, Ironie und tiefere Bedeutung in "Krapp's Last Tape"}, year = {1996}, language = {de} } @misc{Brunkhorst1996, author = {Brunkhorst, Martin}, title = {Rawson, C. J., Satire and sentiment 1660 - 1830; Cambridge Univ. Press, Cambridge, 1994}, year = {1996}, language = {en} } @misc{Brunkhorst1995, author = {Brunkhorst, Martin}, title = {Blinn, H., Der deutsche Shakespeare : eine annotierte Bibliographie zur Shakespeare-Rezeption des deutschsprachigen Kulturraums; Schmidt, Berlin, 1993}, year = {1995}, language = {de} } @article{Brunkhorst1998, author = {Brunkhorst, Martin}, title = {Sch{\"a}ferk{\"o}nigin und Maskenspiel bei Sidney, Shakespeare und Milton}, year = {1998}, language = {de} } @article{Brunkhorst1995, author = {Brunkhorst, Martin}, title = {Die englische Literatur im 17. Jahrhundert}, year = {1995}, language = {de} } @article{Brunkhorst1995, author = {Brunkhorst, Martin}, title = {Fugard, Soyinka und die attische Trag{\"o}die : {\"u}ber die Bedingungen der M{\"o}glichkeit eines Konzeptes von Weltliteratur}, year = {1995}, language = {de} } @article{Brunkhorst1995, author = {Brunkhorst, Martin}, title = {Die Grotte der Kalypso : das literarische Programm von "Sanspareil"}, year = {1995}, language = {de} } @article{Brunkhorst1993, author = {Brunkhorst, Martin}, title = {Sidney, Shakespeare, and the Contingencies of Performance}, year = {1993}, language = {en} } @article{Brunkhorst1993, author = {Brunkhorst, Martin}, title = {Virginia Woolf und die Restaurationskom{\"o}die}, year = {1993}, language = {de} } @article{Brunkhorst1998, author = {Brunkhorst, Martin}, title = {Rituale der Grausamkeit - Traditionen des Widerstands: Antikenrezeption bei Ted Hughes, Wole Soyinka und Athol Fugard}, year = {1998}, language = {de} } @article{Brunkhorst1994, author = {Brunkhorst, Martin}, title = {Der Schrei des Laokoon : Anmerkungen zur Dramen{\"a}sthetik bei Lessing, Pirandello und Beckett}, year = {1994}, language = {de} } @article{Brunkhorst1997, author = {Brunkhorst, Martin}, title = {Politics, morals, and the development of drama in the restoration period}, year = {1997}, language = {en} } @misc{Brunkhorst1997, author = {Brunkhorst, Martin}, title = {Bimberg, C., John Dryden und Shakespeare, die Entstehung eines Klassikers; Dortmund, Projekt-Verl., 1995}, year = {1997}, language = {de} } @article{Brunkhorst1997, author = {Brunkhorst, Martin}, title = {Die Grotte der Kalypso : das literarische Programm von Sanspareil}, year = {1997}, language = {de} } @article{Brunkhorst2002, author = {Brunkhorst, Martin}, title = {See, see how the Lovers sit in State together : Trag{\"o}dienschluß und Schlußtableau bei Marlowe, Shakespeare und Dryden}, year = {2002}, language = {de} } @article{Brunkhorst2001, author = {Brunkhorst, Martin}, title = {Preußischer Humanismus : Sophokles, Shakespeare und Tieck}, year = {2001}, language = {de} } @article{Brunkhorst2000, author = {Brunkhorst, Martin}, title = {The very false gallop of verses : Shakespeares Liebeslyrik in As You Like It und Hamlet}, year = {2000}, language = {en} } @article{Brunkhorst2000, author = {Brunkhorst, Martin}, title = {Die Grausamkeit des Atreus : Senecas Botenbericht bei Shakespeare, Cr{\´e}billon und Goethe}, year = {2000}, language = {de} } @misc{Brunkhorst2000, author = {Brunkhorst, Martin}, title = {Bauer, B., (Hrsg.), Staatstheoretische Diskurse im Spiegel der Nationalliteraturen von 1500 bis 1800; Wiesbaden, Harrassowitz, 1998}, year = {2000}, language = {de} } @article{Brunkhorst1999, author = {Brunkhorst, Martin}, title = {Das Experiment mit dem antiken Chor auf der moderenen B{\"u}hne (1585-1803)}, year = {1999}, language = {de} } @article{Brunkhorst1999, author = {Brunkhorst, Martin}, title = {Happy Days : Beckett, Pinter, Wilson und die Ironie}, year = {1999}, language = {de} } @article{BurchertDeBleser2004, author = {Burchert, Frank and De Bleser, Ria}, title = {Passives in agrammatic sentence comprehension : a German Study}, year = {2004}, abstract = {Background: A large number of studies examining agrammatic comprehension of canonical and non-canonical sentences in Broca's aphasia have focused on passives and results have been interpreted in theoretical frameworks such as the trace deletion hypothesis (TDH: Grodzinsky, 1995a). However, there are a number of unresolved issues associated with passives. The linguistic analysis of passive structures in different languages has remained controversial as well as the empirical neurolinguistic basis of agrammatic passive comprehension. In addition, a variety of morphological and semantic questions have been raised with respect to the implicit argument in short passives and the ordering of thematic roles reflected by different positions of the by-phrase in long passives. Aims: The major aims of the present study were to re-examine the analyses of passives with and without traces, the role of an implicit argument in short passives, and the influence of the position of the by-phrase on agrammatic sentence comprehension. Methods \& Procedures: A binary picture-sentence matching task was administered to six non-fluent German agrammatic speakers. Various types of passives including long, short, and topicalised passives were tested. Additionally, comprehension of active SVO sentences was assessed in a separate but similar session. Only those patients whose comprehension on active sentences was above chance were included. Outcomes \& Results: As a group, the six subjects performed above chance over all passive types. If only long canonical passives are considered, as is done in most studies, five subjects showed a pattern compatible with the TDH. However, the picture was modified if other passive constructions were taken into account, in which case only three of the six subjects showed TDH conformity. Conclusions: There is no unique pattern of agrammatic passive comprehension and only half of the agrammatic subjects conformed to the trace deletion hypothesis. Given the results on long canonical and topicalised passives, our data support linguistic analyses that assume a trace- based derivation of passives. Furthermore, the results are in line with linguistic analyses adopting an implicit argument in short passives. Since comprehension of topicalised passives with a canonical order of theta-roles was not better than that of long passives without a canonical order, the agrammatic problem with passives does not seem to hinge on semantics}, language = {en} } @article{Buschmann2005, author = {Buschmann, Albrecht}, title = {Held - Ged{\"a}chtnis - Nation : der Soldat als Symbolfigur der spanischen Literatur bei Max Aub und Javier Cercas}, isbn = {3-89626- 538-5}, year = {2005}, language = {de} } @article{Busse2011, author = {Busse, Lena}, title = {Kubanoamerikaner in New Jersey}, series = {Mobilisierte Kulturen}, journal = {Mobilisierte Kulturen}, number = {2}, issn = {2192-3019}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-53676}, pages = {107 -- 125}, year = {2011}, language = {de} } @article{BoehnkeBrusbergKiermeierDrexler2010, author = {B{\"o}hnke, Dietmar and Brusberg-Kiermeier, Stefanie and Drexler, Peter}, title = {Introduction}, series = {Victorian highways, Victorian byways : new approaches to nineteenth century British literature and culture}, journal = {Victorian highways, Victorian byways : new approaches to nineteenth century British literature and culture}, publisher = {Trafo}, address = {Berlin}, isbn = {978-3-89626-939-3}, pages = {7 -- 11}, year = {2010}, language = {en} } @article{Carroll1998, author = {Carroll, Susanne}, title = {The language acquisition device and linguistic competence : what's in, what's not}, series = {Interaction and linguistic structures}, volume = {4}, journal = {Interaction and linguistic structures}, publisher = {Inst. f{\"u}r Germanistik}, address = {Potsdam}, pages = {48 S.}, year = {1998}, language = {en} } @article{Carroll1995, author = {Carroll, Susanne}, title = {The Hidden Danger in Computer Modelling : remarks on sokolik \& smith's connectionist learning model of french gender}, year = {1995}, language = {en} } @article{Carroll1995, author = {Carroll, Susanne}, title = {The Irrelevance of feedback to language learning}, year = {1995}, language = {en} } @article{Carroll1997, author = {Carroll, Susanne}, title = {Le point de d{\´e}part : la notion d'input dans une th{\´e}orie de l'acquisition d'une langue seconde}, year = {1997}, language = {fr} } @article{Carroll1996, author = {Carroll, Susanne}, title = {Parameter-setting in SLA : explanas and explanandum}, year = {1996}, language = {en} } @article{Carroll1998, author = {Carroll, Susanne}, title = {On processability theory and second language acquisition}, year = {1998}, language = {en} } @book{Carroll2000, author = {Carroll, Susanne}, title = {Input and evidence : the raw material of second language acquisition}, series = {Language acquisition and language disorders}, volume = {25}, journal = {Language acquisition and language disorders}, publisher = {J. Benjamins}, address = {Amsterdam, Philadelphia}, isbn = {1-588-11011-7}, pages = {478 S.}, year = {2000}, language = {en} } @article{Carroll2000, author = {Carroll, Susanne}, title = {Language contact from a developmental perspective}, isbn = {3-8253-0925-8}, year = {2000}, language = {en} } @article{Carroll1999, author = {Carroll, Susanne}, title = {Putting "input" in its proper place}, year = {1999}, language = {en} } @article{Carroll1999, author = {Carroll, Susanne}, title = {Adults' sensitivity to different sorts of input}, year = {1999}, language = {en} } @article{CarrollRoberge1998, author = {Carroll, Susanne and Roberge, Yves}, title = {On the acquisition of morphosyntactic systems}, year = {1998}, language = {en} }